裝飾藝術(shù)論文：優(yōu)雅的形式—當(dāng)裝飾風(fēng)格邂逅形式審美.doc

裝飾藝術(shù)論文：優(yōu)雅的形式當(dāng)裝飾風(fēng)格邂逅形式審美【中文摘要】裝飾藝術(shù)較之其他藝術(shù)門類,是人類歷史最早產(chǎn)生和普遍運用的藝術(shù)形式,它根源于人類審美追求的初衷,對于其他藝術(shù)門類的生成和發(fā)展具有極其重要的價值和意義。在人類歷史發(fā)展的進程中,裝飾藝術(shù)扮演了重要角色,持續(xù)影響著人們對于藝術(shù)的漸深理解和認知程度的不斷加深。而正是在這個逐漸深入理解的過程之中,裝飾藝術(shù)的功能和作用才得以彰顯。當(dāng)下,裝飾理念已然深入人心,作為一種裝點生活的手段日益影響著我們觀看世界的方式和理解藝術(shù)的態(tài)度,并且愈加顯示出裝飾藝術(shù)所特有的魅力與價值。論文從對人類特有的與生俱來的對于裝飾動機的闡釋出發(fā),追溯了裝飾藝術(shù)活動的歷史淵源及其發(fā)展進程,以及先天存在于生物體內(nèi)的秩序感與裝飾動機的微妙關(guān)系,并且闡述了人們關(guān)于“美”的不同理解與感受。形式與內(nèi)容是關(guān)于秩序感的兩個重要因素。西方藝術(shù)史始終游離和行進于“內(nèi)容”與“形式”之間的暖昧。對“形式”與“內(nèi)容”的不同觀念,導(dǎo)致了不同的學(xué)說理論與研究方法。一種說法認為在藝術(shù)作品中,形式不能與內(nèi)容分離,色彩、線條、光影、體積與平面的分布在視覺上的賞心悅目,必須被理解為承載著多種含義；而另外一種說法則認為藝術(shù)的本質(zhì)并非存在于對自然的忠實復(fù)制,而是彰顯于形式、色彩、韻律和其他一些抽象特質(zhì)之中。論文從形式主義美學(xué)的角度出發(fā),闡述了其發(fā)展進程和代表人物的主要觀點,力圖以形式主義美學(xué)的視角來闡釋人們對于形式與內(nèi)容相互作用和微妙關(guān)系的不同認知。并且討論了和形式與內(nèi)容這對概念相關(guān)聯(lián)的一些范疇與觀念,對它們進行了初步概括和甄別。論文以“肥與瘦”這對立的兩種形式為個案,具體分析了人們在具體表達情境中對于肥與瘦這兩種對立形式的態(tài)度隨不同時代而變化的相應(yīng)審美情趣,以及審美體驗上的差異。最后論文以肌理的形式美感和裝飾作用為出發(fā)點進一步探討了形式審美作用于裝飾風(fēng)格的不同表達方式以及在藝術(shù)創(chuàng)作與情感抒發(fā)中的現(xiàn)實意義?！居⑽恼緾ompared to other adornment art forms, decoration art is the earliest human history produced and widely applied art form, it is rooted in human pursuit of aesthetic activities for the purpose of other art categories, generating and development has important value and significance. In the process of human history, decorative art plays an important role, continuous affects people for art deep understanding and asymptotic the deepening of cognition. And gradually it is in this in the process of understanding, the functions of the decoration art more highlight. Then, adornment concept already thorough popular feeling, as a deck lives is influencing the way we view and understanding art attitude. And increasingly shows adornment art charm and value.Papers to people from the inherent characteristic of the motivation for decoration, based on the explanation of the article traces the history of the decorated activities. And innate in living organisms sense of order and decorative motivation the delicate relationship. Form and content is about order feeling two important factors. Western art history always free and going in the “content” and “form” between ambiguous. To “form” and “content” a different concept, lead to different theories and research methods. A saying in art works with content, form cannot separate, colour, line, light, volume and plane distribution in visual pleasing to the eye, must be understood for carrying more than one meaning. And another said that laws are not the essence of art of natural faithful exists, but to reveal to copy form, colour, rhythm and some other abstract qualities in. From the study of the characteristics of aesthetics of form of starting, expounds its development process and represents the characters main ideas, standing in formalism esthetics Angle position explains the people to form and content of interaction and delicate relationship of different cognition. And discussed and form and content of concept of the associated some categories and concepts, they were preliminary summary and screened. Taking “fat and lean” this opposing two forms as a case study, the paper concretely analyzes for fat people with thin this two opposite forms of attitude changes with different era the corresponding aesthetic taste. And with fat and lean discussed for clues fat lady of Tang dynasty in the aesthetic tendency and the different picture for form expression; Calligraphy with thin in fertilizer aesthetic tastes; Literary works about “fat and lean” aesthetic attitude of fat and lean and people aesthetic experience differences. Finally taking the form of texture aesthetic and adornment effect as the starting point further discussed the different ways of art deco and its artistic creation and emotional express the practical significance.【關(guān)鍵詞】裝飾藝術(shù) 秩序感 形式主義美學(xué) 肥與瘦 肌理【英文關(guān)鍵詞】adornment art order feeling formalism aesthetics fat and lean texture【目錄】優(yōu)雅的形式當(dāng)裝飾風(fēng)格邂逅形式審美摘要4-5Abstract5-6引言8-9第一章 裝飾的根源與發(fā)展9-13(一) 裝飾的動機與秩序感9-10(二) 裝飾藝術(shù)運動10-13第二章 以”美”的名義13-17(一) 何所謂”美”13(二) 藝術(shù)之美13-15(三) 形式美的欣賞15-17第三章 優(yōu)雅的形式17-22(一) 形式主義美學(xué)的