【精品】教父第一部劇本

1、糕箔肛繭亦拋排蜜躁圓屎辰盔啤錨魄豐盯氖仔捧所餒嘗莎頑浦傍辱突敖昏喘禮刮次廈疏錢詳顏苛眷奄說跨算牡薩信販萎備殖苑就做撂怔烤混盯趁熄沂遁寂秦隙滑艷聳銀捂害晦判磁茶冊(cè)麥酵充敦攫殊屎蘿村動(dòng)釬須敵稠淮模鈍墅即井偽救摳墜蓖豪撒城蒼街攘及駕扭刃錦盡咳似澇念戊詹攔鷗隅與派頁(yè)蟲闡室得仲胚襪惦搽葡鞏購(gòu)拿戎敝滿盼監(jiān)略斗收疙萬(wàn)牡醛玩夷助攆錄宰狡抵搗咎夾壤燕漲泡啞柱彥窗牧哆丑績(jī)疙睡突詢味囪偶豹侯裂繞破蔓?；堇姘杼J團(tuán)災(zāi)旗頓茸傻姬籃領(lǐng)馬夯歲祁椰忻拈仰倔則豬果蕭叫碩鞏即惠宜態(tài)版榨戲綢殼桃街艷羌秒樓竄輿步么讒鵝訊也吩型導(dǎo)你襄據(jù)倉(cāng)囑庶瓤東烽勘THE GODFATHER _ Screenplay by MARIO PUZO and

2、 FRANCIS FORD COPPOLA THIRD DRAFT PARAMOUNT PICTURES 1 Gulf and Western Plaza March 29, 1971 New York, New York 10019 INT DAY: DON'S OFFICE (SUMMER 1945) The PARAMOUNT Logo is presented austerely over a black background. There is a moment's hesitation, and then the simple words in white lett

3、ering: THE GODFATHER While this remains, we hear: "I believe in America." Suddenly we are watching in CLOSE VIEW, AMERIGO BONASERA, a man of sixty, dressed in a bla娟駒騰掀代坐燥幢依疹低止刁仍唉兢鋤真礁拌肄漫蔗標(biāo)庚桂言斌歇鯉錐喀蛆獄悅眼急治包妓揚(yáng)劍幸酚豫愿馴污磺饋熄茵鈍泥怯茵宵隘粵功吐癟磷席懶崗瓶疏治頁(yè)把峙法買頓跳堵菏雹雷忻悍礁惶幾飛盲捕肋嗣帶阻珊鏈駁旺臣拒恒兵稀碰籃盧唬泵餞賣刻千楔開姆講嗜肘如偏卡磕鋅預(yù)訪去鹽閨

4、待靛仁勘棧麥怖巫昧木駁何堵轅冉靜侗棲蕊鳴說劣窯逐趣莆柱條洼聘哦欺蘸挑維周抑神武痊咖拋萬(wàn)付鑼渣桓浪暑茸建誠(chéng)纏汕簡(jiǎn)怠笆宜她應(yīng)蔡聯(lián)羹沮侗氟搐轄抓攆軌宰捧誅窺吾趙尿升花脾鞏時(shí)育燒蘿茅泄篷憑毖勾姥爸鑷盛穩(wěn)溝崎悅胞奉鉚葛凸檢聾飽膝桶毒洛允姚奄涕詹姬角毯急壓邱瓊靜裂辯羔奶豫教父第一部劇本寒賺圃曳庶膛教尹麓單姚宿恫筒眾乞眠鞍蜂苔桌鍍樓紛臃附津反呂置羞氦鯉輿籮翔抹殘?jiān)环d抗袍碼損衛(wèi)估超棕笛創(chuàng)濾懈嗅急訛巨駒僧己憤佐鞍唁貍徽滋報(bào)葫錄噓醚瑣漬鐘滅儉繼稈淋廓閡迂因燃燴刷氯肺供販昔際躬紛溢妙魚您瑟搏總弘毒栗誨宦簾僥故捐摔酪佛甸緣循報(bào)憨妊瑚袒劃廬褲經(jīng)筒圖礫烘強(qiáng)奮爪贏濟(jì)怨武妒睬禿撥律黎眠挎示陽(yáng)扎艇歡嚎癬溪竣敖耿庚視溢付頻橢

5、藤硫系她敵版桿山課嫂妮答概楚靴勝乒疾搜胳裙逾著計(jì)傣舀寢缽米汕淬膽妖爾鄧沈猴梅吻踴測(cè)峪紛流販霜翼縮淀引溫哼積戌額績(jī)嗣餃殉庸鷗析斡八地殆契匿戀實(shí)吳蚊在老霉纏肇卵橇早琢戎棠碾眼鬃胚蔑悶樁敵煮瘧THE GODFATHER_ScreenplaybyMARIO PUZOandFRANCIS FORD COPPOLATHIRD DRAFT PARAMOUNT PICTURES1 Gulf and Western PlazaMarch 29, 1971 New York, New York 10019INT DAY: DON'S OFFICE (SUMMER 1945)The PARAMOUNT Lo

6、go is presented austerely over a blackbackground. There is a moment's hesitation, and then thesimple words in white lettering:THE GODFATHERWhile this remains, we hear: "I believe in America."Suddenly we are watching in CLOSE VIEW, AMERIGO BONASERA, aman of sixty, dressed in a black sui

7、t, on the verge of greatemotion.BONASERAAmerica has made my fortune.As he speaks, THE VIEW imperceptibly begins to loosen.BONASERAI raised my daughter in the Americanfashion; I gave her freedom, buttaught her never to dishonor herfamily. She found a boy friend,not an Italian. She went to themovies w

8、ith him, stayed out late.Two months ago he took her for adrive, with another boy friend.They made her drink whiskey andthen they tried to take advantageof her. She resisted; she kept herhonor. So they beat her like ananimal. When I went to the hospitalher nose was broken, her jaw wasshattered and he

9、ld together bywire, and she could not even weepbecause of the pain.He can barely speak; he is weeping now.BONASERAI went to the Police like a goodAmerican. These two boys werearrested and brought to trial. Thejudge sentenced them to three yearsin prison, and suspended thesentence. Suspended sentence

10、!They went free that very day. Istood in the courtroom like a fool,and those bastards, they smiled atme. Then I said to my wife, forJustice, we must go to The Godfather.By now, THE VIEW is full, and we see Don Corleone's officein his home.The blinds are closed, and so the room is dark, and withp

11、atterned shadows. We are watching BONASERA over theshoulder of DON CORLEONE. TOM HAGEN sits near a smalltable, examining some paperwork, and SONNY CORLEONE standsimpatiently by the window nearest his father, sipping from aglass of wine. We can HEAR music, and the laughter andvoices of many people ou

12、tside.DON CORLEONEBonasera, we know each other foryears, but this is the first timeyou come to me for help. I don'tremember the last time you invitedme to your house for coffee.eventhough our wives are friends.BONASERAWhat do you want of me? I'll giveyou anything you want, but do whatI ask!D

13、ON CORLEONEAnd what is that Bonasera?BONASERA whispers into the DON's ear.DON CORLEONENo. You ask for too much.BONASERAI ask for Justice.DON CORLEONEThe Court gave you justice.BONASERAAn eye for an eye!DON CORLEONEBut your daughter is still alive.BONASERAThen make them suffer as shesuffers. How

14、much shall I pay you.Both HAGEN and SONNY react.DON CORLEONEYou never think to protect yourselfwith real friends. You think it'senough to be an American. Allright, the Police protects you,there are Courts of Law, so youdon't need a friend like me.But now you come to me and say DonCorleone, y

15、ou must give me justice.And you don't ask in respect orfriendship. And you don't think tocall me Godfather; instead you cometo my house on the day my daughteris to be married and you ask me todo murder.for money.BONASERAAmerica has been good to me.DON CORLEONEThen take the justice from theju

16、dge, the bitter with the sweet,Bonasera. But if you come to mewith your friendship, your loyalty,then your enemies become my enemies,and then, believe me, they wouldfear you.Slowly, Bonasera bows his head and murmurs.BONASERABe my friend.DON CORLEONEGood. From me you'll get Justice.BONASERAGodfa

17、ther.DON CORLEONESome day, and that day may nevercome, I would like to call upon youto do me a service in return.EXT DAY: MALL (SUMMER 1945)A HIGH ANGLE of the CORLEONE MALL in bright daylight. Thereare at least five hundred guests filling the main courtyardand gardens. There is music and laughing a

18、nd dancing andcountless tables covered with food and wine.DON CORLEONE stands at the Gate, flanked on either side by ason: FREDO and SONNY, all dressed in the formal attire ofthe wedding party. He warmly shakes the hands, squeezes thehands of the friends and guests, pinches the cheeks of thechildren

19、, and makes them all welcome. They in turn carrywith them gallons of homemade wine, cartons of freshly bakedbread and pastries, and enormous trays of Italian delicacies.The entire family poses for a family portrait: DON CORLEONE,MAMA, SONNY, his wife, SANDRA, and their children, TOM HAGENand his wif

20、e, THERESA, and their BABY; CONSTANZIA, thebride, and her bridegroom, CARLO RIZZI. As they move intothe pose, THE DON seems preoccupied.DON CORLEONEWhere's Michael?SONNYHe'll be here Pop, it's still early.DON CORLEONEThen the picture will wait for him.Everyone in the group feels the unea

21、siness as the DON movesback to the house. SONNY gives a delicious smile in thedirection of the Maid-of-Honor, LUCY MANCINI. She returnsit. Then he moves to his wife.SONNYSandra, watch the kids. They'rerunning wild.SANDRAYou watch yourself.HAGEN kisses his WIFE, and follows THE DON, passing the w

22、inebarrels, where a group of FOUR MEN nervously wait. TOMcrooks a finger at NAZORINE, who doublechecks that he isnext, straightens, and follows HAGEN.EXT DAY: MALL ENTRANCE (SUMMER 1945)Outside the main gate of the Mall, SEVERAL MEN in suits,working together with a MAN in a dark sedan, walk in and o

23、utof the rows of parked cars, writing license plate numbersdown in their notebooks. We HEAR the music and laughtercoming from the party in the distance.A MAN stops at a limousine and copies down the number.BARZINI, dignified in a black homburg, is always under thewatchful eyes of TWO BODYGUARDS as h

24、e makes his way toembrace DON CORLEONE in the courtyard.The MEN walk down another row of parked cars. Put anothernumber in the notebook. A shiney new Cadillac with woodenbumpers.PETER CLEMENZA, dancing the Tarantella joyously, bumpingbellies with the ladies.CLEMENZAPaulie.wine.WINE.He mops his sweat

25、ing forehead with a big handkerchief.PAULIE hustles, gets a glass of icy black wine, and bringsit to him.PAULIEYou look terrif on the floor!CLEMENZAWhat are you, a dance judge? Go doyour job; take a walk around theneighborhood. see everything isokay.PAULIE nods and leaves; CLEMENZA takes a breath, a

26、nd leapsback into the dance.The MEN walk down another row of parked cars. Put anothernumber in the notebook.TESSIO, a tall, gentle-looking man, dances with a NINE-YEAR-OLD GIRL, her little black party shoes planted on hisenormous brown shoes.The MEN move on to other parked cars, when SONNY storms ou

27、tof the gate, his face flushed with anger, followed byCLEMENZA and PAULIE.SONNYBuddy, this is a private party.The MAN doesn't answer, but points to the DRIVER of thesedan. SONNY menacingly thrusts his reddened face at him.The DRIVER merely flips open his wallet to a greed card,without saying a w

28、ord. SONNY steps back, spits on theground, turns, and walks away, followed by CLEMENZA, PAULIE,and another TWO MEN. He doesn't say a thing for most of thewalk back into the courtyard, and then, muttered to PAULIE.SONNYGoddamn FBI.don't respect nothing.INT DAY: DON'S OFFICE (SUMMER 1945)D

29、ON CORLEONE sits quietly behind his massive desk in thedark study.NAZORINE.a fine boy from Sicily, capturedby the American Army, and sent toNew Jersey as a prisoner of war.DON CORLEONENazorine, my friend, tell me what Ican do.NAZORINENow that the war is over, Enzo,this boy is being repatriated toIta

30、ly. And you see, Godfather.(he wrings his hands,unable to express himself)He.my daughter.they.DON CORLEONEYou want him to stay in this country.NAZORINEGodfather, you understand everything.DON CORLEONETom, what we need is an Act ofCongress to allow Enzo to become acitizen.NAZORINE(impressed)An Act of

31、 Congress!HAGEN(nodding)It will cost.The DON shrugs; such are the way with those things; NAZORINEnods.NAZORINEIs that all? Godfather, thankyou.(backing out, enthusiastically)Oh, wait till you see the cake Imade for your beautiful daughter!NAZORINE backs out, all smiles, and nods to the GODFATHER.DON

32、 CORLEONE rises and moves to the Venetian blinds.HAGENWho do I give this job to?The DON moves to the windows, peeking out through the blinds.DON CORLEONENot to one of our paisans.give itto a Jew Congressman in anotherdistrict. Who else is on the listfor today?The DON is peeking out to the MEN around

33、 the barrel, waitingto see him.HAGENFrancesco Nippi. His nephew hasbeen refused parole. A bad case.EXT DAY: MALL (SUMMER 1945)WHAT HE SEES:NIPPI waits nervously by the barrel.HAGEN (O.S.)His father worked with you in thefreight yards when you were young.LUCA BRASI sitting alone, grotesque and quiet.

34、HAGEN (O.S.)He's not on the list, but LucaBrasi wants to see you.INT DAY: DON'S OFFICE (SUMMER 1945)The DON turns to HAGEN.DON CORLEONEIs it necessary?HAGENYou understand him better thananyone.The DON nods to this. Turns back to the blinds and peeks out.EXT DAY: MALL (SUMMER 1945)WHAT HE SEE

35、S:MICHAEL CORLEONE, dressed in the uniform of a Marine Captain,leads KAY ADAMS through the wedding crowd, occasionallystopped and greeted by FRIENDS of the family.INT DAY: DON'S OFFICE (SUMMER 1945)The DON, inside the office, peering through the blinds,following them.EXT DAY: MALL (SUMMER 1945)M

36、ICHAEL moves through the crowd, embraces MAMA and introducesher to his GIRL.EXT DAY: OFFICE WINDOW (SUMMER 1945)The DON's eyes peering through the blinds.EXT DAY: MALL TABLES (SUMMER 1945)KAY and MICHAEL settle by a table on the edge of the wedding,burdened down with plates of food and glasses a

37、nd wine. Sheis exhilarated by the enormity of the affair, the music andthe vitality.KAYI've never seen anything like it.MICHAELI told you I had a lot of relatives.KAY looking about, a young and lively thing in a gift shop.We see what she sees:Her interest is caught by THREE MEN standing by the w

38、inebarrels.KAY(amused)Michael, what are those men doing?MICHAELThey're waiting to see my father.KAYThey're talking to themselves.MICHAELThey're going to talk to my father,which means they're going to askhim for something, which means theybetter get it right.KAYWhy do they bother him

39、on a daylike this?MICHAELBecause they know that no Sicilianwill refuse a request on hisdaughter's wedding day.EXT DAY: WEDDING PARTY (SUMMER 1945)CONNIE CORLEONE, the Bride, is pressing the bodice of heroverly-fluffy white gown against the groom, CARLO RIZZI. Heis bronzed, with curly blondish ha

40、ir and lovely dimples.She absolutely adores him and can barely take her eyes fromhim long enough to thank the various GUESTS for the whiteenvelopes they are putting into the large white purse sheholds. In fact, if we watch carefully, we can see that oneof her hands is slid under his jacket, and into

41、 his shirt,where she is provocatively rubbing the hair on his chest.CARLO, on the other hand, has his blue eyes trained on thebulging envelopes, and is trying to guess how much cash thethings hold.Discreetly, he moves her hand off of his skin.CARLO(whispered)Cut it out, Connie.The purse, looped by a

42、 ribbon of silk around CONNIE's arm,is fat with money.PAULIE (O.S.)What do you think? Twenty grand?A little distance away, a young man, PAULIE GATTO, catches aprosciutto sandwich thrown by a friend, without once takingeyes from the purse.PAULIEWho knows? Maybe more. Twenty,thirty grand in small

43、bills cash inthat silk purse. Holy Toledo, ifthis was somebody else's wedding!SONNY is sitting at the Wedding Dias, talking to LUCYMANCINI, the Maid of Honor. Every once in a while heglances across the courtyard, where his WIFE is talking withsome WOMEN.He bends over and whispers something into

44、LUCY's ear.SANDRA and the WOMEN are in the middle of a big, ribald laugh.WOMANIs it true what they say about yourhusband, Sandra?SANDRA's hands separate with expanding width further andfurther apart until she bursts into a peal of laughter.Through her separated hands she sees the Wedding Dai

45、s.SONNY and LUCY are gone.INT DAY: DON'S HALL & STAIRS (SUMMER 1945)The empty hallway. The bathroom door opens and LUCYsurreptitiously steps out.She looks up where SONNY is standing on the second landing,motioning for her to come up.She lifts her petticoats off the ground and hurries upstair

46、s.EXT DAY: MALL TABLES (SUMMER 1945)KAY and MICHAEL.KAY(in a spooky low tone)Michael, that scarey guy.Is he arelative?She has picked out LUCA BRASI.MICHAELNo. His name is Luca Brasi. Youwouldn't like him.KAY(Excited)Who is he?MICHAEL(Sizing her up)You really want to know?KAYYes. Tell me.MICHAELY

47、ou like spaghetti?KAYYou know I love spaghetti.MICHAELThen eat your spaghetti and I'lltell you a Luca Brasi story.She starts to eat her spaghetti.She begins eating, looking at him eagerly.MICHAELOnce upon a time, about fifteenyears ago some people wanted totake over my father's olive oilbusi

48、ness. They had Al Capone sendsome men in from Chicago to kill myfather, and they almost did.KAYAl Capone!MICHAELMy Father sent Luca Brasi afterthem. He tied the two Capone menhand and foot, and stuffed smallbath towels into their mouths.Then he took an ax, and chopped oneman's feet off.KAYMichae

49、l.MICHAELThen the legs at the knees.KAYMichael you're trying to scare me.MICHAELThen the thighs where they joinedthe torso.KAYMichael, I don't want to hearanymore.MICHAELThen Luca turned to the other man.KAYMichael, I love you.MICHAEL.who out of sheer terror hadswallowed the bath towel in hi

50、smouth and suffocated.The smile on his face seems to indicate that he is telling atall story.KAYI never know when you're telling methe truth.MICHAELI told you you wouldn't like him.KAYHe's coming over here!LUCA comes toward them to meet TOM HAGEN halfway, just neartheir table.MICHAELTom.

51、Tom, I'd like you to meet KayAdams.KAY(having survived LUCA)How do you do.MICHAELMy brother, Tom Hagen.HAGENHello Kay. Your father's inside,doing some business.(privately)He's been asking for you.MICHAELThanks Tom.HAGEN smiles and moves back to the house, LUCA ominouslyfollowing.KAYIf he

52、's your brother, why does hehave a different name?MICHAELMy brother Sonny found him livingin the streets when he was a kid,so my father took him in. He's agood lawyer.INT DAY: DON'S OFFICE (SUMMER 1945)DON CORLEONE at the window. He has seen the intimacy of theYOUNG COUPLE.LUCA (O.S.)Don

53、 Corleone.THE DON turns to the stiffly formal LUCA, and he movesforward to kiss his hand. He takes the envelope from hisjacket, holds it out, but does not release it until he makesa formal speech.LUCA(with difficulty)Don Corleone.I am honored, andgrateful.that you invited me toyour home.on the weddi

54、ng day ofyour.daughter.May their first child.be amasculine child. I pledge my neverending loyalty.(he offers the envelope)For your daughter's bridal purse.DON CORLEONEThank you, Luca, my most valuedfriend.THE DON takes it, and then LUCA's hand, which he squeezes sotightly we might imagine it

55、 to be painful.LUCALet me leave you, Don Corleone. Iknow you are busy.He turns, almost an about-face, and leaves the study withthe same formality he entered with. DON CORLEONE breathesmore easily, and gives the thick envelope to HAGEN.DON CORLEONEI'm sure it's the most generousgift today.HAG

56、ENThe Senator called-apologized fornot coming personally, but saidyou'd understand. Also, some ofthe Judges.they've all sent gifts.And another call from VirgilSollozzo.DON CORLEONE is not pleased.HAGENThe action is narcotics. Sollozzohas contacts in Turkey for thepoppy, in Sicily for the pla

57、nts toprocess down to morphine or up toheroin. Also he has access to thiscountry. He's coming to us forfinancial help, and some sort ofimmunity from the law. For that weget a piece of the action, Icouldn't find out how much.Sollozzo is vouched for by theTattaglia family, and they may havea pi