英文畢業(yè)論文—西方電影中人物語(yǔ)言對(duì)人物性格塑造的影響.doc

I摘要自電影這門藝術(shù)形式問世以來,不少杰出的導(dǎo)演為觀眾打造了一部又一部精彩的電影，塑造了一個(gè)又一個(gè)生動(dòng)的電影人物。這些電影之所以深深地打動(dòng)了觀眾的心，是因?yàn)槌晒Φ厮茉炝艘粋€(gè)又一個(gè)性格鮮明的銀幕人物形象。而話語(yǔ)又是人物塑造的關(guān)鍵。因此，從語(yǔ)言學(xué)角度，結(jié)合社會(huì)語(yǔ)言學(xué)在人際交往方面的論述等，對(duì)電影人物對(duì)白進(jìn)行分析，探索話語(yǔ)分析與電影人物的表現(xiàn)之間的關(guān)系，從而以此來探詢?nèi)宋镎Z(yǔ)言對(duì)電影中人物性格塑造的影響。關(guān)鍵詞：西方電影；人物性格；人物語(yǔ)言；影響IIAbstractFrommoviebirthuntiltoday,manyoutstandingdirectorshavecreatedmanybrilliantmoviesforaudience.Thereasonwhythesefilmscandeeplytouchedtheheartsoftheaudienceisthatfilmhavesucceedinshapingmanyvividfilmcharacters.Thediscourseisthekeyoftheshapingofthecharactersfigure.Inaddition,fromthelinguisticpointofviewandanalyzecharactersdialogue,toexploretheperformanceofthefilmcharactersandtherelationshipbetweencharactersandlanguage.Andtheaimistostudytheimpactoflanguagecharactersnature.Thisarticleattemptstoexplore.Keywords:westernfilm；charactersnature；characterlanguage；impactIIIContents摘要.IAbstract.IIContents.III1Introduction.12TheFormationofCharacterLanguageintheFilm.22.1Thefundamentofmovielanguagereallifeinwesterndevelopedcountries.22.2ThetonefordifferenttypesofmovielanguagesettledbytheScriptwriterandscript.32.3Theimportanceofperformancebyactoronmakingtheirwordsrichanddeep.33TheProcessofShapingCharactersNature.53.1Thecharactersnaturestereotypedbythescripts.53.2Thekeytoshapingnatureactorsperformance.64TheWayofShapingPersonalitybytheCharacterLanguage.74.1Theaffectionoflanguageatcharactersindifferentoccasions.74.2Theimpactofthestyleoflanguageonpersonality.94.2.1Seriouslanguagestyle.104.2.2Comicallanguagestyle.114.2.3Pithylanguagestyle.124.2.4Tactfullanguagestyle.134.3ThefunctionofKeylanguageortermsonaddinglustertothecharactersnature.134.4Theimportanceofcharacterlanguage.155Conclusion.17Acknowledgements.18Bibliography.1911IntroductionGenerallyspeaking,thecharacterizationisreflectedbythelanguageofthepeopleinthefilm.Thekindoflanguageistheappearanceofthekindofpersonality.Butfilmisdifferentfromit:onlythroughthelanguageandactionsofthecharactertheaudiencecanknowwhatkindofthecharacterinthemovieis,soisthereverse.Therefore，thispaper,figuresfromthemovietostartwiththelanguageofthecharactersexplorelanguageshapetheimpact.Thearticlelistedaconsiderablenumberofclassicmoviedialogueforanalysisanddialoguewillbedifferenttypesofclassificationinordertobetterconclusions.FinallyIcanrefinemypointofview.Throughthisresearch,IhopetogainadeeperunderstandingofWesternfilmsintheimplicationSignificance.22TheFormationofCharacterLanguageintheFilmLanguage,asweallknowisahuman-specifictools,itisusedtoexpressspecificsymbolsorafewrelativelyfixedmeaning.Withthepassageoftime,theprogressofsociety,thetypeandformoflanguagehasbeenincreasing.Forexample,wehavelivinglanguage,writtenlanguage,officiallanguage,stagelanguageandmovielanguagewhichwewanttodiscussion.Fromaprofessionalpointofview,movielanguageisaspeciallanguageartswhichtounderstandandreflecttheobjectiveworld,transmissionofthefeeling.SuchastheaffectionbySpielbergandhistoricaldetailsofKurosawaAkira.Butnow,wewilltalkaboutwesternmovielanguagewhichisjustmeansthewordsbycharacterinthewesternfilm.Sinceitisthewordsbycharacter,soweshouldknowwherethosewordscomefrom.Inotherwordsishowcharacterlanguageinthefilmbeformed.AndthenIwillbedividedintothreeaspectstoexplaintheformationofmovielanguage.2.1ThefundamentofmovielanguagereallifeinwesterndevelopedcountriesSincethebirthofthecapitalistmodeofproduction,capitalismbegantoaffecttheworld.Capitalistcountrieshaveestablishedandtheestablishmentofthecapitalistsystemhaschangedthewholeworldineverywhereall.Initially,applicationofthesteamengineledtotherapiddevelopmentoftheindustry,sothatthecapitalisteconomyhasbecomedominatedaroundtheworld.Thendevelopmentofprinting,inventionofgramophone,andemergenceofmoviesandsoon,ledtocapitalistculturebecamefashionableallovertheworld.Eventoday,despitethesocialistcountrylikeus,butitisundeniablethatcapitalismisstillthemainimpactofthisworld!Capitalismwasbornforseveralcenturiesandinthecapitalistcountries(thedevelopedwesterncountries),ithasformedauniquewayoflife,includingtheirlanguage.Peopleinwesterndevelopedcountries,thewesterneducation,political,cultureandsoonconstitutetheirreallife.Inthislife,peoplewillbegraduallydevelopedintoauniquelanguage.Ofcourse,thislanguageisnotanewtypeoflanguageornewlanguagenorm,butthelanguagebythecommunityenvironmentalimpact.Thesourcesofmovielanguagearenotbaseless,butrefinedinlife.Nolifenomovies,alsonolifelanguagenomovielanguage!Whateverthenatureofthecountryis,3thefundamentalsourceofmovielanguageisourlife.Therefore,thefundamentalofmovielanguageistherealityoflifeinthedevelopedwesterncountries!2.2ThetonefordifferenttypesofmovielanguagesettledbytheScriptwriterandscriptThescriptisthebasisofafilm,orthedrawingsofthefilm.Sothefilmcomesfromthescript.Agoodscriptcancreateagreatfilm.Ofcourse,agoodscriptisnotjustmeansthegrandscene,deephistoricalbackground,andcomplexcharactersrelations.Evenifitisaprosaicscript,aslongastotellastorybyheart,wealsocouldsaythisisagoodscript!Screenwriteristhesoulofascript.Noscriptwriternoscript!Havejustsaid,evenifitisaprosaicscript,aslongastotellastorybyheart,wealsocouldsaythisisagoodscript.Thepersonwhotellsthestorybyheartisthescriptwriter.Withthescriptandthescriptwriter,themaincontentsofafilmwillbestructuresup,whichalsoincludethecharacterlanguageinthefilm.Characterlanguageinthefilmofthescript,calledlines.Linesaredifferentfromwrittenlanguage,butalifeoflanguage.Itistheneedforbytheactor.Lifelanguageisalsoinseparablefromthelanguagesofexpressionandrhetoricscopeoflinguistics.Somovielanguageisastandardizedlanguage.Thefilmalsohasmanytypes.Evenasamestorywhichuseonetypeoffilmtoshoot,itcanbeformedseveraldifferentscripts.Inotherwords,accordingtothedifferenttypesofmovies,scriptwritershouldwritedifferenttypesofmovielanguage.Forexample,toshootastoryintoacomedy,scriptwritershouldmakecharacterlanguageveryrichsenseofhumor.Thisisthereasonwhyscriptwriterandscriptcansetthetonefordifferenttypesofmovielanguage.2.3TheimportanceofperformancebyactoronmakingtheirwordsrichanddeepAsweallknows,thewell-knownAmericanOscarawardsforthegreatestconcernisthebestactoraward.Thiscanadequateprovedtheimportanceofactorinthefilm!Whyagoodactororamoviestarcanmakefilmhyperchromicmany?Ofcourse,herewedonttalkaboutthereasonsforeconomics.Thisisbecausegoodactorormoviestarwithagoodqualityofperformancescandepicteveryaspectofcharactersinthefilmbetterandmakemoviecharactersreduction