選修六UnitReadingAShortHistoryofWesternPainting市公開(kāi)課金獎(jiǎng)市賽課一等獎(jiǎng)?wù)n件

AShortHistoryofWesternPainting第1頁(yè)dancemusicBrainstormingListsomeartstylesyouknow.第2頁(yè)sculpturearchitecture第3頁(yè)literaturemovie第4頁(yè)paintingcalligraphy[k?‘l?gr?f?]書(shū)法

第5頁(yè)Chinese-stylePaintingsAppreciation第6頁(yè)Western-stylePaintingsAppreciation第7頁(yè)第8頁(yè)Discussing1.What’sthetopicandhow’stheinformationorganized?2.HowmanystylesofWesternpaintingarementionedinthetext?Whatarethey?3.Bestchoice.4.Finishexercise1onP3onyourtextbook.第9頁(yè)P(yáng)eriodTimeCharacteristicsofthepaintingsMiddleAgesRenaiss-ance5th-15thcentury1religiousthemes2manyreligioussymbols15th-16thcentury1realisticthemes2perspective3newoilpaintsPresenting第10頁(yè)P(yáng)eriodTimeCharacteristicsofthepaintingsImpres-sionismModernArtLate19th-early20thcentury1paintedoutdoors2paintedchangesinlight3notdetailed20thcentury-today1abstract:concentratedonqualitiesoftheobject2veryrealistic:likephotographs第11頁(yè)What’sthetopicandhow’stheinformationorganized?ItdescribesthestylesinWesternartandtheinformationisorganizedintimeperiod,fromearliesttopresenttime.2.HowmanystylesofWesternpaintingarementionedinthetext?Whatarethey?Four.TheyaretheMiddleAges,theRenaissance,ImpressionismandModernArt.ReadingComprehensionAACBDCB第12頁(yè)略讀(skimming)只看文章標(biāo)題、下標(biāo)題以及每個(gè)部分或者段落第一行，關(guān)注文章中重復(fù)出現(xiàn)關(guān)鍵詞。略讀時(shí)，要用充分時(shí)間讀懂段落第一句和第二句，因?yàn)榈谝痪渫窃摱沃黝}句(topicsentence)，而第二句往往是對(duì)前句延伸(extension)或深入解釋(explanation)。經(jīng)過(guò)略讀把握文章大意第13頁(yè)利用掃讀(scanning)快速瀏覽從第三句開(kāi)始后面部分,搜尋作者對(duì)開(kāi)頭兩句支持句(supportingsentences),并同時(shí)注意文章中間是否有轉(zhuǎn)折詞(transition),因?yàn)檫@些詞經(jīng)常會(huì)把文章思緒逆轉(zhuǎn)或加入其它主要信息。當(dāng)讀到段落最終一句時(shí),我們又要使用略讀,這時(shí)必須再次放慢速度(slowdownyourpace)直到完全消化作者對(duì)段落小結(jié)(conclusion),因?yàn)樵撔〗Y(jié)有可能與主題句截然相反或引導(dǎo)讀者進(jìn)入下一個(gè)段落。經(jīng)過(guò)掃讀尋找特定信息或特定詞組第14頁(yè)StylesinWesternarthavechanged__________.Artis_________bythe________and_________________.DuringtheMiddleAges,themain____ofpainterswasto_________________themes.Artistswere___________creating______and_____forGod.IntheRenaissance,peoplebecamefocusedlesson_______andmoreon_______.Artiststriedtopaintpeopleandnature_____theyreally______.Masaccioused__________inhispaintingswhichmadepeople_________theywere__________________aholeinthewall____arealscene.Inthelate19thcentury,Europechanged__________.The____________werethefirsttopaint________.Theyhadtopaint______andtheirpaintingswerenot________________ofearlierpainters.manytimesinfluencedcustomsfaithofapeopleaimrepresentreligiousinterestedinrespectloveCheckingreligionhumansaswereperspectiveconvincedlookingthroughatagreatdealimpressionistsoutdoorsquicklyasdetailedasthose第15頁(yè)BetterunderstandingButitwasevidentthatideaswerechanginginthe13thcenturywhenpainterslikeGiottodiBondonebegantopaintreligiousscenesinamorerealisticway.不過(guò),很顯然到了13世紀(jì)時(shí),觀念發(fā)生了改變,像喬托這么畫(huà)家開(kāi)始以一個(gè)比較現(xiàn)實(shí)格調(diào)來(lái)畫(huà)宗教場(chǎng)景。2.Iftherolesofperspectivehadnotbeendiscovered,noonewouldhavebeenabletopaintsuchrealisticpictures.

假如沒(méi)有透視法,人們就不可能畫(huà)出如此逼真畫(huà)（）第16頁(yè)3.Withoutthenewpaintsandthenewtechnique,wewouldnotbeabletoseethemanygreatmasterpiecesforwhichthisperiodisfamous.沒(méi)有新顏料和繪畫(huà)手法，我們就不能看到更多使這一時(shí)代著名杰作。4.AmongthepainterswhobrokeawayfromthetraditionalstyleofpaintingweretheImpressionists,wholivedandworkedinParis.在那些突破傳統(tǒng)畫(huà)法畫(huà)家中有生活和工作在法國(guó)巴黎印象派畫(huà)家。(）第17頁(yè)Discussing1.What’sthetopicandhow’stheinformationorganized?2.HowmanystylesofWesternpaintingarementionedinthetext?Whatarethey?3.Bestchoices4.Finishexercise1onPage3

第18頁(yè)P(yáng)resentingTorF1)Westernarthaschangedverylittleoverthelastseventeencenturies.()2)PaintingsintheMiddleAgesdidnotuseperspective.()3)Impressionistspaintedlandscapes.()4)Youcan’trecognizeanyobjectina