從生態(tài)女性主義看《他們眼望上蒼》中珍妮的婚姻觀 開題報告雙語版

1、開題報告書論文題目 (Title)Analysis of Janies View of Marriage in Their Eyes Were Watching God from the Perspective of Ecofeminism從生態(tài)女性主義看他們眼望上蒼中珍妮的婚姻觀中心論點 (Thesis Statement)： 本文通過對他們眼望上蒼中女主人公珍妮的成長軌跡和三次婚姻的深入分析，揭示了自然喚醒珍妮自我意識和女性意識的過程即婚姻觀的形成歷程以及赫斯頓想要傳遞的解放女性與自然、追求兩性平等和諧的生態(tài)女性主義思想。  This thesis puts emphasis o

2、n the in-depth analysis of the heroine Janies growth and three marriages. It reveals the process of nature waking Janies self-awareness and feminist consciousness, that is, the process of Janies view of marriage developing, and Hurstons ecofeminism thought which seeks equality and harmony between me

3、n and women and advocates women emancipation and the liberation of nature.本研究目的和意義(Research Purpose and Significance of This Thesis): 研究目的：本文通過解析書中人類與自然、男性與女性的關系，旨在揭示赫斯頓在小說中所傳遞的源于自然、長于自然、成于自然的婚姻觀以及主張解放婦女與自然、追求兩性平等和諧的生態(tài)女性主義思想。Through an analysis of the connection between human and nature, male andfem

4、ale, the paper aims at revealing Janies enlightened and natural view of marriage that starts, grows, and matures as part of her view of the nature, and the eco-feminism that seeks equality and harmony between men and women and advocates women emancipation and the liberation of nature. 研究意義：他們眼望上蒼是美國

5、黑人女作家佐拉·尼爾·赫斯頓的經典之作，在美國黑人文學史上具有里程碑意義。本文通過從生態(tài)女性主義視角系統(tǒng)分析他們眼望上蒼里女主人公珍妮的婚姻觀，使讀者加深對作品本身以及作者所要傳達的思想的理解，并借經典文學的無窮魅力傳遞生態(tài)女性思想。Their Eyes Were Watching Cod is a classic work of Zora Neale Hurston, and it reputes as a milestone in the history of African-American literature. This paper analyzes the he

6、roine Janies view of marriage from the perspective of ecofeminism systematically, the significance of which is to help readers achieve a better understanding of the work itself and the thought that Hurston really wanted to express, and to transmit the ecofeminism thought by virtue of the charm of cl

7、assical literature.本研究的理論意義（國內外文獻綜述）:國外研究: 根據(jù)國內一位資深的赫斯頓研究專家四川大學程錫麟教授搜集整理的資料表明，從70年代初起，除了大量的論文之外，關于赫斯頓研究的專著多達70多部(僅程教授搜集的書面材料所知，難免還有遺漏)，進入21世紀，幾乎每年都有關于赫斯頓研究的新論著出版，如：謝麗爾·沃爾(Cheryl Wall )編，赫斯頓的<他們的眼睛望著上帝>：專題資料匯編(Hurston's Their Eyes Were Watching God: a Casebook, 2000 )；莎倫·L·瓊斯

8、(Sharon L. Jones )，重讀哈萊姆文藝復興：杰西·福賽特、佐拉·尼爾·赫斯頓和多蘿西·韋斯特小說中的種族、階級和性屬 (Rereading the Harlem Renaissance: Race，Class, and Gender in the Fiction of Jessie Fauset, Zora Neale Hurston, and Dorothy Wesr,2002 )；馬丁·雅普托克(Martin Japtok )，從后殖民視角看女作家( Postcolonial Perspectives on Women 

9、9;s Writers,2003 )；戴安娜·邁爾斯(Diana Miles)，佐拉·尼爾·赫斯頓作品中的婦女、暴力及證詞( Women, violence & testimony in the works of Zora Neale Hurston,2003 ) 。在對他們眼望上蒼的研究中，多數(shù)批評家都采用了女性主義的觀點來看待這部小說，把這部小說視為后來美國女性主義作品的互文本。90年代，更多的批評家從文化批評和跨文化研究的角度去分析它。桑德拉·包奇特·帕奎斯贊揚這部小說展示了在美國文學中民俗文化的恢復作用和儲存的價值，是一種強大的

10、精神和藝術資源；西格麗德·金探討了此書中的儀式和命名力量的問題；約瑟夫·烏爾果和邁克爾·奧克沃德把此書視為一種代表，它代表了被經典排除的問題、女性爭取發(fā)言權、非裔美國人尋求文學傳統(tǒng)和文化批評的有效性問題，還認為，是這部書引發(fā)了艾麗斯·沃克、格洛麗亞·內勒和托尼·莫里森等人的文學生涯。此外，還有對這部小說中所顯示的鮮明的美國黑人美學的嚴肅討論，認為它剝奪了主流話語的力量，從而突出了黑人文化建構的過程。其他批評家把此作品視為融合了現(xiàn)實主義、傳奇文學、神話、宗教、心理學和懷舊情緒的一部現(xiàn)代小說。Overseas Study: Accordi

11、ng to a domestic senior experts studies on Hurston, the professor of Sichuan University Cheng Xilins collection of data, from the early 1970s, the number of works on Hurston research were as much as 70 besides a large number of papers, ( Only known by the data, it is inevitable that there are some o

12、missions). Into the 21st century, there are almost some new works being published on Hurston every year, such as Hurston's Their Eyes Were Watching God: a Casebook, which is written by Cheryl Wall, and published in 2000; Sharon L. Jones Rereading the Harlem Renaissance: Race，Class, and Gender in

13、 the Fiction of Jessie Fauset, Zora Neale Hurston, and Dorothy Wesr, 2002; Martin Japtoks Postcolonial Perspectives on Women 's Writers, 2003; And Diana Miles Women, violence & testimony in the works of Zora Neale Hurston,2003. Most of the critics studied this novel Their Eyes Were Watching

14、God through the feminist view, and regarded it as the reference of later American feminist works. In the 1990s, more critics analyzed it from the perspective of cultural criticism and cross-cultural studies. Sandra Bauchte-Parquez praised the novel as a powerful spiritual and artistic resource for t

15、he restoration and preservation of folklore in American literature; Sigrid King explored the book in the rituals and naming forces of the problem; Joseph Wuer and Michael Oke Ward saw this book as a representative, which represents a classic exclusion problem, womens fight for the right to speak, Af

16、rican-American literature traditions and cultural criticism, and argued that it led to the literary career of Alice Walker, Gloria Nell and Toni Morrison. In addition, there is a serious discussion of the distinctive African American aesthetics shown in this novel, which deprives the power of the do

17、minant discourse and thus highlights the process of black cultural construction. Other critics see this work as a modern novel that incorporates realism, legendary literature, mythology, religion, psychology, and nostalgia.國內研究：與國外相比，國內的赫斯頓研究望塵莫及，起步很晚，對赫斯頓的介紹和研究到今天也不到20年的歷史。1986年人民文學出版社出的美國文學簡史用了近一頁

18、的篇幅介紹赫斯頓和她的他們眼望上蒼, 2005年2月上海外語教育出版社出版的由汪義群主編、程錫麟撰寫的赫斯頓研究是目前國內關于赫斯頓研究最為詳細全面的專著。此外，近幾年來我國研究赫斯頓的他們眼望上蒼的學術論文不斷增多。李秀芝（2008）在<他們眼望上蒼>中珍妮的成長一文中論述了他們眼望上蒼中的女主角珍妮，通過自己的三次婚姻，在不斷的放棄和選擇中，逐漸成長起來，實現(xiàn)了對婚姻的自由追求。最終打碎了壓在黑人女性身上的重重枷鎖，建立起全新的形象和人格。胡佳佳（2013）在<他們眼望上蒼>中珍妮女性意識的覺醒一文中從馬克思女性主義的視角分析珍妮的成長，展現(xiàn)了珍妮在父權制社會中的從

19、屬地位及她在壓迫中女性意識的覺醒。Domestic study: Compared with foreign countries research, domestic research on Hurston started relatively late, and the history of research on Hurston is nearly 20 years. In 1986, People's Literature Publishing House published A Brief History of American Literature and spent nea

20、rly a page introducing Hurston and her book Their Eyes Were Watching God. In February 2005, Shanghai Foreign Language Education Publishing House published the book Research on Hurston which is edited by Wang Yiquan, written by Cheng Lixin. It is currently the most comprehensive work on Hurston's

21、 research. Besides, the number of domestic papers on Their Eyes Were Watching God are increasing rapidly in recent years. Li Xiuzhi(2008) in the article Janies Growth in Their Eyes Were Watching God discussed about the novels heroine Janie, who gradually grew up and achieved the pursuit for freedom

22、of marriage after three marriages, keeping giving up and choosing, eventually breaking the heavy yoke on the black women and setting up a brand-new image and personality. Hu Jiajia (2013) in the article Janies Awakening of Female Consciousness in Their Eyes Were Watching God from the perspective of

23、Marxist feminist analyzed Janie's growth, showing Janies subordinate status and her awakening of female consciousness under the oppression of patriarchal society. 本研究的問題、理論、方法和視角：問題：從生態(tài)女性主義角度分析他們眼望上蒼中珍妮的婚姻觀Question: Analyze Janies view of marriage in Their Eyes Were Watching God from ecofeminism

24、理論：生態(tài)女性主義理論Theory: Ecofeminism Theory方法：文獻分析Methodology: Document analysis視角：生態(tài)女性主義視角Perspective: Ecofeminism本研究的主要觀點和重難點:主要觀點：本文運用了生態(tài)女性主義的觀點，分析了小說中女主人公珍妮的成長歷程和三次婚姻，認為自然在珍妮的自我意識與女性意識的發(fā)展過程中起了重要作用。This thesis uses the theory of ecofeminism to analyze the heroine Janies growth and three marri

25、ages, and draws conclusion that nature plays a major role in the development of Janies self-awareness and feminist consciousness.重點：本研究重點在于用生態(tài)女性主義視角，分析珍妮的婚姻觀的形成過程。This study focuses on analyzing the formation of Janies view of marriage from the perspective of ecofeminism.難點：主觀上，由于學業(yè)和時間原因，不能收集更全面的資料，

26、沒有充裕的時間來進行透徹的分析；客觀上，隨著女性主義理論的發(fā)展，關于他們眼望上蒼中女性主義的研究較多，比較難創(chuàng)新。There are some difficulties in carrying out this study. Subjectively, I cannot collect more comprehensive materials and make a more thorough analysis because of my study and schedule. Objectively, with the development of feminist theory, there

27、 are a lot of researches on the feminism of Their Eyes Were Watching God, so its difficult to get some new ideas about it. 詳細提綱（Detailed Outline）：摘要第一章 緒論1.1 佐拉·尼爾·赫斯頓1.2 他們眼望上蒼的創(chuàng)作背景1.3 文獻綜述 1.3.1 國外研究現(xiàn)狀 1.3.2 國內研究現(xiàn)狀 1.3.3 本研究的意義第二章 生態(tài)女性主義理論2.1 概念2.2 發(fā)展史第三章 小說中的女性與自然3.1女性與自然之間的關系3.1.1 梨樹與蜜

28、蜂3.1.2 大路3.1.3 騾子3.1.4 土地3.1.5 暴風雨與瘋狗3.2 父權制社會下的性別歧視與自然歧視在小說里的體現(xiàn)3.2.1 被壓迫的女性3.2.2 被征服的自然第四章 珍妮婚姻觀的形成過程4.1第一次婚姻珍妮自我意識與女性意識的萌發(fā)4.2第二次婚姻珍妮女性觀與婚姻觀的發(fā)展4.3第三次婚姻最終實現(xiàn)自我獨立4.4追求男女平等及和諧的婚姻關系第五章 總結參考文獻AbstractChapterIntroduction1.1 Zora Neale Hurston1.2 Background of Their Eyes Were Watching God1.3 Literature Rev

29、iew 1.3.1 The Literature Review Abroad 1.3.2 The Literature Review in China 1.3.3 Research SignificanceChapter Theory of Ecofeminism2.1 The Concept of Ecofeminism2.2 The Evolution of EcofeminismChapter Women and Nature in The Novel3.1 Interconnection Between Women and Nature 3.1.1 The Pear Tree and

30、Bees 3.1.2 The Road 3.1.3 The Mule 3.1.4 The Land 3.1.5 The Storm and The Dog 3.2 The Sexism and Natural Discrimination of Patriarchal Society in the Novel 3.2.1 Women - Sufferers of Men's Domination 3.2.2 Nature - Subject of Men's ExploitationChapter Formation of Janies View of Marriage 4.1

31、 The First Marriage - Germination of Janies Self-awareness and Feminist Consciousness 4.2 The Second Marriage - Development of Janies View of Feminism and Marriage 4.3 The Third Marriage - Realizing Women's Self-independence 4.4 The Pursuit of Gender Equality and Harmonious MarriageChapter Concl

32、usionReferences 寫作進程 (Schedule):2016/9/20-10/7 確定論文方向，導師溝通，開始搜集資料；2016/10/10-10/30 確定題目，搜集資料，完成開題報告；2016/11/1-11/15 完成第一章和第二章2016/11/18-11/28 完成第三章2016/11/30-12/15 完成第四章2016/12/18-12/30 完成第五章2017/1/1-1/10 交初稿，與導師修改初稿2016/9/20-10/7 Decide on the direction of study after consulting the tutor.2016/10/1

33、0-10/30 Decide on the title of study and search for data to finish the proposal.2016/11/1-11/15 Finish Chapter One and Chapter Two 2016/11/18-11/28 Finish Chapter Three 2016/11/30-12/15 Finish Chapter Four2016/12/18-12/30 Finish the Chapter Five2017/1/1-1/10 Hand in the first draft參考書目(References): 1高楷娟,付小蘭,聶瀟瀟.從生態(tài)女性主義角度看他們眼望上蒼中珍妮的婚姻觀J. 西安外國語大學學報,2015,01:105-1082林國滸.佐拉·尼爾·赫斯頓