第16講 閱讀理解推理判斷題（練）-2024年高考英語一輪復(fù)習(xí)講練測(cè)（新教材新高考）含答案及解析

第16講推理判斷題（模擬精練+真題演練）根據(jù)文章選擇正確的選項(xiàng)(2023年河北衡水中學(xué)模擬預(yù)測(cè)B篇)HelgaStentzel’sClotheslineAnimalscombinecharmingimagesasfineartprintsinvarioussizes.Asanartistwhosestyleshecalls“householdsurrealism(超現(xiàn)實(shí)主義)”，sheworksinvariousmediaandhasalargecollectionofworks.InsteadofthrowinganoldpairofpantsorT-shirtaway,HelgaStentzelputshertiredgarmentsouttothefarm.Byhangingthemonasimpleclotheslineshesetsupandfoldingthemartfullythatlooklikeanimals,shetakeswonderfulpictures.Someareshotinreallocationswhileothersaredigitallyplacedinenvironmentsincharmingformwithappealingcolors.Siberian-bornStentzelhascooperatedwithmanyrespectableandwell-knownbrands,oneofwhichisHogarVerde,abio-friendlylaundryproductsbrandinEcuador.Forthemshehascreatedtheadorableclothingillusions(錯(cuò)覺)foraprintadcampaign，whichalsodrewattentiontotheendangeredanimalsshownwithin,likedinosaurs,polarbearsandsoon.Stentzel’spracticestartedfromherchildhoodinSiberia,whereshespenthourssurveyinghergrandmother’scarpet,woodsandrandomobjectsforrecognizableforms,includingapileofbucketslookingliketheLeaningTowerofPisa.Inwhatseemsaverysimplegesture,Stentzel’sworksemployhouseholditemsandturnthemintosurrealistimagesthatuncoverdifferentreadinglayers.Fromfoodtoclothes,theartistisinspiredbyeverydayobjectsandgivesthemasecondlifethroughhercreativeandreallypoeticpersonalangle.“Istareatthingslongerthansociallyacceptable!Itcanbeanything—achair,anoodlehangingoffthefork,alamppostinthemiddleoftheroad.Observationisaformofthinkingforme.Ireallyenjoystudyingcolors,shapesandtextures—withnoexpectation,simplyadmiringtheiruniquebeauty.Veryoftenthere’snothingmoretoit,butsometimesBOOM!—acreativeideahitsmybrain,anditmakesalinkbetweenslicedbreadandwrinkledskinofaFrenchbulldog.It’sveryunpredictable,”Stentzelsaid.5．WhatisStentzel’ssourceofinspiration?A．Dailyitems. B．Touristattractions.C．Randomsurveys. D．Childhoodadventures.6．WhichofthefollowingcanbestdescribeStentzel’sfineartprints?A．Complexanddigital. B．Meaningfulandcreative.C．Poeticbutcommercial. D．Ordinarybutbio-friendly.7．WhatcanwelearnfromStentzel’sstory?A．Artcangivepeopleasecondlife.B．Artworksarefromlifeyetabovelife.C．Creationisfromintentionalobservation.D．Cooperationresultsinadorableartworks.(2023年浙江金華一中聯(lián)考二模）TheunexpectedgiftmadeabigdifferencetoStarksandherchildren,anditmotivatedhertopayitforward.Starks,whoworkstworeceptionistjobs,alsobraidshairpart-time.“Thehair-braidingprocessinvolveswashing,blow-drying,andfinallydividingthehairintosmallsectionsandbraidingit.Italsorequiresmultiplesupplies—includingcombs,brushes,hairjamandadditionalpiecesofhairtoweavein.Itcostsanywherefrom$150to$400atasalon(美發(fā)廳),dependingonthestyle,”Stacksexplained.“Butitcanlastformonthsandisahugetimesaverinthemornings.”WhatdoesStarkssayabouthairbraiding?A．It’sabitdear. B．It’stime-wasting.C．It’saneasyjob. D．It’samother’sduty.（2023年湖北華中師大一附中模擬預(yù)測(cè)）Itrulybelieveweallhaveaveryspecialpurposeinlife,regardlessofwhoweareorwherewecomefrom.AftertenyearsofworkingforamajorWallStreetbank,Iwantedtodosomethingchallenging.SowhenIreadaMerrillLynchadvertisementlookingtohiremorestockbrokers(股票經(jīng)紀(jì)人),withgreatexcitement,Imadesomephonecallsandarrangedtomeetwithoneofitsbranchvicepresidents.Afterthisinterviewandinterviewswithtwelveofhistopstockbrokers,Ieventuallylandedthejob.Thefirstfewmonthswasastruggle.Ilivedonverylittlecommission(傭金).Nightafternight,Ilefttheofficewearyandexhausted,readytogiveup,yetsomehowreturningthenextmorningtostartanewday.Eventually,allthehardworkpaidoff.Inlessthanfouryears,Ibecameoneofthetopsalespeopleatmybranchandincreasedpersonalsalesby1,700percent.Thesuccessearnedmeasix-figureincome,promotionandnumeroussalesawards.46．WhydidtheauthormeetwithaMerrillLynchbranchvicepresident?A．Toarrangeaninterview. B．Tomakeanadvertisement.C．Toemploymoreclerks. D．Togetaposition.47．Whichofthefollowingbestdescribestheauthoraccordingtoparagraph2?A．Tolerantandambitious. B．Demandingandsuccessful.C．Toughandcompetent. D．Optimisticandagreeable.（2023屆湖北省襄陽四中模擬試題）Ithinkallscientistscanbenefitfromthislesson.Ifthedatasayrhinosarelibrarians,thenit’sworthfindingoutwhetherrhinosare,infact,librarians.Asscientists,ourjobisn’ttochallengedatathatsupport,apreconceivedstory,buttosay“yes,and.”Whatcanbeinferredaboutscientistsfromthelastparagraph?A．Theyshouldattendtheimprovisationclass.B．Theyshouldquestionallpreconceivedideas.C．Theyshouldcarryonresearchbyadmittingearlierdata.D．Theyshouldtrytoimprovetheiracademicknowledge.（2023年湖南長(zhǎng)沙雅禮中學(xué)二模）Afewyearsago,whenIwascaringformyseriouslyillfather,Ilostmyvoice.Atfirst,IjustsoundedhoarsewhenIwashavingdifficultconversationsaboutDad’scondition.Butbeforelong,Icouldn’tevensay“Yesplease”toacupofteawithoutsoundinglikeanunusuallybreathlessMinnieMouse.Afterconsultinganear,noseandthroatspecialist,IwastoldthatIhadlostmyvoiceduetostress.Whatisthepurposeofthefirstparagraph?A．Tointroducethetopic.B．Tomakethearticleinteresting.C．Tosharetheauthor’spersonalexperience.D．Toofferevidencefortheauthor’sargument.6.（2023年廣東華南師大附中模擬預(yù)測(cè)）Checkoutwhat’scomingsoonandwhat’sindevelopment.Playbillwillupdatetheselistingswhennewinformationismadeavailable.THECOLLABORATIONatSamuelJ.FriedmanTheatreTheplaytellsatruestoryinNewYork.Fifty-six-year-oldWarhol’sstarisfalling.Jeanisthenewwonder-kidtakingtheartworldbystorm.WhenJeanagreestoworktogetherwithWarholonanewexhibition,itsoonbecomesthetalkofthecity.Thetwoartistssetfootonasharedjourney,bothartisticanddeeplypersonal,whichredrawsboththeirworlds.ALMOSTFAMOUSatBernardB．JacobsTheatreBasedonthefilmofthesamenamein2000,themusicalfeaturesPulitzerwinnerKittandabookbyCrowe,whoearnedanOscarawardforwritingtheoriginalfilmbasedonhisownteenageexperience.Thecoming-of-agestorytracksa15-year-oldmusicfannamedWilliamwhofollowstheemergingbandStillwaterontour.THEPIANOLESSONatEthelBarrymnoreTheatreTheplayisthefourthinWilson’sCenturyCycl,whichdigsintotheBlackexperienceineverydecadeofthe20thcentury.SetinPittsburgh’sHillDistrictin1936,itcentersaroundabrotherandasisterinvolvedinabattleoverapianocarvedwiththefacesoftheirancestors.KIMBERLYAKIMBOatBoothTheatreKimisabrightandfunnyhighschoolgirl,whohappenstolooklikea72-year-oldlady.Andyetheragingdiseasemaybetheleastofherproblems.Forcedtodealwithfamilysecrets,andpossiblecrimecharges,Kimisdeterminedtoexplorehappinessinaworldwherenoteventimeisonherside.WhatcanyouseeinbothALMOSTFAMOUSandKIMBERLYAKIMBO?A．Teenagers’growthexperiences.B．World-classfilmtechnology.C．Award-winningperformances.D．Strugglesagainstcrimecharges.7.(2023屆福建省廈門一中高三下學(xué)期二模試題）WhileImaynotlovewhereIlive,thereareplentyofpeoplewhoareproudtocallthisplacehome.Atapartywithcolleagues,IwasgoingonabouteverythingIcouldn’tstandinourtownwhenInoticedthattheyweresilentandshiftinguncomfortably.Thatmomentforcedachangeinme.Complainingmayofferrelief,butsodoesacceptance.Thereisnoperfectlife.Byfocusingongripes,Iriskmissingoutonpreciousmomentsofappreciation.WhenIgethome,Istandonmybalcony,lookintothenightskyandseethestars.IknowthatIhaveabsolutelynothingtocomplainabout.Whatdoestheauthorrealizeintheend?A．Everydayisbeautiful. B．WheninRome,doastheRomansdo.C．Humanmustvaluelivesthemselves. D．Don’tbepennywiseandpoundfoolish.8.（2023屆福建省廈門一中高三下學(xué)期二模試題）Toomuchtimespentongaming,smartphonesandwatchingtelevisionislinkedtoheightenedlevelsanddiagnoses(診斷)ofanxietyordepressioninchildrenasyoungasage2,accordingtoanewstudy.Evenafteronlyonehourofscreentimedaily,childrenandteensmaybegintohavelesscuriosity,lowerself-control,lessemotionalstabilityandagreaterinabilitytofinishtasks,reportsSanDiegoStateUniversitypsychologistJeanTwengeandUniversityofCeorgiapsychologyprofessorW.KeithCampbell.Theywereparticularlyinterestedinassociationsbetweenscreentimeanddiagnosesofanxietyanddepressioninyouth,whichhasnotyetbeenstudiedingreatdetail.8．WhatdoweknowaboutTwengeandCampbell’sstudyaccordingtoparagraph2?A．Itrequiresfurtherresearch.B．Itbringschildrenlesscomfort.C．Itneedsgreaterabilitytofinish.D．Itgeneratesmorepublicconcern.9.（2023屆江蘇南京市鹽城市第二次調(diào)研試題）IntroOurOnlineChineseSummerCampprogramisawonderful,immersiveonlineChineselearningexperiencespecificallydesignedforlearningChineseremotelyReadytoSignUp?Contactus(www.C)andwewillbehappytoansweryourquestionsandhelpyouchoosetherightcamp.Don'tforgettoaskusaboutearlybirdprice!21．Whatisthetext?A．Acoursereview. B．Acommercialad.C．Anacademicarticle. D．Anactivityschedule.10.（2023屆江蘇南京市鹽城市第二次調(diào)研試題）Whenreading,mymotherlikestosliceaparagraphorasentenceoutandattachittothewallofherkitchen.Shepicksboringsentencesthatpuzzleme.ButIprefercopyingfavoritebrightlinesintoajournalinsoft,grayNo.2pencil,wordbyword.What'sthefunctionofparagraph1?A．Tostressthetheme. B．Toestablishthesetting.C．Torepresentthecharacters. D．Tocreatetheatmosphere.11.（2023屆江蘇省蘇州八校聯(lián)盟高三二模檢測(cè)試題）At1:43a.m.October5,2022,StanfordchemistCarolynR.BertozziwasawakenedbyaphonecallfromaNobelcommitteerepresentativewhotoldher,“Youhave50minutestocollectyourselfandwaituntilyourlifechanges.”Instructednottosharetheannouncementoutsideofhertightestinnercircle,thefirstpersonBertozzicalledwasherfather,aretiredphysicsprofessorfromMIT.“He’s91and,ofcourse,hewasjustoverjoyed,”saidBertozzi.4．WhydoestheauthormentionthephonecallCarolynreceivedinParagraph1?A．TointroducethebackgroundinformationofCarolyn.B．Torevealaconversationbetweentwoscientists.C．Toarousethereaders’interestinthepassage.D．Toshowtheurgencyabouttheinformation.12.（2023屆江蘇省蘇州八校聯(lián)盟高三二模檢測(cè)試題）Nowadays,bamboogrowthcyclesandthedietaryneedsoflemurs(狐猴)areoutofsync.Findingsshowrainfallsarechangingannually.Overthepasttwoyears,therehasbeenathree-monthdelayintherainyseasonandnewtendershootsthatlemursconsumefornutritionareappearinginJanuaryandFebruary—14daysafterthefirstrainfall,saysPatriciaChappleWright,aprimatologist,anthropologist,andconservationistatStonyBrookUniversity.“Lemurseatafoodsourcethatisveryadaptive,”PatriciaWrighttoldPBSNewsHour.“It’sabletostandclimatechange,butthelemurs,unfortunately,can’tadaptquicklytothischangedcycle.”WhatdoestheunderlinedpartinParagraph1mostprobablymean?A．Gowitheachother. B．Occuratdifferenttimes.C．Leadtoaheateddiscussion. D．Callforeffectiveprotection.13.（2023屆湖南省九校聯(lián)盟第二次聯(lián)考英語試題）Areyoufondofwatchingfilms?Doesthecolorful,natural,orspectacularsceneryinthefilmsattractyoutotraveltotheirlocations?WehaveselectedthreegorgeousfilmlocationsinChina.Ifyou’reafilmfanoranoutdoorenthusiast,checkthemout!Whereisthetextprobablytakenfrom?A．Atextbook.B．Anacademicarticle.C．Atravelmagazine.D．Abiography.14.（2023屆湖南省九校聯(lián)盟第二次聯(lián)考英語試題）“Howbeautifulthejasmine(茉莉花)is!Asweetsmellcoversthebuddingtwigs.Sofragrant,sowhite,admiredbyalllips.”ThefamedChinesefolksongJasmineFlowerhasreachedaglobalaudiencewithitsbeautifulmelodyandlyrics.EquallypopularisthetraditionallymadeJasminetea,whoseelegantfragranceandmellowtastefascinatecountlessteadrinkers.Whatistheauthor’spurposeofquotingthesongJasmineFlower?A．Totellusnottoneglectthesong.B．Toshowthepopularityofthesong.C．Tointroducethetopic—Jasminetea.D．ToclarifytheoriginofJasminetea15.（2023屆遼寧省沈陽市等3地高三三模試題）Iwasinanewstateatanewschoolandneededsomethingsolidtostandon:aplacetofeelgrounded.Ialsoneededtodolaundry,soIwalkedtoanearbyself-servicelaundryandstuffedamachinewithmyclothes.AsIstruggledtoclosethewasherdoor,thewomanworkingbehindthecountertoldmetogiveitagoodhitwithmyhand.Thewasherdiditsjob,yetevenafteranhour,thedryerseemedtohavebarelywarmedmyclothes.Ileft,havingdecidedtoair-drythemonmycarintheAugustheat.Amonthlater,IlearnedhernamewasSandy,whichshetoldmeafterI’dhelpedherstopawashingmachinefrommovingacrossthefloor.Iwasgradingpoemsatatablewhenoneofthewashersbrokelooseandskippedaninchintotheair.Ijumpedtothemachineandheldonwhilesheunpluggedit.Thenextweek,SandytoldmedryerNo.8wasthefastest.Itwentonlikethis.I’ddolaundryonceaweek,usuallyThursdayorFriday.SandyworkedTuesdaythroughSaturdayandwe’dtalksmallwhileIfoldedclothes.Shetoldmeabouthersonandhisgrades,thenewdogthey’djustadopted.ShewasfascinatedthatIwasstudyingpoetry.Sheteased(開玩笑)thatitwashardermakingalivingasapoetthanasalaundryattendant.EventhenIknewshewasprobablyright.Ibegantorecognizeothersthere:workerstakingbreaksbythedoor,amotherandherbaby,andevensomedeliverydrivers.ButSandywasthecenterofmycommunity.Fornearlythreeyearsandalmosteveryweek,I’ddolaundryandtalkwithher.Wecheckedoneachotherandexpectedtheothertobethere.Weaskedwheretheotherhadgonewhenwemissedaweek.Therewasanoteofconcernfortheother’sabsence,anoteofjoyattheirreturn.I’dfoundaplacetostandonsolidground.5．WhydidSandytelltheauthortousedryerNo.8?A．Shewaswarm-hearted. B．Sheneededavolunteer.C．Shewantedtothankhim. D．Shewassorryforthemess.6．WhatdidSandythinkofacareerinpoetry?A．Itwashardertofulfill. B．Itwasreallyfascinating.C．Itwasbadly-paidwork. D．Itneededalotofeffort.7．Whatcanbeinferredabouttheauthorfromthepassage?A．HeformedaclosefriendshipwithSandy. B．Hemadealotoffriendsincollege.C．HeexpectedSandytodolaundryforhim. D．HeoftenwrotetoSandyaftergraduation.用適當(dāng)?shù)膯卧~填空（2023年新高考I卷C篇）Thesecondpartofthisbooktakesacloserlookatsomeideasthatwillhelpyoucultivate(培養(yǎng))asustainabledigitalminimalismlifestyle.Inthesechapters,Iexamineissuessuchastheimportanceofsolitude(獨(dú)處)andthenecessityofcultivatinghigh-qualityleisuretoreplacethetimemostnowspendonmindlessdeviceuse.Eachchapterconcludeswithacollectionofpractices,whicharedesignedtohelpyouactonthebigideasofthechapter.Youcanviewthesepracticesasatoolboxmeanttoaidyoureffortstobuildaminimalistlifestylethatwordsforyourparticularcircumstances.31.Whatdoestheauthorsuggestreadersdowiththepracticesofferedinparttwo?A.Usethemasneeded. B.Recommendthemtofriends.C.Evaluatetheireffects. D.Identifytheideasbehindthem.（2023年新高考I卷D篇）Inafollow-upstudywith100universitystudentstheresearcherstriedtogetabettersenseofwhatthegroupmembersactuallydidintheirdiscussion.Didtheytendtogowiththosemostconfidentabouttheirestimates?Didtheyfollowthoseleastwillingtochangetheirminds?Thishappenedsomeofthetime,butitwasn’tthedominantresponse.Mostfrequently,thegroupsreportedthatthey“sharedargumentsandreasonedtogether.”Somehow,theseargumentsandreasoningresultedinaglobalreductioninerror.AlthoughthestudiesledbyNavajashavelimitationsandmanyquestionsremainthepotentialimplicationsforgroupdiscussionanddecision-makingareenormous.14.Whatdidthefollow-upstudyfocuson?A.Thesizeofthegroups. B.Thedominantmembers.C.Thediscussionprocess. D.Theindividualestimates.（2023年新高考II卷B篇）Jaramillo’sstudentsliveinneighborhoodswherefreshfoodandgreenspacearenoteasytofindandfastfoodrestaurantsoutnumbergrocerystores.“Thekidsliterallycometoschoolwithbagsofsnacksandlargebottlesofsoftdrinks,”shesays.“Theycometousthinkingvegetablesareawful,dirtisawful,insectsareawful.”Thoughsomeareinitiallyscaredoftheinsectsandturnedoffbythedirt,mostareeagertotrysomethingnew.25.WhatwasaproblemfacingJaramilloatthestartoftheprogram?A.Thekids’parentsdistrustedher. B.Studentshadlittletimeforherclasses.C.Somekidsdislikedgardenwork. D.Therewasnospaceforschoolgardens.(2023年新高考II卷B篇)Sheaddsthattheprogram’sbenefitsgobeyondnutrition.Somestudentsgetsointerestedingardeningthattheybringhomeseedstostarttheirownvegetablegardens.Besides,workinginthegardenseemstohaveacalmingeffectonJaramillo’sspecialeducationstudents,manyofwhomhaveemotionalcontrolissues.“Theygetoutside,”shesays,“andtheyfeelsuccessful.”26.Wh0548ichofthefollowingbestdescribestheimpactoftheprogram?A.Far-reaching. B.Predictable.C.Short-lived. D.Unidentifiable.（2023年新高考II卷C篇）Continueddevelopmentsincommunicationtechnologieswereoncebelievedtomaketheprintedpageoutdated.Froma21st-centurypointofview,theprintedbookiscertainlyancient,butitremainsasinteractiveasanybattery-powerede-reader.Toserveitsfunction,abookmustbeactivatedbyauser:thecoveropened,thepagesparted,thecontentsreviewed,perhapsnoteswrittendownorwordsunderlined.Andincontrasttoourincreasinglynetworkedliveswheretheinformationweconsumeismonitoredandtracked,aprintedbookstilloffersthechanceofawhollyprivate,“off-line”activity.31.Whatdoestheauthorwanttosaybymentioningthee-reader?A.Theprintedbookisnottotallyoutofdate.B.Technologyhaschangedthewayweread.C.Ourlivesinthe21stcenturyarenetworked.D.Peoplenowrarelyhavethepatiencetoread.（2023年全國乙卷B篇）OnetimemyfriendsandIdrovethreehourstoDevil’sLake,Wisconsin,toclimbthepurplequartz(石英)rockaroundthelake.Afterwefoundacrazy-lookingroadthathungoverabunchofrocks,wedecidedtophotographthesceneatsunset.Thepositionenabledustolookoverthelakewiththesunsetinthebackground.Wemanagedtoleavethisspottoclimbhigherbecauseofthesparetimeuntilsunset.However,wedidnotmarktheroute(路線)soweendedupalmostmissingthesunsetentirely.Oncewefoundtheplace,itwasstressfulgettinglightsandcamerassetupinthelimitedtime.Still,lookingbackonthephotos,theyaresomeofmybestshotsthoughtheycouldhavebeensomuchbetterifIwouldhavebeenpreparedandmanagedmytimewisely.25.Whatisthekeytosuccessfullandscapephotographyaccordingtotheauthor?A.Propertimemanagement. B.Goodshootingtechniques.C.Adventurousspirit. D.Distinctivestyles.26.WhatcanweinferfromtheauthortripwithfriendstoDevil’sLake?A.Theywentcrazywiththepurplequartzrock.B.Theyfeltstressedwhilewaitingforthesunset.C.Theyreachedtheshootingspotlaterthanexpected.D.Theyhadproblemswiththeiremipment.27.HowdoestheauthorfindhisphotostakenatDevil’sLake?A.Amusing. B.Satisfying.C.Encouraging. D.Comforting.7.（2023年全國乙卷C篇）It’sthankstotheseTVchefsratherthananyadvertisingcampaignthatBritonsareturningawayfrommeat-and-two-vegandready-mademealsandbecomingmoreadventurousintheircookinghabits.ItisrecentlyreportedthatthenumberofthosestickingtoatraditionaldietisslowlydecliningandaroundhalfofBritain’sconsumerswouldliketochangeorimprovetheircookinginsomeway.TherehasbeenariseinthenumberofstudentsapplyingforfoodcoursesatUKuniversitiesandcolleges.ItseemsthatTVprogrammeshavehelpedchangewhatpeoplethinkaboutcooking.29.WhichbestdescribescookeryprogrammeonBritishTV?A.Authoritative. B.Creative. C.Profitable. D.Influential.8.（2023年全國甲卷B篇）ShecreditstheseskillstoherlategrandfatherandbuilderDerekLloyd.Fromtheageofsix,Terri,now26,accompaniedDerektoworkduringherschoolholidays.Aday’sworkwasrewardedwith￡5inpocketmoney.Shesays:“I’msureIwasn’tmuchofahelptostartwithpaintingtheroomsandputtingdowntheflooringthroughoutthehouse.Ittookweeksandiswasbackbreakingwork,butIknowhewasproudofmyskills.”25．WhydidTerri’sgrandfathergiveher￡5aday?A．Forabirthdaygift. B．Asatreatforherwork.C．TosupportherDIYprojects. D．Toencouragehertotakeupahobby.（2023年全國甲卷）Obviously,ifprecautions(預(yù)防)aren’ttaken,grizzliescanbecometroublesome,sometimeskillingfarmanimalsorwalkingthroughyardsinsearchoffood.Ifpeopleremovefoodandattractantsfromtheiryardsandcampsites,grizzlieswilltypicallypassbywithouttrouble.Puttingelectricfencingaroundchickenhousesandotherfarmanimalquartersisalsohighlyeffectiveatgettinggrizzliesaway.“Ourhopeistohaveaclean,attractant-freeplacewherebearscanpassthroughwithoutlearningbadhabits,“saysJamesJonkel,longtimebiologistwhom25．Whatcanbeinferredfromthelastparagraph?A．Foodshouldbeprovidedforgrizzlies.B．Peoplecanliveinharmonywithgrizzlies.C．Aspecialpathshouldbebuiltforgrizzlies.D．Technologycanbeintroducedtoprotectgrizzlies.anagesbearsinandaroundMissoula.10.（2022年新高考I卷A篇）LateWorkAnessaynotsubmittedinclassontheduedatewilllosealettergradeforeachclassperioditislate.Ifitisnotturnedinbythe4thdayaftertheduedate,itwillearnazero.Dailyassignmentsnotcompletedduringclasswillgetazero.Shortwritingsmissedasaresultofanexcusedabsencewillbeaccepted.23．Whatwillhappenifyousubmitanessayoneweekaftertheduedate?A．Youwillreceiveazero. B．Youwilllosealettergrade.C．Youwillbegivenatest. D．Youwillhavetorewriteit.

第16講推理判斷題（模擬精練+真題演練）根據(jù)文章選擇正確的選項(xiàng)(2023年河北衡水中學(xué)模擬預(yù)測(cè)B篇)HelgaStentzel’sClotheslineAnimalscombinecharmingimagesasfineartprintsinvarioussizes.Asanartistwhosestyleshecalls“householdsurrealism(超現(xiàn)實(shí)主義)”，sheworksinvariousmediaandhasalargecollectionofworks.InsteadofthrowinganoldpairofpantsorT-shirtaway,HelgaStentzelputshertiredgarmentsouttothefarm.Byhangingthemonasimpleclotheslineshesetsupandfoldingthemartfullythatlooklikeanimals,shetakeswonderfulpictures.Someareshotinreallocationswhileothersaredigitallyplacedinenvironmentsincharmingformwithappealingcolors.Siberian-bornStentzelhascooperatedwithmanyrespectableandwell-knownbrands,oneofwhichisHogarVerde,abio-friendlylaundryproductsbrandinEcuador.Forthemshehascreatedtheadorableclothingillusions(錯(cuò)覺)foraprintadcampaign，whichalsodrewattentiontotheendangeredanimalsshownwithin,likedinosaurs,polarbearsandsoon.Stentzel’spracticestartedfromherchildhoodinSiberia,whereshespenthourssurveyinghergrandmother’scarpet,woodsandrandomobjectsforrecognizableforms,includingapileofbucketslookingliketheLeaningTowerofPisa.Inwhatseemsaverysimplegesture,Stentzel’sworksemployhouseholditemsandturnthemintosurrealistimagesthatuncoverdifferentreadinglayers.Fromfoodtoclothes,theartistisinspiredbyeverydayobjectsandgivesthemasecondlifethroughhercreativeandreallypoeticpersonalangle.“Istareatthingslongerthansociallyacceptable!Itcanbeanything—achair,anoodlehangingoffthefork,alamppostinthemiddleoftheroad.Observationisaformofthinkingforme.Ireallyenjoystudyingcolors,shapesandtextures—withnoexpectation,simplyadmiringtheiruniquebeauty.Veryoftenthere’snothingmoretoit,butsometimesBOOM!—acreativeideahitsmybrain,anditmakesalinkbetweenslicedbreadandwrinkledskinofaFrenchbulldog.It’sveryunpredictable,”Stentzelsaid.5．WhatisStentzel’ssourceofinspiration?A．Dailyitems. B．Touristattractions.C．Randomsurveys. D．Childhoodadventures.6．WhichofthefollowingcanbestdescribeStentzel’sfineartprints?A．Complexanddigital. B．Meaningfulandcreative.C．Poeticbutcommercial. D．Ordinarybutbio-friendly.7．WhatcanwelearnfromStentzel’sstory?A．Artcangivepeopleasecondlife.B．Artworksarefromlifeyetabovelife.C．Creationisfromintentionalobservation.D．Cooperationresultsinadorableartworks.【答案】5．A6．B7．B【導(dǎo)語】本文是一篇說明文。文章介紹Stentzel的“有意義、有創(chuàng)造性的”美術(shù)版畫。從Stentzel的故事中了解到“藝術(shù)作品來源于生活，但又高于生活?！蓖评砼袛囝}。根據(jù)第四段“Stentzel’spracticestartedfromherchildhoodinSiberia,whereshespenthourssurveyinghergrandmother’scarpet,woodsandrandomobjectsforrecognizableforms,includingapileofbucketslookingliketheLeaningTowerofPisa.（Stentzel的實(shí)踐始于她在西伯利亞的童年，在那里她花了幾個(gè)小時(shí)研究她祖母的地毯、樹林和隨機(jī)物體，以尋找可識(shí)別的形式，包括一堆看起來像比薩斜塔的水桶。）”可知，Stentzel的靈感來源是日常生活用品。故選A。推理判斷題。根據(jù)最后一段中“Istareatthingslongerthansociallyacceptable!Itcanbeanything—achair,anoodlehangingoffthefork,alamppostinthemiddleoftheroad.Observationisaformofthinkingforme.Ireallyenjoystudyingcolors,shapesandtextures—withnoexpectation,simplyadmiringtheiruniquebeauty.Veryoftenthere’snothingmoretoit,butsometimesBOOM!—acreativeideahitsmybrain,anditmakesalinkbetweenslicedbreadandwrinkledskinofaFrenchbulldog.It’sveryunpredictable（我盯著東西看的時(shí)間超過了社會(huì)所能接受的時(shí)間!它可以是任何東西——一把椅子，一根掛在叉子上的面條，路中間的一根燈柱。對(duì)我來說，觀察是一種思考方式。我真的很喜歡研究顏色、形狀和紋理——沒有任何期望，只是欣賞它們獨(dú)特的美。通常沒有更多的東西，但有時(shí)BOOM!一個(gè)創(chuàng)造性的想法突然出現(xiàn)在我的腦海里，它把切片面包和皺巴巴的法國斗牛犬的皮膚聯(lián)系在了一起。這是不可預(yù)測(cè)的）”可知，“有意義和創(chuàng)造性”最能描述Stentzel的美術(shù)版畫。故選B。7．推理判斷題。根據(jù)第一段“HelgaStentzel’sClotheslineAnimalscombinecharmingimagesasfineartprintsinvarioussizes.（HelgaStentzel的晾衣繩動(dòng)物結(jié)合了各種尺寸的迷人圖像作為精美的藝術(shù)印刷品。）”和最后一段中“Istareatthingslongerthansociallyacceptable!Itcanbeanything—achair,anoodlehangingoffthefork,alamppostinthemiddleoftheroad.Observationisaformofthinkingforme.Ireallyenjoystudyingcolors,shapesandtextures—withnoexpectation,simplyadmiringtheiruniquebeauty.Veryoftenthere’snothingmoretoit,butsome