英美文學(xué)選讀歷年試題及答案最全整理

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HOUGHARARITY,WHICHCLAUSOFINNSBRUCKCASTINBRONZEFORMEWHATISTHETITLEOFTHEPOEMWHOISTHESPEAKERWHATISTHEIMPORTANCEOFTHEALLUSION“NEPTUNE/TAMINGASEAHORSE“INTHEWHOLEPOEM46NOVUMORGANUM（“NEWINSTRUMENT“）,ALONGWITHOTHERWORKS,WONTHEAUTHORTHEHONOUR“FATHEROFMODERNSCIENCE“WHOISTHEAUTHORWHATISTHEMAINCONCERNOFTHEWORKWHYTHEWORKISSOIMPORTANTFORTHEDEVELOPMENTOFMODERNSCIENCE47EZRAPOUNDISONEOFTHEPIONEERSINMODERNPOETRYWHATISTHEPOETICSCHOOLOFWHICHHEISACHIEFMEMBERWHATISPOUNDSREPRESENTATIVEWORKOFMANYYEARSOFPOETICCREATIONWHATISTHETITLEOFHISFREQUENTLYQUOTEDONEIMAGEPOEMPOUNDHASTRANSLATEDSOMELITERARYWORKSFROMTWOGREATANCIENTCIVILIZATIONSONEISGREECEWHATISTHEOTHERHOWDOYOUUNDERSTANDHISFAMOUSCOMMENT“THEIMAGEITSELFISTHESPEECH“648WILLIAMFAULKNER,ANOBELPRIZAWINNER,HASANIMPORTANTPOSITIONINAMERICANLITERATURENAMETWOOFHISMAJORNOVELSDOYOUKNOWANYTHINGABOUT“YOKNAPATAWPHACOUNTY“WHATISUNIQUEOFFAULKNERSFICTION,HISTORICALLYANDGEOGRAPHICALLYTOPICDISCUSSION（20POINTS,10POINTSFOREACH）WRITENOLESSTHAN150WORDSONEACHOFTHEFOLLOWINGTOPICSINENGLISHINTHECORRESPONDINGSPACEONTHEANSWERSHEET49APOSSIBLETHEMEOFJAMESJOYCESSHORTSTORY“ARABY“ISDISILLUSIONMENTBRIEFLYDISCUSSTHESYMBOLISMJOYCEEMPLOYSINPRESENTINGTHISTHEME50WHATMAKESMARKTWAINSTHEADVENTURESOFHUCKLEBERRYFINNMORETHANACHILDSADVENTURESTORYBRIEFLYDISCUSSTHEQUESTIONFROMTHREEOFTHEFOLLOWINGASPECTSTHESETTING,THELANGUAGE,THECHARACTER（S）,THETHEMEANDTHESTYLEMULTIPLECHOICE（40POINTS,1POINTFOREACH）1C2B3A4B5D6C7C8A9D10B11A12D13D14A15B16D17B18C19B20C21A22A23D24A25B26C27C28C29D30A31C32C33D34D35A36C37D38B39C40DREADINGCOMPREHENSION（16POINTS,4POINTSFOREACH）41參考答案AIAMBICPENTAMETERWITHTHERHYMINGSCHEMEOFABABBTHETHIRDFOOTCONTAINSTWOACCENTEDSYLLABLESCTWOACCENTEDSYLLABLESSLOWDOWNTHEPACEINKEEPINGWITHTHELITERARYMEANINGOFTHEPHRASE“WINDSLOWLY“42參考答案ADRFAUSTUS,APLAYBYCHRISTOPHERMARLOWEBDRFAUSTUSCMANSASPIRATION,BOUNDINGACHIEVEMENTS,ANDTHEINEVITABLEFAILURE43參考答案ASCOTTFITZGERALD,THEGREATGATSBYBITISADESCRIPTIONOFTHEENDOFABIGPARTYCTHEPASSAGEHINTSATTHEMEANINGLESSNESS,SPIRITUALEMPTINESSANDVANITYOFSUCHALIFTOFPLEASURESEEKINGTHEREISATRAGICSENSETHATTHE“PARTY“WILLBEOVER44參考答案AWALTWHITMAN,“SONGOFMYSELF“（早期幾版詩人曾用過“POEMOFWALTWHITMAN,ANAMERICAN“和“WALTWHITMAN“,也應(yīng)算對(duì)）BAMERICA,HISCOUNTRY,HISNATIVELANDCIWASBORNANDNURTUREDBYTHISLANDANDSHALLFROMNOWONDEVOTEMYWHOLELIFETOTHECOUNTRYQUESTIONSANDANSWERS（24POINTS,6POINTSFOREACH）45參考答案A“MYLASTDUCHESS“BTHEDUKE,ORTHEHUSBANDOFTHEDUCHESS7CPLACEDATTHEENDOFTHEPOEM,THEALLUSIONSERVESASTHECONCLUSIONTHATTELLSTHEREADERLISTENERTHATTHESPEAKERISATYRANT46參考答案AFRANCISBACONBTHEWORKISANARGUMENTFORTHEINDUCTIVEREASONINGINPLACEOFTHEARISTOTELIANDEDUCTIVEREASONINGCTHEARISTOTELIANREASONINGONLYSTATESTHEFACT,NOTCAPABLEOFDISCOVERYWHILETHEINDUCTIVEREASONING,ALTHOUGHSTARTINGWITHAHYPOTHESISANDDEVELOPINGWITHEXPERIMENTS,MAYLEADTOTHEDISCOVERYOFTRUEKNOWLEDGE47參考答案AIMAGISMBTHECANTOSC“INASTATIONOFTHEMETRO“DCHIANEPOUNDMEANSTHATIMAGESHOULDNOTBEORNAMENTSONLY,BUTSHOULDBETHEFOCUSOFPOETICEXPRESSIONBYEMPHASIZINGTHEEXTERIOROBJECT,POUNDHOPESTOAVOIDMORALIZINGANDACHIEVECLARITYANDEXACTNESS48參考答案A下列作品中任何兩本SOLDIERSPAY,SARTORIS,THESOUNDANDTHEFURY,ASILAYDYING,LIGHTINAUGUST,ABSALOM,ABSALOM,THEHAMLET,THETOWN,THEMANSION,ANDINTRUDERINTHEDUSTBYOKNAPATAWPHACOUNTYISANIMAGINEDPLACEBASEDONFAULKNERSOWNHOMETOWN,APLACETHATHETOOKFORTHESETTINGOF15OFHIS19NOVELSANDMANYSHORTSTORIESTHISSMALLREGIONINTHEAMERICANSOUTHBECOMESINFAULKNERSFICTIONANALLEGORYORAPARABLEOFTHEOLDSOUTHCHISLITERARYREPRESENTATIONOFTHEOLDSOUTHANDHISTHEMEOFTHEDETERIORATION,LOSSANDMORALDECAYOFTHEOLDSOUTHWHENITWASFALLINGAPARTTOPICDISCUSSION（20POINTS,10POINTSFOREACH）49參考答案A“SHORTDAYSOFWINTER,“SILENT“THESTREETOF“BLINDEND,“DARKMUDDYLANES“WITH“FEEBLELANTERNS,“DARKDRIPPINGGARDENS,“ANDMANYOTHERSFORETELLTHEINEVITABLEFAILUREOFTHEBOYSATTEMPTTOREACHHISDESIREBMANGANSSISTER,FORWHOMTHEBOYHADTENDERFEELINGS,SYMBOLIZESHOPE/ASPIRATION,BUTSHEWASSYMBOLICALLYCONFINED（“HAVEARETREATINHERCONVENT“）CTHEJOURNEYTOTHEBAZAARISAQUESTFORTHEFULFILLMENTOFTHEASPIRATION,BUTTHEJOURNEYWAS“INTOLERABLY“DELAYED,ANDWHENTHEBOYGOTTOTHEBAZAAR,HALFOFITWASALREADYDARKWHATSMORE,THEYOUNGLADYATTHEDOOROFASTALLWAS“NOTENCOURAGING,“ANDSPOKETOTHEBOY“OUTOFSENSEOFDUTY“WHENTHEUPPERPARTOFTHEHALLWASCOMPLETELYDARK,THEBOYSDISILLUSIONMENTWASANNOUNCEDANDTHUS,“GAZINGUPINTOTHEDARKNESSISAWMYSELFASACREATUREDRIVENANDDERIDEDBYVANITYANDMYEYESBURNEDWITHANGUISHANDANGER“50參考答案ASETTINGINTHENOVELMARKTWAINRECREATESASMALLTOWNWORLDOFAMERICAANDPRESENTSTHELOCALCOLORBLANGUAGEHEUSESSIMPLE,DIRECTLANGUAGEFAITHFULTOTHECOLLOQUIALSPEECH,THEVERNACULARLANGUAGEOFTHELOCALPEOPLECCHARACTER（S）THEAUTHORRECREATESTWOREBELSANDFUGITIVESRUNNINGAWAYFROMCIVILIZATION,ESPECIALLYHUCKLEBERRYFINN,ANINNOCENTBOYWHOREFUSESTOACCEPTTHECONVENTIONALVILLAGEMORALITYDTHEMETHENOVELISACRITICISMOFSOCIALINJUSTICE,HYPOCRISY,CONSERVATIVENESSANDNARROWMINDEDNESSOFTHEAMERICANSMALLTOWNSOCIETYESTYLETHENOVELEMPLOYSAHUMOROUSSTYLEOFNARRATIONANDISALSOHIGHLYSYMBOLICWITHTHECENTRALSYMBOL2001年4月IMULTIPLECHOICE1THEWORKTHATPRESENTED,FORTHEFIRSTTIMEINENGLISHLITERATURE,ACOMPREHENSIVEREALISTICPICTUREOFTHE8139MEDIEVALENGLISHSOCIETYANDCREATEDAWHOLEGALLERYOFVIVIDCHARACTERSFROMALLWALKSOFLIFEISMOSTLIKELY_AWILLIAMLANGLANDPIERSPLOWMANBGEOFFREYCHAUCERSTHECANTERBURYTALESCJOHNGOWERCONFESSIOAMANTISDSIRGAWAINANDTHEGREENKNIGHTANSWERB2THETRAGEDYOFDRFAUSTUS,THEPROTAGONISTINCHRISTOPHERMARLOWESTHETRAGICHISTORYOFDRFAUSTUS,ISTHEVERYFACETHAT_AMANISCONFINEDTOTIMEBHETRIEDTOJOINAFRICATOSPAINCHEBECAMEAMANWITHOUTSOULAFTERHESOLDITDHECONJUREDUPHELEN,THELADYWHOWASTHEVERYCOURSEOFTHETROJANWARANSWERA3HEREARETWOLINESFROMALINGPOEM“UPONAGREATADVENTUREHEWASBOND,THATGREATESTGLORIANATOHIMGAVE“THEPOEMMUSTBE_ABEOWULFBJOHNMILTONSSAMSONAGONISTESCTHOMASGRAYSELEGYWRITTENINACOUNTYCHURCHYARDDEDMUNDSPENSERSTHEFAERIEQUEENEANSWERD4LITERATUREOFNEOCLASSICISMISDIFFERENTFROMTHATOFROMANTICISMINTHAT_ATHEFORMERCELEBRATESREASON,RATIONALITY,ORDERANDINSTRUCTIONWHILETHELATTERSEESLITERATUREASANEXPRESSIONOFANINDIVIDUALSFEELINGANDEXPERIENCESBTHEFORMERISHEAVILYRELIGIOUSBUTTHELATTERSECULARCTHEFORMERISANINTELLECTUALMOVEMENTTHEPURPOSEOFWHICHISTOAROUSETHEMIDDLECLASSFORPOLITICALRIGHTSWHILETHELATTERISCONCERNEDWITHTHEPERSONALCULTIVATIONDTHEFORMERADVOCATESTHE“RETURNTONATURE“WHEREASTHELATTERTURNSTOTHEANCIENTGREEKANDROMANWRITERSFORITSMODELSANSWERA5WHENHEWRITES,INANESSAYONCRITICISM,“AVILECONCEITINPOMPOUSWORDSEXPRESSED,/ISLIKEACLOWNINREGALPURPLEDRESSED“,ALEXANDERPOPEMEANSTHAT_APOMPOUSWORDSAREALWAYSDESTRUCTIVETOGOODTASTEBTHEPURPLECOLOURISFORTHEROYALONLYANDITISRIDICULOUSTODRESSACLOWNINPURPLECCONCEITSAREALWAYSMISLEADINGDTRUEWITISBESTINAPLAINSTYLEANSWERD6YOUMAYHAVEMEETTHETERM“YAHOO“ONINTERNET,BUTYOUMAYALSOHAVEMETITINENGLISHLITERATUREITISFOUNDIN_AJOHNBUNYANSPILGRIMSPROGRESSBSAMUELJOHNSONSTHEVANITYOFHUMANWISHESCJONATHANSWIFTSGULLIVERSTRAVELSDHENRYFIELDINGSTOMJONESANSWERC7“THESHEPHERDINVIRGILGREWATLASTACQUAINTEDWITHLOVE,ANDFOUNDHIMANATIVEOFTHEROCKS“SAMUELJOHNSON,“TOTHERIGHTHONORABLETHEEARLOFCHESTERFIELD“THESPEAKERHEREIS_ACHEERFULBIRONICCMYSTERIOUSDNONCHALANTANSWERB8“SURFACE“,“SNEERWELL“,“BACKBITE“,AND“CANDOUR“AREMOSTLIKELYTHENAMESOFTHECHARACTERSIN_9ASHAWSMRSWARRENSPROFESSIONBSHERIDANSTHESCHOOLFORSCANDALCSHAKESPEARESLOVESLABOURSLOSTDCHRISTOPHERMARLOWESDRFAUSTUSANSWERB9THEFIRSTLINEOFWILLIAMBLAKESWELLKNOWNPOEM“THETYGER“READS,“TYGERTYGERBURNINGBRIGHT“THEREPEATEDWORD“TIGER“TIGERWITHANEXCLAMATIONMARKSUGGESTS_AJOYBFEARCPAINDFONDNESSANSWERB10WHATDOESWORDSWORTHSPOEM“THESOLITARYREAPER“TELLUSABOUTROMANTICISTATOROMANTICISTS,POETRYISANEXPRESSIONOFANINDIVIDUALSFEELINGSANDEXPERIENCESNOMATTERHOWFRAGMENTARYANDMOMENTARYTHESEFEELINGSANDEXPERIENCESAREBROMANTICISTTAKEDELIGHTONLYINSOUNDEFFECT,THETHEMEOFAWORKISNOTTHEIRCONCERNCROMANTICISTARENOTPATIENTPEOPLETHEYWOULDLEAVEBEFORETHEREVELATIONOFTHETHEMEDPOETRYSHOULDPRES