泰特勒的三個翻譯原則

1、精選優(yōu)質(zhì)文檔-傾情為你奉上精選優(yōu)質(zhì)文檔-傾情為你奉上專心-專注-專業(yè)專心-專注-專業(yè)精選優(yōu)質(zhì)文檔-傾情為你奉上專心-專注-專業(yè)泰特勒翻譯三原則DESCRIPTION OF A GOOD TRANSLATIONGENERAL RULES FLOWING FROM THATDESCRIPTIONThe first general rule-that the translation should give a complete transcript of the ideas of the original work. In order that a translator may be enabled

2、 to give a complete transcript of the ideas of the original work, it is indispensably necessary, that he should have a perfect knowledge of the language of the original, and a competent acquaintance with the subject of which it treats. If he is deficient in either of these requisites, he can never b

3、e certain of thoroughly comprehending the sense of his author. Whether a translator should give a complete transcript of the ideas of the original work or have liberty to change the original work, it becomes a question. this liberty may be used, but with the greatest caution. It must be further obse

4、rved, that the super added idea shall have the most necessary connection with the original thought, and actually increase its force.And, on the other hand, that whenever an idea is cut off by the translator, it must be only such as is an accessory, and not a principal in the clause or sentence. It m

5、ust likewise be confessedly redundant, so that its retrenchment shall not impair or weaken the original thought. The second general rule -that the style and manner of writing should be of the same character with that of the original. Next in importance to a faithful transfusion of the sense and mean

6、ing of an author, is an assimilation of the style and manner of writing in the translation to that of the original.This requisite of a good translation, though but secondary in importance, is more difficult to be attained than the former; for the qualities requisite for justly discerning and happily

7、 imitating the various characters of style and manner, are much more rare than the ability of simply understanding an authors sense. A good translator must be able to discover at once the true character of his authors style. He must ascertain with precision to what class it belongs; whether to that

8、of the grave, the elevated, the easy, the lively, the florid and ornamented, or the simple and unaffected; and these characteristic qualities he must have the capacity of rendering equally conspicuous in the translation as in the original. If a translator fails in this discernment, and wants this ca

9、pacity, let him be ever so thoroughly master of the sense of his author, he will present him through a distorting medium, or exhibit him often in a garb that is unsuitable to his character. The third general rule -That the Translation should have all the ease of original composition. In order that t

10、he merit of the original work may be so completely translated as to produce its full effect, it is necessary, not only the translation should contain a perfect transcript of the sentiments of the original, and present likewise a resemblance of its style and manner, but, that the translation should h

11、ave all the ease of original composition. When we consider those restraints within which a translator finds himself necessarily confined, with regard to the sentiments and manner of his original, it will soon appear that this last requisite includes the most difficult part of his task. To one who wa

12、lks in trammels, it is not easy to exhibit an air of grace and freedom. If the original is easy and graceful, the copy will have the same qualities, in proportion as the imitation is just and perfect. The translators task is very different; he uses not the same colours with the original, but is required to give his picture, the same force and effect. He is not allowed to copy the touches of the original, yet is required by touches of his own, to produce a perfect resemblance. The more he studies a scrupulous imitation, the less his copy will reflect the ease and spirit of the