碩士學(xué)位論文開題撰寫注意問(wèn)題

PAGEPAGE18碩士學(xué)位論文開題報(bào)告撰寫時(shí)應(yīng)注意的相關(guān)問(wèn)題1、論文開題的主要內(nèi)容重點(diǎn)解釋或闡述6個(gè)W，即：Why、What、How、Who、Which、Where1.1Why？――論文選題的目的和意義選題或研究的背景簡(jiǎn)要說(shuō)明，基于什么樣的背景或前提來(lái)選這個(gè)題目進(jìn)行研究？研究總體上要達(dá)到個(gè)什么樣的目的？研究的學(xué)術(shù)價(jià)值如何？研究的意義有哪些，理論意義、現(xiàn)實(shí)意義、工程實(shí)踐意義……1.2Who、Which？――國(guó)內(nèi)外研究動(dòng)態(tài)及現(xiàn)狀分析可針對(duì)所選題目，從多角度對(duì)本學(xué)科研究方向的相關(guān)研究動(dòng)態(tài)及研究成果進(jìn)行查詢、分析和綜述，盡可能表述哪些人在做些什么，達(dá)到何種程度，取得些什么成果，關(guān)鍵是要突出還有什么不足或不全之處，并能找到相應(yīng)的突破口，為本論文選題提供可靠依據(jù)。國(guó)外研究動(dòng)態(tài)國(guó)內(nèi)研究動(dòng)態(tài)1.3What？――論文主要的研究?jī)?nèi)容在掌握了解和分析相關(guān)國(guó)內(nèi)外相關(guān)研究動(dòng)態(tài)的基礎(chǔ)上，回答論文選題關(guān)注的研究對(duì)象，研究范圍，以及在此范圍內(nèi)要進(jìn)行研究的主要內(nèi)容有哪些。在此會(huì)有一些相關(guān)概念的區(qū)分、范圍的界定、研究?jī)?nèi)容所關(guān)注和突出的重點(diǎn)等等應(yīng)交代清楚，語(yǔ)言表述上一定要簡(jiǎn)明清晰，如研究?jī)?nèi)容1、2、3。1.4How？――論文研究的方法和技術(shù)路線這里主要針對(duì)具體的研究?jī)?nèi)容，說(shuō)明要采用什么樣的研究方法區(qū)進(jìn)行相應(yīng)的收集資料、數(shù)據(jù)、分類評(píng)價(jià)、分析研究、歸納總結(jié)、圖表展示等等（田野考察、實(shí)態(tài)調(diào)查、問(wèn)卷調(diào)查；采用何種評(píng)價(jià)體系、評(píng)價(jià)標(biāo)準(zhǔn)；邏輯推理、理論分析、數(shù)理分析；分類比較、縱橫比較即歷史時(shí)間和地理空間、不同學(xué)科比較等等而配合上述這些方法所采取的技術(shù)路線是什么？擬解決的研究關(guān)鍵問(wèn)題有哪些？本論文研究的創(chuàng)新點(diǎn)是什么？如采用同樣的研究方法，你和別人的區(qū)別又在哪兒？（學(xué)科視角、學(xué)術(shù)視野、研究層面、對(duì)象、地點(diǎn)、時(shí)段）1.5Where？――論文研究需要找尋的支撐材料具體要到哪里去找尋和獲取論文所需要的支撐材料，即研究的時(shí)間計(jì)劃、出行計(jì)劃等等，不管到村里、城市相關(guān)部門或是居民家里、公共場(chǎng)所，你要去哪里找尋什么東西必須清楚，至于采用何種方式，見仁見智，沒有固定模式。2、論文的格式要求一定要按照科技論文的格式要求來(lái)撰寫，（研究生手冊(cè)）從提出選題報(bào)告開始，就應(yīng)注意要按照科技論文的常規(guī)格式要求來(lái)撰寫材料，包括各章節(jié)題目、分節(jié)題目及正文所要求的字體、大小、頁(yè)面版式、引注、圖表等等規(guī)范，不要到最后才來(lái)調(diào)整。也就是說(shuō)，不論我們做什么事情，首先要把相關(guān)的規(guī)則弄清楚，有目的的去具體實(shí)施。在論文中，除了相應(yīng)的標(biāo)題有黑體之外，所遇到的英文和數(shù)字，一般采用TimesnewRoman字體。論文的章節(jié)標(biāo)題1.1、1.1.1，與前面的文字都應(yīng)空一行，1.1.1.1或1、要求轉(zhuǎn)行，而在下一級(jí)標(biāo)題1）、（1）就可以直接連著寫。如：2.2三教互補(bǔ)的云南漢傳佛教寺院2.2.1“三教合一“三教合一”是中國(guó)傳統(tǒng)文化發(fā)展過(guò)程中的文化融合現(xiàn)象。中國(guó)傳統(tǒng)文化，以先秦孔孟開創(chuàng)的儒家思想為主，其次是老莊確立的道家思想及東漢興起的道教，再者就是兩漢之際自印度北傳至中國(guó)的佛教，這就是一般習(xí)慣上所說(shuō)的“儒、道、佛”三教。2.中國(guó)的佛教建筑，自然淵源于印度的佛教建筑，但是中國(guó)的佛教建筑與印度的佛教建筑有一個(gè)明顯的外觀差別，那就是，印度的佛教是孤立分割、單元獨(dú)立的；1傳統(tǒng)建筑文化準(zhǔn)則體現(xiàn)美國(guó)學(xué)者克里斯蒂安·喬基姆曾經(jīng)對(duì)中國(guó)佛寺和其它中國(guó)建筑作過(guò)比較，認(rèn)為它們都遵循著相同的中國(guó)文化準(zhǔn)則，這些準(zhǔn)則除了體現(xiàn)在建筑選址上要考慮的堪輿風(fēng)水外，更體現(xiàn)在建筑的總體布局上。1）都市型階段：這主要是在魏晉南北朝時(shí)期，這一階段的漢傳佛教寺院絕大多數(shù)都建在都市里。如《洛陽(yáng)伽藍(lán)記》描述洛陽(yáng)城的寺院盛況曰：“招提（寺院）櫛比，寶塔駢羅，爭(zhēng)寫天上之姿，競(jìng)模山中之影。2南傳佛教被囿于德宏壩區(qū)：南傳上座部佛教于15世紀(jì)覆蓋了除今梁河縣以外的德宏州主要壩區(qū)，19世紀(jì)末，又推進(jìn)到梁河縣傣族和德昂族聚居區(qū)。自此，南傳上座部佛教已完全扎根于德宏，但卻未能繼續(xù)向北進(jìn)一步滲透，究其原因，主要體現(xiàn)在以下幾方面：1）德宏州的東北部是漢族主要聚居地的騰沖與龍陵，實(shí)力雄厚的中原文化早已浸染了這里的每個(gè)角落，且在南詔時(shí)期就已普遍崇信大乘佛教（漢傳佛教）。2）北部的高黎貢山和聞名于世的怒江大峽谷，是古代西南絲綢之路上交通往來(lái)最艱難的一段，對(duì)上座部佛教繼續(xù)往北傳播有地理空間上的客觀限制。2.1參考文獻(xiàn)劉敦楨.中國(guó)古代建筑史（第二版）[M].北京:中國(guó)建筑工業(yè)出版社,1984.〔美〕劉易斯·芒福德.城市發(fā)展史[M].宋俊嶺.倪文彥譯.北京:中國(guó)建筑工業(yè)出版社:2005.陳薇.木結(jié)構(gòu)作為先進(jìn)技術(shù)和社會(huì)意識(shí)的選擇[J].建筑師.2003（6）:70-88.譚剛毅.云南傣族上座部佛教建筑的形式與理念[D].昆明:昆明理工大學(xué),2000.連芳.云南潛藏太多歷史謎題[N].春城晚報(bào).2004年12月18〔美〕TheNewEncyclopediaBritannica.Volume11.PrintedinU.S.A,1988〔美〕C.G.Jung.Memories,Dreams,Reflections.NewYork,19612.2圖表編號(hào)圖表都是自己制作、繪制的就直接寫圖號(hào)、圖名和表號(hào)、表名，如果是引用別人的則應(yīng)標(biāo)注清楚。圖號(hào)、圖名，如圖1-1、××平面圖（引自×××《著作名稱》或《碩士、博士論文》）；表號(hào)、表名，如表2-1、××一覽表（引自×××《》，或根據(jù)××資料整理）2.3引注和注釋一般常用[1]或圓的①在引用句的右上角，如：云南潛藏有太多的歷史謎題1連芳.云南潛藏太多歷史謎題[N]1連芳.云南潛藏太多歷史謎題[N].春城晚報(bào).2004年12求是的精神，真實(shí)地反映當(dāng)?shù)孛褡鍖?duì)佛教是怎樣理解和發(fā)展佛教的，還歷史本來(lái)面目，體現(xiàn)出云南上座部佛教的原貌和民族特點(diǎn)2世界宗教研究2世界宗教研究[J].1990(3):18-20大乘佛教把他大大神化，說(shuō)他神通廣大，威力無(wú)窮，智慧無(wú)比，同時(shí)還創(chuàng)造了諸如彌勒佛、觀世音、地藏、文殊、普賢等很多菩薩注據(jù)稱：釋迦牟尼曾預(yù)言彌勒要繼承佛位，故稱彌勒為未來(lái)佛；觀世音是救苦救難的大慈大悲菩薩；大智文殊菩薩為釋迦牟尼的左脅侍，其形象是頂結(jié)五髻、手持寶劍，坐騎獅子；大行普賢菩薩為釋迦牟尼的右脅侍，坐騎白象；大德地藏菩薩是釋迦牟尼成佛以后才成就的菩薩果，只能施德，不能應(yīng)世。。透析出佛教“曼荼羅”注注據(jù)稱：釋迦牟尼曾預(yù)言彌勒要繼承佛位，故稱彌勒為未來(lái)佛；觀世音是救苦救難的大慈大悲菩薩；大智文殊菩薩為釋迦牟尼的左脅侍，其形象是頂結(jié)五髻、手持寶劍，坐騎獅子；大行普賢菩薩為釋迦牟尼的右脅侍，坐騎白象；大德地藏菩薩是釋迦牟尼成佛以后才成就的菩薩果，只能施德，不能應(yīng)世。注2在藏傳佛教中，“曼荼羅”，神秘的圓環(huán)，是一個(gè)非常重要、意義深遠(yuǎn)的象征符號(hào)，它們是一些包含著相對(duì)符號(hào)的精美圖案，而且是一些具有明確意義的宗教性和哲學(xué)性符號(hào)。這些符號(hào)圍繞著中間的核心聚集在一起，其結(jié)構(gòu)和設(shè)想既表現(xiàn)了外部的形象化世界，也表現(xiàn)了內(nèi)在的精神世界。因此，對(duì)信徒來(lái)說(shuō)，它們顯示了那些在宇宙和他們自己心靈中起交互作用的力量。3、論文開題報(bào)告應(yīng)有的內(nèi)容其實(shí)論文的開題報(bào)告相當(dāng)于正式論文的第一章緒論的內(nèi)容，主要是表述學(xué)位論文要進(jìn)行的具體研究以及相關(guān)比較介紹，所以，一定要讓別人清楚你準(zhǔn)備關(guān)注和研究的核心問(wèn)題。在綜合闡述前面的6個(gè)“W”之后，結(jié)合著準(zhǔn)備研究的主要內(nèi)容，提供一個(gè)論文的章節(jié)結(jié)構(gòu)，即各章節(jié)要分析討論的理論框架、論文目錄和參考文獻(xiàn)等。比如：●研究的主要內(nèi)容：本項(xiàng)目擬以建筑學(xué)、園林學(xué)、景觀環(huán)境學(xué)、建筑文化學(xué)、類型學(xué)、宗教學(xué)等多學(xué)科相結(jié)合融貫的多維視野，確定以下主要研究?jī)?nèi)容：1）、不同類型宗教建筑的發(fā)展演變規(guī)律及其相關(guān)歷史文化背景。2）、各類型宗教建筑的建筑技術(shù)、藝術(shù)精華、地區(qū)性特征。3）、各類型宗教建筑的建筑空間、環(huán)境構(gòu)成、形態(tài)秩序及其所表征的內(nèi)涵。4）、各類型宗教建筑在地方村落、城鎮(zhèn)環(huán)境中的中心調(diào)控作用和標(biāo)志性。5）、系統(tǒng)整理與把握各類型宗教建筑技藝精華的現(xiàn)代借鑒、轉(zhuǎn)換應(yīng)用。研究的預(yù)期目標(biāo)：本項(xiàng)目研究力求結(jié)合滿足云南地方發(fā)展旅游事業(yè)的現(xiàn)實(shí)需要；滿足保護(hù)民族文化遺產(chǎn)和地域性特色，充分利用地方不可再生資源和優(yōu)秀傳統(tǒng)建筑技藝的需要；滿足保持文化多樣性與建設(shè)云南民族文化大省的需要；著重探索云南地方宗教建筑的多重價(jià)值和意義，完整反映各類型宗教建筑所體現(xiàn)的地域性特征，尋求對(duì)不同類型的宗教建筑持續(xù)利用和發(fā)展的保護(hù)對(duì)策，提供更多的發(fā)展機(jī)遇，承傳和借鑒對(duì)傳統(tǒng)古建建筑技藝精華的現(xiàn)代轉(zhuǎn)換應(yīng)用，促進(jìn)地方建筑文化的多元共生。擬解決的關(guān)鍵問(wèn)題：1）、首先梳理、弄清云南各地方現(xiàn)存不同類型宗教建筑的歷史與現(xiàn)狀，并對(duì)相關(guān)的典型實(shí)例進(jìn)行搶救性測(cè)繪、記錄。2）、從現(xiàn)存的各類型宗教建筑遺構(gòu)中追溯其發(fā)展演變歷史及其規(guī)律，分類比較這些宗教建筑與中原內(nèi)地和周邊國(guó)家彼此交流的相互關(guān)聯(lián)，總結(jié)分析其物質(zhì)與空間構(gòu)成特征、地方建構(gòu)特色、各種歷史價(jià)值和文化藝術(shù)價(jià)值。3）、掌握各類型宗教建筑的建筑空間形態(tài)與建構(gòu)行為的關(guān)系（包括隱性行為和顯性行為）。4）、結(jié)合當(dāng)前地方的建設(shè)與發(fā)展趨勢(shì)，重點(diǎn)關(guān)注、協(xié)調(diào)保護(hù)與發(fā)展的關(guān)系，重視傳統(tǒng)技術(shù)與現(xiàn)代技術(shù)的結(jié)合應(yīng)用?！?）、田野考查法：借助文化人類學(xué)的田野工作方法，用訪問(wèn)、記錄、測(cè)繪、攝影等多種手段對(duì)云南地方現(xiàn)存的各類型宗教建筑進(jìn)行實(shí)地調(diào)研，收集有關(guān)基礎(chǔ)資料，以便系統(tǒng)、全面地了解各地方古建的歷史與現(xiàn)狀。2）、分析比較法：按類型學(xué)的方法，對(duì)所收集的各類型宗教建筑實(shí)例進(jìn)行分類比較、總結(jié)歸納，進(jìn)而分析它們的物質(zhì)環(huán)境與空間構(gòu)成特征、地區(qū)性特征、建構(gòu)技術(shù)藝術(shù)成就，以及傳統(tǒng)技術(shù)精華可導(dǎo)向現(xiàn)代技術(shù)應(yīng)用的借鑒與結(jié)合方法。3）、逆向時(shí)間向度法：站在新世紀(jì)的時(shí)代高度，從現(xiàn)存的宗教建筑遺構(gòu)中追溯其發(fā)展演變的歷史與規(guī)律，凸現(xiàn)各類型宗教建筑資源豐厚的傳統(tǒng)文化價(jià)值及未來(lái)發(fā)展的潛在可能性，探索其多元化、多層次的構(gòu)成機(jī)理和評(píng)價(jià)方法，努力尋求可有效保護(hù)的持續(xù)利用更新對(duì)策。研究的宗教建筑發(fā)掘?qū)е逻@些宗教建筑實(shí)例發(fā)展演變的歷史規(guī)律，包括其深層的文化內(nèi)涵及各種制約因素，由此可進(jìn)一步探討云南地方宗教建筑的保護(hù)與發(fā)展理論、云南地方宗教建筑的持續(xù)利用對(duì)策，使如何更好地繼承與發(fā)揚(yáng)云南地方民族建筑文化，保持地方建筑特色有科學(xué)的理論依據(jù)。物質(zhì)自然要素、環(huán)境要素、工程技術(shù)要素環(huán)境意識(shí)建筑空間與地區(qū)性特征、精神社會(huì)歷史、觀念要素、藝術(shù)審美要素建構(gòu)行為發(fā)展演變史云南地區(qū)佛教建筑研究的理論框架示意自然環(huán)自然環(huán)境要素展歷社會(huì)環(huán)境要素展歷文化環(huán)境要素展歷建筑環(huán)境要素展歷云南佛教建筑技藝及其文化理論云南佛教寺院建筑研究各地區(qū)民族的環(huán)境意識(shí)（世界觀、價(jià)值觀）和建構(gòu)行為特征佛教建筑的類展歷佛教建筑的發(fā)展歷史和成就展歷佛教建筑的空間和結(jié)構(gòu)技藝展歷佛教建筑的建構(gòu)規(guī)律與經(jīng)驗(yàn)展歷佛教建筑的磁性中心作用展歷佛教建筑及其環(huán)境構(gòu)成要素工程技術(shù)要素展歷●論文撰寫計(jì)劃2004年11月—2005年4月：走訪有關(guān)部門，查閱相關(guān)的文獻(xiàn)資料，分地點(diǎn)進(jìn)行考察，測(cè)繪記錄。并對(duì)已調(diào)查收集的資料做繪制整理，分類研究討論，找出不足和補(bǔ)充完善措施。2005年5月—2005年8月：全面開展對(duì)各種類型不同建筑實(shí)例的調(diào)研分析，及時(shí)整理繪制，并按研究的方法和技術(shù)路線進(jìn)行多角度、多層面的分析比較，撰寫有關(guān)論文。2005年9月—2005年12月：繼續(xù)擴(kuò)展研究對(duì)象，做更深入的研究討論。對(duì)前期所取得的初步研究成果進(jìn)一步補(bǔ)充、整合，聽取有關(guān)專家的反饋意見，修改完善。2006年1月～2006年3月：論文修改完善并準(zhǔn)備答辯。2技術(shù)路線（2004級(jí)荊紅紅）轉(zhuǎn)型期轉(zhuǎn)型期城市中小套型住宅設(shè)計(jì)的思考問(wèn)題現(xiàn)實(shí)性思考問(wèn)題現(xiàn)實(shí)性思考人口因素智能因素購(gòu)房因素政策因素人口因素智能因素購(gòu)房因素政策因素結(jié)合社會(huì)學(xué)視角，分析問(wèn)題結(jié)合社會(huì)學(xué)視角，分析問(wèn)題中小套型住宅家庭智能的發(fā)展解決中低收家庭購(gòu)房問(wèn)題特殊家庭出現(xiàn)人口老齡化中小套型住宅家庭智能的發(fā)展解決中低收家庭購(gòu)房問(wèn)題特殊家庭出現(xiàn)人口老齡化住宅套型設(shè)計(jì)住宅套型設(shè)計(jì)老人家庭套型設(shè)計(jì)套型面積標(biāo)準(zhǔn)特殊家庭套型設(shè)計(jì)老人家庭套型設(shè)計(jì)套型面積標(biāo)準(zhǔn)特殊家庭套型設(shè)計(jì)結(jié)合建筑文化視角，解決問(wèn)題丁克家庭套型設(shè)計(jì)結(jié)合建筑文化視角，解決問(wèn)題丁克家庭套型設(shè)計(jì)單身家庭套型設(shè)計(jì)單身家庭套型設(shè)計(jì)套內(nèi)各功能空間設(shè)計(jì)套內(nèi)各功能空間設(shè)計(jì)生活方式、行為模式、心理需求餐廳與廚房臥室生活方式、行為模式、心理需求餐廳與廚房臥室資料整合分析展望適應(yīng)性與可變性精品設(shè)計(jì)節(jié)能與經(jīng)濟(jì)性居住文化的展現(xiàn)未來(lái)住宅套型設(shè)計(jì)思考輔助空間衛(wèi)生間書房起居室資料整合分析展望適應(yīng)性與可變性精品設(shè)計(jì)節(jié)能與經(jīng)濟(jì)性居住文化的展現(xiàn)未來(lái)住宅套型設(shè)計(jì)思考輔助空間衛(wèi)生間書房起居室技術(shù)路線（2004級(jí)許飛進(jìn)）建水團(tuán)山村與江西流坑村傳統(tǒng)聚落的對(duì)比研究建水團(tuán)山村與江西流坑村傳統(tǒng)聚落的對(duì)比研究聚落的形成、發(fā)展與演變系統(tǒng)聚落的形成、發(fā)展與演變系統(tǒng)聚落形成的行為限定聚落形成發(fā)展與演變－時(shí)代思潮限定聚落形成發(fā)展與演變－自然經(jīng)濟(jì)文化限定聚落形成的倫理限定聚落形成發(fā)展演變－營(yíng)造的裝飾藝術(shù)聚落形成－營(yíng)造的技術(shù)限定聚落形成的行為限定聚落形成發(fā)展與演變－時(shí)代思潮限定聚落形成發(fā)展與演變－自然經(jīng)濟(jì)文化限定聚落形成的倫理限定聚落形成發(fā)展演變－營(yíng)造的裝飾藝術(shù)聚落形成－營(yíng)造的技術(shù)限定聚落形成的審美限定聚落形成的審美限定聚落形成的結(jié)構(gòu)與功能聚落形成的結(jié)構(gòu)與功能子系統(tǒng)子系統(tǒng)建筑學(xué)地理學(xué)思想史規(guī)劃學(xué)人類學(xué)景觀學(xué)宏觀層面學(xué)科子系統(tǒng)微觀層面中觀層面建筑學(xué)地理學(xué)思想史規(guī)劃學(xué)人類學(xué)景觀學(xué)宏觀層面學(xué)科子系統(tǒng)微觀層面中觀層面系統(tǒng)層面系統(tǒng)層面聚落形成、發(fā)展的動(dòng)力聚落的停滯聚落形成、發(fā)展的動(dòng)力聚落的停滯系統(tǒng)的演變聚落發(fā)展與演變系統(tǒng)的演變聚落發(fā)展與演變耗散結(jié)構(gòu)理論矛盾論耗散結(jié)構(gòu)理論矛盾論系統(tǒng)發(fā)展傳統(tǒng)聚落的保護(hù)與更新策略系統(tǒng)發(fā)展傳統(tǒng)聚落的保護(hù)與更新策略聚落發(fā)展的支撐聚落發(fā)展的支撐系統(tǒng)發(fā)展的支撐—系統(tǒng)的自組織規(guī)劃及建筑學(xué)角度一般保護(hù)思路與方法博弈論角度旅游策劃角度系統(tǒng)發(fā)展的支撐—系統(tǒng)的自組織規(guī)劃及建筑學(xué)角度一般保護(hù)思路與方法博弈論角度旅游策劃角度社會(huì)學(xué)角度哲學(xué)的角度●論文的初步框架【設(shè)想1】云南地區(qū)宗教建筑研究緒論1、研究的學(xué)術(shù)背景2、研究的目的意義3、研究的主要內(nèi)容4、研究的方法路線第一部分云南地區(qū)宗教建筑的本土化歷程1-1、宗教建筑活動(dòng)的歷史背景1、關(guān)于宗教信仰與宗教建筑2、云南地區(qū)民族宗教信仰概說(shuō)3、云南地區(qū)的宗教建筑類型4、云南地區(qū)的宗教建筑遺存1-2、各宗教在云南的傳播和影響1、儒教對(duì)云南民族的教化2、佛教在云南的發(fā)展演化3、道教在云南地方的成長(zhǎng)4、伊斯蘭教在云南的推廣5、基督教對(duì)云南的影響1-3、民族宗教信仰行為對(duì)建筑空間的要求1、宗教行為的空間化產(chǎn)物—宗教建筑2、宗教行為對(duì)宗教空間的定格和制約3、與宗教有關(guān)的隱性行為和顯性行為4、以宗教形式表達(dá)的生態(tài)觀念和價(jià)值第二部分云南地區(qū)宗教建筑特色研究2-1、云南地區(qū)宗教建筑的空間特點(diǎn)1、道德經(jīng)緯——儒教文廟的殿堂格局2、三寶一體——佛教寺院的空間結(jié)構(gòu)3、平步青云——道教宮觀的經(jīng)營(yíng)布局4、清真不二——伊斯蘭教清真寺的特征5、天賜福音——基督教教堂的場(chǎng)所效應(yīng)6、節(jié)日?qǐng)鏊鬃灞局鲝R的生活內(nèi)涵2-2、云南地區(qū)宗教建筑及文化的融合滲透1、漢傳、藏傳和南傳佛教建筑的相互影響2、儒、道、佛三教建筑融合的地方化傾向3、伊斯蘭教清真寺與漢傳佛教殿堂借鑒表征4、基督教、天主教教堂與地方民族建筑嫁接5、本土宗教建筑與外來(lái)宗教建筑的交流對(duì)話2-3、云南地區(qū)宗教建筑的技藝特征1、宗教建筑的技藝處理及其地區(qū)性特征2、宗教建筑的空間形態(tài)秩序及表征意義3、宗教建筑在村落中的“磁性中心”作用2-4、云南地區(qū)宗教建筑的保護(hù)與展望1、云南地區(qū)宗教建筑遺產(chǎn)面臨的現(xiàn)狀2、云南地區(qū)不同宗教建筑的保護(hù)思考【設(shè)想2】神人共居的空間場(chǎng)所——云南地區(qū)宗教建筑比較研究歷史篇第1章緒論1-1、研究的學(xué)術(shù)背景1-2、研究的目的意義1-3、研究的主要內(nèi)容1-4、研究的方法路線第2章云南地區(qū)宗教建筑的社會(huì)背景2-1、關(guān)于宗教信仰與宗教建筑2-2、云南地區(qū)民族宗教信仰概說(shuō)2-3、云南地區(qū)的宗教建筑類型2-4、云南地區(qū)的宗教建筑遺存第3章云南地區(qū)宗教建筑的本土化歷程3-1、儒教對(duì)云南的教化3-2、佛教在云南的發(fā)展3-3、道教在云南的成長(zhǎng)3-4、伊斯蘭教在云南的推廣3-5、基督教對(duì)云南的影響第4章云南地方民族的宗教行為研究4-1、宗教行為的空間化產(chǎn)物—宗教建筑4-2、宗教行為對(duì)宗教空間的定格和制約4-3、與宗教有關(guān)的隱性行為和顯性行為4-4、以宗教形式表達(dá)的生態(tài)觀念和價(jià)值第5章云南地區(qū)宗教建筑的文化境界5-1、儒教的社會(huì)規(guī)矩5-2、佛教的心靈空幻5-3、道教的精神自由5-4、伊斯蘭教的專一5-5、基督教的文化浸染建筑篇第6章云南地區(qū)宗教建筑形式比較分析6-1、道德經(jīng)緯——儒教文廟的殿堂格局6-2、三寶一體——佛教寺院的空間結(jié)構(gòu)6-3、平步青云——道教宮觀的經(jīng)營(yíng)布局6-4、清真不二——伊斯蘭教清真寺的特征6-5、天賜福音——基督教教堂的中心調(diào)控6-6、節(jié)日?qǐng)鏊鬃灞局鲝R的生活內(nèi)涵第7章云南地區(qū)宗教建筑的文化交融7-1、漢傳、藏傳和南傳佛教建筑的相互影響7-2、儒、道、佛三教建筑融合的地方化傾向7-3、伊斯蘭教清真寺與漢傳佛教殿堂借鑒表征7-4、基督教、天主教教堂與地方民族建筑嫁接7-5、本土宗教建筑與外來(lái)宗教建筑的交流對(duì)話第8章云南地區(qū)宗教建筑營(yíng)建手法的綜合比較8-1、宗教建筑的技藝處理及其地區(qū)性特征8-2、宗教建筑的空間形態(tài)秩序及表征意義8-3、宗教建筑在村落中的“磁性中心”作用第9章佛塔的建筑藝術(shù)形式與演變研究9-1、關(guān)于塔崇拜的由來(lái)與多義解釋9-2、從柱崇拜到塔崇拜的文化顫變9-3、云南地區(qū)的佛塔及其紀(jì)念意義第10章結(jié)論【設(shè)想3】云南地區(qū)宗教建筑比較研究――以儒、釋、道三教建筑為例緒論第1章、關(guān)于宗教信仰與宗教建筑第2章、儒釋道三教在云南的流布第3章、云南地區(qū)的儒教建筑第4章、云南地區(qū)的佛教建筑第5章、云南地區(qū)的道教建筑第6章、儒釋道三教建筑形式比較第7章、儒釋道三教建筑技藝特征第8章、儒釋道三教建筑人生境界結(jié)論【定論】云南佛教建筑研究緒論1章、關(guān)于宗教信仰與宗教建筑2章、佛教發(fā)端及其在云南的流布3章、云南地區(qū)的佛教分類1、兩系三傳：大乘佛教、小乘佛教：大乘之藏傳、漢傳，小乘之南傳2、本土：白族的本主崇拜、阿咤力密教4章、云南佛教建筑的類型特點(diǎn)1、漢傳佛教建筑：唐宋時(shí)期、元明時(shí)期、阿咤力2、藏傳佛教建筑：苯教、紅教、白教、黃教、花教3、南傳佛教建筑：版納型、臨滄型、瑞麗型、芒市型4、云南本土佛教：白族本主廟、彝族土主廟5章、云南佛教建筑的空間技藝特征1、不同教派建筑的空間布局2、不同教派建筑的結(jié)構(gòu)技術(shù)3、不同教派建筑之間的相互比較6章、云南佛教寺塔的建筑形式研究1、塔崇拜的淵源2、塔崇拜的文化嬗變3、云南佛教寺塔的形式特征7章、佛教建筑體現(xiàn)的人生境界結(jié)論云南佛教寺院建筑研究目錄第1章緒論·········································································································011.1緣起·····················································································································011.2研究的目的意義···································································································031.3研究的主要內(nèi)容···································································································081.4研究的方法路線···································································································08第2章云南佛教信仰的文化景觀··································································112.1宗教信仰與宗教建筑···························································································112.1.1關(guān)于宗教信仰····························································································2.1.2佛教大小乘的區(qū)別····················································································12.2宗教藝術(shù)的象征表達(dá)··························································································172.2.1宗教與藝術(shù)的統(tǒng)一····················································································12.2.2象征的蘊(yùn)藏與轉(zhuǎn)換··················································································2.2.3建筑中的宗教象征···················································································2.3宗教意識(shí)與宗教審美··························································································282.3.1宗教意識(shí)···································································································2.3.2宗教審美··································································································2.4宗教建筑及崇拜場(chǎng)所··························································································322.4.1宗教建筑··································································································2.4.2聚集的崇拜場(chǎng)所·······················································································2.4.3佛教寺院的由來(lái)······················································································2.4.4寺院文化的表現(xiàn)·······················································································2.5本章小結(jié)·············································································································48第3章佛教寺院在云南發(fā)展流布·································································493.1云南佛教寺院的發(fā)端··························································································493.2云南漢傳佛寺的興建發(fā)展··················································································503.2.1唐宋時(shí)期的寺院·······················································································513.2.2元明時(shí)期的寺院······················································································563.2.3清朝時(shí)期的寺院······················································································643.3云南藏傳佛寺的流派分布··················································································673.3.1云南藏傳佛教的興起與普及·····································································683.3.2云南藏傳佛教教派及其寺院····································································703.4云南南傳佛寺的傳播影響··················································································743.4.1南傳佛教入滇的時(shí)限及路線···································································753.4.2云南南傳佛教寺院的興建·······································································783.5本章小結(jié)············································································································83第4章云南佛教寺院的類型特點(diǎn)································································854.1密本合一的“阿吒力”密教寺院······································································854.1.1“阿吒力”密教的特點(diǎn)··········································································4.1.2“阿吒力”密教圣殿興教寺···································································4.2三教互補(bǔ)的云南漢傳佛教寺院··········································································914.2.1“三教合一”的思想影響······································································4.2.2“三教合一”的漢傳寺院······································································4.2.3漢傳佛教寺院的文化特性······································································4.2.4云南漢傳佛教的寺院類型····································································4.3漢藏結(jié)合的云南藏傳佛教寺院········································································1344.3.1藏傳佛教寺院的空間組合·····································································4.3.2云南藏傳佛教的寺院類型·····································································4.4多元融合的云南南傳佛教寺院········································································1504.4.1云南南傳佛寺的總體特點(diǎn)······································································4.4.2云南南傳佛教的寺院類型·····································································4.5本章小結(jié)·········································································································172第5章云南佛教寺院的地域特征······························································1735.1云南佛教寺院的地域性····················································································1735.1.1“阿吒力”密教的地方化·······································································1755.1.2“阿吒力”密教的政治化······································································1765.1.3佛教寺院的社會(huì)一體化·········································································175.2云南佛教寺院的民族性····················································································1805.2.1觀音菩薩的樂(lè)土····················································································1815.2.2佛教寺院的民族化表征·········································································1835.3云南佛教寺院的兼容性····················································································1885.3.1不同宗教之間的兼容············································································1885.3.2不同教派之間的兼容············································································1945.3.3不同建筑文化的兼容············································································1955.4云南佛教寺院的磁極性····················································································2035.4.1寺院場(chǎng)所與磁性中心·············································································205.4.2磁性中心與聚落互動(dòng)·············································································2125.5云南佛教寺院的獨(dú)創(chuàng)性····················································································2145.5.1寺院空間格局的獨(dú)創(chuàng)性·········································································2155.5.2寺院方位選擇的獨(dú)創(chuàng)性·········································································2175.5.3建筑形態(tài)技藝的獨(dú)創(chuàng)性·········································································2195.6本章小結(jié)··········································································································223第6章云南佛教寺院的建筑技藝·······························································2256.1傳統(tǒng)佛教寺院的技藝表現(xiàn)················································································2256.1.1傳統(tǒng)佛教寺院型制的演進(jìn)·····································································2256.1.2傳統(tǒng)佛教寺院的塑像變化·····································································2296.2云南與中原的交流聯(lián)系····················································································2366.2.1歷史淵源································································································2366.2.2建筑技藝借鑒························································································2386.3云南佛教寺院的建構(gòu)技術(shù)················································································2396.3.1平面布置與構(gòu)架特征·············································································2406.3.2寺院殿堂的斗栱構(gòu)造·············································································2476.4云南佛教寺院的裝飾藝術(shù)·················································································2556.4.1寺院雕塑藝術(shù)·························································································2556.4.2寺院繪畫藝術(shù)·······························································