英國(guó)文學(xué)史及選讀復(fù)習(xí)要點(diǎn)總結(jié)

英國(guó)文學(xué)史及選讀復(fù)習(xí)要點(diǎn)總結(jié)第一篇：英國(guó)文學(xué)史及選讀復(fù)習(xí)要點(diǎn)總結(jié)《英國(guó)文學(xué)史及選讀》第一冊(cè)復(fù)習(xí)要點(diǎn)1.Beowulf:nationalepicoftheEnglishpeople;Denmarkstory;alliteration,metaphorsandunderstatements（此處可能會(huì)有填空，選擇等小題）2.Romance（名詞解釋?zhuān)?.“SirGawainandtheGreenKnight”:afamousromanaboutKingArthur’sstory4.Ballad（名詞解釋?zhuān)?.CharacterofRobinHood6.GeoffreyChaucer:founderofEnglishpoetry;TheCanterburyTales(maincontents;124storiesplanned,only24finished;writteninMiddleEnglish;significance;form:heroiccouplet)7.Heroiccouplet(名詞解釋)8.Renaissance（名詞解釋?zhuān)?.ThomasMore——Utopia10.Sonnet（名詞解釋?zhuān)?1.Blankverse（名詞解釋?zhuān)?2.EdmundSpenser“TheFaerieQueene”13.FrancisBacon“essays”esp.“OfStudies”（推薦閱讀，學(xué)習(xí)寫(xiě)正式語(yǔ)體的英文文章的好參照，本文用詞正式優(yōu)雅，多排比句和長(zhǎng)句，語(yǔ)言造詣非常高，里面很多話(huà)都可以引用做格言警句，非常值得一讀）14.WilliamShakespeare四大悲劇比較重要，此外就是羅密歐與朱立葉了，這些劇的主題，背景，情節(jié)，人物形象都要熟悉，當(dāng)然他最重要的是Hamlet這是肯定的。他的sonnet也很重要，最重要屬sonnet18。（其戲劇中著名對(duì)白和幾首有名的十四行詩(shī)可能會(huì)出選讀）15.JohnMilton三大史詩(shī)非常重要，特別是ParadiseLost和SamsonAgonistes。對(duì)于ParadiseLost需要知道它是blankverse寫(xiě)成的，故事情節(jié)來(lái)自O(shè)ldTestament，另外要知道此書(shū)theme和Satan的形象。16.JohnBunyan——ThePilgrim’sProgress17.FounderoftheMetaphysicalschool——JohnDonne;featuresoftheschool:philosophicalpoems,complexrhythmsandstrangeimages.18.Enlightenment（名詞解釋?zhuān)?9.Neoclassicism（名詞解釋?zhuān)?0.RichardSteele——“TheTatler”21.JosephAddison——“TheSpectator”這個(gè)比上面那個(gè)要重要，注意這個(gè)報(bào)紙和我們今天的報(bào)紙不一樣，它虛構(gòu)了一系列的人物，以這些人物的口氣來(lái)寫(xiě)報(bào)紙上刊登的散文，這一部分要仔細(xì)讀。22.Steel’sandAddison’sstylesandtheircontributions23.AlexanderPope:“EssayonCriticism”,“EssayonMan”,“TheRapeofLock”,“TheDunciad”;hisworkmanship(features)andlimitations24.JonathanSwift:“Gulliver’sTravels”此書(shū)非常重要，要知道具體內(nèi)容，就是Gulliver游歷過(guò)的四個(gè)地方的英文名稱(chēng)，和每個(gè)部分具體的諷刺對(duì)象;（我們主要講了三個(gè)地方）“AModestProposal”比較重要，要注意作者用的irony也就是反諷手法。25.Theriseandgrowthoftherealisticnovelisthemostprominentachievementof18thcenturyEnglishliterature.26.DanielDefoe:“RobinsonCrusoe”,“MollFlanders”,當(dāng)然是RobinsonCrusoe比較重要，劇情要清楚，RobinsonCrusoe的形象和故事中蘊(yùn)涵的早期黑奴的原形，以及殖民主義的萌芽。另外注意Defoe的style和feature，另外Defoe是forerunnerofEnglishrealisticnovel。27.SamuelRichardson——“Pamela”(firstepistolarynovel),“ClarissaHarlowe”,“SirCharlesGrandison”28.HenryFielding:“JosephAndrews”,“JonathanWild”,“TomJones”第一個(gè)和第三個(gè)比較重要，需要仔細(xì)看。他是一個(gè)比較重要的作家，另外Fielding也被稱(chēng)為fatheroftheEnglishnovel.29.LaurenceSterne——“TristramShandy”項(xiàng)狄傳30.RichardSheridan——“TheSchoolforScandal”31.OliverGoldsmith——“TheTraveller”(poem),“TheDesertedVillage”(poem)(bothtwopoemswerewrittenbyheroiccouplet),“TheVicarofWakefield”(novel),“TheGood-NaturedMan”(comedy),“ShestoopstoConquer”(comedy),“TheCitizenoftheWorld”(collectionofessays)32.Sentimentalism（名詞解釋?zhuān)?3.ThomasGray——“ElegyWritteninaCountryChurchyard”（英國(guó)詩(shī)歌里非常著名的一首，曾經(jīng)被譽(yù)為“有史以來(lái)英國(guó)詩(shī)歌里最好的一首”）(arepresentativeofsentimentalismandgraveyardschoolofpoets墓園派詩(shī)人)*GraveyardSchool/Poets”:Atermappliedtoeighteenth-centurypoetswhowrotemeditativepoems,usuallysetinagraveyard,onthethemeofhumanmortality,inmoodswhichrangefromelegiacpensivenesstoprofoundgloom.ThevogueresultedinoneofthemostwidelyknownEnglishpoems,ThomasGray’s“Elegywritteninacountrychurchyard”.ThewritingofgraveyardpoemsspreadfromEnglandtoContinentalliteratureinthesecondpartofthecenturyandalsoinfluencedsomeAmericanpoets.34.Inthelatterhalfofthe18thcentury,Pre-Romanticism;representative:WilliamBlakeandRobertBurns.35.ThomasPercy——“ReliquesofAncientEnglishpoetry”許多中古的民謠都是在這個(gè)時(shí)期重新收集和整理起來(lái)的，這個(gè)集子是那個(gè)時(shí)代比較有名的一個(gè)民謠集。36.WilliamBlake比較重要，需要對(duì)主要作品有所了解，特別是SongsofInnocence和SongsofExperience,這兩本集子的contrast一定要注意，另外Blake的寫(xiě)作特點(diǎn)也要注意，比如語(yǔ)言的簡(jiǎn)單明了，神秘主義氛圍等。37.RobertBurns偉大的蘇格蘭民族詩(shī)人,ARedRedRose,ScotsWhaHae,AuldLangSyne等名詩(shī)，寫(xiě)作特點(diǎn):Scottishdialect;apoetofpeasantandScottishpeople;plainlanguage;influencefromScottishfolksongsandballads;musicalqualityofhispoems.《英國(guó)文學(xué)史及選讀》第二冊(cè)練習(xí)題I.浪漫主義時(shí)期I.Eachofthestatementsbelowisfollowedbyfouralternativeanswers.Choosetheonethatwouldbestcompletethestatementandputtheletterinthebrackets.1.EnglishRomanticismisgenerallysaidtohavebegunwith_____in1798.A.thepublicationofLyricalBalladsB.thedeathofSirScottC.thebirthofWilliamWordsworthD.thepassageofthefirstReformBillintheParliament2.TheRomanticPeriodisfirstofallanageof_____.A.NovelB.poetryC.dramaD.prose3.Romanticismdoesnotemphasize_____.A.thespecialqualitiesofeachindividual’smindB.theinnerworldofthehumanspiritC.individualityD.thefeaturesthatmenhaveincommon4._____isnotaRomanticpoet.A.WilliamBlakeB.SirScottC.P.B.ShelleyD.LordByron5._____isaRomanticnovelistbutisimpressedwithneo-classicstrains.A.WalterScottB.MaryShelleyC.JaneAustenD.AnnRadcliff6._____isnotcharacteristicofWilliamBlake’swriting.A.plainanddirectlanguageB.compressionofmeaningC.supernaturalqualityD.symbolism7.WordsworthpublishedLyricalBalladsin1789with_____.A.ByronB.ColeridgeC.ShelleyD.Keats8.Wordsworththinksthat_____istheonlysubjectofliteraryinterest.A.thelifeofrisingbourgeoisieB.aristocraticlifeC.thelifeoftheroyalfamilyD.commonlife9.DonJuanisthemasterpieceof_____.A.LordByron’sB.P.B.Shelley’sC.JohnKeats’sD.SamuelColeridge’s10._____isnotanovelwrittenbyJaneAusten.A.JaneEyreB.SenseandSensibilityC.PrideandPrejudiceD.EmmaII.Completeeachofthefollowingstatementswithaproperwordoraphraseaccordingtothetextbook.1.Inessence,Romanticismdesignatesaliteraryandphilosophicaltheorywhichtendstoseethe_____astheverycenterofalllifeandallexperience.2.FortheRomantics,_____isnotonlythemajorsourceofpoeticimagery,butalsoprovidesthedominantsubjectmatter.3.Wordsworthisregardedasa“worshipperof_____.”4.Accordingtothesubjects,Wordsworth’sshortpoemscanbeclassifiedintotwogroups:poemsaboutnatureandpoemsabout_____.5.Coleridge’sachievementaspoetcanbedividedintotworemarkablydiversegroups:_____andtheconversational.6.AsaleadingRomanticist,Byron’schiefcontributionishiscreationofthe“_____.”7.“_____”isShelley’srepresentativework.8._____aregenerallyregardedasKeats’smostimportantandmaturework.9.“Beautyistruth,truthbeauty”isafamouslineinKeats’s“_____.”10._____isthemostdelightfulofJaneAusten’swork.III.Decidewhetherthefollowingstatementsaretrueorfalseandwriteyouranswersinthebrackets.()1.TheRomanticperiodisalsoagreatageofprose.()2.Romanticsalsotendtobenationalistic,defendingtheirownliteraryheritageagainsttheadvocatesofclassicalrules.()3.ColeridgehasbeenrewardedasPoetLaureate.()4.Keatsisoneofthe“LakePoets.”()5.JaneAustenisatypicalRomanticwriter.IV.Nametheauthorofeachofthefollowingliterarywork.1.“TheRimeoftheAncientMariner”2.SongsofInnocence3.“OdetoaNightingale”4.“ASong:MenofEngland”5.ThePreludeV.Definetheliterarytermslistedbelow1.Romanticism2.OdeVI.Foreachofthequotationslistedbelowpleasegivethenameoftheauthorandthetitleoftheliteraryworkfromwhichitistakenandthenbrieflyinterpretit.1….BethroughmylipstounawakenedEarth.Thetrumpetofaprophecy!O,Wind,Ifwintercomes,canSpringbefarbehind?2.Foroft,whenonmycouchIlieInvacantorinpensivemood,TheyflashuponthatinwardeyeWhichistheblissofsolitude;Andthenmyheartwithpleasurefills,Anddanceswiththedaffodils.Keys:I.1.A2.B3.D4.B5.C6.C7.B8.D9.A10.AII.1.individual2.humanlife3.nature4.humanlife5.thedemonic6.Byronichero7.OdetotheWestWind8.Theodes9.OdeonaGrecianUrn10.PrideandPrejudiceIII.1.T2.T3.F4.F5.FIV.1.Coleridge2.Blake3.Keats4.Shelley5.WordsworthV.1.Romanticismisamovementthatflourishedinliterature,philosophy,musicandartinwesterncultureduringmostofthenineteenthcentury,beginningasarevoltagainstclassicism.TherehavebeenmanyvarietiesofRomanticisminmanydifferenttimesandplaces.TheleadingfeaturesofRomanticmovementsareWordsworth,Shelley,etc.2.Odeisacomplexandoftenlengthylyricpoem,writteninadignifiedformalstyleonsomeloftyorserioussubject.Odesareoftenwrittenforaspecialoccasion,tohonourapersonoraseasonortocommemorateanevent.VI.1.ItistakenfromShelley’sOdetotheWestWind.Inthispoem,Shelleyeulogizesthepowerfulwestwindandexpresseshiseagernesstoenjoytheboundlessfreedomfromthereality.Intheselastlines,thepoetshowshisoptimisticspiritforthefuture.2.ItistakenfromWordsworth’s“IWanderedLonelyasaCloud.”Thepoetthinksthatitisablisstorecollectthebeautyofnatureinhismindwhileheisinsolitude.Heexpresseshisstrongaffectingfornatureinthepoem.II.維多利亞時(shí)期I.Eachofthestatementbelowisfollowedbyfouralternativeanswers.Choosetheonethatwouldbestcompletethestatementandputtheletterinthebrackets1.TheVictorianperiodroughlybeganattheenthronementofQueenVictoriain_____.A.1835B.1836C.1837D.18382.ThecriticalrealistslikeCharlesDickensintheVictorianperiodwrotenovels_____.A.representingthe18thcenturyrealistnovelB.criticizingthesocietyC.defendingthemassE.alltheabove3._____isnotaVictorianovelist.A.CharlesDickensB.GeorgeEliotC.WilliamMakepeaceThackerayD.D.H.Lawrence4._____isnotaworkbyCharlesDickens.A.OliverTwistB.DavidCopperfieldC.MiddlemarchD.ATaleofTwoCities5.WutheringHeightsisamasterpiecewrittenby_____.A.CharlotteBronteB.EmilyBrontC.AnneBronteD.BranwellBronte6._____isnotThomasHardy’swork.A.TheMillontheFlossC.JudetheObscureD.TheMayorofCasterbridge7.“MyLastDuchess”is_____.A.adramaticmonologueB.ashortlyricC.anovelD.anessay8.Tennyson’s“Ulysses”getsitsinspirationfromthefollowingworksorwritersexcept_____.A.Homer’sOdesseyB.Joyce’sUlyssesC.DanteD.GreekMythology9.Inthe19thcenturyEnglishliterature,anewliterarytrend_____appeared.Anditflourishedinthe1840sandintheearly1950s.A.romanticismB.naturalismC.realismD.criticalrealism10.ThetitleofthenovelVanityFairwastakenfrom_____.A.ThePilgrim’sProgressB.ChildeHarold’sPilgrimageC.Gulliver’sTravelsD.TheCanterburyTalesII.Completeeachofthefollowingstatementswithaproperwordoraphraseaccordingtothetextbook1.TheaestheticistssuchasOscarWildeintheVictorianperiodadvocatedthetheoryof“_____.”2.IntheVictorianperiod,_____becamethemostwidelyreadandthemostvitalandchallengingexpressionofprogressivethought.3.CharlesDickensisoneofthegreatest_____writersoftheVictorianAge.4.Tennyson’spoem“_____”isinmemoryofhisbosomfriendArthurHallam.5.RobertBrowningisfamousforhis_____.6.GeorgeEliot’s_____isoneofthemostmatureworksinEnglishliterature.7.Tennyson’sfamousdramaticmonologuebasedonthestoryinGreekMythologyis“_____.”8._____isDickens’firstchildhero.9.JaneEyrerepresentsthose_____-classworkingwomenwhoarestrugglingforrecognitionoftheirbasicrightsandequalityasahumanbeing.10.ThemostimportantpoetoftheVictorianAgewas_____.NexttohimwereRobertBrowningandhiswife.III.Decidewhetherthefollowingstatementsaretrueoffalseandwriteyouranswersinthebrackets.()1.TheVictorianperiodhasbeengenerallyregardedasoneofthemostgloriousintheEnglishhistory.()2.Tennysonisfamousforhisaestheticviewpointof“artforart’ssake.”()3.WutheringHeightsisthemasterpieceofCharlotteBronte’s.()4.Browning’s“MeetingatNight”and“PartingatMorning”wereoriginallyonepoemindramaticmonologue.()5.NaturalismhasplayedanimportantpartinThomasHardy’swork.IV.Nametheauthorofeachofthefollowingliteraryworks.1.ThePosthumousPapersofthePickwickClub2.TheTenantofWildfellHall3.InMemoriam4.TheMillontheFloss5.TheReturnoftheNativeV.Definetheliterarytermslistedbelow.1.DramaticMonologue2.CriticalRealismVI.Foreachofthequotationslistedbelowpleasegivethenameoftheauthorandthetitleoftheliteraryworkfromwhichitistakenandthenbrieflyinterpretit.1.Thatsameeveningthegentlemaninthewhitewaistcoatmostpositivelyanddecidedlyaffirmed,notonlythatOliverwouldbehung,butthathewouldbedrawnandquarteredintothebargain.Mr.Bumbleshoothisheadwithgloomymystery,andsaidhewishedhemightcometogood;where—untoMr.Gamfieldreplied,thathewishedhemightcometohim---which,althoughheagreedwiththebeadleinmostmatters,wouldseemtobeawishofatotallyoppositedescription.Thenextmorning,thepublicwereoncemoreinformedthatOliverTwistwasagainToLet,andthatfivepoundswouldbepaidtoanybodywhowouldtakepossessionofhim.2.Thus,neitherhavingthecluetotheother’ssecret,theywererespectivelypuzzledatwhateachrevealed,andawaitednewknowledgeofeachother’scharacterandmoodswithoutattemptingtopryintoeachother’shistory.Everyday,everyhour,broughttohimonemorelittlestrokeofhernature,andtoheronemoreofhis.Tesswastryingtoleadarepressedlife,butshelittledivinedthestrengthofherownvitality.Keys:I.1.B2.D3.D4.C5.B6.A7.A8.B9.D10.AII.1.artforart’ssake2.thenovel3.criticalrealist4.Break,Break,Break5.dramaticmonologue6.Middlemarch7.Ulysses8.OliverTwist9.middle10.TennysonIII.1.T2.F3.F4.F5.TIV.1.CharlesDickens2.AnneBronte3.AlfredTennyson4.GeorgeEliot5.ThomasHardyV.1.DramaticMonologueisakindofnarrativepoeminwhichonecharacterspeakstooneormorelistenerswhoserepliesarenotgiveninthepoem.TheoccasionisusuallyacrucialoneInthespeaker’spersonalityaswellastheincidentthatisthesubjectsofthepoem.Anexampleofadramaticmonologueis“MyLastDuchess”byRobertBrowning.2.CriticalRealismisaliterarymovementinthe19thcentury.Itstickstotheprincipaloffaithfulrepresentationofthe18thcenturyrealisticnovelandcarriesitsdutyforwardtothecriticismofthesocietyandthedefenseofthemass.TherepresentativefiguresareDickens,theBronte’s,etc.VI.1.ItistakenfromCharlesDickens’sOliverTwist.ThispartdescribeshowOliverispunishedforaskingformoretoeatandhowheisthereforesoldatthreepoundtentoanotoriouschimney-sweeper.Itrevealsthatthepitiablestateoftheorphanboyandthecrueltyandhypocrisyoftheworkhouseboard.2.ItistakenfromThomasHardy’sTessoftheD’Urbervilles.ThispartdescribeshowTessforgetsaboutherpastmisfortuneinthebeautiful,pastoraldairyfarmandunconsciouslygivesherselfuptotheattractionofAngelClare.III.現(xiàn)代時(shí)期I.Eachofthestatementbelowisfollowedbyfouralternativeanswers.Choosetheonethatwouldbestcompletethestatementandputtheletterinthebrackets1.Modernismtakes_____asitstheoreticalbase.A.theirrationalphilosophyB.thetheoryofpsycho-analysisC.bothAandBD.neitherAnorB2.Modernismroseoutof_____.A.skepticismB.disillusionofcapitalismC.irrationalphilosophyD.altheabove3.Modernismis,inmanyaspects,areactionagainst_____.A.romanticismB.RealismC.post-modernismD.alltheabove4._____isnotamovementinthemodernperiod.A.“theAngryYoungMen”B.“theBeatGeneration”C.“theLostGeneration”D.“theTheateroftheAbsurd”5._____isnotarepresentativefigureinapplyingthetechniqueof“thestreamofconsciousness”inhis/herwriting.A.D.H.LawrenceB.JamesJoyceC.VirginiaWoolfD.DorothyRichardson6.WaitingforGodotisregardedasthemostfamousandinfluentialplayoftheTheaterofAbsurd.Itiswrittenby_____.A.GeorgeBernardShawB.SamuelBeckettC.JohnGalsworthyD.EugeneO’Neill7.TheWasteLandis_____’smostimportantsinglepoem.A.EzraPoundB.WilliamButlerYeatsC.AlfredTennysonD.T.S.Eliot8._____isnotD.H.Lawrence’swork.A.FinnegansWakeB.SonsandLoversC.LadyChatterley’sLoverD.TheRainBow9._____isnotJamesJoyce’snovel.A.UlyssesB.APortraitoftheArtistasaYoungManC.DublinersD.FinnegansWake10.“TheLoveSongofJ.AlfredPrufrock”iswrittenby_____.A.W.H.AudenB.D.H.LawrenceC.W.B.YeatsD.T.S.EliotII.Completeeachofthefollowingstatementswithaproperwordoraphraseaccordingtothetextbook1.TheFrench_____,appearinginthelate19thcentury,heraldedmodernism.2.Modernismrejects_____,whichisthetheoreticalbaseofrealism.3.Instimulatingthetechnicalinnovationsofnovelcreation,thetheoryoftheFreudianandJungian_____playedaparticularlyimportantrole.4.MostofBernardShaw’splaysareconcernedwithpolitical,economic,moral,orreligiousproblems,and,thus,canbetermedas_____.5._____isfamousforhisfrankdiscussionof“sex”inhisworks.6.JohnGalsworthy’strilogyisnamed_____.7._____,anAmericanPoet,tookEnglishCitizenshipin1927,andbecameadevoutmemberofAnglicanChurch.8._____isEliot’smostimportantpoetry,revealingthespiritualdecadencyandmeaninglessnessoflifeofthe20thcentury.9.MostofJoyce’sworksareconcerningthelifeofhishometown_____.10.Joyce’s“Araby”isashortstoryinhiscollection_____.III.Decidewhetherthefollowingstatementsaretrueoffalseandwriteyouranswersinthebrackets.()1.Theriseofmodernpoetrywas,insomesense,arevolutionagainsttheconventionalideasandformsoftheRomanticpoetry.()2.WriterslikeE.M.ForsterandD.H.Lawrencearestillconventionalwriters,asintheirworks,oldtraditionsarestillthere.()3.JohnGalsworthyhasbeenawardedNobelPrizeforliterature.()4.JohnGalsworthyisaconventionalwriter,inheritingthefinetraditionsofthegreatVictoriannovelistsofthecriticalrealismsuchasDickens.()5.JamesJoyceisaprolificwriter,creatingagreatnumberoffamousworks.IV.Nametheauthorofeachofthefollowingliteraryworks.1.Modernism2.AngryYoungMenV.Definetheliterarytermslistedbelow.1.Pygmalion2.“SailingtoByzantium”3.WomaninLove4.Ulysses5.TheManofPropertyVI.Foreachofthequotationslistedbelowpleasegivethenameoftheauthorandthetitleoftheliteraryworkfromwhichitistakenandthenbrieflyinterpretit.1.Iwillariseandgonow,foralwaysnightanddayIhearlakewaterlappingwithlowsoundsbytheshore;WhileIstandontheroadway,oronthepavementsgray，Ihearitinthedeepheart’score.2.Nowshebegantocombatinhisrestlessfretting.HestillkeptuphisconnexionwithMiriam,couldneitherbreakfreenorgothewholelengthofengagement.Andthisindecisionseemedtobleedhimofhisenergy.Moreover.HismothersuspectedhimofanunrecognizedleaningtowardsClara,and,sincethelatterwasamarriedwoman,shewishedhewouldfallinlovewithoneofthegirlsinabetterstationoflife.Buthewasstupid,andwouldrefusetoloveoreventoadmireagirlmuch,justbecauseshewashissocialsuperior.Keys:I.1.C2.D3.B4.C5.A6.B7.D8.A9.C10.DII.1.Sblemplays5.D.H.Lawrence6.TheForsyteSaga7.T.S.Eliot8.TheWasteLand9.Dublin10.DublinersIII.1.F2.F3.F4.T5.FIV.1.Modernismisamovementinthe20thcentury.Ittakestheirrationalphilosophyandthetheoryofpsycho-analysisasitstheoreticalbaseandinmanyaspectsisareactionagainstrealism.2.AngryYoungMenisaphraseappliedtoanumberofBritishplaywrightsandnovelistsfromthemid-1950s,whodescribedvariousformsofsocialalienationandwhosepoliticalviewswereradicalandanarchic.V.1.BernardShaw2.W.B.Yeats3.D.H.Lawrence4.JamesJoyce5.JohnGalsworthyVI.1.ItistakenfromYeats’s“ThelakeIsleofInnisfree.”Inthispoem,Yeatsexpresseshislongingtoescapefromthecitylifeandtoliveasecludedlifebydescribingthepeaceful,tranquilsceneofthelakeIsleofInnisfree,alegendaryplaceforhermitage.2.ItistakenfromD.H.Lawrence’sSonsandLovers.Paulhasloveaffairswithtwogirls,MiriamandClara.Butheissodependentonhismother’sloveandhelpthathefailstoachieveafulfillingrelationshipwitheithergirl.EnglishLiterature(BookII)Romanticis1.Romanticism（名詞解釋?zhuān)┮獙?duì)浪漫主義興起的時(shí)間，根源，主要特點(diǎn)，主要代表作家都有所了解。2.WilliamWordsworth要知道他的“LyricalBallads”前言是英國(guó)浪漫主義時(shí)期開(kāi)始的標(biāo)志，也是宣言。LakePoets（名詞解釋?zhuān)?。他?shī)歌的主要兩類(lèi)題材：natureandcommonpeople’slives。寫(xiě)過(guò)的著名作品：Iwanderedlonelyasacloud;Tothecuckoo;LinescomposedafewmilesaboveTinternAbbey;Thesolitaryreaper;Weareseven等等。3.SamuelTaylorColeridge兩首名詩(shī)：TheRimeoftheAncientMariner;KublaKhan主要寫(xiě)作supernatural題材。4.GeorgeGordonByron，ByronicHeroes(名詞解釋);著名作品：ChildHarold’sPilgrimage要知道大致內(nèi)容，另外此詩(shī)用SpenserianStanza寫(xiě)成；DonJuan要知道大致內(nèi)容。5.PercyByssheShelley著名作品：QueenMab;TheRevoltofIslam;PrometheusUnbound（lyricaldrama，要知道大致內(nèi)容及此劇與古希臘的“被束縛的普羅米修斯”不同之處及其意義。）其它名作:OdetotheWestWind;Toaskylark等等。6.JohnKeats著名作品：OdetoAutumn;OdetoaNightingale;OdeonaGrecianUrn”。注意Keats與Byron和Shelley的不同，Keats的詩(shī)歌沒(méi)有兩人那么強(qiáng)的革命性，他的詩(shī)歌主要是為了締造一個(gè)唯美的世界，為了追求美而寫(xiě)作的。7.CharlesLamb：TheEssaysofElia(humorous,archaisms,quotationsfromotherwriters)8.WalterScott:founderandgreatmasterofthehistoricalnovel;hisdeathmarkstheendingofRomanticPeriodinEnglishliterature;famousnovels:RobRoy,Ivanhoe;featuresofhisnovels.EnglishCriticalRealism9.CriticalRealism批判現(xiàn)實(shí)主義，要知道它興起的時(shí)間，歷史背景，主要代表人物及主要特點(diǎn)。10.CharlesDickens主要作品:ThePickwickPapers(firstnovel);OliverTwist;DombeyandSon;DavidCopperfield;ATalesofTwoCities等等，對(duì)這些主要作品除了第一部以外剩下的要對(duì)情節(jié)，主要人物形象，主題及其意義有所了解，另外要知道狄更斯的小說(shuō)的特色。11.WilliamMakepeaceThackeray主要作品即VanityFair要知道這個(gè)題目出自JohnBunyan的ThePilgrim’sProgress，另外小說(shuō)的副標(biāo)題“Anovelwithoutahero”的意思，小說(shuō)的情節(jié)，主題，人物形象都要了解。12.JaneAusten主要作品：PrideandPrejudice其它5部小說(shuō)知道名字即可，對(duì)于《傲慢與偏見(jiàn)》簡(jiǎn)單看一下它的情節(jié)和主要人物。Austen的寫(xiě)作特點(diǎn)：thinplot,mostlyeverydaylifeofsimplecountrysociety;goodatwritingyounggirls;modestsatire;wittydialogues。13.CharlotteBronte主要作品JaneEyre，要知道其情節(jié)和意義，另外簡(jiǎn)愛(ài)的人物形象也比較重要。14.EmilyBronte主要作品WutheringHeights，情節(jié)，人物形象及意義。勃朗特姐妹的小說(shuō)雖然寫(xiě)作在批判現(xiàn)實(shí)主義時(shí)期，但其作品有明顯的浪漫主義特色，比如包含的一些supernaturalelements，特別體現(xiàn)在呼嘯山莊中。15.GeorgeEliot主要作品:AdamBede,TheMillonFloss.Prose-writersandpoetsofthemidandlater19thcentury16.AlfredTennyson主要作品:InMemoriam,TheIdyllsoftheKings；有名的短詩(shī)Break,Break,Break;Crossingthebar等，此人政治態(tài)度保守，作品追求形式上的完美，富于音樂(lè)性和色彩。17.RobertBrowningintroduceddramaticmonologuetopoetry.Hisfamouspoems:“Home-thoughtsfromabroad”etc.ElizabethBarrettBrowning:“SonnetsfromthePortuguese”.18.Aestheticism唯美主義（名詞解釋?zhuān)㎡scarWilde主要作品，寫(xiě)作特點(diǎn)及其意義簡(jiǎn)要了解。TwentiethCenturyEnglishLiterature19.JohnGalsworthy:主要作品“TheForsyteSaga”注意這是兩個(gè)trilogy構(gòu)成的，可不是一本小說(shuō)，其中比較重要的是“TheManofProperty”就是書(shū)上介紹的那一部，要知道此部小說(shuō)主人公的名字，以及這個(gè)主人公的性格，和小說(shuō)主題。20.GeorgeBernardShaw主要作品MrsWarren’sProfession和MajorBabara，對(duì)他作品的主要人物，情節(jié)，主題和意義要了解，他是比較重要的一個(gè)作家。21.T.S.Eliot比較重要，特別是他的TheWasteLand要知道包括哪幾個(gè)部分，大概是什么情節(jié)，有什么象征意義，主題是什么，有什么寫(xiě)作特點(diǎn)。另外他著名的文章TraditionandtheIndividualTalent被認(rèn)為是manifestoofmodernistpoetry.22.Modernistfictionputemphasisonthedescriptionofthecharacters’psychologicalactivitiesundertheinfluenceofAustriandoctorSigmundFreud’stheories.23.D.H.Lawrence重點(diǎn)作品SonsandLovers這個(gè)作品明顯受到弗洛伊德影響，特別是其中體現(xiàn)的Oedipuscomplex，對(duì)其人物，主題要有了解；TheRainbow及其續(xù)篇WomeninLove要有簡(jiǎn)單了解，特別是對(duì)其主題。LadyChatterley’sLover簡(jiǎn)單了解即可。勞倫斯的思想特點(diǎn)以及局限性要了解。24.Stream-of-consciousness（名詞解釋?zhuān)?5.JamesJoyce其它作品簡(jiǎn)單了解，但Ulysses非常重要，需要知道題目來(lái)源，題目的含義，小說(shuō)的主人公和情節(jié)，以及主題。26.VirginiaWoolf重要的意識(shí)流作家，主要作品要指導(dǎo)。書(shū)上主要介紹的是Mrs.Dalloway，其實(shí)她的其它幾部作品特別是TotheLighthouse也比較出名，需要了解一下。第二篇：英國(guó)文學(xué)史及選讀復(fù)習(xí)要點(diǎn)總結(jié)概要《英國(guó)文學(xué)史及選讀》第一冊(cè)復(fù)習(xí)要點(diǎn)1.Beowulf:nationalepicoftheEnglishpeople;Denmarkstory;alliteration,metaphorsandunderstatements(此處可能會(huì)有填空,選擇等小題2.Romance(名詞解釋3.“SirGawainandtheGreenKnight”:afamousromanaboutKingArthur’sstory4.Ballad(名詞解釋5.CharacterofRobinHood6.GeoffreyChaucer:founderofEnglishpoetry;TheCanterburyTales(maincontents;124storiesplanned,only24finished;writteninMiddleEnglish;significance;form:heroiccouplet7.Heroiccouplet(名詞解釋8.Renaissance(名詞解釋9.ThomasMore——Utopia10.Sonnet(名詞解釋11.Blankverse(名詞解釋12.EdmundSpenser“TheFaerieQueene”13.FrancisBacon“essays”esp.“OfStudies”(推薦閱讀,學(xué)習(xí)寫(xiě)正式語(yǔ)體的英文文章的好參照,本文用詞正式優(yōu)雅,多排比句和長(zhǎng)句,語(yǔ)言造詣非常高,里面很多話(huà)都可以引用做格言警句,非常值得一讀14.WilliamShakespeare四大悲劇比較重要,此外就是羅密歐與朱立葉了,這些劇的主題,背景,情節(jié),人物形象都要熟悉,當(dāng)然他最重要的是Hamlet這是肯定的。他的sonnet也很重要,最重要屬sonnet18。(其戲劇中著名對(duì)白和幾首有名的十四行詩(shī)可能會(huì)出選讀15.JohnMilton三大史詩(shī)非常重要,特別是ParadiseLost和SamsonAgonistes。對(duì)于ParadiseLost需要知道它是blankverse寫(xiě)成的,故事情節(jié)來(lái)自O(shè)ldTestament,另外要知道此書(shū)theme和Satan的形象。16.JohnBunyan——ThePilgrim’sProgress17.FounderoftheMetaphysicalschool——JohnDonne;featuresoftheschool:philosophicalpoems,complexrhythmsandstrangeimages.18.Enlightenment(名詞解釋19.Neoclassicism(名詞解釋20.RichardSteele——“TheTatler”21.JosephAddison——“TheSpectator”這個(gè)比上面那個(gè)要重要,注意這個(gè)報(bào)紙和我們今天的報(bào)紙不一樣,它虛構(gòu)了一系列的人物,以這些人物的口氣來(lái)寫(xiě)報(bào)紙上刊登的散文,這一部分要仔細(xì)讀。22.Steel’sandAddison’sstylesandtheircontributions23.AlexanderPope:“EssayonCriticism”,“EssayonMan”,“TheRapeofLock”,“TheDunciad”;hisworkmanship(featuresandlimitations24.JonathanSwift:“Gulliver’sTravels”此書(shū)非常重要,要知道具體內(nèi)容,就是Gulliver游歷過(guò)的四個(gè)地方的英文名稱(chēng),和每個(gè)部分具體的諷刺對(duì)象;(我們主要講了三個(gè)地方“AModestProposal”比較重要,要注意作者用的irony也就是反諷手法。25.Theriseandgrowthoftherealisticnovelisthemostprominentachievementof18thcenturyEnglishliterature.26.DanielDefoe:“RobinsonCrusoe”,“MollFlanders”,當(dāng)然是RobinsonCrusoe比較重要,劇情要清楚,RobinsonCrusoe的形象和故事中蘊(yùn)涵的早期黑奴的原形,以及殖民主義的萌芽。另外注意Defoe的style和feature,另外Defoe是forerunnerofEnglishrealisticnovel。27.SamuelRichardson——“Pamela”(firstepistolarynovel,“ClarissaHarlowe”,“SirCharlesGrandison”28.HenryFielding:“JosephAndrews”,“JonathanWild”,“TomJones”第一個(gè)和第三個(gè)比較重要,需要仔細(xì)看。他是一個(gè)比較重要的作家,另外Fielding也被稱(chēng)為fatheroftheEnglishnovel.29.LaurenceSterne——“TristramShandy”項(xiàng)狄傳30.RichardSheridan——“TheSchoolforScandal”31.OliverGoldsmith——“TheTraveller”(poem,“TheDesertedVillage”(poem(bothtwopoemswerewrittenbyheroiccouplet,“TheVicarofWakefield”(novel,“TheGood-NaturedMan”(comedy,“ShestoopstoConquer”(comedy,“TheCitizenoftheWorld”(collectionofessays32.Sentimentalism(名詞解釋33.ThomasGray——“ElegyWritteninaCountryChurchyard”(英國(guó)詩(shī)歌里非常著名的一首,曾經(jīng)被譽(yù)為“有史以來(lái)英國(guó)詩(shī)歌里最好的一首”(arepresentativeofsentimentalismandgraveyardschoolofpoets墓園派詩(shī)人*GraveyardSchool/Poets”:Atermappliedtoeighteenth-centurypoetswhowrotemeditativepoems,usuallysetinagraveyard,onthethemeofhumanmortality,inmoodswhichrangefromelegiacpensivenesstoprofoundgloom.ThevogueresultedinoneofthemostwidelyknownEnglishpoems,ThomasGray’s“Elegywritteninacountrychurchyard”.ThewritingofgraveyardpoemsspreadfromEnglandtoContinentalliteratureinthesecondpartofthecenturyandalsoinfluencedsomeAmericanpoets.34.Inthelatterhalfofthe18thcentury,Pre-Romanticism;representative:WilliamBlakeandRobertBurns.35.ThomasPercy——“ReliquesofAncientEnglishpoetry”許多中古的民謠都是在這個(gè)時(shí)期重新收集和整理起來(lái)的,這個(gè)集子是那個(gè)時(shí)代比較有名的一個(gè)民謠集。36.WilliamBlake比較重要,需要對(duì)主要作品有所了解,特別是SongsofInno