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英國文學(xué)史I.OldEnglishLiterature&TheLateMedievalAges<Beowulf>貝奧武夫:thenationalepicoftheAnglo-SaxonsEpic:longnarrativepoemsthatrecordtheadventuresorheroicdeedsofaheroenactedinvastlandscapes.Thestyleofepicisgrandandelevated.Artisticfeatures:1.UsingalliterationDefinitionofalliteration:arhetoricaldevice,meaningsomewordsinasentencebeginwiththesameconsonantsound(頭韻)SomeexamplesonP52.UsingmetaphorandunderstatementDefinitionofunderstat(yī)ement:expressingsomethinginacontrolledwayUnderstat(yī)ementisatypicalwayforEnglishmentoexpresstheirideasGeofferyChaucer杰弗里·喬叟1340~1400(首創(chuàng)“雙韻體”,英國文學(xué)史上一方面用倫敦方言寫作。約翰·德萊頓(JohnDryden)稱其為“英國詩歌之父”。代表作《坎特伯雷故事集》。)ThefatherofEnglishpoetry.writingstyle:wisdom,humor,humanity.①<TheCanterburyTales>坎特伯雷故事集:firsttimetouse‘heroiccouplet’(雙韻體)bymiddleEnglish②<TroilusandCriseyde>特羅伊拉斯和克萊希德③<TheHouseofFame>聲譽(yù)之宮MedievalAges’popularLiteraryform:Romance(傳奇故事)Famousthree:KingArthurSirGawainandtheGreenKnightBeowulfIITheRenaissancePeriodAperiodofdramaandpoetry.TheElizabethandramaistherealmainstreamoftheEnglishRenaissance.Renaissance:theactivity,spirit,ortimeofthegreatrevivalofart,literature,andlearninginEuropebeginninginthe14thcenturyandextendingtothe17thcentury,markingthetransitionfromthemedievaltothemodernworld.ThreehistoricaleventsoftheRenaissance–rebirthorrevival:1.newdiscoveriesingeographyandastrology2.thereligiousreformationandeconomicexpansion3.rediscoveryofancientRomanandGreekcultureThemostfamousdramatists:ChristopherMarloweWilliamShakespeareBenJohnson.1.EdmundSpenser埃德蒙·斯賓塞1552~1599(后人稱之為“詩人的詩人”。)Thepoets’poet.ThefirsttobeburiedinthePoet’scornerofWesterminsterAbbey①<TheFaerieQueene>仙后(forQueenElizabeth)Thethemeisnot“Armsandtheman”,butsomethingmoreromantic“Fiercewarsandfaithfullloves”.Artisticfeat(yī)ures:1.UsingSpenserianStanzaDefinitionofSpenserianStanza:astanzaofninelinesababbcbcc.Eightlinesiniambicpentameter,andlastlineiniambichexameter.②<TheShepherdsCalendar>牧人日歷ThethemeistolamentoverthelossofRosalind.③<Amoretti>愛情小唱?2.Thomas?More托馬斯?莫爾1478~1535Oneofthegreat(yī)estEnglishhumanists①<Utopia>烏托邦3.Francis?Bacon弗蘭西斯·培根1561~1626(哲學(xué)家、散文家;在論述探究知識的著作中提出了知識就是力量這一著名論斷;近代唯物主義哲學(xué)的奠基人和近代實(shí)驗(yàn)科學(xué)的先驅(qū)。)Philosopher,scientist,laythefoundat(yī)ionformodernscience.ThefirstEnglishessayist.?Writingstyle:brevity,compactness&powerfulness,well-arrangingandenrichingbyBiblicalallusions,metaphorsandphilosophytoman’sreason.①<TheAdvancementofLearning>學(xué)術(shù)的推動②<Essays>隨筆(famousquotas:<Ofstudies>)?ThethemeofOfStudies:usesandbenefitsofstudyanddifferentwaysadoptedbydifferentpeopletopursuestudies.4.BenJonson①<ComedyofHumours>②<Volpone,orthefox>狐貍5.Christopher?Marlowe柯里斯托弗·馬洛1564~1595“UniversityWits”,thepioneerofEnglishdrama(完善了無韻體詩。)Blankverse:writteninunrhymediambicpentameter.①<TheTragicalHistoryofDoctorFaustus>浮士德博士的悲?。ǜ鶕?jù)德國民間故事書寫成)②<Tamburlaine>帖木耳大帝?③<TheJewofMalta>馬耳他的猶太人6.WilliamShakespeare威廉·莎士比亞1564~1616?①Historicalplays:HenryVI;HenryIV:RichardIII;HenryV;RichardII;HenryVIII②FourComedies四大喜劇:<AsYouLikeIt>皆大歡喜;<TwelfthNight>第十二夜;<AMidsummerNight’SDream>仲夏夜之夢;<MerchantOfVenice>威尼斯商人③FourTragedies四大悲?。?lt;Hamlet>哈姆萊特;<Othello>奧賽羅;<KingLear>李爾王;<Macbeth>麥克白④ShakespeareSonnet:154<TheSonnets>Threequat(yī)rainandonecouplet,ababcdcdefefggAsonnetisalyricconsistingof14lines,usuallyiniambicpentameterrestrictedtoadefinitionrhymescheme.IIIThe17thCentury1.JohnMilton約翰·彌爾頓1608~1674(詩人、政論家;失明后寫《失樂園》、《復(fù)樂園》、《力士參孫》。)①Epics:<ParadiseLost>失樂園<Paradise?Regained>復(fù)樂園②Dramaticpoem:<SamsonA(yù)gonistes>力士參孫③<Areopagitica>論出版自由?<TheDefenceoftheEnglishPeople>為英國人民聲辯④<OnHisBlindness>我的失明Thissonnetiswritteniniambicpentameterrhymedinabbaabbacdecde,typicalofItaliansonnet.ItsthemeisthatpeopleusetheirtalentforGod,andtheyservehimbestshocanendurethesufferingbest.2.JohnBunyan約翰·班揚(yáng)1628~1688(代表作《天路歷程》,宗教寓言,被譽(yù)為“具有永恒意義的百科全書”,是英國文學(xué)史上里程碑式著作。與但丁的《神曲》、奧古斯丁的《懺悔錄》并列為世界三大宗教題材文學(xué)杰作。)Puritanpoet(清教徒派詩人)①ReligionaryAllegory:<ThePilgrim’sProgress>天路歷程3.JohnDonnetheMetaphysicalpoet(玄學(xué)派詩人).MetaphysicalPoetry(玄學(xué)詩):(用語)thedictionissimple,theimageryisfromtheactual,(形式)theformisfrequentlyanargumentwiththepoet’sbeloved,withgod,orwithhimself.(主題:love,religious,thought)Artisticfeatures:1.conceitsorimagery奇思妙喻2.syllogism三段論①M(fèi)editations沉思錄TheFlea虱子②SongsAndSonnetsHolySonnets③Valediction:<ForbiddingMourning>IVThe18thCenturyArevivalofinterestintheoldclassicalworks,order,logic,restrainedemotion(克制情感)andaccuracyTheAgeofEnlightenment/Reason:themovementwasafurtheranceoftheRenaissanceofthe15thand16thcentries,aprogressiveintellectualmovement,reason(rationality),equality&science(the18thcentury)小說崛起:Inthemid-century,thenewlyliteraryform,modernEnglishnovelrised(realisticnovel現(xiàn)實(shí)主義小說)Gothicnovel(哥特式小說):mystery,horror,castles(frommiddleparttotheendofcentury)1.Alexander?Pope亞歷山大·蒲柏1688~1744(18世紀(jì)英國最偉大的詩人,其詩多用“英雄雙韻體”/“heroiccouplets”。詞句工整、精練、富有哲理性。)OneofthefirsttointroducerationalismtoEngland.①<AnEssayonCriticism>批評論Artisticfeatures:1.Using“heroiccouplets”②<TheRapeoftheLock>卷發(fā)遇劫記③<MoralEssays>道德論<EssayonMan>人論<TheDunciad>愚人記2.SamuelJohnson塞繆爾約翰遜1709~1784①Dictionary=<ADictionaryofEnglishLanguage>英語大詞典3.JonathanSwift喬納森·斯威夫特1667~1745(十八世紀(jì)杰出的政論家和諷刺小說家amastersatirist。)①<Gulliver’sTravels>格列佛游記(fictionalwork)Fourparts:Lilliput小人國Brobdingnag大人國FlyingIsland飛島Houyhnhnm馬島<AModestProposal>一個小小的建議②<TheBattleofBooks>書戰(zhàn)③<ATaleofaTub>木桶的故事④<TheDrapper’sLetters>一個麻布商的書信4.DanielDefoe丹尼爾·笛福1660~1731小說家,新聞記者,小冊子作者;十八世紀(jì)英國現(xiàn)實(shí)主義小說的奠基人。Heisthefirstwriterstudyofthelower-classpeople,hislanguageissmooth,easy,colloquialandmostlyvernacular,andheisthefounderofrealisticnovel.①<RobinsonCrusoe>魯賓遜漂流記ItpraisethefortitudeofthehumanlaborandthePuritan.Robinsongrewfromanaiveandartlessyouthintoashrewdandhardenedman,temperedbynumeroustrialsinhiseventfullife.Itisanadventurestory,Robinson,narrateshowhegoestosea,getsshipwreckedandmaroonedonalonelyisland,strugglestolivefor24-yearsthereandfinallygetsrelievedandreturnstoEngland.②<MollFlanders>③<ColonelJacque>④<Captainsingleton>5.HenryFielding亨利·菲爾丁1707~1754(英國小說家,戲劇家,被譽(yù)為“英國小說之父”。)Heiscalled“FatherofEnglishnovel”.Hewasthefirsttowritea“Comicepicinprose”(散文體史詩),andthefirsttogivethemodernnovelitsstructureandstyle.①novels:<TheHistoryofTomJones,aFoundling>棄嬰湯姆·瓊斯<TheHistoryoftheAdventuresofJosephAndrews>約瑟夫·安德魯<TheLifeofMrJonathanWild,theGreat>大詩人江奈生·威爾德<Amelia>愛米利亞②plays:<TheHistoricalRegisterfor1736>一七三六年歷史記事<DonQuixoteinEngland>堂吉柯德在英國6.OliverGoldsmith奧利弗·格爾德斯密斯1730~1774①poems:<TheTraveller>旅游人<TheDesertedVillage>荒村②novel:<TheVicarofWakefield>威克菲爾德牧師傳7.RichardBrinsleySheridan理查德·布林斯利·施萊登1751~1816①<TheRivals>情敵②<TheSchoolforScandal>造謠學(xué)校8.WilliamBlake威廉·布萊克1757~1827①<SongsofInnocence>天真之歌Ahappyandinnocentworldfromchildren’seye.②<SongsofExperience>經(jīng)驗(yàn)之歌Awordofmisery,poverty,disease,warandrepressionwithamelancholytonefrommeneyes.Include:<TheChimneySweeper><London><TheTyger>LambisasymbolofpeaceandpurityTygerisasymbolofdreadandoiolence③<TheMarriageofHeavenandHell>天堂與地獄的婚姻9.RobertBurns羅伯特·彭斯1759~1796ThegreatestScottishpoetinthelate18thcentury.PoemsChieflyintheScottishDialect重要用蘇格蘭方言寫的詩①<JohnAnderson,MyJo>約翰·安德生,我的愛人②<ARed,RedRose>一朵紅紅的玫瑰③<AuldLong?Syne>往昔時光④<AMan’saManforA’That>不管那一套⑤<MyHeart’sintheHighlands>我的心在那高原上⑥<BruceAtBannockburn>⑦<TheTreeOfLiberty>VTheRomanticPeriodTheromanticperiodbeganin1798thepublicationofWordsworthandColeridge’s<LyricalBallads>,andendin1832withSirWalterScott’sdeath.Romanticism:Itemphasizethespecialqualitieofeachindividual’smind.(人應(yīng)當(dāng)是獨(dú)立自由的個體)Init,emotionoverreason,spontaneousemotion,achangefromtheouterworldofsocialcivilizationtotheinnerworldofthehumanspirit,poetryshouldbefreefromallrules,imagination,nature,commonplace.TwomajornovelistsoftheRomanticperiodareJaneAusten(realistic)andWalterScott(romantic).“TheLakePoets”湖畔詩人,wholivedinthelakedistrict.WilliamWordsworth;SamuelTaylorColeridge;RobertSouthey1.WilliamWordsworth威廉·華茲華斯1770~1850(與柯爾律治、騷塞同被稱為“湖畔派”詩人。TheLakePoets)①<LyricalBallads>抒情歌謠集(withSamuelTaylorColeridge)②<IWonderedLonelyAsACloud>Theme:1.Nat(yī)ureembodieshumanbeingsintheirdiversecircumstance.Itisnaturethat(yī)givehim“strengthandknowledgefullofpeace”2.Itisblisstorecolledthebeautyofnatureinpoetmindwhileheisinsolitude.Comment:Thepoetisverycheerfulwithrecallingthebeautifulsights.Inthepoemonthebeautyofnature,thereaderispresentedavividpictureoflivelyandlovelydaffodils(水仙)andpoet’sphilosophicalideasandmysticalthoughts.③LinesComposedAFewMilesAboveTinternAbbey④TheSolitaryReaper孤獨(dú)的割麥女②<ThePrelude>序曲2.SamuelTaylorColeridge塞繆爾·泰勒·科爾律治1772~1834TheLake①<TheRimeoftheAncientMariner>古舟子頌②<Christabel>柯里斯塔貝爾③<KublaKhan>忽必烈汗Artisticfeatures:mysticism,demonismwithstrongimagination,astrangeterritory④<FrostatNight>半夜冰霜⑤<Dejection,anOde>憂郁頌⑥<LyricalBallads>抒情歌謠集(withWilliamWo(hù)rdsworth)3.GeorgeGordonByron喬治·戈登·拜倫1788~1824(拜倫式英雄Byronicheroes孤傲、狂熱、浪漫,卻充滿了反抗精神。內(nèi)心充滿了孤獨(dú)與苦悶,卻又蔑視群小。恰爾德·哈羅德是拜倫詩歌中第一個“拜倫式英雄”。)“Byronichero”isaproud,mysteriousrebelfigureofnobleorigin,againsttyrannicalrulesormoralprinciples.①<DonJuan>唐·璜<ChildeHarold’sPilgrimage>恰爾德·哈羅德爾游記<Cain>該隱②<WhenWeTwoParted>當(dāng)初我們倆分別<SheWalksInBeauty>4.PersyByssheShelley波西?比希?雪萊1792~1822①PoeticDrama:<PrometheusUnbound>解放了的普羅米修斯Theme:thedramacelebraiesman’svictoryovertyrannyandoppression②<QueenMab>麥布女王<RevoltofIslam>伊斯蘭的反叛<TheCenci>欽契一家<ADefenceofPoetry>詩辯<TheNecessityofAtheism>無神論的必要性③Lyrics:<OdetotheWestWind>西風(fēng)頌Theme:Theauthorexpresshiseagernesstoenjoytheboundlessfreedomfromthereality.Comparethewestwindtodestroyeroftheoldwhodrivesthelastsignsoflifefromthetrees,andpreserverofthenewwhoscattertheseadsshichsillcometolifeinthespring.Thisisapoemaboutrenewal,aboutthewindblowinglifebackintodeadthings,implyingnotjustanarcoflife(whichwouldendat(yī)death)butacycle,whichonlystartsagainwhensomethingdies.Comment:PercyByssheShelley's"OdetotheWestWind"iswritteniniambicpentameter.Itcontainsfivesonnetlengthstanzas,eachwithaclosingcouplet.Therhymingschemeformisababcbcdcdedee.Thetoneispoignant.Manywillagreethat(yī)thispoemisaninvocat(yī)ionforanunseenforcetotakecontrolandrevivelife.Artisticfeatures:Usingrerzarima(三行詩ababcbcdcdedefe…)<ToaSkylark>致云雀5.John?Keats約翰?濟(jì)慈1795~1821(“美即是真,真即是美”是他的著名詩句。)①Fourgreatodes:<OdeonaGrecianUrn>希臘古甕頌<OdetoaNightingale>夜鶯頌<OdetoPsyche>心靈頌<OdeOnMelancholy>憂郁頌②<ToAutumn>秋頌?Theme:ThethemeofJohnKeats'poem,"ToAutumn",isthatchangeisbothnaturalandbeautiful.Thepoempraisesthegloriesofthefallseasonbyusingalmosteverytypeofimagerytobothcharmandappealtothereader.Comment:Thespeakerinthepoemacknowledgesthattimepassesby,butalsoassertsthatthischangeusuallyyieldssomethingnewandbetterthanwhatcamebefore.Eachofthepoem'sthreestanzasrepresentstheevolvingoftwodifferenttypesofchange.Onetypeofchangeshowninthepoemisthechangeofperiodsinaday.6.JaneAusten簡·奧斯丁1775~1817Shecomparedherworkstoafineengravinguponaliterarypieceofivoryonlyinchessquire.①<SenseandSensibility>理智與感情<PrideandPrejudic>傲慢與偏見(chapterI)【ElizabethBennet&Darcy】intheendfalseprideishumbledandprejudicedissolved【Collins&CharlotteLucas】seetherealityofmarriageasanecessarystepifawomanistoavoidthewretchednessofagingspinsterhood【Lydia&Wickham】shownthedangersoffecklessrelationshipsunsupportedbymoney.【Mr.&Mrs.Bennet,Mr.Collins,LadyCatherinedeBurgh】comiccharacters<MansfieldPark>曼斯菲爾德莊園<Emma>愛瑪<NorthangerAbbey>諾桑覺寺<Persuasion>勸導(dǎo)7.Walter?Scott沃爾特?斯科特1771~1832(歷史小說之父”)Fatherofhistorynovels①<RobRoy>羅伯?羅伊②<Ivanhoe>艾凡赫VITheVictorianPeriodCommonsenseandmoralpropreity,againbecamethepredominantpreoccupat(yī)ion.Criticalrealistswereallconcernedaboutthefateofthecommonpeopleandeverydayevents.1.CharlesDickens查爾斯?狄更斯1812~1870(批判現(xiàn)實(shí)主義小說家)criticalrealistwriter①<ThePosthumousPapersofthePickwickClub>匹克威克外傳②<OliverTwist>奧利弗?特維斯特(霧都孤兒)③<TheOldCuriosityShop>老古玩店④<AChristmasCarol>圣誕頌歌⑤<DombeyandSon>董貝父子⑥<DavidCopperfield>大衛(wèi)?科波菲爾⑦<BleakHouse>荒涼山莊<HardTimes>艱難時世⑧<ATaleofTwoCities>雙城記(London&Paris)⑨<GreatExpectations>遠(yuǎn)大前程⑩<OurMutualFriend>我們共同的朋友2.WilliamMakepeaceThackeray威廉?麥克匹斯?薩克雷1811~1863①<VanityFair>oraNovelwithoutaHero名利場(thenameisanexcerptfrom<ThePilgrim’sProgress>byJohnBunyan)②<TheBookOfSnobs>3.CharlotteBronte夏洛蒂?勃朗特1816~1855①<JaneEyre>簡?愛JaneEyre,aplainlittleorphan,wassenttoL(fēng)owood,acharityschool.Thereshesufferalotand8yearslatersheleftschoolandbecameabovernessat(yī)ThornfieldHall.Thereshefallsinlovewiththemaster,Mr.Rochester.Itisnotedforitssharpcriticismoftheexistingsociety,e.g.charityinstitutionsuchasLowoodItisasucceroductiontothefirstgovernessheoineintheEnglishnovel,whomrepresentsthosemiddle-classworkingwomenstrugglingforrecognitionoftheirbasicrightsandequalityasahumanbeing.②<Shirley>雪莉③<Professor>教師4.EmilyBronte艾米莉?勃朗特1818~1854①<Wu(yù)thering?Heights>咆哮山莊Astoryabouttwofamilieandanintrudingstranger.【TheEarnshawFamily】Mr.Earnshaw,hiswife,thesonHindley,thedaughterCatherine,Heat(yī)hcliff【TheLintonFamily】Mr.Linton,hiswife,sonEdgar,daughterIsabella②<OldStoic>5.GeorgeEliot喬治?艾略特1819~1880①<TheMillontheFloss>弗洛斯河上的磨坊②<Adam?Bede>亞當(dāng)?比德③<Silas?Marner>織工馬南④<Middlemarch>米德爾馬契6.AlfredTennyson阿爾弗萊德?丁尼生1809~1892(維多利亞時代最具代表性的偉大詩人)PoetLaureate(桂冠詩人)①<InMemoriam>哀悼Tomemorializehisfriend②<Break,?Break,Break>沖擊、沖擊、沖擊③<IdyllsoftheKing>國王敘事詩7.Robert?Browning羅伯特?白朗寧1812~1889①<MyLastDutchess>我已故的公爵夫人②<HomeThoughtsFromAbroad>海外鄉(xiāng)思ElizabethBarrettBrowing:①<SonnetfromthePortuguese>葡萄牙十四行詩8.RobertLouisStevenson①<TreasureIsland>金銀島9.Thomas?Hardy托馬斯?哈代1840~1928(小說多以農(nóng)村生活為背景;自然主義小說家。Wessexnovels;novelsofcharacterandenvironment)⑴Novels①<TessOfTheD’Urbervilles>德伯家的苔絲Theme:experienceisastointensity,andnotastoduration②<JudeTheObscure>無名的裘德③<UnderTheGreenwoodTree>綠蔭下④<FarFrom?TheMaddingCrowd>遠(yuǎn)離塵囂⑤<TheMayorOfCasterbridge>卡斯特橋市長⑥<TheReturnoftheNative>還鄉(xiāng)⑵PoemsWessexPoemsAndOtherVersesPoemsOfThePastAndPresentTheDynasts列國VII1900~1950The20thCenturyPl(wèi)aywrights①OscarWilde②GeorgeBernardShaw1.OscarWilde奧斯卡?王爾德1856~1900(TheAestheticMovement:ArtforArt’sSake)①4Comedies:<TheImportanceOfBeingEarnest>認(rèn)真的重要<LadyWindermere’sFan>溫德米爾夫人的扇子<AWomanOfNoImportance>一個無足輕重的女人<AnI(lǐng)dealHusband>抱負(fù)的丈夫②Novel:<ThePictureOfDorianGray>多利安?格雷的畫像③FairyStories:<TheHappyPrinceAndOtherTales>快樂王子故事集2.GeorgeBernardShaw喬治?伯納?蕭1856~1950(英國杰出的批判現(xiàn)實(shí)主義劇作家)criticalrealisticdramatist⑴Plays①PlaysUnpleasant<MrsWarren’SProfession>華倫夫人的職業(yè)<Widowers’Houses>鰥夫的房產(chǎn)②PlaysPleasant<ArmsAndMan>武器與人<TheManOfDestiny>左右命運(yùn)的人③Plays<ManAndSuperman>人與超人<Pygmalion>匹格瑪利翁<TheAppleCart>蘋果車<Saint?Joan>圣女貞德Novelists(Realists)1.JosephConcrad①<LordJim>吉姆爺②<HeartOfDarkness>黑暗的心1.Whythebook’stitleisHeartofDarkness?ThestoryhappenedinCongo,theheartofAfrica,andthecolorofpeople’sskininthereisblack.Mostimportantpointaboutthetitleistotheevilinhumans’heart.2.What(yī)isthesymbolismofblackandwhite【Black/dark-】death,evil,ignorance,mystery,savagery,uncivilizedMiddleAges,whenscienceandknowledgewassuppressed,astheDarkAges.AccordingtoChristianity,inthebeginningoftimeallwasdarkandGodcreat(yī)edlight.AccordingtoHeartofDarkness,beforetheRomanscame,Englandwasdark.Inthesameway,Africawasconsideredtobeinthe“darkstage”.【W(wǎng)hite/light】life,goodness,enlightenment,civilized,religion.Yet,inConcrad,theusualpatternisreverseanddarknessmeanstruth(Thetruthwithin,thereforedarkandobscure.),whitenessmeansfalsehood.ThiscontrasttellsapoliticaltruthaboutcolonialismintheCongo.ThecontrastalsosuggestsapsychologicaltruthaboutMarlowandtheEuropeansmind.Whitealsosuggestsanynumberofunpleasantmoraltruths.Thetradeinivoryiswhiteanddirty.Kurtzthewhitemanistotallycorrupt3.CommentThebookimpliesthat(yī)civilizat(yī)ionsarecreatedbythelawsandcodesthatencouragementoachievehigherstandards.Thelawactsasabuffertopreventmenfromrevertingbacktotheirdarkertendencies.Civilization,however,mustbelearned.Londonitself,inthebookasymbolofenlightenment,wasonce"oneofthedarkerplacesoftheearth"beforetheRomansforcedcivilizationupontheBritons.Butcivilizedsocietydoesnotgetridofprimevalsavagetendencieswhichlurkinthebackground.ThissavageryisseeninKurtz.MarlowmeetsKurtzandhefindsamanthathastotallythrownofftherestraintofcivilizationandhasde-evolvedintoaprimitivestate.4.Character【Kurtz】representswhateverymanwillbecomeiflefttohisownintrinsicdesireswithoutaprotective,civilizedenvironment.【Marlow】representsthecivilizedsoulthathasnotbeendrawnbackintosavagerybyadark,alienatingjungle.5.NarrativeStructureInHeartofDarkness,wehaveanoutsidenarratortellingusastoryhehasheardfromMarlow.ThestoryMarlowtellscentersaroundKurtz.However,mostofwhatMarlowknowsaboutKurtz,hehaslearnedfromothers.TheyhavegoodreasonfornotbeingtruthfultoMarlow.ThereforeMarlowhastopiecetogethermuchofKurtz’sstory.2.WilliamSomersetMaugham<OfHumanBondage>人性的枷鎖3.EdwardMorganFoster(E.M.Foster)<APassageToIndia>印度之行<HawardsEnd>霍華茲別墅Modernists⑴3Novelists①JamesJoyce②DavidHerbertLawrence③VirgirniaWoolf1.DavidHerbertLawrence戴維?赫伯特?勞倫斯1885~1930①<SonsAndLovers>兒子與情人(autobiographical)【Mrs.Morel】,daughterofamiddle-classfamily,is"awomanofcharacterandrefinem
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