英美文學(xué)選讀

英美文學(xué)選讀-英國-浪漫主義時(shí)期題）I．MultipleChoice(40pointsinall,1foreach)Selectfromthefourchoicesofeachitemtheonethatbestanswersthequestionorcompletesthestatement.WritethecorrespondingletterA,B,CorDontheanswersheet.chapterRomanticismwasaliterarytrendprevailinginEnglishduringtheperiodfrom1798to1832.TheRomanticwriters().paidgreatattentiontothespiritualandemotionallifeofmanwerediscontentwiththedevelopmentofindustrialismandcapitalism,andpresentedthesocialevilsminutelyintheirworkstookpainstoportrayaworldofharmonyandbalancetendedtoglorifyRomeandadvocatedrationalItalianandFrenchartassuperiortothenativetraditions18．WhichofthefollowingpoemsisalandmarkinEnglishpoetry?A．LyricalBalladsbyWilliamWordsworthandSamuelTaylorColeridgeB．“IWanderedLonelyasaCloud”byWilliamWordsworthC．“Remorse”bySamuelTaylorColeridgeD．LeavesofGrassbyWaltWhitman19．TheliteraryformwhichisfullydevelopedandthemostflourishingduringtheRomanticPeriodis .A．proseB．dramaC．novelD．poetry20．EnglishRomanticism,asahistoricalphaseofliterature,isgenerallysaidtohaveendedin1832with .A．thepassageofthefirstReformBillintheParliamentB．thepublicationofWordsworthandColeridge'sLyricalBalladsC．thepublicationofT．S．Eliot'sThewasteLandD．thepassageoftheBillofRightsintheParliament10．LiteratureofNeoclassicismisdifferentfromthatofRomanticisminthat .A．theformercelebratesreason,rationality,orderandinstructionwhilethelatterseesliteratureasanexpressionofanindividual'sfeelingandexperiencesB．theformerisheavilyreligiousbutthelattersecularC．theformerisanintellectualmovement,thepurposeofwhichistoarousethemiddleclassforpoliticalrightswhilethelatterisconcernedwiththepersonalcultivationD．theformeradvocatesthe“returntonature”whereasthelatterturnstotheancientGreekandRomanwritersforitsmodels.8.ThemajorBritishRomanticpoetsBlake，Wordsworth，Coleridge，Byron，ShelleyandKeatsstartedarebellionagainsttheneoclassicalliterature，whichwaslaterregardedas .thepoeticromanceB.thepoeticmovementC.thepoeticrevolutionD.thepoeticreformation14.Allofthefollowingpoetsareregardedas“LakePoets”EXCEPT .1A.SamuelTaylorColeridgeB.RobertSoutheyC.WilliamWordsworthD.WilliamBlake20.EnglishRomanticism,asahistoricalphaseofliterature,isgenerallysaidtohavebegunwiththepublicationofWordsworthandColeridge's .1A.PoeticalSketchesB.ADefenceofPoetryC.LyricalBalladsD.ThePrelude13.TheRomanticperiodisanageof .a.proseb.dramac.poetryd.bothaandc14.ThetwomajornovelistsoftheRomanticperiodare .a.WilliamWordsworthandJohnKeatsb.JohnKeatsandJaneAustenc.JaneAustenandWalterScottd.WilliamWhichofthefollowingdescriptionsofGothicNovelsisNOTcorrect?6A.Itpredominatedintheearlyeighteenthcentury.B.ItwasonephaseoftheRomanticmovement.C.Itsprincipalelementsareviolence,horrorandthesupernatural.D.WorkslikeTheMysteriesofUdolphoandFrankensteinaretypicalGothicromance.WilliamBlake7.“Whereintelligencewasfallible,limited,theImaginationwasourhopeofcontactwitheternalforces,withthewholespiritualworld.”wassaidby .A.WilliamWordsworthB.WilliamBlakeC.SamuelTaylorColeridgeD.JohnKeats7.Inhispoem“Tyger,Tyger,”WilliamBlakeexpresseshisperceptionofthe“fearfulsymmetry”ofthebigcat.Thephrase“fearfulsymmetry”suggests（）.A.thetiger'stwoeyeswhicharedazzlinglybrightandsymmetricallysetB.thepoet'sfearofthepredatorC.theanalogyofthehammerandtheanvilD.theharmonyofthetwooppositeaspectsofGod'screationThepoemssuchas“TheChimneySweeper”arefoundinbothSongsofInnocenceandSongsofExperienceby（）.A.WilliamWordsworthB.WilliamBlakeC.JohnKeatsD.LordGordonByron“Tiger!Tiger!Burningbright/Intheforestsofthenight,/Whatimmortalhandoreye/Couldframethyfearfulsymmetry?”（“TheTiger”byWilliamBlake）Theabovelines（）.A.describethetiger'sfierceeyesandforcefulhandsatnightB.expressthepoet'scuriosityfortheskillfulcreationofthetiger2C.expressthepoet'ssurpriseatthesightofthetiger'swell-proportionedbodyD.expressthepoet'sterroratthesightofthetigerintheforestatnight5．WilliamBlake'scentralconcernintheSongsofInnocenceandSongsofExperienceis ,whichgivesthetwobooksastrongsocialandhistoricalreference.A．youthhoodB．childhoodC．happinessD．sorrowThedeclarationthat“IknowthatThisWorldisaWorldof*****TIONVision，”andthat“TheNatureofmyworkisvisionaryorimaginative''belongsto .A.WilliamBlakeB.WilliamWordsworthC.SamuelTaylorColeridgeD．GeorgeGordonByronWilliamBlake'swork markshisentryintomaturity.A.SongsofExperienceB.MarriageofHeavenandHellC.SongsofInnocenceD.TheBookofLos7.“Whereintelligencewasfallible,limited,theImaginationwasourhopeofcontactwitheternalforces,withthewholespiritualworld.”wassaidby .A.WilliamWordsworthB.WilliamBlakeC.SamuelTaylorColeridgeD.JohnKeats22.Thedeclarationthat“IknowthatThisWorldisaWorldof*****TIONVision,”andthat“TheNatureofmyworkisvisionaryorimaginative”belongsto .A.WilliamBlakeB.WilliamWordsworthC.SamuelTaylorColeridgeD.GeorgeGordonByron15.Blake'sSongsofExperiencepaintsaworldof withamelancholytone.a.misery,poverty,disease,warandrepressionb.happinessandloveandromanticidealsc.misery,povertymixedwithloveandhappinessd.lossandinstitutionalcrueltywithsufferingsWilliamWordsworthWilliamWordsworth,aromanticpoet,advocatedallthefollowingEXCEPT___.A.theuseofeverydaylanguagespokenbythecommonpeopleB.theexpressionofthespontaneousoverflowofpowerfulfeelingsC.theuseofhumbleandrusticlifeassubjectmatterD.theuseofelegantwordingandinflatedfiguresofspeech21.WilliamWordsworth,aromanticpoet,advocatedallofthefollowingexcept.[A]normalcontemporaryspeechpatterns[B]humbleandrusticlifeassubjectmatter[C]elegantwordingandinflatedfiguresofspeech[D]intenselysubjectivefeelingtowardindividualexperience10.WilliamWordsworth,aromanticpoet,advocatedallthefollowingexcept（）.A.theusingofeverydaylanguagespokenbythecommonpeople3theexpressionofthespontaneousoverflowofpowerfulfeelingsC.thehumbleandrusticlifeassubjectmatterD.elegantwordingandinflatedfiguresofspeech10.Apoetassertedthatpoetryoriginatedform“emotionrecollectedintranquillity”.Hemaintainedthatthescenesandeventsofeverydaylifeandthespeechofordinarypeopleweretherawmaterialofwhichpoetrycouldandshouldbemade.Whoisthatpoet?（）.A.WilliamBlakeB.AlfredLordTennysonC.WilliamWordsworthD.JohnKeats13．Theassertionthatpoetryoriginatesfrom“emotionrecollectedintranquility”belongsto .A．WilliamWordsworthB．SamuelTaylorColeridgeC．RobertSoutheyD．WilliamBlake14．AllofthefollowingpoemsbyWilliamWordswortharemasterpiecesonnatureEXCEPT .A．“IWanderedLonelyasaCloud”B．“AnEveningWalk”C．“TinternAbbey”D．“TheSolitaryReaper”10.AmongthefollowingBritishRomanticpoets isregardedasa“worshipperofnature”.WilliamBlakeB.WilliamWordsworthC.GeorgeGordonByronD.JohnKeats10.Wordsworth's isperhapsthemostanthologizedpoeminEnglishliterature.A.“ToaSkylark”B.“IWonderedLonelyasaCloud”“AnEveningWalk”D.“MyHeartLeapsUp”12.Poetryisdefinedby as“thespontaneousoverflowofpowerfulfeelings,whichoriginatesinemotionrecollectedintranquility”.A.WilliamWordsworthB.WilliamBlakeC.PercyByssheShelleyD.RobertSouthey12.Insubjectmatter,WilliamWordsworth'spoemshavetwoconcerns.Oneisaboutnature,theotherisabout .A.FrenchRevolutionB.literarytheoryC.deathD.commonlifeofordinarypeopleWordsworth's isperhapsthemostanthologizedpoeminEnglishliterature.A.“ToaSkylark”B.“IWonderedLonelyasaCloud”C.“AnEveningWalk”D.“MyHeartLeapsUp”20.ThemajorrepresentativesofthepoeticrevolutioninEnglishRomanticperiodwereSamuelTaylorColeridgeand .A.WilliamBlakeB.WilliamWordsworthC.JohnKeatsD.PercyByssheShelleyShelley“IfWintercomes,canSpringbefarbehind!”isanepigrammaticlineby__.4A.J.KeatsB.W.BlakeC.W.WordsworthD.P.B.Shelley7.“DrivemydeadthoughtsovertheuniverseLikewitheredleavestoquickenanewbirth.”(PercyByssheShelley,“OdetotheWestWind”)Whatrhetoricaldevicedoesthepoetuseinthequotedlines?[A]Synecdoche.[B]Metaphor.[C]Simile.[D]Onomatopoeia.Shelley'smasterpiece,PrometheusUnbound,isaversedrama,whichborrowsthebasicstoryfrom .A.theBibleB.aGermanlegendC.aGreekplayD.OneThousandandOneNightsShelley'sgreatestachievementishisfour-actpoeticdrama .A.AdonaisB.ToaSkylarkC.ASong:MenofEnglandD.PrometheusUnbound12.“IfWintercomes,canSpringbefarbehind?”isanepigrammaticlineby().A.J.KeatsB.W.BlakeC.W.WordsworthD.P.B.Shelley12．Shelley'sgreatestachievementishisfour-actpoeticdrama ,whichisanexultantworkinpraiseofhumankind'spotential.A．AdonaisB．QueenMabC．PrometheusUnboundD．ADefenceofPoetry“IfWintercomes,canSpringbefarbehind?''Thequotedlinecomesfrom .Shelley's“OdetotheWestWind''B.WaltWhitman'sLeavesofGrassC.JohnMilton'sParadiseLostD．JohnKeats'“OdeonaGrecianUrn”12.BestofalltheRomanticwell-knownlyricpiecesisShelley's .A.“TheCloud”B.“ToaSkylark”C.“OdetoaNightingale”“OdetotheWestWind”2.Shelley'spoliticallyrics isnotonlyawarcrycallinguponallworkingpeopletoriseupagainsttheirpoliticaloppressors,butanaddresstothempointingouttheintolerableinjusticeofeconomicexploitation.A.“OdetoLiberty”B.“OdetoNaples”C.“OdetotheWestWind”D.“MenofEngland”15.In ,ShelleycreatedaPlatonicsymbolofthespiritofman,aforceofbeautyandregeneration.A.“ToaSkylark”B.“TheCloud”C.“OdetoLiberty”D.Adonais5JaneAustenInthefirstpartofthenovelPrideandprejudice,Mr.Darcyhasa（n） oftheBennetfamily.A.highopinionB.greatadmirationC.lowopinionD.erroneousview5.JaneAustenwrotewithinaverynarrowsphere.Thesubjectmatter,thesocialsetting,andplotsareallrestrictedtotheprovinciallifeofthe .A.late19th-centuryB.17th-centuryC.20th-centuryD.late18th-century8.“Whatishisname?”“Bingley.”“Ishemarriedorsingle?”“Oh!Single,mydear,tobesure!Asinglemanoflargefortune;fourorfivethousandayear.Whatafinethingforourgirls!”Theabovedialoguemustbetakenfrom（）.A.JaneAusten'sPrideandPrejudiceB.EmilyBronte'sWutheringHeightsC.JohnGalsworthy'sTheForsyteSagaD.GeorgeEliot'sMiddlemarch15.“Itisatruthuniversallyacknowledged,thatasinglemaninpossessionofagoodfortune,mustbeinwantofa（）.”ThisquotationinAusten'sPrideandPrejudicesetsthetoneofthenovel.houseB.titleC.wifeD.fame10．“Itisatruthuniversallyacknowledged,thatasinglemaninpossessionofagoodfor-tune,mustbeinwantofawife.”Thequotedpartistakenfrom .A．JaneEyreB．WutheringHeightsC．PrideandPrejudiceD．SenseandSensibility11．Becauseofhersensitivitytouniversalpatternsofhumanbehavior, hasbroughttheEnglishnovel,asanartofform,toitsmaturity.A．CharlotteBront?B．JaneAustenC．EmilyBront?D．AnnRadcliffe9.JaneAusten'smainliteraryconcernisabout .A.humanbeingsintheirpersonalrelationshipsB.thelovestorybetweentherichandthepoorC.maturityachievedthroughthelossofillusionsD.thedailycountrylifeoftheupper-middle-classEnglish9.ThemajorthemeofJaneAusten'snovelsis .A.loveandmoneyB.moneyandsocialstatusC.socialstatusandmarriageD.loveandmarriage5.JaneAusten'spracticalidealismisthatloveshouldbejustifiedby anddisciplinedbyself-control.A.reasonB.senseC.rationalityD.sensibility610.Becauseofhersensitivitytouniversalpatternsofhumanbehavior, hasbroughttheEnglishnovel,asanartofform,toitsmaturity.A.CharlotteBronteB.JaneAustenC.EmilyBronteD.HenryFielding12.ThemajorthemeofJaneAusten'snovelsis towardwhichsheholdsonapracticalidealism.A.loveandmoneyB.marriageandmoneyC.loveandfamilyD.loveandmarriageThroughthecharacterofElizabeth,JaneAustenemphasizestheimportanceof forwoman.A.marriageB.physicalattractivenessC.independenceandself-confidenceD.submissivecharacter17.ThemajorthemeofJaneAusten'snovelsisloveandmarriage.WhichofthefollowingisnotacouplethatappearedinPrideandPrejudice?A.CatherineandHeathcliffB.LydiaandWickhamC.JaneandBinleyD.CharlotteandCollins18.Thesentence“threeorfourfamiliesinacountryvillagearetheverythingtoworkon”canbestreflectthewriter'spersonalknowledgeandrangeofwriting.Thiswriteris .WalterScottB.ThomasHardyC.JaneEyreD.JaneAustenReadingComprehension(16pointsinall,4foreach)ReadthequotedpartscarefullyandanswerthequestionsinEnglish.Writeyouranswersinthecorrespondingspaceontheanswersheet.WilliamBlake42.“Whenthestarsthrewdowntheirspears,Andwater'dheavenwiththeirtears,Didhesmilehisworktosee?DidhewhomadetheLambmakethee?”Questions：IdentifythepoetandthepoemfromwhichthequotedlinesaretakenB.Whomdoesthe“he''referto?C.Whatdoesthe“Lamb”symbolize?42.A.“TheTyger”,WilliamBlakeB.TheGodC.Lambsymbolizespeaceandpurity.72WilliamWordsworth42.“AvioletbyamossystoneHalfhiddenfromtheeye!－Fairasastar,whenonlyoneIsshininginthesky.”Questions:Identifytheauthorandthetitleofthepoemfromwhichthisstanzaistaken.B.Pickoutthemetaphorusedinthisstanza.C.Whatqualitydoestheauthorintendtoshowbyusingthemetaphor?42.A.Thestanzaistakenfrom“SheDweltAmongtheUntroddenWays”writtenbyW.Wordsworth.Theflower(violet)isusedasametaphor.Bycomparingacountrygirl(Lucy)toaviolet,thepoetintendstoshowherqualityofbeautyandhervirtuewhichareoftenneglectedbythecommonpeoplejustlikeawildflowerbloomingbyanuntroddenroad.42.“NeverdidsunmorebeautifullysteepInhisfirstsplendor,valley,rock,orhill;Ne'ersawI,neverfelt,acalmsodeep!Theriverglidethathisownsweetwill:DearGod!Theveryhousesseemasleep;Andallthatmightyheartislyingstill!”(WilliamWordsworth'ssonnet:“ComposeduponWestminsterBridge”September3,1802)Questions:Whatdoestheword“glideth”inthefourthlinemean?Whatkindoffigureofspeechisusedbywordsworthtodescribethe“river”?C.Whatideadoesthefourthlineexpress?42.A.Tomovesmoothlyandquietly,asifnoeffortwasbeingmade.Personification.Heretheriverispersonifiedsothatithasitsownwill.C.Wordsworthemphasizesthattheriverrunsfreely(intheearlymorningbecausethereisnobargesorsteamersorotherkindofmanmadeburdensimposedonittohinderitsrunning.)41．“Foroft,whenonmycouchIlieInvacantorinpensivemood,theyflashuponthatinwardeye”Questions:A．Identifytheanthorandthetitle.B．Whatdoesthephrase“inwardeye”mean?C．WriteoutthemainideaofthepassageinplainEnglish.841.A.Wordsworth;IwonderedlonelyasacloudB.humansoulThepoetexpressedhisloveforthedaffodils.41.“Thefiverglidethathisownsweetwil：lDearGod!theveryhousesseemasleep；Andallthatmightyheartislyingstill!”(fromWilliamWordsworth's“ComposeduponWestminsterBridge”)Questions：Whatfigureofspeechisusedinthequotedlines?B.Whatdoes“thatmightyheart''referto?C.Whatdoesthepoemdescribe?41.A.PersonifecationB.LondonThepoemdescribesavividpictureofabeautifulmorninginLondon.41.Beholdher,singleinthefield,YonsolitaryHighlandlass!Reapingandsingingbyherself;Stophere,orgentlypass!Aloneshecutsandbindsthegrain,Andsingsamelancholystrain;Olisten!FortheValeprofoundIsoverflowingwiththesound.Questions:Identifythepoet.What'stherhymeschemeforthestanza?C.What'sthethemeofthepoem?41.A.WilliamWordsworthB.ababccddThepoetusesruralfigurestosuggestthetimelessmysteryofsorrowfulhumanityanditsradiantbeauty.3Shelley41.WhereforefeedandclotheandsaveFromthecradletothegraveThoseungratefuldroneswhowouldDrainyoursweat-nay,drinkyourblood?Questions:Identifythepoetandthetitleofthepoemfromwhichthestanzaistaken.B.WhatfigureofspeechisusedinLine2?C.Whomdoes“drones”referto?41.A.FromPercyShelley's“MenofEngland”B.MetonymyC.Here“drones”referstotheparasiticclassinhumansociety.41.Wherefore,BeesofEngland,forgeManyaweapon,chain,andscourge,9ThatthesestinglessdronesmayspoilTheforcedproduceofyourtoil?Questions:A.Identifythepoetandthepoemfromwhichthelinesaretaken.Whatdoyouknowaboutthepoem'swritingbackground?C.Whatdoyouthinkthepoetintendstosayinthepoem?41.A.PercyShelley,ASong:“MenofEngland”Thepoemwaswrittenin1819,theyearofthePeterlooMassacre.TocallonallworkingpeopleofEnglandtoriseupagainsttheirpoliticaloppressors;topointouttheintolerableinjusticeofeconomicexploitation.42.“BesideapumiceisleinBaiae'sbay,AndsawinsleepoldpalacesandtowersQuiveringwithinthewave'sintenserday,AllovergrownwithazuremossandflowersSosweet,thesensefaintspicturingthem!ThouForwhosepaththeAtlantic'slevelpowers”(FromShelley's“OdetotheWestWind”)Questions:A.Inwhatformisthepoemwritten?Whatdoesthequotation“thesensefaintspicturingthem”mean?C.WhatideadoesShelleyexpressinthispoem?(107)42.A.TheterzarimaformShelleyderivedfromhisreadingofDante.B.Seeingtheimagessobeautifulonefeelsfainttodescribethem.Heeulogizesthepowerfulwestwindandexpresseshiseagernesstoenjoytheboundlessfreedomfromreality.QuestionsandAnswers(24pointsinall,6foreach)GiveabriefanswertoeachofthefollowingquestionsinEnglish.Writeyouranswersinthecorrespondingspaceontheanswersheet.Chapter46.Inspirationfortheromanticapproachinitiallycamefromtwogreatshapersofthought.Whoarethetwo?Andwhatideastheyexpressedinspiretheromanticwriters?46.A.TheFrenchphilosopher,JeanJacquesRousseauandtheGermanwriterJohnaWolfganvonGoethe.ItisRousseauwhoestablishedthecultoftheindividualandchampionedthefreedomofthehumanspirit;hisfamousannouncementwas“IfeltbeforeIthought.”Goetheandhiscompatriotsextolledtheromanticspirit.Blake46.BrieflyintroduceBlake'sSongsofInnocenceandSongsofExperience.46.A.SongsofInnocenceisalovelyvolumeofpoems,presentingahappyandinnocentworld,thoughnotwithoutitsevils.10SongsofExperiencepaintsadifferentworld,aworldofmisery,disease,warandrepressionwithmelancholytone.Thetwobooksholdthesimilarsubject-matter,butthetone,emphasisandconclusiondiffer.Shelley45.What'stheliterarystyleofShelleyasaRomanticpoet?45.A.ShelleyisoneoftheleadingRomanticpoets,anintenseandoriginallyricalpoetintheEnglishlanguage.LikeBlake,hehasareputationasadifficultpoet:erudite,imagisticallycomplex,fullofclassicalandmythologicalallusions.Hisstyleaboundsinpersonificationandmetaphorandotherfiguresofspeechwhichdescribevividlywhatweseeandfeel,orexpresswhatpassionatelymovesus.TopicDiscussion(20pointsinall,10foreach)Writenolessthan150wordsoneachofthefollowingtopicsinEnglishinthecorrespondingspaceontheanswersheet.chapter49.HowisRomanticismdifferentfromNeoclassicism?Providebriefevidencefromtheliteraryworksyouknowbest.49.a.Neoclassicistsupheldthatartisticidealsshouldbeorder,logic,restrainedemoticonandaccuracy,andthatliterature,shouldbejudgedintermsofitsservicetohumanity,andthus,literaryexpressionsshouldbeofproportion,unity,harmonyandgrace.Pope'sAnEssayonCriticismadvocatesgrace,wit(usuallythoughsatire/humor),andsimplicityinlanguage(andthepoemitselfisademonstrationofthoseideals,too);Fielding'sTomJoneshelpedestablishtheformofnovel;Gray's“ElegyWritteninaCountryChurchyard'displayseleganceinstyle,unifiedstructure,serioustoneandmoralinstructions.b.Romanticiststendedtoseetheindividualastheverycenterofallexperience,includingart,andthus,literaryworkshouldbe“spontaneousoverflowofstrongfeelings,”andnomatterhowfragmentarythoseexperienceswere(Wordsworth's“IWanderedLonelyasaCloud,”or“TheSolitaryReaper,)orColeridge's“KebleKhan”),thevalueoftheworkliedintheaccuracyofpresentingthoseuniquefeelings11andparticularattitudes.c.Inaword,NeoclassicismemphasizedrationalityandformbutRomanticismattachedgreatimportancetotheindividual'smind(emotion,imagination,temporaryexperience…)Wordsworth49.PleaseelaborateWordsworth'stheoryofpoetry,takingexamplesfromthepoemsyouhavelearnedtosupportyourideas.49.A.Poetryoriginatesfrom“emotionrecollectedintranquility”.(Take“IWonderedLonelyasaCloud”asexample)B.Hemaintainedthatthescenesandeventsofeverydaylifeandthespeechofordinarypeopleweretherawmaterialofwhichpoetrycouldandshouldbemade.(Take“TheSolitaryReaper”asexample)JaneAusten49.InPrideandPrejudice,JaneAustenexploredthreekindsofmotivationsofmarriagethemiddle-classpeoplehadinthesecondhalfofthe18thcentury.Trytomakeabriefdiscussionaboutthemwithspecificexamplesfromthenovel.MakecommentsonAusten'sattitudetowardsthesemotivations.49.A.Motivationone:topursuematerialinterestthroughmarriage;Wickham,MissBinleyandCharlotteLucasareexamplesofthiskind.B.Motivation