諾貝爾文學(xué)獎(jiǎng)獲得者鮑勃?迪倫獲獎(jiǎng)感言中英雙語(yǔ)

1、諾貝爾文學(xué)獎(jiǎng)獲得者鮑勃迪倫獲獎(jiǎng)感言中英雙語(yǔ)導(dǎo)讀： 我不知道這些男人和女人們是否曾經(jīng)想過(guò)自己能夠獲得諾貝爾文學(xué)獎(jiǎng)，但我想，在這個(gè)世界的任何地方，任何寫(xiě)過(guò)一本書(shū)、一首詩(shī)、或是一部戲劇的人，在內(nèi)心深處都會(huì)擁有這么一個(gè)秘密的夢(mèng)想。瑞典當(dāng)?shù)貢r(shí)間12月10日下午4點(diǎn)30分，2016年諾貝爾獎(jiǎng)?lì)C獎(jiǎng)儀式在瑞典斯德哥爾摩音樂(lè)廳正式舉行。文學(xué)獎(jiǎng)得主鮑勃迪倫因事未能出席。此前，鮑勃迪倫已提前知會(huì)諾獎(jiǎng)評(píng)委會(huì)，他會(huì)缺席這次領(lǐng)獎(jiǎng)，而由有著“朋克教母”之稱的美國(guó)女歌手、詩(shī)人帕蒂史密斯代為領(lǐng)獎(jiǎng)，并演唱鮑勃迪倫1963年經(jīng)典作品大雨將至。他的獲獎(jiǎng)感言由美國(guó)駐瑞典大使代為朗讀。以下為鮑勃迪倫獲獎(jiǎng)感言：很抱歉，我沒(méi)能與你們?cè)谝黄穑?/p>

2、但請(qǐng)知道，在精神上，我絕對(duì)與你們同在，很榮幸獲得了這么一個(gè)有聲望的獎(jiǎng)。 被授予諾貝爾文學(xué)獎(jiǎng)，是我從來(lái)不敢想象或預(yù)見(jiàn)到的事情。從小，我就熟悉、閱讀并受益于那些被認(rèn)為值得獲得該項(xiàng)殊榮的人的作品：吉卜林、托馬斯曼、賽珍珠、加繆、海明威這些文學(xué)巨人總是給人深刻的印象，他們的作品在學(xué)校課堂上被教授，被收藏在世界各地的圖書(shū)館，被人們用虔誠(chéng)的語(yǔ)調(diào)談?wù)撝，F(xiàn)在我加入這樣的名列，真的難以言說(shuō)。我不知道這些男人和女人們是否曾經(jīng)想過(guò)自己能夠獲得諾貝爾文學(xué)獎(jiǎng)，但我想，在這個(gè)世界的任何地方，任何寫(xiě)過(guò)一本書(shū)、一首詩(shī)、或是一部戲劇的人，在內(nèi)心深處都會(huì)擁有這么一個(gè)秘密的夢(mèng)想。這個(gè)夢(mèng)想被埋藏得太深，他們甚至都不知道它在那里。有

3、人曾告訴我，我不可能獲得諾貝爾獎(jiǎng)，我也不得不認(rèn)為這個(gè)幾率與我站在月球上的幾率相同。事實(shí)上，在我出生的那一年和隨后的幾年，世界上沒(méi)有一個(gè)人被認(rèn)為優(yōu)秀得可以贏得諾貝爾獎(jiǎng)。所以，我認(rèn)為，至少可以說(shuō)，我現(xiàn)在屬于這個(gè)非常少數(shù)的群體。收到這個(gè)令人驚訝的消息時(shí)，我正在路上。我花了好幾分鐘才確定它沒(méi)錯(cuò)。我開(kāi)始回想起威廉莎士比亞這位偉大的文學(xué)人物。我估計(jì)他認(rèn)為自己是一個(gè)劇作家。他正在寫(xiě)文學(xué)作品的這個(gè)想法不太可能進(jìn)入他的腦子。他的文字是為舞臺(tái)而寫(xiě)，是用來(lái)說(shuō)的，而不是閱讀的。當(dāng)他在寫(xiě)哈姆雷特的時(shí)候，我確信他在思考很多不同的事情：“誰(shuí)是這些角色的合適的演員? “這應(yīng)該怎樣演出來(lái)?”“我真的想把這場(chǎng)戲設(shè)置在丹麥嗎?”他

4、的創(chuàng)造性的想象與野心毫無(wú)疑問(wèn)是他最需要思考的東西，但也有很多平庸的問(wèn)題需要考慮和處理。 “融資到位了嗎?”“我的觀眾有足夠的好座位嗎?”“我在哪里可以弄到人類的頭骨?”我敢打賭，在莎士比亞的頭腦中最不需要考慮的事情是：“這是文學(xué)嗎?”當(dāng)我還是一個(gè)剛開(kāi)始寫(xiě)歌的少年時(shí)，甚至當(dāng)我開(kāi)始因?yàn)槲业哪芰Χ〉靡欢ㄖ葧r(shí)，我對(duì)這些歌曲的愿望也不過(guò)如此。我希望它們能夠在咖啡館或是酒吧聽(tīng)到，后來(lái)也許有像卡內(nèi)基音樂(lè)廳，倫敦Palladium這樣的地方。 如果我的夢(mèng)想再大一點(diǎn)，也許就是我希望能制作唱片，在收音機(jī)里聽(tīng)到我的歌。那是當(dāng)時(shí)我心中的大獎(jiǎng)。制作唱片、在收音機(jī)聽(tīng)到你的歌，因?yàn)槟憧梢垣@得很多聽(tīng)眾，這樣你也許就可以

5、繼續(xù)做你已經(jīng)開(kāi)始做的事情。當(dāng)然，現(xiàn)在，很長(zhǎng)時(shí)間以來(lái)我一直在做我起初想要做的事情。在世界各地，我已經(jīng)制作了幾十張唱片，舉行了幾千場(chǎng)音樂(lè)會(huì)。 不過(guò)，我的歌曲才幾乎是我做的所有事情的中心。它們似乎在不同文化的許多人的生活中找到了一個(gè)位置，我非常感謝。但我必須說(shuō)，作為一個(gè)表演者，我為50000人表演過(guò)，也為50人表?yè)P(yáng)過(guò)。我可以告訴你，為50人表演更難，因?yàn)?萬(wàn)人會(huì)形成一個(gè)單一人格，但50人不會(huì)。每個(gè)人都是一個(gè)個(gè)體，有獨(dú)立的身份，一個(gè)自己的世界，他們可以更清楚地感知事物。你的誠(chéng)實(shí)，以及它如何與你的天賦的深度相關(guān)聯(lián)會(huì)受到考驗(yàn)。 諾貝爾委員會(huì)這么小，我沒(méi)有忽略這個(gè)事實(shí)。但就像莎士比亞，我也經(jīng)常忙于努力追求創(chuàng)

6、造性和處理生活所有方面的平庸事情?！罢l(shuí)是這些歌曲最好的音樂(lè)家?“我在合適的錄音室錄音嗎?“這首歌的調(diào)子正確嗎?”有些事情永遠(yuǎn)不會(huì)改變，即使在400年后。我從來(lái)沒(méi)有時(shí)間問(wèn)自己一次：“我的歌是文學(xué)嗎?”所以，我真的感謝瑞典學(xué)院，既花時(shí)間考慮這個(gè)問(wèn)題，并最終提供這樣一個(gè)美妙的答案。給大家獻(xiàn)上我最好的祝福。鮑勃迪倫演講英文全文：Good evening, everyone. I extend my warmest greetings to the members of the Swedish Academy and to all of the other distinguished guests in

7、 attendance tonight.Im sorry I cant be with you in person, but please know that I am most definitely with you in spirit and honored to be receiving such a prestigious prize. Being awarded the Nobel Prize for Literature is something I never could have imagined or seen coming. From an early age, Ive b

8、een familiar with and reading and absorbing the works of those who were deemed worthy of such a distinction: Kipling, Shaw, Thomas Mann, Pearl Buck, Albert Camus, Hemingway. These giants of literature whose works are taught in the schoolroom, housed in libraries around the world and spoken of in rev

9、erent tones have always made a deep impression. That I now join the names on such a list is truly beyond words.I dont know if these men and women ever thought of the Nobel honor for themselves, but I suppose that anyone writing a book, or a poem, or a play anywhere in the world might harbor that sec

10、ret dream deep down inside. Its probably buried so deep that they dont even know its there.If someone had ever told me that I had the slightest chance of winning the Nobel Prize, I would have to think that Id have about the same odds as standing on the moon. In fact, during the year I was born and f

11、or a few years after, there wasnt anyone in the world who was considered good enough to win this Nobel Prize. So, I recognize that I am in very rare company, to say the least.I was out on the road when I received this surprising news, and it took me more than a few minutes to properly process it. I

12、began to think about William Shakespeare, the great literary figure. I would reckon he thought of himself as a dramatist. The thought that he was writing literature couldnt have entered his head. His words were written for the stage. Meant to be spoken not read. When he was writing Hamlet, Im sure h

13、e was thinking about a lot of different things: Whore the right actors for these roles? How should this be staged? Do I really want to set this in Denmark? His creative vision and ambitions were no doubt at the forefront of his mind, but there were also more mundane matters to consider and deal with

14、. Is the financing in place? Are there enough good seats for my patrons? Where am I going to get a human skull? I would bet that the farthest thing from Shakespeares mind was the question Is this literature?When I started writing songs as a teenager, and even as I started to achieve some renown for

15、my abilities, my aspirations for these songs only went so far. I thought they could be heard in coffee houses or bars, maybe later in places like Carnegie Hall, the London Palladium. If I was really dreaming big, maybe I could imagine getting to make a record and then hearing my songs on the radio.

16、That was really the big prize in my mind. Making records and hearing your songs on the radio meant that you were reaching a big audience and that you might get to keep doing what you had set out to do.Well, Ive been doing what I set out to do for a long time, now. Ive made dozens of records and play

17、ed thousands of concerts all around the world. But its my songs that are at the vital center of almost everything I do. They seemed to have found a place in the lives of many people throughout many different cultures and Im grateful for that.But theres one thing I must say. As a performer Ive played

18、 for 50,000 people and Ive played for 50 people and I can tell you that it is harder to play for 50 people. 50,000 people have a singular persona, not so with 50. Each person has an individual, separate identity, a world unto themselves. They can perceive things more clearly. Your honesty and how it relates to the depth of your talent is tried. The fact that