Chapters-19-20-英國(guó)文學(xué)簡(jiǎn)史(English-Literature)_第1頁(yè)
Chapters-19-20-英國(guó)文學(xué)簡(jiǎn)史(English-Literature)_第2頁(yè)
Chapters-19-20-英國(guó)文學(xué)簡(jiǎn)史(English-Literature)_第3頁(yè)
Chapters-19-20-英國(guó)文學(xué)簡(jiǎn)史(English-Literature)_第4頁(yè)
Chapters-19-20-英國(guó)文學(xué)簡(jiǎn)史(English-Literature)_第5頁(yè)
已閱讀5頁(yè)，還剩10頁(yè)未讀， 繼續(xù)免費(fèi)閱讀

下載本文檔

版權(quán)說(shuō)明：本文檔由用戶提供并上傳，收益歸屬內(nèi)容提供方，若內(nèi)容存在侵權(quán)，請(qǐng)進(jìn)行舉報(bào)或認(rèn)領(lǐng)

文檔簡(jiǎn)介

KeyPointsinChapter17ArthurHughCloughGerardManleyHopkinsEdwardFitzgeraldTheAestheticMovementKeyPointsinChapter17Arthur1ArthurHughClough

(1819-1861)

IntroductionTheshepherdpoetinMathewArnold’selegy,Thyrsis,CloughwasoneofArnold’sclosestfriendsintemperamentandsensitivity.HewrotethebestkindofhexametersinEnglishpoetry.Allhislifehewastornbetweenfaithanddoubt.Thepeoplearehopelessandbelief-less.Thereisnoheavenorhell.So“Eat,drink,anddie.”Majorworks:Dipsychus,“SayNotStruggleNoughtAvaileth”ArthurHughClough

(1819-1861)2GerardManleyHopkins

(1844-1889)

IntroductionIHeprovedhimselftobeoneofthefinestVictorianpoetsbothinvirtuosityandinnovativeenthusiasm.Todayinterestinhispoetryandthoughtisvisiblyontheincrease.Hopkinswasoddandobscure.Hisepic-lengthTheWreckoftheDeutschlandisdifficultbutranksalongwithIdyllsoftheKingandTheRingandtheBook.Hewroteinhiskindofrhythmwhichhecalledthe“sprungrhythm.”GerardManleyHopkins

(1844-183Chapters-19-20--英國(guó)文學(xué)簡(jiǎn)史ppt(English-Literature)4Chapters-19-20--英國(guó)文學(xué)簡(jiǎn)史ppt(English-Literature)5TheAestheticMovement

IntroductionIIThemoralaestheticoftheperiodbecamewithtimetoodemandingforthoseintellectuallysensitivepeople.TheAestheticMovementwastheexactoppositeinnaturetotheheavilydidactictendencyoftheearlyandHighVictorianperiod.ThemovementrepresentstheperplexedreactiononthepartofthethinkingmindstothehumdrumanddishonestcivilizationoftheVictorianperiodandanattempttoescapefromit.JohnRuskinwasamongthefirsttospeakoutagainsttheprevailingtrend.TheAestheticMovement

Introdu6TheAestheticMovement

IntroductionIIIAgroupofyoungpeoplewithpoet-painterDanteGabrielRossettiasitschiefformedthemselvesin1848whattheycalledthePre-RaphaeliteBrotherhoodandjoinedthefightforbeauty.Thesocalled“Pre-Raphaelite”means“theperiodbeforetheRenaissance”orthemedievalperiodwhenpureartwasnotonlytoleratedbutprized.Allthroughthe1870sthecultofbeautybecameafactoflife.Thetheoryofartforart’ssakeappeared.TheAestheticMovement

Introdu7TheAestheticMovement

IntroductionIVThenOscarWilde,aneccentricyoungmanappearedonthesceneandpushedtheaestheticmovementinadifferentdirectionwhichledtoitsphaseofdecadenceandeventualdoom.Forhimartwasindependentandsuperior.Hewroteinkeepingwithhisliterarytheorythatartwasallaboutself-expressionandself-indulgenceinaestheticappetiteandhadnothingtodowithmorality.However,hiswasamorbidkindofbeauty.Decadencewashishallmark.TheAestheticMovement

Introdu8TheAestheticMovement

IntroductionVThemovementhasleftapermanentimprintuponEnglishlifeandartisticcreation.Theideaofbeautyhasbeennotonlytoleratedbutwellprizedeversince.Artistshavebecomeaspecialcategoryofpeopleandartandformhaveceasedtobealwayssecondtomorality.TheAestheticMovement

Introdu9KeyPointsinChapter18VictorianDramaGeorgeBernardShawIntroductionMrs.Warren’sProfessionManandSuperman:AComedyandaPhilosophyKeyPointsinChapter18Victor10VictorianDrama

IntroductionForthefirsthalfofthe19thcenturythestagesawnoremarkableperformancewiththeoneexceptionofShelley’sTheCenci(欽契一家

).Englishdramadidnotshowsignsofimprovementuntilafterthe1860swhensomecommendablethoughmodesteffortsbegantoappear.ButBritishdramadidnotquiteregainitsvalueuntilGeorgeBernardShawcameonthescene.VictorianDrama

Introduction11GeorgeBernardShaw(1856-1950)

IntroductionIHewontheNobelPrizein1925.HetookanimmenseinterestintheexplorationofmaninrelationtohiseconomicstatusinKarlMarx’sCapital,whichofferedhimaguidelineforunderstandingandanalyzingreality,andfromwhichhederive3dhislifelongbeliefthattheeconomicstatusofapersonisadeterminingfactorofhislife.ShawwasalsoundertheinfluenceofLesterWard,theAmericansociologistandhisnotionoftheLifeForce,andofSchopenhauerandNietzsche,thepessimisticGermanphilosophers,andhewasasincerefollowerofHenrickIbsenwhoseplaysdealtwithsocialproblems.GeorgeBernardShaw(1856-195012GeorgeBernardShawIntroductionIIInhisopinionagoodplayisgoodnotsomuchbecauseitsplotpiquestherestlesscuriosityofitsaudienceasbecauseoftheconflictofideasthatitpresentstoprovokethinking.Tohim,noplaycanbeseriouswithoutseriousdiscussionsofgraveproblemsoflife.InmorethanonewayShawisasocialiconoclast.GeorgeBernardShawIntroductio13GeorgeBernardShawMrs.Warren’sProfessionThedramaisthemostremarkableandpopularofShaw’searlyworks.Publishedin1893,itdidnotmaketothestageuntil1902.censorshipprohibiteditspublicperformanceongroundsofimmorality.Theplay,thefirstofitskindtopresentaprostituteasitsmajorcharacter.Outlineofthestory:Mrs.KittyWarrenisanagingbutwell-offmadamwhorunsaringofbrothels—primlycalled“private”hotels—inEurope.HerdaughterVivie,educatedatCambridge,looksforwardtoasuccessfulcareerinactuarialaccounting.Whenshelearnedabouthermother’sbusiness,sheleavesherforever.Georg

溫馨提示

  • 1. 本站所有資源如無(wú)特殊說(shuō)明，都需要本地電腦安裝OFFICE2007和PDF閱讀器。圖紙軟件為CAD,CAXA,PROE,UG,SolidWorks等.壓縮文件請(qǐng)下載最新的WinRAR軟件解壓。
  • 2. 本站的文檔不包含任何第三方提供的附件圖紙等，如果需要附件，請(qǐng)聯(lián)系上傳者。文件的所有權(quán)益歸上傳用戶所有。
  • 3. 本站RAR壓縮包中若帶圖紙，網(wǎng)頁(yè)內(nèi)容里面會(huì)有圖紙預(yù)覽，若沒(méi)有圖紙預(yù)覽就沒(méi)有圖紙。
  • 4. 未經(jīng)權(quán)益所有人同意不得將文件中的內(nèi)容挪作商業(yè)或盈利用途。
  • 5. 人人文庫(kù)網(wǎng)僅提供信息存儲(chǔ)空間，僅對(duì)用戶上傳內(nèi)容的表現(xiàn)方式做保護(hù)處理，對(duì)用戶上傳分享的文檔內(nèi)容本身不做任何修改或編輯，并不能對(duì)任何下載內(nèi)容負(fù)責(zé)。
  • 6. 下載文件中如有侵權(quán)或不適當(dāng)內(nèi)容，請(qǐng)與我們聯(lián)系，我們立即糾正。
  • 7. 本站不保證下載資源的準(zhǔn)確性、安全性和完整性, 同時(shí)也不承擔(dān)用戶因使用這些下載資源對(duì)自己和他人造成任何形式的傷害或損失。

最新文檔

評(píng)論

0/150

提交評(píng)論