新標(biāo)準(zhǔn)大學(xué)英語(yǔ)綜合教程(第二版)Book3Unit3課后答案

1、Unit 3Active Reading (1) 21 b2c3b4b5b6a31 c2a3c4a5b6b41composer 2 constitutes 3capacity 4 qualified 5sufficiently6rhythm 7 derived 51. proclaim2. analogy (It's quite easy to make an apology between poetry and music)3. clarity4. for the sake of5. potent6. costumes 61a 2b 3a 4a 5b 6a 7a 8a7 1d 2d8

2、 1, 3, 5, 6Active Reading (2)41 scenario 2 pose3 collapse4 surrenders5 marvels6 prosperous 7 await8 exceeds51 prominent6 multiple2 obliging 3 perception7 suspending 8 devises4 swaying 5 distracts61b 2b 3b 4a 5a6a 7b 8a3 headscarf 4 backpack7 mail polishLanguage in use11 songwriter2 film director5 li

3、pstick6 shoelace21 Swooping in on a shorter woman, the sailor kissed her.2 Acting impulsively and aiming accurately, he commanded that the camera's shutter close at the most poignant moment.3 Grabbing the viewer's attention, the photo never seems to let go.4 Closing her eyes, she was content

4、 to remain unaware of her pursu'seridentity.5 Never knowing the truth, they glossed over the wa'rs miseries and romanticized life.6 One assumesthat the couple will live in a split-level home, driving big cars and producing lots of children.31 Regardless of the task set by the magazine which

5、employed him, the photographer always managed to get the best picture.2 He kept looking for the photo, regardless of the crowds.3 Regardless of how perfectly the pose of the sailor and the woman was arranged, he didn't have to set up this shot.4 Regardless of the facts, people know that life wil

6、l be good from now on.5 Regardless of what people still remember of photos in the past, this one reminds us that we felt better as a nation and as individuals.51 marvel at 2 popular appeal 3 highly-/full- /well-qualified4 perceived as5 exceededexpectati onsTranslation6?格爾尼卡?是西班牙藝術(shù)家巴勃羅畢加索1937年為抗議轟炸西班

7、牙北部一個(gè)小村莊而作的一幅巨型壁畫(huà)。這幅大型壁畫(huà)高 3.49 米，寬 7.76 米，展示了暴 力和混亂給人和動(dòng)物帶來(lái)的苦難以及對(duì)建筑物的破壞。令人吃驚的是，整個(gè)壁 畫(huà)的色調(diào)由灰、黑、白組成，沒(méi)有用鮮艷的紅色來(lái)表現(xiàn)血腥的場(chǎng)面，但恐怖的 景象卻歷歷在目。畫(huà)面上的人物并非用寫(xiě)實(shí)主義的畫(huà)法來(lái)表現(xiàn)，而是采用立體 派和抽象派的畫(huà)法，但無(wú)辜平民慘遭屠殺的慘象卻一目了然：一位母親懷抱死 嬰，張嘴尖叫，她仰面朝天，傷心欲絕；一位士兵橫尸地上，手里還緊握著一 把斷劍；另外三個(gè)人也都處于震驚和痛苦之中。畫(huà)面中的動(dòng)物包括一匹受 傷的馬和一只哭泣的鳥(niǎo)也都被描繪成這次屠殺的無(wú)辜受害者。毫無(wú)疑問(wèn)， 描繪這些扭曲變形的駭人慘

8、象的目的就是讓觀(guān)眾感到震驚。這種對(duì)人類(lèi)悲苦慘 狀的描繪是對(duì)戰(zhàn)爭(zhēng)的殘酷和荒唐的深刻控訴。7In the Mogao Caves in Dunhuang, the murals with “flyingapsaras are one of the most well-known artefacts. The flying apsaras in the Dunhuang Grotto Murals are a product of the intermixing of Indian and Chinese culture. In India, flying celestial beings call

9、ed “flying apsarasappear mostly in murals in Buddhist caves, while in theChinese Daoist tradition, flying celestial beings are known as “flying immortals. During the Wei, Jin, and Northern and Southern dynasties, when the introduction of Buddhism in China was at an early stage. People began to use t

10、he term “flying apsarasto refer to the flying immortals in the murals. Later, with the development of Buddhism in China, the artistic images of Buddhist flying apsaras and Daoist flying immortals merged with each other. The flying apsaras in the Dunhuang Grotto Murals are a most ingenious creation o

11、f ancient Chinese artists, and a marvel in the history of world art.Guided Writing1 1c 2a 3b2Beethoven completely changed the course of Western music, in a number of ways. First, he introduced a new expressive style which became known as “romantic. Second, he changed the form of orchestral music, especially the symphony. Third, he pushed the possibilities of solo instruments, such as the piano and the violin, to new limits. He wrote most of his greatest works when he was deaf.31 Among the most renowned painters in contemporar