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AThesisSubmittedinPartialFulfillmentoftheRequirementsfortheDegreeofBachelorofArtse].3.2.TheDifferenceoftheCharacter3.2.1.TheDifferenceoftheFamilyBackgroundJaneEyre,shealwaysthoughtthatsheisprettyflat,lowstatus,poor,insignificant,onlywithadull,austerelife,likewildflowersandweeds,noonetoclimb,tofendforthemselves.Buttheflamesoflovebetweenherandhermaster.Atfirstsheburiedlovedeepinherheart.Intea,lunchandeveningwalk,sheasfaraspossible,calm,butwhenalone,sheopenedthegateofmemory,theygetalongwiththesceneofaclearreappearance,intoxicatedinthedeephappiness.ShetriedmanytimestotestthemarriageofMr.RochesterandMissIngram,andMr.RochesterpretendedtobeintimatewithMissIngram.Theytesteachotherandexamineeachother,infact,theyhavealreadyinthesoultogether.Mr.Rochester'sunforgettableloveforJane,"Isometimeshaveastrangefeelingforyou-especially,likenow,whenyoucomenearme,somewhereundermyleftrib,thereseemstobeachordwithasimilarstringinthesameplaceasyourlittlebody,anditistightlyclosedandcannotbesolved.Ifthechoppystraitsand200ofmilesoflandhaveseparatedusfar,atthattime,myheartwouldbleedtothewomanwhopleasesmeonlybyappearances,whenIfindthattheyhaveneithersoulnorconscience-whentheyshowmemediocrity,superficiality,andperhapslowenergy,vulgarity,anddryness,Iamatotaldemon.ButIamalwaysgentleandfaithfultoBrighteyes,eloquenttongues,thesouloffire,andthegentleandsteady,docileandsteadfastcharacterthatcanbendandnotbebroken.T3.2.2.TheDifferenceoftheCulturalLevelhewordstouchedbothJaneandthereader.Butjustwhentwopeopleareabouttogetmarried,anunexpectedthinghappenedsuddenly,becauseJaneEyrelearnedthatRochesteractuallyhadawife-eventhoughthewifeisamadman,hasbeenRochesterhidingatThornfieldformanyyears.JaneEyrefinallydecidedtoleaveRochester,tofindtherealhappinessoftheirown.ShecametoSwampHillunderafortuitouscoincidence,revealingDiana,MaryandSt.John.Finallyshefoundthatthethreewerehercousins,heraunt'schildren,JaneEyre,whohadinheritedheruncle'sinheritanceandbecamerich.ButshefinallydecidedtogobacktoRochester.Butaftershehadgone,ThornfieldHallwasburnttoashesbyRochester'smadwife.WhenJaneEyrefoundRochester,hewasblind,butthetwoeventuallylivedtogetherandhadhappiness.3.2.3.TheDifferenceoftheLifeExperienceFewpeoplewillbelikeJaneforloveforthepersonalityofabandonall,andnohesitation.JustlikeElizabeth,shewillrefuseDarcyforavarietyofreasons,andJaneEyreshowsusisakindofsimplification,isakindofreturntosimplicity,isapursuitofthehearttopaythefeeling,isaButherofthesimplefeelings,itislikeaglassoficewater,purifytheheartsofeveryreader,butalsoarousethereaders,especiallythefemalereadersresonate.4.ConclusionWiththereformandopening-upofChinaandthecontinuouscollisionoftheworldeconomy,thecommunicationbetweenculturesisbecomingmoreandmoreclose.Withtheimprovementofeconomiclevel,peoplehavebecomemoreandmorehighdemandforlife,moreandmorepeopleurgentlyneedtoenterthespiritualneedsfrommaterialneeds.People'sdemandforliteraryworksextendsfromdomestictoabroad."PrideandPrejudice"and"JaneEyre"aretheworld'sclassicclassics,writersareJaneAustenandCharlotteBronte,arewell-knownBritishfemalewriters,theirworkshavebeenwidelycirculatedbylatergenerations,isavaluableassetinworldliterature,influencedbythelifetime,Mostoftheirworksarerelatedtotheemancipationofwomen,sowomenhavemanysimilaritiesintheirwritings,"PrideandPrejudice"inElizabethandJaneEyreinthetwoworksoftheclassicimage,theyhavetheirownideasaboutmoney,marriage,atthesametimetherearesimilaritiesanddifferencesinpersonality,Therefore,thestudyofthissubjectpaysattentiontothecomparativeanalysisbetweentheircharacters.Fromthepointofviewofreality,ElizabethBennetandJaneEyrereflectthesocialreality,femininestatusandfeminineconsciousnessoftheirtimesinsomeextent.Throughcomparisonandanalysisoftheirpersonalsplendor,whetheritisElizabethorJaneEyre,theirlifeprocessreflectsdifferentviewsofloveandfemaleconsciousness,Ithinkthatsuchtwodifferentconceptsandconsciousnessareworthyofourcontemporarypeopletoin-depthanalysis.Byanalyzingthem,wecanthinkofourownviewofloveandvalues.Bibliography[1]袁學敏.論女性自我救贖意識之覺醒——從《再生緣》到《傲慢與偏見》[J].攀枝花學院學報,2017,34(04):47-53.[2]劉亞超.邊緣到中心——從《茶花女》、《簡愛》、《傲慢與偏見》看女權主義的發(fā)展[J].齊齊哈爾師范高等??茖W校學報,2016(04):25-27.[3]王彤.淺析簡?奧斯汀的《傲慢與偏見》[J].生物技術世界,2015(05):163.[4]鐘瑜寧,張申艷.女性主義視角下的《簡愛》和《傲慢與偏見》[J].語文建設,2014(21):60-61.[5]沈娟.從人物語言風格論電影《傲慢與偏見》[J].電影文學,2014(10):80-81.[6]鮑丙琴.平行研究在比較紅學中的方法論意義[J].河南教育學院學報(哲學社會科學版),2013,32(06):6-10.[7]周淑茹.論《傲慢與偏見》中的女性意識——從伊麗莎白拒婚談起[J].名作欣賞,2013(33):73-75.[8]李素芬.從女性主義角度分析《簡?愛》對《傲慢與偏見》的超越[J].名作欣賞,2013(27):43-44.[9]張越.論《傲慢與偏見》與《簡?愛》中的紳士形象[J].南昌教育學院學報,2013,28(07):25-26.[10]程永艷,湯建民.科學計量學視野下的《傲慢與偏見》研究——一個案例性的探究[J].浙江科技學院學報,2013,25(02):81-87.[11]鄭奎娥.解讀簡?奧斯丁《傲慢與偏見》婚戀觀思想的應有視角[J].才智,2013(08):232.[12]賴慈蕓.埋名異鄉(xiāng)五十載——大陸譯作在臺灣[J].東方翻譯,2013(01):49-58.[13]魏庭圓.《簡?愛》與《傲慢與偏見》中兩個叛逆角色之比較[J].群文天地,2012(24):60.[14]吳穎,廖紅燕.論英語頭韻修辭的特點及翻譯——以《傲慢與偏見》為例[J].湖北第二師范學院學報,2012,29(11):114-116+120.[15]劉云靜.18—19世紀英國女性意識的覺醒及其邊緣化特性——以奧斯汀的《傲慢與偏見》為例[J].山西師大學報(社會科學版),2012,39(04):133-135.[16]高玉秋.居住空間的意象蘊含——《傲慢與偏見》和《簡?愛》的相關語境[J].外國問題研究,2012(02):75-78.[17]韓欣華.《傲慢與偏見》,從小說到電影[J].電影文學,2012(11):72-73.[18]陳惠君.論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