人人都是設(shè)計(jì)師

精品文檔-下載后可編輯人人都是設(shè)計(jì)師談起德國(guó)現(xiàn)代家具設(shè)計(jì)，人們會(huì)立刻想到日耳曼民族獨(dú)特的個(gè)性，德國(guó)設(shè)計(jì)師一直追求的是高度精確性與設(shè)計(jì)的無(wú)尚品質(zhì)，無(wú)論在材料選擇或是設(shè)計(jì)理念上。他們偏愛直線、直角的設(shè)計(jì)，無(wú)論是功能、美感、觸感、人體工程學(xué)等等概念都拿捏的十分精準(zhǔn)。這也造就了一張“德國(guó)制造”固有的國(guó)際名片，對(duì)于一些生性嚴(yán)謹(jǐn)?shù)娜硕裕暗聡?guó)設(shè)計(jì)”與他們的生活理念標(biāo)準(zhǔn)是再貼切不過的。

當(dāng)然，此上說的是德國(guó)絕大部分所恪守的設(shè)計(jì)模式，近年來也出現(xiàn)了一些有別于以往的“德國(guó)設(shè)計(jì)”。這些設(shè)計(jì)通常充滿想象力，使用的范圍也超乎想象；設(shè)計(jì)師更愿意在這些設(shè)計(jì)里面添加一點(diǎn)“童真”的趣味，讓使用者參與其中。除此之外，這些作品更強(qiáng)調(diào)在材料、造型與色彩上進(jìn)行突破，理性的恪守再不是唯一的標(biāo)準(zhǔn)。德國(guó)設(shè)計(jì)師更愿意通過作品去表達(dá)自己對(duì)生活的理解與感悟，不再摒棄一切個(gè)人的情感表達(dá)，而是讓作品充滿情感，形成獨(dú)特的藝術(shù)風(fēng)格與不同以往的體驗(yàn)。

本期家具要介紹的德國(guó)設(shè)計(jì)SebastianHerkner、KaiLinke、SaschaAkkermann家居》=《現(xiàn)》，KaiLinke=Kai)

《現(xiàn)》：為什么會(huì)想到將植物與家具結(jié)合在一起？您是怎么想到這個(gè)點(diǎn)子的？

Kai：設(shè)計(jì)的構(gòu)思是直接將木材培養(yǎng)成一件家具。每件家具都無(wú)雷同。如果工匠用木材和工具制作家具，需要很多個(gè)步驟才能成型；而在我的設(shè)計(jì)作品Roots(根)中，植物直接長(zhǎng)成一張座椅。作為設(shè)計(jì)師，我能提供給植物的，僅僅是一些塑造形狀的基本條件。

《現(xiàn)》：制作這些家具都使用了哪些原材料？

Kai：在這個(gè)方案中，我僅僅使用了植物和一些自然材料，譬如青草，水，水芹，竹子，泥土，風(fēng)信子和垂柳。

《現(xiàn)》：在制作這些家具的時(shí)候，您遇到的最大困難是什么？您是如何解決的？

Kai：時(shí)機(jī)和環(huán)境條件。時(shí)間能告訴我們根源發(fā)生了什么，之后產(chǎn)生了什么結(jié)果；而其中的過程我們無(wú)法控制。但是，這些正是這個(gè)項(xiàng)目（較于其他項(xiàng)目）的最大變化和中選原因。你無(wú)法預(yù)測(cè)植物的生長(zhǎng)方式。這個(gè)項(xiàng)目我啟動(dòng)于2022年，兩年后有一株植物在冬季被凍死了。隨后，我又重新開始種植。

《現(xiàn)》：您的作品并沒有特意去彰顯德國(guó)設(shè)計(jì)的一些特質(zhì)，為什么會(huì)摒棄一些德國(guó)設(shè)計(jì)的傳統(tǒng)風(fēng)格呢？

Kai：您觀察的很仔細(xì)！我的作品不是傳統(tǒng)德國(guó)風(fēng)格。但是，這并不妨礙我真正喜愛“傳統(tǒng)的”德國(guó)實(shí)用主義設(shè)計(jì)風(fēng)格。對(duì)于我來說，創(chuàng)意就是擁有發(fā)掘新事物的頭腦。我更喜歡做實(shí)驗(yàn)，驗(yàn)證那些創(chuàng)意的可行性。通過正確的形式，恰當(dāng)?shù)耐緩?，進(jìn)行激動(dòng)人心的探索，就是創(chuàng)造力的體現(xiàn)。

《現(xiàn)》：您會(huì)在今后繼續(xù)做類似這樣的設(shè)計(jì)嗎？

Kai：當(dāng)然會(huì)！我是設(shè)計(jì)師，這是我的職責(zé)所在！

《現(xiàn)》：能和我們談?wù)勀钚蕾p哪位家具設(shè)計(jì)師嗎？為什么？

Kai：我非常喜歡法國(guó)Bouroullec兄弟的作品。我覺得他們的作品現(xiàn)代，簡(jiǎn)單，自然和充滿詩(shī)意。

(加英文)

(以下《現(xiàn)代裝飾家居》=《現(xiàn)》，KaiLinke=Kai)(未譯)

M:Inyourwork,youcombinedgreenplantswithfurniture.Wheredidyougetthisidea?

Kai：Theideawastogrowthematerialwooddirectinafurnitureform.Everyfurniturewillbeunique.Ifyounormallybuildastooloutofwood,youneedalotofstepstobringthematerialintothefinalshape.Inmyproject“Roots”thematerialwoodcreatetheobjectforexampleachairbyitself.Measadesignerjustgivetheplantthebasicconditionincaseoftheform.

M:Canyoutelluswhatkindofmaterialyouhaveusedintheprocess?

Kai：Iusedonlyplants-naturalmaterialforthisproject,likegrass,water,cress,bamboo,earth,hyacinthandwillow.

M:Whatisyourbiggestdifficultyintheprocess?Howtodealwiththem?

Kai：The“Time”andthe“environmentalconditions”.Youhavetowaitandseewhathappenwiththerootsandwhatwillbetheresult.Youdonothavetheprocessinyourownhands.Butthisisatthesametimeoneofthebiggestchangeandoptionofthisproject.Youneverknowhowtheplantsgrow.Istartedtheprojectinbeginof2022.After2yearsabigplantfreezetodeathinthewinter.ThenIstartedagain.

M:WecannotseedistinctivetraditionalGermanstyleinyourwork.why?

Kai：That’sright!Forsuremydesignsarenottypicalgermanproducts.Butitdoesn’tmatter.Ireallylikethe“traditional”functionalgermandesignstyle.Formetobecreativeisbeinganexplorativemind.Iliketomakeexperimentsandtotestoutmyideastofigureoutiftheyreallywork.Tobecreativeislikeafascinatingsearchforgoodsolutionsintherightform.

Atthemomentmycreativewaismoreexperimentalandconceptualastheclassicgermandesignstyle.

M:Willyoucontinueyourpresentdesignseries?

Kai:Yes.Ofcourse.Iamadesigner.Ihavetodoit!

M:Whatisyourfavoritefurnituredesigner?Why?

Kai:Ilikethedesignofthebouroullecbrothersalot.Formetheirdesignsaremodern,simple,naturalandpoeticatthesametime.

SaschaAkkermann家居》=《現(xiàn)》，Saschaakkermann家居》=《現(xiàn)》，Saschaakkermann&FloFlorian=S&F）（未譯）

M：Onthedesignersfair2022“cologneexhibition,whichkindofmaterialshaveyouappliedinyourexhibitingworks?

S&F：Theflooris"resofloor"fromresopal.ThewallclothesareoutofpaperandmadefromA.S.Creation.Thefurniturecreationsareoutofdifferentmaterials,wood,matal,bioresin,allfurniturearedesignedbyusandproducedby"atelier-schneeweiss".Thevasesaremadefrombioresinandtheywereproducedbyselection-d

M:Now，astothedelicatelightingsonexhibition,whatinspiredyou?

S&F：lastsummerwedesignedamodernnomadestipi,youcanseeitinourblog.whenyouputlightinthetipiandlookonitfromfarawayitlookslikeabiglampshade.SOwewereinspiredbyourselfsdesign.

M:Whatkindofemotiondoyouintendtoexpresswhendesigningsofa?

S&F：Asofaissomethingtosit,tosleep,torelaxandfeelwell.therealhomeinyourappartmentorhousehavetobeyourbedwhenyouaresleepingandyoursofawhenyouareawake.

M:Youhaveemployeddifferentcolorstomatchintheexhibitionhall,also,preparedspacesoftwostyles.Whatkindofconceptdoyouwanttodeliverthroughthem?

S&F:Wewantedtoprovokedifferentfeelingsandemotionsyoufeelwhenyouseedifferentstyles.manymagazinesandotherdesignerssayedthatitwasnotconfused-directiontypicalstyle.but,itwasexactlyourstyle,butnotourcolourharmonys.soyoucanimaginehowmightythemeaningofcoloursare.

M:Howdoyoufeelaboutalltheworksonthisexhibition?Perfectenough,orstillhavesomepities?

S&F:Wereachedwhatwewantedto.toseewhatcolourscanmake.becausewetookcolourswicharenotourfavoritesitwashardtofindourowninstallationnice.somepitieswerethatwehadnotenoughtimetoputthepatternontheroof:-)

M:Istheresomethingimpressedyouquitemuchintheexhibition?

S&F:Becausewemadethewholeinstallationatourself(floflorian/saschaakkermann)wewereimpressedbythebigammountofwork.

M:Whenyoutwoworktogether,whatisyourcommonworkassignmentprinciple?Whoplaystheleadingrole?

S&F:Wehavenofixedrole.theleadingroleisalwaysplayedbythebestidea.ourdifferentpersonalitiesareimportanttohaveabiggeroverviewaboutthepeoplesthinking.oftenweaskalotofpeopleoftheiropiniontoanitembeforwegointotheworldwithit.

M:Ifdivisionshappenedinwork,whatdoyoudotosolvethem?

S&F:Wechangethepointofview,changeitagain,waitatimeandchangeagain.thenthesolutionwillcomeonitsself.whenthesolutionwillnotcomeititsmaybeabadidea,anditisagoodthingtoseethebadideasfast.

M:Asadesigner,whatkindofchallengesaswellasopportunitiesdoyouhave?

S&F:Thechallangeis