中國舞蹈欣賞課件

中國舞蹈

ChineseDance

詩，言其志也；歌，詠其聲也；舞，動其容也。三者本于心，然后樂器從之。是故情深而文明，氣盛而化神，和順積中，而英華發(fā)外，惟樂不可以為偽。

(《樂記·樂象篇》)Introduction舞蹈是一種人體動作的藝術(shù)。凡是借著人體有組織和有規(guī)律的動作，通過作者對自然或社會生活的觀察、體驗和分析，然后用精練的形式和技巧，集中地反映了某些形象鮮明的人物和故事，表現(xiàn)個人或多數(shù)人的生活、思想和感情的都稱之為舞蹈。舞蹈必須通過人體的動作和姿態(tài)才能表現(xiàn)出人的思想和感情，因此，舞蹈這門藝術(shù)是綜合了視覺和聽覺這兩方面的藝術(shù)，是綜合了文學、音樂和繪畫這三種藝術(shù)的要素而成長起來的一種融合了的、絕對不可分的綜合藝術(shù)，是一種有機的獨立的綜合。舞蹈的建筑美：多維空間

舞蹈的書法美舞蹈是前語言的文化形式舞蹈存在于先民所有的社會文化活動之中祭祀慶典出征求偶婚喪驅(qū)邪祭祀ClassificationofDancesRecreationaldanceEducationaldanceRitualdanceTheatricaldanceNodemarcationlinebetweenthemChineseTheatricalDanceClassicaldance（古典舞）Folkdance（民族民間舞）連臂踏歌陶盤Confucianideaofmusicanddance:Basedontheunderstandingoftheimportantinfluenceofmusicanddanceonman’sthoughtsandfeelings,Confucianismconsidersmusicanddanceasaneffectivemeansofeducation,whichcanhelptoconsolidatetherulingofthestate.(禮樂刑政，其極一也。)MoZi’snegativeattitudetowardsmusicanddance(Anti-music,or《非樂》三篇,Onlythefirstchapterexists.):UnliketheConfucians,MoZiholdsthatmusicanddanceareoflittleimportancetopoliticsandtotheadministrationofthestate.Heissoradicalthathedeniesthesocialfunctionofmusicanddance,sayingthat“themoremusic,thelessefficiencyinadministration.”（其樂逾繁者，其治逾寡。）TheTaoistviewofmusicanddance:“Thefivecolorsblindone’seyes;thefivemusicalnotesdeafenone’sears.”(五色令人目盲，五音令人耳聾?！独献拥赖陆?jīng)》)TheLegalistsalsoopposemusicanddance.TheHanDynasty BaiXiflourishes,whichcontainsacrobatics,magic,martialarts,comicperformance,musicanddance.ZhaoFeiyandancesonpalms.TheTangDynasty InstitutionsofmusicanddancesuchasJiaoFang,LiYuanandTaiChangSiareestablishedandattachedtothecourt.TheTangmusicanddanceareasprosperousastheTangpoetry.(QinWangPoZhenYueandNiShangYuYiQu)TheSongandYuanDynasties Chineseoperagraduallyreplacesdanceasthedominantformofperformingart,anddancehasbeenintegratedintotheperformanceoftheYuandrama.

ClassificationRuanWu(軟舞),orGentleDance,e.g.LiangZhu(梁祝),ChunJiangHuaYueYe(春江花月夜,MoonlitSpringNightwithFlowersbytheRiver)JianWu(健舞),orVigorousDance,e.g.XiaoDaoHui(小刀會,

TheDaggerSociety),QinWangPoZhenYue(秦王破陣樂,

PrinceQinShatterstheEnemy’sBattleArray)Againnodemarcationlinebetweenthem.文舞：《扇舞丹青》文舞武舞（健舞）PrinciplesofChineseClassicalDance,ComparedwithBallet

Chineseclassicaldance

Close-inCentripetalCirclingmovement,

Straight-lined posture

MovementassymbolBalletTurned-outCentrifugalStraight-linedmovement

Roundposture

Movementassign芭蕾的“開、繃、直、立”

芭蕾的“開、繃、直、立”芭蕾的“開、繃、直、立”DevelopmentofChineseClassicalDanceAssimilationofelementsofballet,e.g.WeavingFishnets

Revivalofancientstyle,e.g.FlowersontheSilkRoute

敦煌舞蹈ChineseFolkDanceMongoliandanceTheUygurdanceTibetandanceKoreandanceDaidance,e.g.PeacockDance

Lidance,e.g.StrawHatDance

Handance,e.g.YangGe

蒙古族舞蹈加工過的維吾爾族舞蹈孔雀舞傣族舞蹈《兩棵樹》、《月光》黎族和佤族舞蹈漢族民間舞：《黃土黃》DevelopmentofWesternDanceRudolfLaban’sphilosophy:ThesignificanceofmovementsinthelifeofmanHarmonyinnatureandinmanNaturalrhythmMovementasavisiblecreativeinfluenceMovementasacreativeartMovement,effort,expressionandcommunicationConflictIsadoraDuncan:Greekideology,freedomRuthSt.Denis:OrientalmovementDuncanandSt.DenisbroughtintobeingtheAmericanmoderndance“最自由的身體里藏著最高的智慧”“最自由的身體里藏著最高的智慧”“最自由的身體里藏著最高的智慧”“最自由的身體里藏著最高的智慧”“最自由的身體里藏著最高的智慧”“最自由的身體里藏著最高的智慧”TheWayofDanceTheWayofDanceDancesComparedtotheThreePhilosophicalSchoolsinChinabyHongKongChoreographersBallettoConfucianism(舞細藝,ordanceasthesixdelicatearts)ModerndancetoBuddhism(舞偈,ordanceasBudd