第一列tofel機(jī)考閱讀難句翻譯

Wearingmasksandcostumes,theyoftenimatedotherpeople,animals,orsupernaturalbeings,andminedthedesiredeffect–successinhuntorbattle,thecomingrain,therevivaloftheSun–asanactorButthesefactorsdonotaccountfortheinterestingquestionofhowtherecametobesuchaconcentrationofpregnantichthyosaursinaparticularceveryclosetotheirtimeofgivingbirth.3．Aseriesofmechanicalimprovementscontinuingwellintothenineteenthcentury,includingtheintroductionofpedalstosustaintoneortosoftenit,theperfectionofametalframe,andsteelwireofthefinestquality,finallyproducedaninstrumentscapableofmyriadtonaleffectsfromthemostdelicateharmoniestoanalmostorchestralfullnessofsound,fromaliquid,singingtonetoaship,percussivebrilliance.到一個(gè)成熟管弦或從一個(gè)清澈的歌聲到輝煌的敲擊樂(lè)的效果－的Accustomedthoughwearetospeakingofthefimadebefore1972as“silent”,thefilmhasneverbeen,inthefullsenseoftheword,Foranumberofyearstheselectionofmusicforeachfilmrestedentirelyinthehandsoftheconductororleaderoftheorchestra,andveryoftentheprincipalqualificationsforholdingsuchapositionwasnotskillortastesomuchastheownershipofalarge allibraryofmusicalpieces.多年以來(lái)音樂(lè)的選擇程序完全掌握在導(dǎo)演和音樂(lè)督導(dǎo)手中，通常擁有這些權(quán)力的主要資格并非是自身的技藝和品味而的是因?yàn)閾碛写?theyweremadeofatoplayerofwoolenorglazedworstedwoolfabric,consistingofsmooth,compactyarnfromlongwoolfibers,dyeddarkblue,green,orbrownwithabottomlayerofacoarserwoolenmaterial,eithernaturalorashadeofyellow.Forgoodmeasure,duringthespringandsummerdrought,heat, grasshoppers,andotherfrustrationsmightawaitthewearygrowers.WhatwetodaycallAmericafolkartwas,indeed,artof,by,andforordinary,everyday“folks”who,withincreasingprosperityandleisure,createdamarketforartofallkinds,andespeciallyforportraits.我們今天所謂的民間藝術(shù)，實(shí)際上是普通 Thepeoplehadnoagriculturebut,overthousandsofyears, developedtechniquesandequipmenttoexploittheirenvironment,basingtheireconomyonfishinginstreamsandcoastalwatersthatteemedwithsalmon,halibut,andothervarietiesoffish;gatheringabalone,mussels,clams,andothersfishfromtherockycoastline;huntinglandandsea ls;andcollectingwildntfoods.域和水岸捕魚的經(jīng)濟(jì)；基于從落基山水岸了鮑魚、蚌類、蛤和其他Themusicianswithintheorchestra’sranksenrichtheircommunityimmeasurablybyensuringthatnewgenerationsofmusicians,orsimplymusiclovers,aregiventhekindofsuperiorinstructionthatonlyanactivelyengaged,practicingmusiciancanimpart. 過(guò)確保給新一代的音樂(lè)家們或簡(jiǎn)易的音樂(lè)者們一種高級(jí)的指導(dǎo)，這SinceCanadianmetropolitanareashaveonlyone-quarterthenumberofkilometersofsuperhighwayspercapitaasUnitedStatesmetropolitanareas–andatleastasmuchtoconstructingmore–suburbanizationofpeoplesandfunctionsislessextensivenorthoftheborderthansouth.因?yàn)榈卮蠖际袇^(qū)域每城市高速公路公里總數(shù)量只有的四分之一，而且至少根據(jù)相當(dāng)?shù)木用駭?shù)量去建設(shè)的高速公路，比較南Theymadeavailablekindsofpopularmusicheardpreviouslyonlylimitedgeographicalareasorbyspecificethnicandsocialgroups–especiallytheblues,songs,andjazzofAfricanAmericansandthetraditionalmusicofthesouthernAppalachianMountainsandotherruralareasofthesouthernandwesternUnitedStates.洲人的爵士樂(lè)和奇亞山脈南部和其他南部和西部的鄉(xiāng)村Thedevelopmentoftherailroadandegraphsystemsduringthemiddlethirdofthenineteenthcenturyledtosignificantimprovementsinthespeed,volume,andregularityofshipmentsandcommunications,makingpossibleafundamentaltransformationintheproductionanddistributionofgoods.Addtothisthetimiditywithwhichunschooledartisans–originallytrainedasstonemasons,carpenters,orcabinetmakers–attackedthemediumfromwhichtheyweretomaketheirimages,andoneunderstandsmorefullythedevelopmentofsculpturemadeintheUnitedStatesinthelateeighteenthcentury.匠或家具師，了在中他們以前造就的自我形象和一個(gè)理解，這Insteadoftryingtokeepdownthebodytemperaturedeepinsidethebody,whichwouldinvolvedtheexpenditureofwaterandenergy,desertm lsallowtheirtemperaturestorisetowhatwouldnormallybefeverheight,andtemperaturesashighas46degreesCelsiushavebeenmeasuredinGrant’sgazelles.Solitaryroostersshelterindensevegetationorentera–hornedlarksdigholesinthegroundandptarmiganburrowintosnowbanks–buttheeffectofshelteringismagnifiedbyseveralbirdshuddlingtogetherintheroots,aswrens,swifts,browncreepers,bluebirds,andanisdo.EachSMSAwouldcontainatleast(a) onecentralcitywith50000inhabitantsormoreor(b)twocitieshavingsharedboundariesandconstituting,forgeneraleconomicandsocialpurposes,asinglecommunitywithacombinedpopulationofatleast50000,thesmallerofwhichmusthaveapopulationofatleast15000.－－－－－－中間n條待補(bǔ)充Rather,theyweremadeofatoplayerofwoolenorglazedworstedwoolfabric,consistingofsmooth,compactyarnfromlongwoolfibers,dyeddarkblue,green,orbrownwithabottomlayerofacoarserwoolenmaterial,eithernaturalorashadeofyellow.Forgoodmeasure,duringthespringandsummerdrought,heat,hail,grasshoppers,andotherfrustrationsmightawaitthewearygrowers.WhatwetodaycallAmericafolkartwas,indeed,artof,by,andforordinary,everyday“folks”who,withincreasingprosperityandleisure,createdamarketforartofallkinds,andespeciallyforportraits.我們今天所謂的民間藝術(shù)，實(shí)際上是普通 百姓創(chuàng)造的藝術(shù)和為普通和日常提到的“民間”的藝術(shù)，是★26．Thepeoplehadnoagriculturebut,overthousandsofyears,haddevelopedtechniquesandequipmenttoexploittheirenvironment,basingtheireconomyonfishinginstreamsandcoastalwatersthatteemedwithsalmon,halibut,andothervarietiesoffish;gatheringabalone,mussels,clams,andothersfishfromtherockycoastline;huntinglandandseamls;andcollectingwildntfoods.水岸捕魚的經(jīng)濟(jì)；基于從落基山水岸了鮑魚、蚌類、蛤和其他貝殼★27．Themusicianswithintheorchestra’sranksenrichtheircommunityimmeasurablybyensuringthatnewgenerationsofmusicians,orsimplymusiclovers,aregiventhekindofsuperiorinstructionthatonlyanactivelyengaged,practicingmusiciancanimpart. 保給新一代的音樂(lè)家們或簡(jiǎn)易的音樂(lè)者們一種高級(jí)的指導(dǎo)，這種指SinceCanadianmetropolitanareashaveonlyone-quarterthenumberofkilometersofsuperhighwayspercapitaasUnitedStatesmetropolitanareas–andatleastasmuchtoconstructingmore–suburbanizationofpeoplesandfunctionsislessextensivenorthoftheborderthansouth.因?yàn)榈卮蠖际袇^(qū)域每城市高速公路公里總數(shù)量只有的四分之一，而且至少根據(jù)相當(dāng)?shù)木用駭?shù)量去建設(shè)的高速公路，比較南部邊Theymadeavailablekindsofpopularmusicheardpreviouslyonlylimitedgeographicalareasorbyspecificethnicandsocialgroups–especiallytheblues,songs,andjazzofAfricanAmericansandthetraditionalmusicofthesouthernAppalachianMountainsandotherruralareasofthesouthernandwesternUnitedStates.國(guó)人的爵士樂(lè)和奇亞山脈南部和其他南部和西部的鄉(xiāng)村區(qū)域Thedevelopmentoftherailroadandegraphsystemsduringthemiddlethirdofthenineteenthcenturyledtosignificantimprovementsinthespeed,volume,andregularityofshipmentsandcommunications,makingpossibleafundamentaltransformationintheproductionanddistributionofgoods.★31．Addtothisthetimiditywithwhichunschooledartisans–originallytrainedasstonemasons,carpenters,orcabinetmakers–attackedthemediumfromwhichtheyweretomaketheirimages,andoneunderstandsmorefullythedevelopmentofsculpturemadeintheUnitedStatesinthelateeighteenthcentury.家具師，了在中他們以前造就的自我形象和一個(gè)理解，這個(gè)理解就是雕塑的發(fā)展在十八世紀(jì)晚期的更加完全的發(fā)生了。32．Insteadoftryingtokeepdownthebodytemperaturedeepinsidethebody,whichwouldinvolvedtheexpenditureofwaterandenergy,desert lsallowtheirtemperaturestorisetowhatwouldnormallybefeverheight,andtemperaturesashighas46degreesCelsiushavebeenmeasuredinGrant’sgazelles.★33．Solitaryroostersshelterindensevegetationorentera–hornedlarksdigholesinthegroundandptarmiganburrowintosnowbanks–buttheeffectofshelteringismagnifiedbyseveralbirdshuddlingtogetherintheroots,aswrens,swifts,browncreepers,bluebirds,andanisdo.★34．EachSMSAwouldcontainatleast(a)onecentralcitywith50000inhabitantsormoreor(b)twocitieshavingsharedboundariesandconstituting,forgeneraleconomicandsocialpurposes,asinglecommunitywithacombinedpopulationofatleast50000,thesmallerofwhichmusthaveapopulationofatleast15000.★35．Thegrowingcustomofregularlyassemblingfromafartherepresentativesofallkindsofgroups,notonlyforpoliticalconventions,butalsoforcommercial,professional,learned,andvocationalones?inturnsupportedthemultiplyinghos.★36．Twospeciesofthesefinches,namedforthewaytheupperandlowerpartsoftheirbillscross,ratherthanmeetinthemiddle,resideintheevergreensofNorthAmericanandfeedontheseedsheldwithintheconesofconiferoustrees.名，這兩種雀類居住在四季常青的森林里并且以包含在錐狀的松果Thebeginningofamajorchangewasforeshadowedinthelater1860’s,whentheUnionPacificRailroadatlastbegantobuildwestwardfromtheCentralinscityofOmahatomeettheCentralPacificRailroadadvancingeastwardfromCaliforniathroughtheformidablebarrieroftheSierraNevada.鐵路，它推進(jìn)了從加利福尼亞穿過(guò)SierraNevada的重重險(xiǎn)阻向東的鐵路Theargumentthathumans,eveninprehistoric,hadsomenumbersense,atleasttotheextentofrecognizingtheconceptofmoreandlesswhensomeobjectswereaddedtoortakenawayfromasmallgroup,seemsfair,forstudieshaveshownthatsomeanimalpossesssuchasense.39．Ausefuldefinitionofanairpollutantisacompoundaddeddirectlyorindirectlybyhumanstotheatmosphereinsuchtiesastoaffecthumans,animals,vegetation,ormaterialsadversely.ThetightarrangementenabledtheMandanstoprotectthemselvesmoreeasilyfromtheattacksofotherswhomightseektoobtainsomeofthefoodthesehighlycapablefarmersstoredfromoneyeartonext.緊湊Noothersetofcoloniststooksoseriouslyoneexpressionoftheperiod,“Leisureistimeforngsomethinguseful,”inthecountrysidefarmersthereforerelievedtheburdenofthedailyroutinewithsuchdouble-purposerelaxationsashunting,fishing,andtrap.沒(méi)有其他的殖LifeonEarthhascontinuallybeeninfluxasslowphysicalandchemicalchangeshaveoccurredonEarth,butlifeneedstimetoadapt–timeformigrationandgeneticadaptationwithinexistingspeciesandtimefortheproliferationofnewgeneticmaterialandnewspeciesthatmaybeabletosurviveinenvironments.地球上的生命不斷地演化，就象Somefossilboneshavealltheinterstitialspacesfilledwithforeignminerals,includingthemarrow,ifthereisone,whileothershavetakenupbutlittlefromtheirsurroundings.一些的骨頭的所有裂縫的By1776thefineartofpaintingasithaddevelopedinEuropeuptothistimehadbeenintroducedintotheAmericancoloniesthroughbooksandpaints,Europeanvisitorsandimmigrants,andtravelingcolonistswhobroughtbackcopies(andafeworiginals)ofoldmasterpaintingsandacquaintancewithEuropeanartinstitutions.杰出的繪畫藝術(shù)，在西歐發(fā)展，直到現(xiàn)在通過(guò)書、繪畫、歐洲者和被介紹給Theterminologybywhichsweredescribedatthetimesuggeststheirstatus:“l(fā)imner”wasusuallyappliedtotheanonymousportraitpainteruptothe1760’s:“painter”characterizedanyonewhocouldpaintaflatsurface.藝術(shù)家們當(dāng)時(shí)描述的術(shù)語(yǔ)表明了他們的狀態(tài)，如“畫匠”一詞通常應(yīng)用在的肖像畫家；直到十七世紀(jì)60年代，“油漆46．AfewartcollectorsJamesBownIIIofBoston,WilliamByrdofVirginia,andtheAliensandHamiltonsofPhiladelphiaintroducedEuropeanarttraditionstothosecolonistsprivilegedtovisittheirgalleries,especiallyaspirings,andestablishedintheirrespectivecommunitiestheideaofthevalueofartandtheneedforinstitutionsdevotedtoitsencouragement.一些藝術(shù)收藏家，如波士頓的JamesBownIII、亞的WilliamByrd和鳳凰城的AliensandHamiltons，介紹歐洲的藝術(shù)他們的藝術(shù)機(jī)構(gòu)的需求。Theachievementsofthecolonials,particularlythoseofCopley,West,andPeale,lentcredencetotheboastthatthenew