文字材料-活動(dòng)畫冊(cè)

致辭4薩米聲音SAMI策展人寒寧致辭IntroductionbyHenning5薩米男孩SAMI極地光影來自北方的故5少女麥根OMG（OHMáIGONBeyondFrozenPoint:Storiesfromthe7燃燒的BURNING拉普蘭德聯(lián)合SáPMI策展人致辭IntroductionbyKaimei9如海般áHPI-WIDEAS冰封之地，靈動(dòng)影9FrozenLand,MovingPictures:StoriesTHECHINESEthe錘子鐮刀都休息THEHAMMERANDARE冬蟬WINTER犴達(dá)罕THELASTMOOSEOFTHESEVEN如何采摘漿果HOWTOPICK亞馬遜特別放映SPECIALTUPILAQ寒枝雀靜APIGEONSATONA回聲REFLECTINGON奇異北方STRANGE 浮冰ICE 目擊ALLHALLOW'S 圖騰 打開了，看一看TOOPENTO 北方人 冰之手形ICE 鄉(xiāng)愁 雪板青年THESNORKELER

二樓的執(zhí)著OBSESSIONSFROMTHESECOND 策展人李?yuàn)檴欀罗oIntroductionbyLi 在北極圈 IwenttotheNorthPoletoSee 影像作品 ART 策展人致IntroductionbyHenning極地光影來自北方的故特羅姆瑟國際節(jié)榮幸地宣布，作為“極地光影”放映活動(dòng)的特羅姆瑟國際節(jié)是北極最大的節(jié)，世界各地的通過這個(gè)出發(fā)全世界。這里，中國觀眾在“極地光影”這個(gè)放映中看到放映出自極地地區(qū)的短片和片。是要同。我們節(jié)堅(jiān)信是可以遠(yuǎn)離它的出生地，帶著同他人的目的走得很遠(yuǎn)。做為節(jié)，我們想帶給觀眾的不是僅限于的體驗(yàn)，我們的使命也包括給觀眾一點(diǎn)，讓觀眾得到一種出自創(chuàng)造者內(nèi)心力的影片傳遞的體驗(yàn)，通過大銀幕走進(jìn)一些不那么尋常的故事和人物的生活，體會(huì)他們的喜怒哀樂。當(dāng)觀眾勇于接受這樣的，了一些主流之外的思維和故事，也就是在這個(gè)時(shí)候，觀影的收益才會(huì)更大。就在著筆寫這篇文章的時(shí)候，我剛剛從另外一個(gè)規(guī)模大得多的節(jié)回來，那就是法國戛納節(jié)。在這樣一個(gè)世界級(jí)重要的節(jié)上匯集的是來自全世界的，從法國、意大利到阿根廷，土耳其和中國（有了不起的賈樟柯導(dǎo)演，確實(shí)不止是一種全球現(xiàn)象，它更是一種全球語言，它走進(jìn)世界各地的人們的內(nèi)心，把不同地域的人們普遍的生存狀況用講述，再將它們帶到世界的任何一個(gè)角落，放映給那里的觀眾?，F(xiàn)在讓我來告訴你一些北方的故事。特羅姆瑟位于北緯9度的北極圈以北，每年1月，在特羅姆瑟國際節(jié)舉行的日子里，北極的太陽已經(jīng)在地平線下了兩個(gè)月了，北方漫長的冬天特有的極夜現(xiàn)象正在進(jìn)入尾聲。與極夜對(duì)立的另外一面是，每年夏天我們會(huì)有兩個(gè)多這種獨(dú)特的季節(jié)變幻，漫漫長夜的冬天，緩緩日照的夏天正是這些來自北方的生。地政上這土被做巴海區(qū)，北角的科拉。這片廣裘的土地上居住著不同語言不同民族的多國人民，但又一起著許多同性：這里都是每個(gè)國家最遙遠(yuǎn)的北方，人口稀少，遠(yuǎn)離首都和大城市；這里資源豐富，歷史上向來都是貿(mào)易和貨物的集散地；不同民族的人們?cè)诟鱾€(gè)國家的邊境線上居住和遷徙，共同生今天，很大程度上他們依舊保持著自己的語言和傳統(tǒng)生活方式。通過這些來自北方的影片，我希望能感受到這片土地上的多樣性和將我們聯(lián)系在一起的共同的根。在這里，請(qǐng)?jiān)试S我代表特羅姆瑟國際節(jié)，對(duì)主辦這次活動(dòng)的中國合作方，我們的聯(lián)合策展人李?yuàn)檴櫤捅硎靖兄x。的努力讓這些來自北方極地的影片的大城市得到展示，這會(huì)是旅行的開始對(duì)地球上的這樣一個(gè)特殊角落有所了解。已經(jīng)啟航，希望它們特羅姆瑟國際節(jié)2015628挪威特羅姆

寒寧·羅森寒寧·羅森倫德為現(xiàn)任特羅姆瑟國際節(jié)。特羅姆瑟國際節(jié)是斯堪的納維亞最重要的節(jié)之一，也是挪威最大的節(jié)。寒寧從2008年起為該節(jié)工作，前后多個(gè)職位，包括展映短片與紀(jì)錄片的“來自北方的故事”單元。寒寧擁有挪威科技大學(xué)制作學(xué)位。他同時(shí)也是一名自由電影人，短片導(dǎo)演。BeyondFrozenStoriesfromtheOnbehalfofTroms?InternationalFilmFestival,itisagreathonourtobeabletopresenttheprogramBEYONDFROZENPOINT-STORIESFROMTHENORTHtoaudiencesinChina.Troms?InternationalFilmFestivalisoneofthebiggestfilmfestivalsinScandinavia,andworksbothtopresentworldcinematoourregionalaudience,butalsotobringregionalfilmstoriesouttotheworld.Inourrecurringsidebar“FifromtheNorth”,wepresentshortandaryfifromourregion.ThefiofferedtoyouareallfromtheFifromtheNorthsidebar.Ourfestivalworksfromastrongbeliefintheimportanceofsharingstoriesfromallovertheworld.Webelieveinthecommonexperienceofcinema,andthatart,andparticularlyfi,cantravelfarfromitsbirthplace.Weoftenthinkofourmissionastochallengeouraudience.Meaningtopresentfithatmakethemexperiencesomethingunusualororiginal.Cinemaisamediumwellpositionedtodothis.Characterscomealiveonthebigscreen,andthroughtheiractions,wegettoknowthem.Withcinema,youcanexperiencethestories,thereasonsandemotionsofpeopleyouhavenevermetbefore.Weusuallyfindthatwhentheaudienceiswillingtolookalittlebitoutsidethemainstream,therewardwillberich.WritingthisIhavejustreturnedfromanother(andmuchlarger)filmfestival,namelytheoneinCannes,andagainbeenremindedofhowtrulyglobalcinemacanbeatitsbest.IsawnewfifromArgentina,China(thegreatJiaZhang-Ke),France,Hungary,Italy,JapanandTurkey,amongstothers.Itremindedmethatfilmisnotonlyaglobaloutput,butalsoaworkinggloballanguage,makingthehumanconditionfromdifferentpartsoftheworldvisibleforeveryonewhowantstosee.Withthisinmind,letusturntotheprogramathand:BEYONDFROZENPOINT–STORIESFROMTHENORTH.Thetitlesdoesnotlie,butitdoesnotlthewholetrutheither.Tobesure,thecityofTroms?liesabovetheArcticCircle,onthe69thlatitude.Evenmore,ourfestivaltakesplaceeachyearinJanuary,justattheendofthepolarnightwhenthesunhasbeengonebeyondthehorizonfortwomonths.Theflipsideisofcoursethatwealsoexperiencetwomonthsofmidnightsunduringamild,butnotfreezing,summer.Thechangingseasons,thefrozenwintersandthegentlesummers,thecoolNordiclightthroughout–theyareallpresentinthefiHenningHenningRosenlundisthecurrentDeputyProgramDirectoroftheTroms?InternationalFilmFestival,oneofthemostimportantfilmvenuesofScandinaviaandthelargestofitskindinNorway.Hehasbeenworkingforthefestivalsince2008invariouspositions,includingasHeadofthesidebarforshortfiandaries,“FifromtheNorth”.HenningholdsaMasterofMediaProductiondegreefromtheNorwegianUniversityofScienceandTechnology.Hehasalsoworkedasafreelancefilmmakeranddirectedshortfi.

presentedhere.AllfiarefromwhatwecalltheBarentsRegion,ormoreloosely“TheHighNorth”.ThisisanArctic/Sub-ArcticregionspanningfromNorthernNorwayviatheNorthernpartsofSwedenandFinland,andincludingtheEast-NorthernpartsofRussia.Eventhoughthisregionspansdifferentnationswith(very)differentlanguages,italsohassomesimilarities.Theclimateisonething,butforourpurpose,therearealsosomeculturalaspectsofimportance.Thesearethenorthernmostpartsofeachcountry,farremovedfromitscapitalsandrelativelysparselypopulated.Still,itisaregionrichonresourcesandithastraditionallyseenacertainleveloftradeandexchange,withdifferentpopulationgroupslivingtogetherandcrossingthenationalborders.Throughouttheregion,youwillfindtheindigenouspeopleofeachnation,respectivelytheSámipeopleinScandinaviaandtheNenetsofRussia,whotoavariousdegreemaintainstheirlanguageandtraditionalwayoflife.Inthefilmprogramspresentedhere,wehopeyouwillbeabletoseethevarietiesoftheregion,aswellasthetraitsbindingustogether.OnbehalfofTroms?InternationalFilmFestival,IwouldliketoexpressoursincerethankstoourChinesepartners,organizersandco-curators:LiShanshanandKaimeiWang.LiShanshancontactedusinTroms?atourrecentfestivalandgaveusthisgreatopportunitytopresentfifromourregioninsomeofChina’sbiggestcities.Itwasthestartofagreatjourney.Wehopethesefourfilmprograms,andtheartexhibitionthat paniesthem,willgiveyouastrongimpressionaboutaparticularcornerofthisworld–andthatthefiwilltravelsafelyandfindaplacewithinyou.HenningDeputyProgramDirectorTroms?InternationalFilmFestival28th,June2015atTroms?,策展人致IntroductionbyKaimei冰封之地，靈動(dòng)影北方，極地…北緯60度以北的地球表面聚合著北半球人跡罕至的廣裘土地，常年不化的積雪凍土和世世代活在這里的原住民：薩米人、涅涅茨人、鄂溫克人…這里遠(yuǎn)離世界金融的中心，卻又是全球地理政治的敏感地區(qū)；這里儲(chǔ)蓄著資源，蘊(yùn)涵著，挾裹著，暗藏著沖。無論是地球溫室效應(yīng)對(duì)北極冰層的，還是全球化在疆域爭端的世界政治中的推進(jìn)，關(guān)于北極的討論是牽動(dòng)地球共同未來的熱點(diǎn)話題。嚴(yán)酷的生存環(huán)境塑造著這里的人們特殊的心理性格，沉默寡語，粗獷豪爽、幽默尖刻。社會(huì)性牽連著地域性，地方性相遇國際性，當(dāng)代社會(huì)里的各種，即使在極地也無可逃避。中年人的，青年人的好奇，傳統(tǒng)文化面對(duì)冰封的土地不停息地涌動(dòng)著令人著迷的畫面，和冰層下豐富的地理資源一樣是生活在這里的藝術(shù)家們創(chuàng)作靈感的來源。聯(lián)地響的特國際極光自的”展示的是17部來自北極的創(chuàng)作的短片，它們分別來自瑞典、芬蘭、挪威、丹麥的格陵蘭島和俄羅斯五國。北方的人文地理是這些影片共同的背景，壯美的極地風(fēng)光是它們共同的發(fā)生地，而牽連著北方人的歷史和現(xiàn)在的生活狀態(tài)就是這些影片講述的故事在北歐，大自然總是在人們觸手可及的周邊，自然與人的和諧相處是北歐人融于血液中的天性，可以說，北歐福利社會(huì)的物質(zhì)和精神支柱都是建立在與大自然朝夕相處的親密關(guān)系中的。想北歐的文化名人，從斯特林堡到易卜生，從蒙克到西貝柳斯，他們的藝術(shù)作品中深沉憂郁的氣質(zhì)，靈光閃動(dòng)的魔力傳遞出撲面而來的北方森的氣息。這是一片孕育童話和制造詩意的森林，復(fù)雜的歷史淵源在每一片看似平靜的湖水下蘊(yùn)藏著的都是盤根錯(cuò)節(jié)的過去與現(xiàn)在。文學(xué)獎(jiǎng)得主，瑞典詩人特朗斯特羅姆的詩：B《論歷史》特朗斯特羅姆詩歌全集，翻譯李笠，文藝，2012特朗斯特羅姆的詩交給我們一把打開北歐人心懷的，正如這里的電影為我們帶來極地北方的故事。這是國內(nèi)第一次以“北方極地”的概念舉行的放映活動(dòng)，一個(gè)少有的在大銀幕上欣賞地球上這個(gè)特殊角落的壯觀風(fēng)景，了解這里的北方人的獨(dú)特機(jī)會(huì)。影片放映分為四個(gè)從不同的角度帶我們走進(jìn)這里的風(fēng)景和人文。尤其是“薩米聲音”作品全部出自北極地區(qū)的薩米青年藝術(shù)家之手，他們以同世界同步的眼光審視自己的文化根源，用音樂和 歷史和傳統(tǒng)在當(dāng)代社會(huì)的色。再把目光轉(zhuǎn)向高緯度的亞洲，中國的北方也生活著以飼養(yǎng)馴鹿為生的民族和黑山白水的東北凍土。居住在內(nèi)的鄂溫克人同北極的薩米人一樣，也著保留和發(fā)展的；中國東北人的黑色幽默成了地域?qū)θ诵缘膭澏?，而性格的形成又無不牽連著自然的塑造。的傳統(tǒng)文化中，自然是仕途文人隱居和重生的樂園，他們?cè)诖笞匀恢行奚眇B(yǎng)性，抒發(fā)詩人情懷，風(fēng)景是這種情懷的投射，是慰籍心靈的良藥。但當(dāng)自然成為一種嚴(yán)酷的生存背景，一種考驗(yàn)意志的極限體驗(yàn)的時(shí)候，自然又開啟了人生意義的思考。從北方做為地理和文化的概念出發(fā)，我們選擇了四部中國影片，對(duì)寒冷地域的特殊人文地理再做來自中國角度的解讀。最后，一個(gè)特別放映項(xiàng)目將帶來瑞典大師羅伊·安德森執(zhí)導(dǎo)的上屆節(jié)金獅獎(jiǎng)獲獎(jiǎng)影片《寒枝雀靜》，這部北歐式的緩慢精致充滿幽默與人性的影片將我們關(guān)于地域與人性的探究推向一場(chǎng)關(guān)于存在意義的哲學(xué)思考。觀影首先是一個(gè)身體的參與活動(dòng)和頭腦在中被銀幕上的畫面激發(fā)想像的感知過程。每年1月，當(dāng)北極圈內(nèi)的凍土完全被黑夜籠罩，天空只有被飄忽不定的北照亮的時(shí)候，在歐洲最北的城市，特羅姆瑟國際節(jié)就開幕了，窗外是極地雪景，屋內(nèi)卻溫暖如春，關(guān)上燈在中這是藝術(shù)的所在。這個(gè)夏天，當(dāng)中國各地還在被酷暑的時(shí)候，我們給大家?guī)砹吮狈蕉盏膰?yán)酷寒冷，極地夏日的神奇日出，純凈的空氣，寧靜的自然，獨(dú)具個(gè)性的北方人的生活片段讓我們看到別人也看到自己。所有這一切，當(dāng)它們通過光影的變幻展現(xiàn)出來的時(shí)候，就是我們打開大腦，走進(jìn)北極的藝術(shù)歷程開啟的時(shí)刻了。“極地光影”策展20156月28

出生于內(nèi)蒙古，求學(xué)于北京，曾長期居住在瑞典和新加坡，現(xiàn)工作上海。長期從事東西文化交流工作 駐北。擁有蘇富比藝術(shù)學(xué)院當(dāng)代藝術(shù)理論學(xué)位，現(xiàn)為一名獨(dú)立藝術(shù)評(píng)論人和策展人，國內(nèi)外諸多重要藝術(shù)雜志的撰稿人。被提名2014年評(píng)論獎(jiǎng)，2015年藝術(shù)登陸新加坡藝FrozenLand,MovingStoriesfromtheTheNorthPoleRegion,withitsmassivelandandarcticicecapabovetheNorthArcticCircleisoneofthecoldestplacesontheearth.Thelandisfrozenallyearround,andthehighlatitudemakesfor24-hoursdaysinsummerandlong,darknightsinwinter.Inrecentyearshumanactivitieshaveincreasedrapidlyinthechasefornaturalresourcesandnewterritories.Meanwhile,thethreatofglobalwarmingandclimatechangehascreatednewdisputeswithininternationalpolitics.Despiteitsseemingdistancetotheworld’sfinancialcenter,theregionnorthofthe60degreelatitudeisahotspotthatevokesquestionsconcerningourcommonTheNorthPoleRegionisthehomeofpolarindigenoussettlements,suchastheSamiinScandinaviaandtheNenetsinRussia.Theharshnatureofthepolarregionshapestheuniquecharactersofthesepeople.Theirquietnessandroughnessgohandinhandwiththeirkindnessandopenness.Intheglobalworldtoday,evenatthisveryspecialcorneroftheearthinhabitantsinevitablysharemanyexperienceswiththerestoftheworld.Hereiswherethelocalmeetstheglobalandthetraditionalmeetsthemodern.Thepreservationofindigenousculture,protectionismagainstoutsiders,andthepricestobepaidforenvironmentandwealth-gainingaresomeveryurgentissuesforthePolarRegion.Naturally,thesearealsosourcesofinspirationforartistsandcreativemindslivinghere.IncollaborationwiththeTroms?InternationalFilmFestival,wearepleasedtopresenttoChineseaudiencesBeyondFrozenPoint:StoriesfromtheNorth,afilmscreeningprogramme.Wewillshow16shortandaryfi,allfreshlymadebyartistsfromSweden,Finland,Norway,GreenlandinDenmarkandRussia.Thecommonrootofthesefiisthebreath-takingpolarnature,andthenarrativesareallaboutpeoplelivingthere.NaturehasalwaysplayedanimportantroleinNordicsocieties.Theextremeharshlivingconditionshavetaughtthelocalstocoexistwiththerhythmsofnaturesinceancienttimes.ItisfromthissharedtraditionofrespectpaidtonaturethattheNordiccountriesbecamewhattheyareintheworldtoday.NatureisthesiteofNordicwelfaresocietiesandtheirsharedculturalheritage.NatureiswheretheNorthernpeopleregainenergyandfindinspiration.Wecanexperiencecloseconnectionswithnatureinart,inliterature,inmusicandinficomingfromtheNordiccountries.AugustStringberg,HenricIbsen,EdwardMunch,andJeanSibeliusarejustafewrepresentativesofthislegacy.NatureformsitsownnarrativethatisalwayslinkedwithNordiclegends,mythologyandacomplexhistory.Underneaththeprofoundtranquilityofthedarkforestanddeepwater,nothingisassimpleasitlooks.AsthewinnerofNobelPrizeforliteratureTomasTranstromerwrote:“OneMarchdayIwalkeddowntothelakeshoretolistenTheicewasblueasthesky.AndbreakingupinthesunThesunwhispersintoamicrophoneundertheice.There’saseethingandburbling.FaroutitsoundslikeasheetbeingsnappedThewholethingislikeHistory:ourpresent.Weareloweredintoit,welisten.”BThisinsightfulreflectiononnatureandhistoryprovidesuswithonekeytoenterintothepsychologicalworldsoftheNordicpeople.Thisisalsowhatthefi hereshownseektooffer.ForthefirsttimeinChina,BOnHistory,TomasTranstromer,TheHalf-FinishedHeaven,translatedbyRobertBly,GraywolfPress,afilmeventdedicatedentirelytothefifromtheveryspecialcorneroftheNorthPolarRegionispresented.ThisisarareopportunityfortheChineseaudiencetoexperiencethemagnificentnatureofthePolarRegiononthebigscreenandtogettoknowthepeoplelivingtherethroughfilm.Thefilmscreeningisdividedinto4sections:Seasons,StrangeNorth,PeopleandSamiVoice,eachgivingadifferententrancetotheNorthanditspeople.ThefifromtheSamiVoicesectionaremadebyfilmmakerswithSamiorigins.Itisappealingtoseehowtheseyoungpeoplereflecttheirindigenoushistoryandtraditioninthecontemporarysocietythroughmusicandfi.Meanwhileaswemoveoursighttowardstheeast,onasimilarlyhighlatitude,weseethefrozenlandsofNorthernChina.MinoritiessuchastheEwenkisliveinthenortheasternforest,subsistingbyreindeerherding.MuchliketheSamisoftheNorthPole,theytoofaceproblemswiththepreservationoftheircultureinthenewera.HarshnaturehasgiventheNorthernpeopleaspecialsenseofhumorandsurvivalskills,allverymuchlinkedwiththefrozenlandtheycomefrom.IntraditionalChineseculture,natureisanarcadiadesignedfordespairingscholarstoretreatto,andtorevive.Inartisticexpression,natureisametaphorforconsolationandrehabilitation.ThesearethestartingpointsofthefourChinesefiwechosetopresenthereasaresponsetotheStoriesfromtheNorth.identityandinterrogationofthemeaningoflife.TheSwedishdirectorRoyAndersonheredeliversaslow-pacedhumanisticstorybuiltonobservationsoftheabsurdityofordinarylife,expressedinmemorableimages.Toseeafilminthecinemaisaformofphysicalparticipation.Wesitdowninadarkroomwatchinglightschangingonascreen.Butthestoriescomposedbytheselightscanonlymakesensewhenweparticipatewithourmindandimagination.EveryyearinJanuarywhentheNorthPolarRegioniscoveredbywinterdarkness,theTroms?filmfestivalstarts.Insidethewarmcinemasalonsandcomfortablechairs,anotherworldisopenedtotheaudience.Fibringtheaudiencetoplacesfarawayandtimesfarbeyond.Thisisthemagicthatonlyfilmcancreate.WechosetoopenourfilmscreeningonthehottestseasonoftheyearinChinatocreatethecontrastoftheclimateasaphysicalexperience.FeelthecrispymorningfogswitheNordicwoodsinthemidnightsun,thearcticwindblowingfromthenorth,thepureairthatintoxicatesyourbreath,thequietnessofnaturethatsilencesyourmind.Asyouopenyoureyesandexpandyourimagination,youwillstartanartjourneytowardstheNorthPole.DoenjoyalongtheKaimeiOlsson28th,June,2015,

KaimeiOlssonBorninInnerMongolia,ChinaandstudiedinBeijingandlivedinSwedenandSingaporeforlongerperiod.KaimeiworkedwithculturalexchangebetweenNordiccountriesandChina,madeTV-programsandwroteandtranslatedbooksonthistheme.ShealsoworkedasNordiccorrespondenceforXinhuaNewsAgency.SheholdsaMAoncontemporaryartattheSotheby’sInstituteofArtandhasestablishedherselfasanartcriticandexhibitioncuratorinShanghai.KaimeiisafrequentcontributorforsomeoftheimportantartmagazinesinChinaandoverseasandwasshortlistedinIAACartcriticreward2014andArtStageSingaporeartcriticreward2015.部—?jiǎng)尤洭F(xiàn)故季區(qū)—名峽不地的季不命運(yùn)人相Theextremedynamicsbetweentheseasonsareexploredinfiveformallystrong ;twoshortfictionsoneanimationandthreeshort ariesThefictionsplayoutwiththecoastallandscapesofNorthernNorwayasbackdropswhereas ariesmovefromRussiaviaFinlandandallthewaytoGreenlandIishowevernotsimplyportraitsoflandscapesinsnoworsunbutalsoofdiffrentpeoplemigrationandunexpectedmeetingsandself-relaization—個(gè)季節(jié)的描繪——一段穿越俄羅斯北部到西伯利亞的地理旅程，一次走進(jìn)生活在地球最嚴(yán)酷的氣候中的人的心理和感情的旅行。在這里人類文明與大自然永恒的規(guī)律和儀式不間斷地相互抗?fàn)幱直舜撕途竦闹陵P(guān)重要，就如運(yùn)氣與機(jī)遇對(duì)命運(yùn)的主宰，生死之別可以是一念之差。這是一部反映命運(yùn)，改變和生死的短片。影片入圍2013年諾際際單歐洲名。Aportraitofaseason-ajourneythroughNorthRussiaandSiberia,throughthefeelingsandthoughtsofthepeoplewhohavetocopewithoneoftheworld'sharshestclimates;arealitywheretheboundarybetweenlifeanddeathissothinthatissometimesalmostnonexistent,wherecivilizationconstantlybothfightsandembracesnatureanditstimelessrulesandrites.Intheseremoteplaces,people,animalsandnatureitself eelementsofamillennialyetunpredictablescript,inwhichphysicalandmentalenduranceplayanimportantroleasmuchaschancedoes,wherelifeanddeathconstantlyembraceeachother.Areflectiononfate,adaptationandtheimmutablecyclesofexistence.

片彩色俄羅斯娜·皮契CristinaPicchi侶Agnes和Ragnar在攀生命的極限運(yùn)動(dòng)的發(fā)現(xiàn)了Ragnar一個(gè)秘地利）國際山地和探險(xiǎn)節(jié)金獎(jiǎng)。AgnesandRagnar,acoupleintheirlate20's,areclimbingamountaininNorthernNorway.Inthispotentiallydeadlysituationwheretrustisanabsolutenecessity,therelationshipisputtothetestasAgnesrevealsRagnar'sdisturbingsecret.

THE彩色Color|15min|挪威Norway導(dǎo)演Director：安德烈亞斯·塔樓Andreas如何采摘漿HOWTOPICK片彩色Color|19min|芬蘭Finland導(dǎo)演Director：艾琳娜·塔分薩里ElinaTalvensaari

對(duì)全球經(jīng)濟(jì)的思考。影片入圍阿姆斯特丹國際片節(jié)以及國際節(jié)。VisitorsfromadistantplaceappearinthemistyswampsofNorthernFinland.Thelocalsgrowrestless-thingsarechanging,secretberryspotsarerevealedandeverythingisgetting fortable.Whoistoblameandwhoisprofitingfromallthis?HowtopickupberriesisanexplorationoftheFinnishmindandtheabsurditiesoftheglobaleconomy.劇情片彩色Color|11min|挪威Norway導(dǎo)演Director：瑪麗安·奧·烏爾里克森MarianneO.Ulrichsen

Ada的忘記去機(jī)場(chǎng)接她了11遇見了跟她同齡的兒Julia，但是Julia并不想按照父母的意愿跟Ada玩。在挪威北部的大自然中，離開大人們的視線，兩個(gè)從暗中角力漸漸地開始了解對(duì)方和知己新本獲得2014年特姆國際棕以芝哥際金佳片。Eleven-year-oldAda'sfatherforgetstopickherupattheairport.Sheisinvitedtoaneighbor’shousetowaitforhim.ThereshemeetsJulia,agirlherage.JuliadisapprovesofbeingtoldtoplaywithAda.ThetwogirlsmeasureforcesinthenorthernNorwegiannature.Freefromtheadultgazetheyareapproachingeachotherandanewidentity.提出質(zhì)疑。片名Tupilaq是指格陵蘭島

動(dòng)畫片彩色丹麥格陵蘭島 alstorydepictsthelifeofanativemanfromGreenlandlivinginDenmark.6minutesofdrawingandmusicwithoutdialoguebringthestoryfrommemory,dreamtolongingandraisequestiononwhatitmeansfortheislandculturetointegrateintoamodernwesternsociety.ThetitleofthefilmTUPILAQreferstoahandcraftedsacredobjectusedinritualsbythenativesinGreenland.格陵蘭島無與倫比的自然景色，陡峭且綿延的山峰與人性的過去形成了鮮明的對(duì)比。在第二次世界大戰(zhàn)期間，在此建立了atq，為的艱難航線提供油料補(bǔ)給。在冷戰(zhàn)正酣時(shí)，人也建立了DYE-4站。當(dāng)歷史的煙消云散，人廢棄了這些代表著20密闡述，和她為正在的本民族傳統(tǒng)的個(gè)人努力。本片獲得2011年SetagainstGreenland’sbeautifulandunparalleledmosaiclandscapeofsteep,dramaticmountainslieparticularremindersofhumanitiesmorebrutalpast.Inthemidstofthe2ndWorldWar,theUSAbuilttheIkateqairbaseasarefuellingstopforthearduoustrans-AtlanticjourneytoEuropeandattheheightoftheColdWartheyconstructedtheDYE-4radarStation.AsbothswanedtheUnitedStatessubsequentlyabandonedtheirmanifestationsof20thcenturymodernismtothetimeless,wildandunyieldingArcticelements.Echoes,isalsoa alandintimateportraitofonewoman,AnnaKuitseThastum,andhersinglehandedquesttorekindleandreviveanancientInuittradition,thedrumdance.EchoeswontheBest aryFestivalAwardin2011LondonUndergroundFilmFestival.

片彩色丹麥格陵蘭島導(dǎo)演Director：伊瓦洛·蘭克IvaloFrank邊擱淺的海豚身上的好奇探險(xiǎn)。如果說這些有什么共同點(diǎn)的話，那應(yīng)該就是它們都在試探著邊界，嘗試，在這個(gè)屬于所有人的世界上，年輕人Thisisaverydiverseprogram,withfourfictionfiaddressingeverythingfromthetopicalissuesofsexualidentitytoashootingincident.Italsoventuresintoabsurdterritories,firstwhenseenthroughthemundanelifeofamoderncouple,andfinallythroughthestrangetaleofagroupofchildrendiscoveringastrandedporpoise.Ifthesefihavesomethingincommon,itmustbeacertainleveloftransgressionandadepictionofyoungpeoplenavigatingtheworldtoday.ICE彩色Color|22min|俄羅斯Russia導(dǎo)演Director：瑪利亞·羅伊特MariaLoyter

一個(gè)的Alya的音樂老師Svetlana。她們通過歌唱課建立了聯(lián)系。當(dāng)Svetlana在校長面前站出來為Alya辯護(hù)的時(shí)候，Alya突然間了Svana的嘴唇，這突然的一幕ALLHALLOW’S彩色Color|18min|芬蘭Finland導(dǎo)演Director：杰西·希爾圖寧JussiHiltunen

AshyteenagegirlAlyalivesinaRussianorphanage.ShesecretlyadmireshermusicteacherSvetlana,theonly whoisnicetoheratschool.AlyaandSvetlanaestablishaconnectionduringthesingingclasses.ThemomentwhenSvetlanastandsupforAlyainfronttheprincipleleadstoasurprisingevent:AlyakissesSvanainthelips,causingaradicalchangeintheirrelationship.Aki是一名三十多歲的酒吧保安，Kati是一名目睹了她姐姐目擊者在無助中著他們的感覺，為什么他們？之前他的發(fā)生?他們的悲痛夾雜著負(fù)罪活還要繼續(xù)。2008年在芬蘭北部AllHallows’Week,filmedbyJussiHiltuneninhishometownofRovaniemiinNorthernFinland,isashortfilmabouttheeffectsofrandomonthelivesofpeople.Aki(AnttiLuusuaniemi)isabouncerinhisthirties,whoseworkplace thesettingforasenselessshooting.Kati(RosaSalomaa)isahighschoolstudent,whowitnesseshersister’sviolentdeath.Feelinghelpless,thetwoeyewitnessesarelefttomullovertheirfeelings.Whydidtheysurviveandcouldtheyhavechangedthecourseoftheevents?TheirgriefismixedwithguiltandunansweredquestionsasAkiandKatitrytomoveon.TheideaforthefilmAllHallows’Weekstemsfroma2008shootinginRovaniemiwitnessedbydirectorandwriterJussiHiltunen,butthestoryandcharactersofthefilmareentirelyfictional.彩色Color|20min|挪威Norway導(dǎo)演Director：·沃德MarteTOOPENTO彩色Color|15min|挪威Norway導(dǎo)演Director：卡米拉·佛根森CamillaFigenschou

短片中一對(duì)三十幾歲的時(shí)髦夫妻住在奧斯陸郊區(qū)，通過記錄他們生活中的五個(gè)平凡的場(chǎng)景，《圖騰》探究兩性關(guān)系中共同相處中的脆弱敏感和各種Throughfivescenesfromthelifeofathirty-somethinghipstercoupleinthesuburbsofOslo,Totemexploresthevulnerabilitiesandrelentless fortsoftogetherness.一群孩子被帶到海灘上旅行。在沒有成年人的監(jiān)督下，他們發(fā)現(xiàn)了一只擱淺的海豚。海豚死了，孩子們把它打開了。該片獲得202年挪威短片節(jié)ejeign013年Miimlen片挪威最佳短片獎(jiǎng)，013年瓜納華托國際節(jié)最佳女導(dǎo)Agroupofchildrenistakenonatriptoabeach.Whileseparatedfromadultsupervision,theydiscoverastrandedporpoise.Itisdead.Theyopenitup.ThefilmwonmanyprizesincludingTerjeVigenAwardinTheNorwegianShortFilmFestival,BestNorwegianShortFilmin2013MinimalenShortFilmFestival,SpecialMentionin2013LeuvenInternationalShortFilmFestival.這里三部片中描述的都是極地地區(qū)的偶像人物，當(dāng)?shù)厝说谋就粒?Inthissectionwehaveputtogetherthree ariesaboutsomeoftheinteresting-andreal-peoplefromourregion.Theseareiconicfigures,meaningveryrecognizableformostpeoplelivingintheNorth.Thefiaskquestionsaboutlifevaluesandchoices.Identity,andhowyourbackgroundshapesyou,arekeyissuesputforwardbyamixofstrong alities-oldfishermen,aformerOlympicChampionandayoungICE片彩色挪威導(dǎo)演Director：和斯圖拉·皮爾斯科格AreandSturlaPilskog

Harshweather,waterandiceshapeourlandscape.Alonglifeshapesourhands.HuntersgoingtotheArcticOceanhaveexperiencedheavylabourinanenvironmentthatpeoplewaitingathomecouldscarcelyimagine.Couldtheirhandscapelussomethingabouttheworkandenvironment,whichhascontributedsoheavilytomakingthehunterswhotheyare?片彩色Color|58min|瑞典、芬Swedenand導(dǎo)演Director：亞歷山德拉·Alexandra

艾羅·門蒂蘭塔是一名前奧運(yùn)會(huì)滑雪冠軍，當(dāng)年的芬蘭國家，而今他卻是名衰老固執(zhí)的老人，在幽靜的芬蘭森林中子音樂家維克多從城里回到林中向他尋找答案。這是一部關(guān)于想家的，即便你可能連家在何方也EeroM?ntyranta,onceanOlympicchampionandaFinnishnationalicon,isnowanold,stubbornreindeerkeeper,secludedinthedarkFinnishforests.HisgrandsonViktorturnstohimforanswers.Thisisafilmaboutbeinghomesick,evenwhenyoumightnolongerknowwhereyourhomeis.Itisaboutlongingforsomethingtobereal,forsomethingtofinallygivemeaningandsubstanceinamodernlifethatsometimesfeelsempty.今年32歲的ilsslund在瑞典北方拉普蘭地區(qū)的一個(gè)小村子向觀眾提出關(guān)于人生選擇的問題。在大多數(shù)人都選擇搬往大城市居住的時(shí)候，選擇留在人跡至的地方？人生快樂底來源ThisfilmfollowsNils?slund,a32year-oldmanwholivesandworksinSaxn?s,alittlevillageinLaplandinnorthSweden.Followinghiseverydaylifeandhispassionforsnowboarding,thefilmquestionstheaudiencetothinkaboutthechoiceswemadeinourlife.WhydidNilschoosetoliveinthedepopulatednorthernpartofSwedenwhenmostpeoplemovetothebigcities?Justwhatmakesa happyinlife?

THESNORKELERFROMMALGOMAJ片彩色Color|13min|瑞典導(dǎo)演Director：林娜·西古德松LinneaI ，他居住的 的維 米人基本已 ，但依很大 地持自己語言文， 的米 表的正在 交中對(duì)自己 的傷的 老文完結(jié)合的功 Jn 表TheSámiaretheindigenouspeopleofScandinaviatraditionallyassociatedwithanomadicwayoflifeandReindeerherdingTheyhavealsobeenlivingincoastalareasmakinglivelihoodsbybothlandandseaTodaySámitraditionandlanguageliveoninbothFinlandNorwayandSwedenbutinnegotiationwithmodernlifeThefiinthisprogramarebyyoungfilmmakersofferingbothalookbackatahistoryofrepressionbutalsoatdifferentSámiidentitiesoftodayGreamusiciansamongthemtheeminentMariBoinedemonstratehowoldandnewcanbefruitfullycombinedMikkel是一名馴鹿獵得Sk?rungen獎(jiǎng)提名。Mikkelisareindeerherderandhastheentireresponsibilityfortheherdofhisfamily.Hehasatoughslikeasámibojáshouldhave.Butinhisinsidethereischaos.

SAMI劇情片彩色薩米地區(qū)Director：艾麗·索芙·亨里克森ElleSofeHenriksen彩色Color|19min|薩米地區(qū)Sápmi導(dǎo)演Director：瑪亞·博·MarjaB?l們想做一些。天真的少女麥根被比她更有經(jīng)驗(yàn)的好朋友而感到壓Twoteenagegirlsareboredoftheirvillage.Theywantsomeadventure,thenaiveMáigonischallengedbyhermoreexperiencedbestfriendtodebutandshefeelsthepressure.MeanwhileMáigondreamsoftheperfectboy,buthelivesfarawayanditleadsthemonafatefulhitchhikingtrip.—個(gè)年輕的薩米族兒Majjen發(fā)現(xiàn)傳教開始薩米的帽子。驚慌中Majjen躲藏斗。Majjen要保住祖上留給帽子,傳教士卻說

BURNING彩色Color|13min|薩米地區(qū)Sápmi導(dǎo)演Director：艾麗·瑪麗亞·艾勒ElleMárjáAyoungsámi-girl,Majjen,discoverchurchgentlemenwhohavearrivedinthevillagetoburntheirfemalehats.Shehidesinfearbutisdetectedbythechurchgentlemen.Shetriestofleeanditturnsintoanintensebattle.Majjenwantstokeepthehatwhichshehasinherited.ChurchLordsisconvincedthatatthetipofthehatsitsthe曲的片。在這里，一歌曲創(chuàng)作了音樂、文演和緊張的演出行程中抽出時(shí)間，旅行了數(shù)百公里，在Vássejávri火車站外SáPMISESSIONSisaaryseriesabouthowSápmi’smostcelebratedartistandSweden’sgreatestartistcametogether.Crossingthebordersofmusicalgenres,cultureandlanguage,thisisaonce-in-a-lifetimesessionwheretheycreateonenewsongtogether.Comingstraightfromsold-outworldtoursandpackedschedules,theytravelhundredsof andmeetforthefirsttimeinSápmi.Threedaysoftears,laughterandmagic,andhopefullyanewsong.Threedays,twoartists,onenewsong.

SáPMI片彩色瑞典導(dǎo)演Director：麗莎·瑪麗·克里斯滕森LisaMarieAS音樂帶彩色Color|4min|薩米地區(qū)Sápmi導(dǎo)演Director：奧斯卡·奧斯特恩Oskar?stergren

薩米歌手索菲亞的歌聲將傳統(tǒng)的薩米吟唱同現(xiàn)代電子音樂自由結(jié)，為表北聲的界音的名樂。曲繪生的米地這年人現(xiàn)社的。SofiaJannokisaSamisinger.HersongscombinethetraditionalSamijoikingwithmodernelectricmusicwinherawellclaimednamewithinworldmusicgenre.ShesingsabouttheSápmilandwhereshecomesfromandtheyoungpeople'slifeandtheirswiththemodernsociety.中國單THECHINESE四部中國影片從地理、人文，人生哲學(xué)展開同北極單元的。內(nèi)導(dǎo)演顧桃堅(jiān)持十多年在大興安嶺森林記錄中地上最后的狩獵部落鄂溫克人，《猂達(dá)罕》講述一個(gè)正在消 越地域的共通性。畫家背景的導(dǎo)演邢健的作《冬》是一部無對(duì)白的黑白影片，每一幀絕美的畫面體現(xiàn)孤獨(dú)、貪念，執(zhí)著，的人生感悟，精致和深沉是華語中不曾見過的極致味道。周洪波的《冬蟬》講述一個(gè)后親情的破裂和重建的故事，雪地和大山成Thissectioncontains4Chinesefi asaresponsetotheStoriesfromtheNorth.TheInnerMongolianfilmdirectorGuTaofollowedthefateofChina’slasthuntingtribe,theEvenkis,foryears.TheLastMooseofAoluguyadepictedthelifeofanEvenkipoet,withhispoems eanelegytohisdisappearingculture.GengJun,afilmdirectorfromnortheast