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河北省唐山市遷安市2023年考研《英語一》統(tǒng)考試題SectionIUseofEnglishDirections:Readthefollowingtext.Choosethebestword(s)foreachnumberedblankandmarkA,B,CorDontheANSWERSHEET.(10points)Whenrespondingtoanyadult,youmustanswerbysaying“Yesma’am”or“No,sir.”Justnoddingyourheadisnotacceptable.BecauseIgrewupinruralNorthCarolina,thisrulecomes1tome,anditseemstheobviouschoicetocomefirst.Ifyouwantchildrentorespectyou,youhavetoletthemknow2Simplytellingthemyouwantthemtoaddressyoubysaying“sir”letsthemknow3youexpectthemtotreatyou.Ialsotellmystudentsit’saveryusefultoolwhen4withadults,andfurthermoreitalso5handyforanyadultinteractingwithanotheradult.Caseinpoint:Iwas6thephonerecentlywiththephonecompanydiscussingtheinaccuracies(差錯(cuò))ofmy7TheladyIspoketowasnot8andseemedannoyed.9,inthemidstoftheconversation,Ithrewina“yes,ma’am,”andherentire10changed.Shebecamefarmorehelpfuland11todealwith,andshe12cuttingmybillinhalf.SomeofmystudentsinHarlemweretobe13forachancetoattendahigh-ratedjuniorhighschool.Theschoolonlyhadthirtyopeningsforthefollowingyear,andtwelveofmystudentswere14themanykidsacrossthecitywhoappliedforthespots.Ipracticedwhattheinterviewwouldbe15withmystudents,andonemainthingIstressedwas,“16yousay‘yesma’am’or‘nosir’nomatterwhat!”Weeksaftertheinterviews,Iwasdelightedtohearthatalltwelveofmystudentshadbeen17WhenItalkedwiththeadmissionsdirectorattheschool,themain18hemadeoverandoverwashow19mystudentswereintheirinterviews.Itseemedlikejustsuchasimplethingtodo,butitgets201、A.frequently B.eagerly C.constantly D.naturally2、A.you B.it C.themselves D.why3、A.theway B.thewish C.themethod D.thereason4、A.disagreeing B.debating C.dealing D.discussing5、A.comesin B.getson C.goesout D.bringsin6、A.on B.in C.by D.with7、A.record B.phonecall C.message D.bill8、A.useful B.hopeful C.optimistic D.helpful9、A.Instead B.Then C.Moreover D.Otherwise10、A.method B.thinking C.a(chǎn)ttitude D.feeling11、A.interesting B.easy C.close D.different12、A.tookup B.cameup C.pickedup D.endedup13、A.introduced B.demanded C.intended D.interviewed14、A.a(chǎn)mong B.a(chǎn)bove C.over D.with15、A.popular B.familiar C.like D.successful16、A.Makesure B.Bynomeans C.Makeapromise D.Becautious17、A.received B.a(chǎn)llowed C.a(chǎn)ppreciated D.a(chǎn)ccepted18、A.contribution B.comment C.impression D.reason19、A.considerate B.confident C.polite D.clever20、A.results B.responsibility C.relief D.reformsSectionIIReadingComprehensionPartADirections:Readthefollowingfourtexts.AnswerthequestionsbeloweachtextbychoosingA,B,CorD.MarkyouranswersontheANSWERSHEET.(40points)Text1Galaxysawamanandawomanwhocommunicatedwiththesignlanguageatthetrainstationwhenshewasonthewayhomeoneevening.Shenoticedthatthewomanaskedthemanforthedirection.Hetoldherthathedidnotknow.Galaxydecidedtohelpthem.Shehadlearnedthesignlanguagewhensheservedasavolunteerinthedeafandmute(聾?。﹕chool.Thensheshowedthewomanthedirectionandleftheremailaddresstothemincasetheyneededherhelplater.Shereceivedanemailfromthatmanthenextday.Kazrimwashisname.Galaxyrepliedhismailsincerely,Theybothstartedchattingonlinesoonafterandbeganseeingeachother.Althoughtheyonlycommunicatedwiththesignlanguage,itneverbotheredher.Galaxywasfondofhimgradually.Obviously,Kazrimwasthesametoo.HepresentedGalaxywithabunchofsunflowersandaskedhersincerely,“Areyouwillingtobemygirlfriend?”Galaxywaspleasantlysurprised.Sherequestedhimtogivehersometimetopersuadeherparents.Asshehadexpected,herparentswereveryangryaftertheyhadlearnedoftheirlovestory.Galaxyexplained,“Kazrimisanexcellentandaveryoptimisticperson.Hehasaverypositiveattitudetowardslifeandwork.Hecaresforothersalways.Heis100%betterthanthenormal.Moreover,themuteisstillahuman.Heshouldpossessaperfectandwonderfullove.”Herparentsaskedtoseehim,then.TheveryworriedGalaxytookKazrimhomeafewdayslater.Whentheywereonthetrain,Kazrimtoldher,“I'mgoingtotellyourparentsthatI'llbelookingafteryouwellwithallmylife!”Galaxywasdeeplymoved.Assoonastheyhadenteredthehouse,Galaxyintroducedhimtoherparents.Shesaid,“ThisisKazrim.”Justrightafterherspeech,anunbelievablethinghappened.Kazrimthrewthegiftawayandheldherinhisarmstightly.Hesaid.“YOUCANTALK?”ItwasthesamequestionthatGalaxywantedtoask,too.Thefourpeoplewereshockedallofasudden.Asamatteroffact,KazrimalwaysbelievedthatGalaxywasamuteandhestillfellinlovewithherdeeply.1、HowdidGalaxyandKazrimgettoknoweachother?A.Theymeteachotherbychance.B.TheywereintroducedtoeachotherC.Theyoncestudiedatthesameuniversity.D.Theybothservedinaspecialneedsschool.2、HowdidGalaxyprobablycommunicatewithKazrimbeforeshetookhimhome?A.Writingwordsonpaper. B.Usingthesignlanguage.C.Judgingfromhisexpression. D.Speakinghernativelanguage.3、WhatdidGalaxyexpectherparentstodo?A.TohaveatalkwithKazrim. B.Toprepareforhermarriage.C.TotreatKazrimasanormalman. D.ToacceptKazrimasherboyfriend.4、Whatcanwelearnaboutthetwoyoungpeoplefromthepassage?A.Theyfellinloveatthefirstsight.B.Theycheatedeachothertowinlove.C.Theymistookeachotherforbeingmutes.D.TheyignoredtheangerofGalaxy'sparents.Text2ItwaswithheavyheartsthatmysonandIworkedtopreparehiscarforamilestonejourney—thedayhemovedacrossthecountryaftertwentyyearsoflivingundermyroof.Ourworkwentslowlyintotheafternoon.TheSundaybaseballgamecameon.OurhometownCardinalswereplayingtheAtlantaBraves.IoverheardbitsoftheTVbroadcast—Atlantatookatwo-runleadaswewerepackingthetrunk.AfterthatIbecameabsorbedinglumthoughtsabouthisdepartureandforgotaboutthegame.SuddenlyIheardthedooropen.“Dad,”hesaid,“l(fā)et’swatchthegame.They’reonlydownbyarun.”Hisred-coloredeyesinstantlytoldmethathe,too,foundthistobedifficultandwantedtoshareonelastfather-sonmoment.WithouthesitationIledthewaytotheTVset.There,wefoundtheCardslosing3—1.“Oh,”hesaid,“they’redowntworuns.”Hisvoicecrackedwithdoubt.“Ithoughttheywerecomingback.”“That’sfine,”Isaid,wantingsomuchtostringthismoment.“Let’swatchanyway.”TheCardsgottobatlast.Firstasingle,andthenanother.Suddenlythegamebecameveryinteresting.WhenDavidEcksteinparkedthethirdpitch(投球)intotheseats,weweretransformed,jumpingupanddown.That’swhenthemagicmomentcame.Thesadnessofthatdaywasreplacedbytheexcitingbaseballgame,somethingwehaddonemanytimestogetherbefore.Thenheleft.ItwasasaddaywhenIhelpedmysonpackandgetreadytomoveawaytocollege.Butthismomentofjoymixedwithsadnessmadetheday,thetripandourlifeseemsoright.1、Whatdoestheunderlinedword“glum”inParagraph2probablymean?A.Anxious.B.Curious.C.Hopeful.D.Upset.2、Whatbroughtjoytotheauthor?A.ThevictoryofAtlanta.B.Theworkdoneforhisson.C.Thetimespentwithhisson.D.Thememoryofthepasttime.3、Whydidtheauthor’ssonleavehome?A.Towork.B.Tostudy.C.Toplayagame.D.Togoonavacation.Text3AnyforeignerwhohastriedtolearnChinesecantellhowharditistomasterthetonesrequiredtospeakandunderstand.Andanyonewhohastriedtolearntoplaytheviolinorotherinstrumentscanreportsimilarchallenges.NowresearchershavefoundthatpeoplewithmusicaltraininghaveaneasiertimelearningChinese.WritingintheonlineeditionofNatureNeuroscience,researchersfromNorthwesternUniversitysaythatbothskillsdrawonthesamepartsofthebrainthathelppeoplediscoverchangesinpitch(音調(diào)).Oneofthestudy'sauthors,NinaKraus,saidthefindingssuggestedthatstudyingmusic“actuallytunesoursensorysystem”.Thismeansthatschoolsthatwantchildrentodowellinlanguagesshouldhesitatebeforecuttingmusicprograms,Dr.Kraussaid.Shesaidmusictrainingmightalsohelpchildrenwithlanguageproblems.Mandarin(普通話)speakershavebeenshowntohaveamorecomplexencoding(編碼)ofpitchpatternsintheirbrainsthanEnglishspeakersdo.ThisisbecauseinMandarinandotherAsianlanguages,pitchplaysacentralrole.Asingle-syllablewordcanhaveseveralmeaningsdependingonhowitisintoned.Forthisstudy,theresearcherslookedat20non-Chinesespeakingvolunteers,halfwithnomusicalbackgroundandhalfwhohavestudiedaninstrumentforatleastsixyears.Astheywereshownamovie,thevolunteersalsoheardanaudiotapeoftheMandarinword“mi”inthreeofitsmeanings:squint,bewilderandrice.Theresearchersrecordedactivitiesintheirbrainstemstoseehowwelltheywereprocessingthesounds.ThosewithamusicbackgroundshowedmuchmorebrainactivitiesinresponsetotheChinesesounds.Theleadauthorofthestudy,PatrickC.M.Wong,saiditmightworkbothways.Itappearsthatnativespeakersoftonallanguagesmaydobetteratlearninginstruments.1、WhenlearningChinese,aforeignerwillfind________.A.hehasadifficulttimelearningmusicatthesametimeB.hehasaneasiertimelearningmusicatthesametimeC.itishardtomasterthetonesrequiredtospeakandunderstandD.itiseasytousethebraintohelphimdiscoverchangesinpitch2、WhydoesChineselearninghavesomethingtodowithmusictraining?A.BecausethereisthesamedifficultyinlearningChineseandmusic.B.Becauseskillstolearnthetwomakeuseofthesamepartsofthebrain.C.Becausemusictrainingmighthelppeoplewithlanguagestudy.D.BecausepeoplewhodowellinChinesestudydowellinmusic.3、Theunderlinedword“intoned”inthefourthparagraphcanbereplacedbytheword“____”.A.created B.spelled C.seemed D.pronounced4、Whatwouldbethebesttitleforthispassage?A.MandarinSpeakersAreSmarterthanEnglishSpeakersB.SkilledEarforMusicMayHelpLanguageStudyC.PitchPlaysaCentralRoleinChineseLearningD.SchoolsNeedtoDevelopMusicProgramsText4“Withdepressinglyfewexceptions,performancesaredullandlackvitality…Afteryearsoftryingtoconvincemyselfotherwise,Inowfeelsurethatballetisdying.”-----JenniferHomans,Apollo’sAngelsIsballetdead?Hastheartformevolvedtodepression?JenniferHomans’sconclusiontoherfascinatinghistoryofballet,Apollo’sAngels,isworrying.Itappearsthatballet’spulsecontinuestobeatstrongly,however,especiallywithaTchaikovskydefibrillatorattached.Sowhyaresomedancecommentatorsarguingthatballetisdying?Anddotheyhaveapoint?“Balletisdead”----“Balletisdying”---allringtonesofFriedrichNietzsche’sphilosophicalclaim:“Godisdead.”Headlinegrabbling,certainly.Yetcanballetbedefinedinsuchblackandwhiteterms?Surelyitismoreabstract,filledwithshadesofpopulargrey.①Tostartwith,howdoyoudefineballet?Whatisballettoday?ConsiderpopularmodernclassicslikeTwylaTharp’sIntheUpperRoom,wheredancerswearpointyshoesandsneakers,combiningcontemporaryandclassicalvocabularytogether.Orclosertohome,thereisGraemeMurphy’sSwanLake,whichlayerselementsofPetipa’schoreography(編舞)withacontemporarythemeandaesthetic.Manycontemporarychoreographersallembraceclassicalformandprinciples,thenmanipulate(操縱)therules.②.Thelinebetweencontemporarydanceandballetisvague.InaninterviewwithTheTelegraph(2015),BritishchoreographerMattewBourneacknowledgesthatthis“cross-fertilisation”betweencontemporarydanceandballetcontinuestogrow,asevidencedbytheriseinnewcommissionsfromcontemporarychoreographersattheRoyalBalletandEnglishNationalBallet.ReferringtoHomans’sbook,Bournebelieveswhathaschangedisthat“thedanceformsarecomingclosertogether”.Notdying,butmerging.Reinventing.ThishasbeenthecaseamongstAustralasianballetcompaniesformanyyearsnow.③.Homanswritesthatballet’sdeclinebeganafterthepassingofAshtonandBalanchine.Somethingahschanged,certainly.Astylisictransition----fromneo-classicaltocontemporaryballet----hasoccurred.④Ourartform’sevolutionhasalwaysbeenwithextinction.ProminentdancecriticwithTheNewYorkTimes,AlastairMacaulay,says:“ballethasdiedagainandagainoverthecenturies,”andyet,“phoenix-like,roseagainfromitsashes”.Historyshowstherewereperiodswhereballethibernatedandlackedpopularity.Thiscoincidedwiththeartform’schangingforums.Sohereistheirony:whatsellsbest,still,arereproductionsofPetipa’sclassics.AseasonwithoutaTchaikovskyscoreisafinancialrisk.AndwithoutNutcracker(《胡桃夾子》),halftheballetcompaniesinNorthAmericawouldnotexist.Admittedly,asadancer,myfavouriteroles---Albrecht,PrinceSiegfriedandRomeo----werefromtheclassicalcanon;Iamatraditionalistatheart(wholovestobechallengedbygoodcontemporaryballets).Apartofthecharmbehindclassicalrepertoire,forme,wasinreproducingthegloriesofpastgreats.Classicalballet’sframeworksupportsthemodernprocessofbench-marking.PerhapsJenniferHomans’sthoughtsarenotcompletelyunfounded.Perhapsballetisdyingforsome.Ballet’sevolutionhasbeendelayedbyitsaudiences.AndasHomanssuggestsinherepilogue,perhapsalsobyitscreatives.Nowhereisaboldprediction.InlinewiththeRoyalBallet’sprogramminginBrisbanethisyear----ofChristopherWheeldon’sTheWinter’sTale,andWayneMacGregor’sWoolfWorks----overthenext20years,ballet’srelianceonPetipawilldecrease.Contemporaryballetsandmerge-styledballetswillproducetheirbox-officeinfluenceevermore.Why?Itissimple:ouraudienceswillbereadyforballettochangeagain.1、WhydoesthewriterciteJenniferHomans’swordsatthebeginningofthepassage?A.Tosupportthewriter’sviewpoint. B.Tointroducethetopicofthepassage.C.Tohighlightthethemeofthepassage D.Toprovidethebackgroundknowledge.2、Thesentence‘Isthisnotballet?”shouldbeputin______.A.① B.②C.③ D.④3、Whichofthefollowingstatementsisafactaboutballet?A.“Surelyitismoreabstract,filledwithshadesofpopulargrey.”(Para.3)B.“Thelinebetweencontemporarydanceandballetisvague.”(Para.5)C.“Ourartform’sevolutionhasalwaysbeenwithextinction.”(Para.7)D.“Whatsellsbest,still,arereproductionsofPetipa’sclassics.”(Para.8).4、AccordingtoMatthewBourne,_____.A.thedanceformsremainunchangedB.contemporarydancehasreinventedclassicballetC.balletisexperiencinggrowthandwillcontinuetodevelopD.a(chǎn)newformofballetiswidelyacceptedamongAustralians5、ThewritertakeshimselfasanexampleinParagraph8inordertoshow_____.A.classicsshouldbepromotedB.classicsarestillofgreatsignificanceC.classicalballet’sframeworkisoutofdateD.contemporaryballetsattractmoreaudiences6、Whatmaybetheaudiences’attitudetothechangeofballet?A.Supportive. B.Arbitrary.C.Critical. D.ConcernedPartBDirections:ReadthefollowingtextandanswerthequestionsbychoosingthemostsuitablesubheadingfromthelistA-Gforeachnumberedparagraph(41-45).Therearetwoextrasubheadingswhichyoudonotneedtouse.MarkyouranswersontheANSWERSHEET.(10points)Haveyoufoundthatmuchofyouronlinecommunicationhasbeenreplacedbyemojis(表情符號(hào))?Has“HappyBirthday”becomeacakewith1.(light)candles?Sincetheywereinventedinthe1990sinJapan,emojis,meaning“picturecharacters”,2.(occupy)theworldAccordingtoaUK-basedmobiletechnologycompany,6millionemojisusedintextmessagesaresentaroundtheworldeverydaythroughsmartphonesThat’swhyforthefirsttimeOxfordDictionary’sWordoftheYearisemoji---aface3.tearsofjoyEmijisareregardedasanewkindof4.(express)Behindthepopularityofemojis5.(be)theriseofyoungpeople6.welcomenewtechnologyandinventionsSothereasonwhyyoungpeopleaswellasotherslovetoemojiisthattheyshowmeanings7.(beautiful)Whenyoungpeopleareaskedwhatmakesthegenerationunique,8.put“technologyuse”firstNowemojisareinmuch9.(wide)usethanwrittenwordsAs10.result,peoplebegantodoubtwhetherithasmadeupatoolargepartinouronlinecommunicationAsanadult,shetriedhardtobecomeAmerican’sfirstwomanarchitect(建筑師)Youngarchitectsatthattime1.(usual)learnedtheirskillsbyworkinginthedraftingroomsofprofessionalarchitectsMostarchitectsdidn’twantwomenworkingforthemButLouise2.(manage)tomakeawell-knownarchitectgiveherachanceSheworked3.sixinthemorningtosixintheeveningShewasn’tpaidmuch4.shelearnedalotassheworked,andheremployerallowedhertouse5.(he)largelibraryIn1881,afterfiveyearsofworkandstudy,LouisesetupherownofficeSheadvertised,“Thefirst6.(profession)womanarchitectinthecountry7.(be)readyforbusiness”Louisebelievedthatsheshouldnotbelimitedtodesigningprivate8.(home)justbecauseshewasawomanShelookedforavarietyofjobsanddesignedstoragebuildings,factoriesandschoolsShedidverywell,inspiringotherwomen9.(become)architectsSheoftenspokeoutfor10.fairtreatmentofwomenandequalpayforequalworkSectionIIITranslationDirections:TranslatethefollowingtextintoChinese.WriteyourtranslationontheANSWERSHEET.(15points)根據(jù)對(duì)話內(nèi)容,從對(duì)話后方框內(nèi)的選項(xiàng)中選出能填入空白處的最佳選項(xiàng),并將其標(biāo)號(hào)填寫在答題卷相應(yīng)題號(hào)的橫線上。選項(xiàng)中有兩項(xiàng)多余選項(xiàng)。Oh,Christina,isthatyou?Howhaveyoubeen?I'vebeenokay.I'vejustbeenbusywithschool.Wereallyshouldgettogetherandhaveachat.1、I'dloveto,butI'mleavingforMiamiat8tonightbecausemybrotherisgettingmarriedonSaturdaymorning.2、Ihopethatyouhaveanicetimethere.Well,whatareyoudoingnow?Maybewecangotothecoffeeshopandchatforawhile.IreallywishIcould,3、Tenniscourts?4、I'mtakingtennislesson.Myroommateisonatennisteamandshe'sgottenmeinterestedinthesports.5、Alittle,butIhaven'tplayedforyears.WhenIcomebackfrommytrip,I'lljoinyouintakinglessons.OK.Justgivemeacallwhenyougetback.—I'll.A.Ididn'tknowyoucouldplaytennis.B.butI'monmywaytothetenniscourts.C.Givehimmybestwishes!D.Doyouknowhowtoplay?E.Haveagoodtime!F.Howaboutjoiningmefordinnertonight?G.Doyouplaywell?HowtocalmyourteensAmajorsourceofteenstressisschoolexams,andtestanxietyisnotuncommon.Whenyourecognizeyourteenisunderstress,howcanparentshelpyourteenstaycalmbeforeanexam?Beinvolved.Parentsneedtobeinvolvedintheirteen'
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