巴黎世界研究院

1、巴黎INSTITUTE OF世界，法國(guó)THE ARAB WORLD, PARIS, FRANCE, 1987從哲學(xué)辯證法的角度來(lái)看總部的設(shè)計(jì)考慮了的雙重屬性：傳統(tǒng)地區(qū)和現(xiàn)代地區(qū)、文化和西方文化、現(xiàn)代性和歷史性、內(nèi)向性和開放性。它的象征性和現(xiàn)代性基于今日對(duì)這兩種文明史的解釋位于兩種城市結(jié)構(gòu)的連接處，一種是傳統(tǒng)的（連續(xù)的），另一種是較為現(xiàn)代的（不連續(xù)的），形成了這兩種城市規(guī)劃風(fēng)格間的。在北側(cè)（朝黎老區(qū)），博物館的外立面象征著展品與城市的關(guān)系，是對(duì)圣路易斯島和周圍巴黎景觀的重新編譯。南側(cè)的館部分的外立面，是根據(jù)幾何藝術(shù)的傳統(tǒng)設(shè)計(jì)的。根據(jù)光圈的原理，在窗戶上裝入了可調(diào)節(jié)的裝置，這樣可以保護(hù)眼睛。使用了

2、光電傳感器，以便按照陽(yáng)光的強(qiáng)度調(diào)節(jié)進(jìn)光量。光圈的啟閉取決于外面的光線強(qiáng)度。（譯）區(qū)位圖7 層平面首層平面庭院和廳的橫剖面5 朝黎圣母院的立面世界建筑 2/20022 5設(shè)計(jì)選例The head office of the Institute of the ArabWorld takeso account,ectical terms,bopects of the site: traditional quarter andmodern quarter, Arab culture and western culture, modernity and history, inwardness and o

3、pening.Its symbolism and modernity are based ona present-dayeon of the history ofthese two civilizations. The land, situated at the junction of two urban fabrics, one traditional (continuous), the other more modern (discontinuous) ma ains a dialogue with these two types of urban planning. The north

4、side (facing the historical Paris), the skin of the museum, symbolizes the relationship of theexhibits with the city, hence the retranscriptionof tSaLouis facade and surroundingParisian landsc.The south side, the skin of the library, is based on traditional themes of the Arab artisticgeometry. Eye protection is builto thewindows by means of a variable frame based on the principle of the diaphragm. Photoelectric cells are used to modify the light according to the amount of sunshine. The diaphragms open and close depending onthe external luminosity.6、7 夜景