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1 The 1st is to observe what it is that moves a person to propose or ask a question of an Astrologer where we must take notice of three motions the First of the mind when a man is stirred up in his thoughts and bath an intent to enquire a Second of the superiors and celestial bodies so that they at that time imprint on the thing enquired after what shall become of it the Third of the free will which disposes him to the very act of enquiring for although the mind be moved to enquire tis not enough unless the superiors bodies sympathize therewith nor is such motion of the stars enough unless by the election of his will the person does actually enquire 解盤(pán)前注意詢(xún)問(wèn)者的心智狀態(tài)以及意圖 注意天體運(yùn)行 因?yàn)樘祗w反映所問(wèn)事 物 並以此預(yù)測(cè)未來(lái) 注意引動(dòng)詢(xún)問(wèn)者來(lái)詢(xún)問(wèn)占星師的自由意志與意圖 天體星 象必須有所反映 且詢(xún)問(wèn)者是真正想詢(xún)問(wèn)而非基於其他意圖 2 The 2nd consideration is what we hinted at before the method or manner everyone ought to observe that enquires of an Astrologer which is that when he intends to take an artist s judgment of things past present or to come he should first with a devout spirit pray unto the Lord from whom proceeds the success of every lawful enterprise that he would grant him the knowledge of those things of the truth of which he would be resolved and then let him apply himself to the astrologer with a serious intent of being satisfied in some certain and particular doubt and this not on trifling occasions or light sudden emotions much less on matters base or unlawful as many ignorant people used to do but in matters of honest importance and such as have possessed and disturbed his mind for the space of a day and night or longer unless in sudden accidents which admit not of delay Note by Lilly Those that take this sober course shall find the truth in what they enquire after but whosoever do otherwise deceive both themselves and the artist for a foolish Querent may cause a wise Respondent to err which brings a scandal upon Art amongst inconsiderable people whereas the Astrologer is not blamable but the ignorant silly Querent 天人感應(yīng) 勿輕薄試探 3 The 3rd is to consider how many ways Planets operate upon Inferiors Bodies according to the divers Qualities of their motions there being sixteen different ways of such their operations and effects in all things that are either wholly or in part perfected or destroyed 觀察星體有多少種運(yùn)作方式影響事件 星體的運(yùn)作有十六種不同的方式 並以此 影響所問(wèn)事件是否全部可成 或者部份成功或部分失敗 4 The 4th is to consider particularly these several sixteen ways and what are the assisting causes that help forward things to perfection and what there are that destroy things after they are perfected Now of these the first 1 is Profection or an advance of or in things which the philosophers call Alchecohol 2 Detriment which they call Aliber 3 Conjunction or Reversion which they call Alitifall 4 Separation which they call Alnichirat 5 Translation of light which they call Annecad 6 Sebastian Scarrott Collection which they call Algemei 7 Probition which they call Almana 8 Reception called Alcobol 9 Being void of course called Gastalcobal 10 Permission called Galealocir 11 The restoring or giving of virtue or disposition called Alteat 12 The withdrawing of virtue called Dalpha Alchoa 13 The withdrawer or driver away of disposition called Daffaredbit 14 Fortitude Alcoevah 15 Debility Adirof The 16th is the state of the Moon called Gnaymel or the Moon ill affected which the ancients generally hold to be of ill signification 觀察這十六種星體運(yùn)作方式如何影響達(dá)成所問(wèn)事件 以及在事件達(dá)成後 如何帶 來(lái)毀損 1 Profection Alchecohol 2 Detriment Aliber 3 Conjunction or Reversion Alitifall 4 Separation Alnichirat 5 Translation of Light Annecad 6 Collection of Light Algemei 7 Prohibition Almana 8 Reception Alcobol 9 Void of Course Gastalcobal 10 Permission Galealocir 11 The restoring or giving of virtue or disposition Alteat 12 The withdrawing of virtue Dalpha Alchoa 13 The withdrawer of driver away of disposition Daffaredbit 14 Fortutide Alcoevah 15 Debility Adirof 16 The state of the moon Gnavmel or the Moon ill affected 5 The 5th is to consider how many ways the Moon comes to be so ill affected which are generally reckoned to be Ten but in my opinion Seven more may be added whereby hindrances and damage happen in all Questions Nativities Elections and actions whatsoever the First is where the Moon is combust that is to say under the Sun s Beams which is counted from 15 degrees of the body of the Sun as she applies to him to 12 degrees distance from him as she is separating from him and the impediment is greater when she is going to the Sun than when she is going from him because as she goes off when she is got five degrees distant she is said to be escaped though not wholly freed As when a fever hath left a man he is said to be recovered although he be weak and faint because he is secure now that he shall obtain his health again The 2nd is when she is in the degrees of her descensions that is in the 3rd degree of the Scorpio or in any part of Scorpio or Capricorn or injoined with any planet that is in her or its own descensions as if she be joined with the Sun who is in Scorpio or Capricorn or in any part of Scorpio or Capricorn or injoined with any Sebastian Scarrott planet that is in her or its own descensions as if she be joined with the Sun who is in Scorpio or Capricorn or in his proper descension viz in Aquary or Libra viz in its 19th degree or in any part of Libra or should be joined with the Mars and he be in Libra or Taurus or in the 28th degree or in any part of Cancer and so with any other Planet or Planets respectively The 3rd is when she is posited in any of the combust degrees of which the worst are those 12 degrees which are before the degree which is directly opposite to the degree in which the Sun is wherever she shall happen to be The 4th is when she is in conjunction opposition or square to either of the Infortunes Saturn or Mars without a perfect reception for with one it hinders but little but in all other places tis a grand impediment both in the said aspect and also in corporal conjunction save only where the Infortune shall have two of his smaller dignities as with Saturn in the 4 last degrees of Aries or Gemini in each of which he has a Term and a Triplicity or with Mars in the last 10 degrees of Pisces where he has a Face and a Triplicity and so in any other sign or place The 5th is when she is with the Dragon s Head or with the Dragon s Tail that is within twelve degrees of either of them because that is the place where she is eclipsed The 6th is when she is in Gemini which is the twelfth from her own House The 7th is when she is in the end of the Signs which are all Terms of the Infortunes except the last 6 degrees of Leo which belong to Jupiter but in the first eight she is weakened because they are in the Terms of Saturn If it be objected by the same reason she must be impedited likewise in the first 6 degrees of Cancer since they are terms of Mars I answer no because Cancer is her own House and greatest Fortitude The 8th is when she is in the 6th 8th 9th or 12th Houses not in reception with the Ascendant or joined to any Planet that is in any of them or posited in the Third House because it is cadent from angles yet because the same is said to be her joy or that she delights therein she is not afflicted there so much as in other Cadent Houses The 9th is when she is between the degree of Libra and the 5 degree of Scorpio which 30 degrees are called Combust Way The 10th when she is void of course that is not joined to any planet by body or aspect or in that condition when they call her Feral or Desert that is in a place where she has not any dignity The 11th when she is slow of course because then she may be compared to a Planet Retrograde The 12th when she is in want of light so that no part or very little of her is seen which happens about the end of the lunar month The 13th when she is besieged by the two Infortunes impediting her The 14th if she be in Azimene degrees The 15th if in Pitted degrees The 16th if in Smoky Degrees The 17th and last is when she is posited in those degrees which are called Dark To know and distinguish all which you have Tables commonly in most Books of Astrologie 月亮受傷的方式 一般有十種 但 Bonatti 認(rèn)為有額外七種應(yīng)該也須被考量進(jìn)去 1 月亮被燃燒 在陽(yáng)光下 12 度 15 度之間 燃燒 離太陽(yáng)十二度之內(nèi) 接近 陽(yáng)光比遠(yuǎn)離陽(yáng)光受到的傷害較重 當(dāng)遠(yuǎn)離太陽(yáng) 5 度時(shí) 被稱(chēng)為脫逃 好比一 個(gè)發(fā)高燒的病患 被判斷為即將復(fù)原 但仍然處?kù)短撊跻约盎杳缘臓顟B(tài) 2 月亮落在天蠍三度或者她的 fall or detriment 或者與落在她 fall 與 detriment 裡的星體或與本身落在自己 fall or detriment 裡的星體有相位 例如月亮與落 Sebastian Scarrott 在天蠍或摩羯的太陽(yáng)有相位 或者與落在水瓶或天秤 19 度 的太陽(yáng)有相位 或者與落在天秤 金牛 巨蟹 28 度 的火星有相位 諸如此類(lèi) 3 月亮落入燃燒的度數(shù) 12 度之內(nèi) 以滿(mǎn)月最為嚴(yán)重 擇日會(huì)避開(kāi)這個(gè) 即使月 亮在增加光亮 4 月亮與兇星刑剋 且沒(méi)有強(qiáng)力的 reception 幫忙 起碼總分要四分以上 例如 月亮落在雙子後四度 土星在那裡有triplicity 與term 得分5分 又或者月亮 落在雙魚(yú)座後十度 火星在那裡有 triplicity 跟 face 得分 4 分 5 與龍頭或龍尾合相在 12 度之內(nèi) 月蝕 6 月亮落雙子 以黃道等宮制來(lái)看 第十二宮跟監(jiān)禁 重大的疾病 潛藏的敵 人有關(guān) 7 落在星座尾 或者兇星的 term 8 月亮落在 cadent houses 或者第八宮 且在 ASC 上沒(méi)有 dignity 或者與落在 cadent houses 或第八宮裡面的星體有相位 注意第三宮為月亮的愉悅 因此 比起其他 cadent houses 沒(méi)有傷得那麼嚴(yán)重 其他星體也是一樣的 cadent houses 會(huì)帶來(lái)困難 但第九宮跟第三宮有例外 這需要注意一下 另外在兇星主宰這些宮位時(shí) 也得額外注意 9 月亮 Via Combusta 10 Void of Course 以及 Peregrine 月亮空亡在卜卦上代表所問(wèn)事情混沌不明的狀態(tài) 或者事情無(wú)所進(jìn)展 月亮在古代被視為 messenger 傳遞訊息的代表 月亮最靠近地球 她將其他星體運(yùn)行的影響傳遞到地球上的一切事物 換句話(huà)說(shuō) 神的手推動(dòng)九重天 從恆星天土星天一層層下來(lái)到月亮天 透過(guò)月亮天再傳遞到地球上 當(dāng)月亮空亡的時(shí)候 訊息無(wú)法傳遞出去 得不到想要的訊息 所問(wèn)的事情自然也就渾沌不明了 月亮空亡在金牛 巨蟹 雙魚(yú)等星座狀況會(huì)好點(diǎn) 古人擇日洗澡會(huì)挑在月亮天蠍或空亡的時(shí)候 我想洗澡這件事 應(yīng)該是很少人會(huì)刻意去對(duì)外放送消息吧 其他星體的無(wú)相位則稱(chēng)為 feral 會(huì)對(duì)星體所徵象的事物構(gòu)成阻礙 如果有 dignity 會(huì)好點(diǎn) 11 月亮Slow in Motion 與逆行星體效果類(lèi)似 月亮的平均運(yùn)行速度為13度10 分 36 秒 12 月亮失其光 暗月靠近新月 13 受兇星包夾 範(fàn)圍似乎可從同宮同星座到彼此不同宮不同星座不等 有一種狀況是 例如土火月土火月同宮 兩個(gè)兇星互相廝殺 月亮有可能可以倖免於難 但還是要看狀況就是了 14 in Azimene Degrees 15 in Pitted Degrees 16 in Smoky Degrees Sebastian Scarrott 17 in Dark Degrees 6 The 6th Consideration Is to regard another manner whereby planets are debilitated or weakened and afflicted not much different from the former which comes to pass ten ways The 1st when a planet is Cadent from Angles or from the Ascendant so that he does not behold the same The 2nd when the Planet is Retrograde The 3rd if they be combust that is within 15 degrees before or after the Sun the lower Planets are more debilitated being behind the Sun and the less before him when they are direct but when retrograde the contrary 4th When any of them is in Opposition Corporal Conjunction or Square of either or both the Infortunes without Reception 5th when any of them are besieged by the Infortunes so as to separate from one and be joined to another without perfect reception of House Exaltation or two of the smaller Dignities which are Term Triplicity and Face When a Planet is joined to another in his Declension or Fall that is in Opposition to its own House or Exaltation 7th when it is joined to a Planet Cadent from the Ascendant or separates from a Planet that did deceive him and is joined to another that doth not 8th when a Planet is Peregrine that is in a place where he bath not any Dignity or being one of the Superiors is followed by the Sun or being of the Inferiors when it follows the Sun 9th when a Planet is with the Head or Tail of the Dragon without Latitude 10th when a planet weakens itself that it when it is in the seventh house from its own Feral or not in Reception These are the Impediments of the Planets that cause Hindrances delays and mischiefs in Nativities Questions Elections etc all which thou oughtest to be well acquainted with There are some more that seem necessary to be known but to avoid tediousness and confusion I shall at present omit them 星體十種受傷的方式 1 落入 cadent houses 或者第八宮 2 逆行 3 被燃燒 亦即 在太陽(yáng)前後 15 度之內(nèi) 注意內(nèi)外行星的不同 4 與兇星刑剋或合相 且沒(méi)有 reception 5 被兇星包夾 或剛與一兇星出相位即與另一兇星入相位 且沒(méi)有強(qiáng)力的 reception 強(qiáng)力的 reception 總分在四分以上 6 與落在其 fall or detriment 裡的星體有 入 相位 7 與落在cadent houses或第八宮裡的星體有 入 相位 或者與一receiver 成出相 位 接著與一沒(méi)有 receive 它的星體成入相位 8 Peregrine 或者 Occidental 或者將受陽(yáng)光籠罩 9 與龍頭或龍尾合相 corporal 10 落入自己的 detriment or fall 7 The 7th Consideration is to beware of those cases wherein the Astrologer is subject to err and mistake of which the learned have named four 1st When the Querent is so silly that he knows not how to ask nor what he would have 2nd When the time for which the figure is erected is Sebastian Scarrott mistaken 3rd When the Artist knows not whether the Sun be gone off the line of the Mid Heaven or still upon it or be behind or before it 4th When the Fortunes and Infortunes shall be of equal strength at which time thou therefore oughtest not to receive any question But in my opinion there mat well be added yet three ways more wherein the Astrologer will subject to err When the Querent comes only to try him or put a trick upon him as many do saying Let us go to such an Astrologer and ask him such a thing and see if he can tell us the truth or not Just as the Jews propounded questions to our Lord Jesus Christ not so much to be resolved as to tempt and ensnare Him 2nd Wherein the Artist will be liable to err is when the Querent does not ask out of a serious or settled intention as some do when they meet an Astrologer by chance or go to him on other business on a sudden they think of something and so ask as it were by the bye wherein tis a thousand to one but mistakes happen But thou mayest be ready to say How shall I know whether the Querent come out of a solid intention or only to try me To which I answer that it seems a very abstruse and difficult point perfectly to find out but this I have often experienced and found true viz I observed the hour of the Question and if the Ascendant then happened very near the end of one sign and beginning of another so that it seemed as between both I said they did not ask seriously or that they came to try me and I have had many that have there upon confessed what I said to be true and began to think that I knew more than before they believed For in such cases I used to say Pray friend do not trouble me unless you ask seriously for I suspect that you would put a trick upon me by not proposing this Question as you ought however if you will give me trouble for your pleasure be pleased to give me likewise satisfaction for my pains and immediately if there were and deceit intended away they went Another viz a way whereby an Astrologer may err is when the Lord of the Ascendant and the Lord of the Hour are not the same nor of the same Triplicity or be not of the same complexion with the Ascendant for then the Question is not Radical as I have frequently found by experience And this I have recited that thou may st know for what persons thou shouldst undertake to give judgment for as one says The issue of the thing is according to the solicitude of the Querent and as he comes in necessity as sad thoughtful and hoping that thou art able and knowest how to satisfy him the truth of the matter and in such cases thou may st securely venture upon the question 注意那些可能讓占星師犯錯(cuò)的徵象 主要有四種 第一 詢(xún)問(wèn)者太蠢 不知道該 如何問(wèn)問(wèn)題 或搞不清楚狀況 第二 起盤(pán)時(shí)間不對(duì) 第三 占星師本身不確定 接下問(wèn)題的時(shí)間 第四 星象吉兇參半時(shí) 當(dāng)這些狀況發(fā)生時(shí) 不要接下任何問(wèn) 題 但 Bonatti 以為 應(yīng)該要再增加三種 第一 詢(xún)問(wèn)者只想試探占星師功力 第 二 詢(xún)問(wèn)者問(wèn)問(wèn)題的誠(chéng)意度或意圖不夠或者過(guò)於輕薄 第三 詢(xún)問(wèn)者突然發(fā)問(wèn) 或者看到別人問(wèn)自己也跟著問(wèn) 1 注意 ASC 是否在星座頭或星座尾 2 注意行星時(shí)與 ASC 彼此的關(guān)係 Sebastian Scarrott 8 The 8th Consideration is to mind how many of the aforesaid manners or points necessary to be used and heeded in giving Judgments thou hast to consider and they are Thirty that is to say sixteen impediments of the Moon ten of the other Planets as hath been said and besides all those the Planets several joys which are four Of which the 1st is the House which each Planet does delight in as Mercury in the Ascendant the Moon in the Third Venus in the fifth Mars in the sixth the Sun in the ninth Jupiter in the eleventh Saturn in the Twelfth The 2nd is when a Planet is in a sign he delights in as Saturn in Aquarius Jupiter in Sagittarius Mars in Scorpio Sol in Leo Venus in Taurus Mercury in Virgo and the Moon in Cancer The 3rd is when Diurnal Planets as Saturn Jupiter So and Mercury are in Diurnal Houses in the East and Oriental of the Sun near the Horoscope and the Nocturnal Planets as Mars Venus Luna and Mercury are in Nocturnal Houses in the West and Occidental of the Sun especially near the cusp of the seventh The fourth is when the three Superiors Saturn Jupiter or Mars are in Masculine Quarters which are counted from the cusp of the Tenth House to the cusp of the Ascendant and from the cusp of the fourth house to the cusp of the seventh house and when the Feminines viz Venus or the Moon are in Feminine Quarters which are from the cusp of the Ascendant to the cusp of the fourth house and from the cusp of the seventh to the cusp of the tenth As for Mercury he delights when with Masculine Planets in Masculine Quarters but with Feminine Planets in Feminine 星體運(yùn)作的方式林林總總加起來(lái)有三十種 月亮的十七種受傷方式 星體的十種 受傷方式 星體的愉悅四種 星體的愉悅 1 Planetary Joys 2 落在自己主宰的星座 3 In their own sect diurnal masculine oriental hayz etc 4 陽(yáng)性星體落在 masculine quarters 陰性星體落在 feminine quarters 9 The 9th Consideration is to take notice of the several ways as well secret as manifest good and evil whereby things are helped or hindered to be done or not done and of these there are one and twenty in number 1st a most strong secret helper 2nd A very strong secret Helper 3flt A strong secret helper 4th A weak secret Helper 5th A weak secret Helper 6th A most weak secret Helper 7th A most strong manifest Helper 8th A very strong manifest Helper 9th A strong manifest Helper 10th A weak manifest Helper A weaker manifest Helper 12th A most weak manifest Helper 13th A most strong secret Hinderer I4th A very strong secret Hinderer 1 5th A strong secret Hinderer 16th A weak secret Hinderer 17th A weaker secret Hinderer 18th A most weak secret Hinderer 19th A most strong manifest Hinderer 20th A very strong manifest Hinderer and 21st A strong manifest Hinderer All which we shall treat particularly the same being a secret of secrets In the judicial part of Astrology which the ancients did not regard nor have said anything plainly of it that I find save only that Haly seems to have touched a little upon it in his Exposition of the 23rd of Ptolemy s Centiloquium nor do I believe they omitted those things out Sebastian Scarrott of ignorance but rather through disuse or fear of being too tedious or burdening the minds of their Readers or Auditors For they were wont to judge according as they found
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