中古隱逸詩(shī)研究

中古隱逸詩(shī)研究一、本文概述Overviewofthisarticle《中古隱逸詩(shī)研究》旨在深入探討和分析中古時(shí)期隱逸詩(shī)歌的創(chuàng)作背景、主題特色、藝術(shù)手法及其對(duì)后世的影響。隱逸詩(shī)，作為中國(guó)古代詩(shī)歌的重要組成部分，不僅反映了當(dāng)時(shí)文人士大夫的精神風(fēng)貌和價(jià)值取向，也體現(xiàn)了他們對(duì)社會(huì)現(xiàn)實(shí)的深刻反思。本文將從歷史背景、詩(shī)歌主題、藝術(shù)特色等多個(gè)維度，對(duì)中古隱逸詩(shī)進(jìn)行系統(tǒng)的梳理和研究。Thestudyofmedievalreclusivepoetryaimstodeeplyexploreandanalyzethecreativebackground,thematiccharacteristics,artistictechniques,andtheirinfluenceonlatergenerationsofreclusivepoetryinthemedievalperiod.Hermitpoetry,asanimportantcomponentofancientChinesepoetry,notonlyreflectsthespiritualstyleandvalueorientationofliteratiandofficialsatthattime,butalsoreflectstheirprofoundreflectiononsocialreality.Thisarticlewillsystematicallysortoutandstudymedievalreclusivepoetryfrommultipledimensionssuchashistoricalbackground,poeticthemes,andartisticcharacteristics.本文將概述中古時(shí)期的歷史背景，包括政治、經(jīng)濟(jì)、文化等多個(gè)方面，以揭示隱逸詩(shī)產(chǎn)生的社會(huì)土壤。在這一部分，將重點(diǎn)關(guān)注士人階層的心態(tài)變化及其與隱逸詩(shī)創(chuàng)作的關(guān)聯(lián)。ThisarticlewillprovideanoverviewofthehistoricalbackgroundoftheMiddleAges,includingpolitics,economy,culture,andotheraspects,inordertorevealthesocialsoilinwhichreclusivepoetryemerged.Inthissection,thefocuswillbeonthepsychologicalchangesoftheliteraticlassandtheirassociationwiththecreationofreclusivepoetry.本文將分析隱逸詩(shī)的主題特色。通過(guò)對(duì)具體詩(shī)歌作品的解讀，揭示隱逸詩(shī)所蘊(yùn)含的淡泊名利、崇尚自然、追求心靈自由等核心主題，以及這些主題如何反映了當(dāng)時(shí)文人士大夫的精神追求和價(jià)值觀。Thisarticlewillanalyzethethematiccharacteristicsofreclusivepoetry.Byinterpretingspecificpoetryworks,thisarticlerevealsthecorethemesofreclusivepoetry,suchasindifferencetofameandfortune,reverencefornature,andpursuitofspiritualfreedom,aswellashowthesethemesreflectthespiritualpursuitsandvaluesofliteratiandscholarsatthattime.本文將探討隱逸詩(shī)的藝術(shù)手法及其對(duì)后世的影響。這一部分將著重分析隱逸詩(shī)在語(yǔ)言表達(dá)、意象構(gòu)建、情感表達(dá)等方面的獨(dú)特之處，并評(píng)估其在文學(xué)史上的地位和影響。Thisarticlewillexploretheartistictechniquesofreclusivepoetryanditsimpactonfuturegenerations.Thissectionwillfocusonanalyzingtheuniquenessofreclusivepoetryintermsoflanguageexpression,imageconstruction,emotionalexpression,andevaluatingitspositionandinfluenceinliteraryhistory.通過(guò)對(duì)中古隱逸詩(shī)的深入研究，本文旨在揭示這一文學(xué)現(xiàn)象背后的豐富內(nèi)涵和獨(dú)特價(jià)值，為理解中國(guó)古代文學(xué)和文化提供新的視角和啟示。Throughin-depthresearchonmedievalreclusivepoetry,thisarticleaimstorevealtherichconnotationsanduniquevaluesbehindthisliteraryphenomenon,providinganewperspectiveandinspirationforunderstandingancientChineseliteratureandculture.二、中古隱逸詩(shī)的起源與發(fā)展TheOriginandDevelopmentofMedievalHermitPoetry中古隱逸詩(shī)，作為中國(guó)古代文學(xué)的重要組成部分，其起源與發(fā)展深受歷史、社會(huì)、文化等多重因素的影響。其起源可追溯至先秦時(shí)期，那時(shí)的士人已開(kāi)始表現(xiàn)出對(duì)隱逸生活的向往和追求。然而，真正的隱逸詩(shī)創(chuàng)作高潮則出現(xiàn)在魏晉南北朝時(shí)期，這一時(shí)期的社會(huì)動(dòng)蕩和政治混亂為士人提供了隱逸的背景和動(dòng)力。AsanimportantcomponentofancientChineseliterature,theoriginanddevelopmentofmedievalreclusivepoetryaredeeplyinfluencedbymultiplefactorssuchashistory,society,andculture.ItsorigincanbetracedbacktothepreQinperiod,whentheliteratihadalreadybeguntoexpresstheirlongingandpursuitforareclusivelife.However,thetruepeakofreclusivepoetrycreationoccurredduringtheWei,Jin,SouthernandNorthernDynasties,duringwhichsocialturmoilandpoliticalchaosprovidedscholarswiththebackgroundandmotivationforseclusion.在先秦時(shí)期，隨著周王室的衰微，諸侯爭(zhēng)霸，社會(huì)動(dòng)蕩不安。一些士人開(kāi)始不滿現(xiàn)實(shí)，向往隱逸生活。他們的思想和感情在一定程度上反映在了詩(shī)歌創(chuàng)作中，如《詩(shī)經(jīng)》中的《采薇》《鹿鳴》等篇章，都表現(xiàn)出了對(duì)隱逸生活的向往和贊美。InthepreQinperiod,withthedeclineoftheZhouroyalfamily,feudallordscompetedforpower,andsocietywasturbulentandunstable.Somescholarsbegantobedissatisfiedwithrealityandyearnedforareclusivelife.Theirthoughtsandemotionsarereflectedtoacertainextentintheirpoetrycreation,suchasinchapterssuchas"PickingWeeds"and"DeerSinging"intheBookofSongs,whichallexpresstheiryearningandpraiseforareclusivelife.到了魏晉南北朝時(shí)期，由于戰(zhàn)亂頻繁，政治腐敗，士人普遍感到苦悶和無(wú)助。他們開(kāi)始追求內(nèi)心的自由和解脫，隱逸生活成為了他們的一種選擇。這一時(shí)期的隱逸詩(shī)創(chuàng)作數(shù)量大增，質(zhì)量也顯著提高。如陶淵明的《桃花源記》《歸園田居》等作品，都表現(xiàn)了作者對(duì)隱逸生活的熱愛(ài)和向往，同時(shí)也反映了作者對(duì)現(xiàn)實(shí)社會(huì)的不滿和批判。DuringtheWei,Jin,SouthernandNorthernDynasties,duetofrequentwarsandpoliticalcorruption,scholarsgenerallyfeltdepressedandhelpless.Theybegantopursueinnerfreedomandliberation,andareclusivelifebecametheirchoice.Duringthisperiod,thenumberandqualityofhermitpoetrycreationincreasedsignificantly.WorkssuchasTaoYuanming's"PeachBlossomSpring"and"ReturningtotheGardenandLivingintheField"allexpresstheauthor'sloveandlongingforareclusivelife,whilealsoreflectingtheauthor'sdissatisfactionandcriticismoftherealsociety.在隱逸詩(shī)的發(fā)展過(guò)程中，其主題和風(fēng)格也經(jīng)歷了不斷的變化。早期的隱逸詩(shī)主要以描繪自然風(fēng)光和田園生活為主，表現(xiàn)出一種寧?kù)o和恬淡的意境。而到了后來(lái)，隨著士人對(duì)隱逸生活理解的深入，隱逸詩(shī)的主題逐漸擴(kuò)展到了對(duì)人生哲理、道德倫理等方面的探討，表現(xiàn)出一種深沉和凝重的風(fēng)格。Inthedevelopmentprocessofreclusivepoetry,itsthemeandstylehavealsoundergonecontinuouschanges.Earlyreclusivepoetrymainlydepictednaturalsceneryandrurallife,expressingapeacefulandtranquilatmosphere.Lateron,asscholarsdeepenedtheirunderstandingofreclusivelife,thethemeofreclusivepoetrygraduallyexpandedtoexploreaspectssuchaslifephilosophyandmoralethics,exhibitingaprofoundandsolemnstyle.中古隱逸詩(shī)的起源與發(fā)展是與中國(guó)古代社會(huì)的歷史變遷和文化發(fā)展緊密相連的。它不僅反映了士人的思想感情和生活狀態(tài)，也體現(xiàn)了中國(guó)古代文化的獨(dú)特魅力和精神內(nèi)涵。通過(guò)對(duì)中古隱逸詩(shī)的研究，我們可以更深入地了解中國(guó)古代文學(xué)和文化的特點(diǎn)和精髓。TheoriginanddevelopmentofmedievalreclusivepoetryarecloselyrelatedtothehistoricalchangesandculturaldevelopmentofancientChinesesociety.Itnotonlyreflectsthethoughts,emotions,andlivingconditionsofscholars,butalsoembodiestheuniquecharmandspiritualconnotationofancientChineseculture.Throughthestudyofmedievalreclusivepoetry,wecangainadeeperunderstandingofthecharacteristicsandessenceofancientChineseliteratureandculture.三、中古隱逸詩(shī)的主題與風(fēng)格Thethemeandstyleofmedievalreclusivepoetry中古隱逸詩(shī)，作為中國(guó)古代文學(xué)中的一朵奇葩，其主題與風(fēng)格都顯得獨(dú)特而深遠(yuǎn)。這些詩(shī)作以隱逸為主題，通過(guò)描繪山水田園、抒發(fā)個(gè)人情感，展示了詩(shī)人們對(duì)超脫塵世、追求心靈自由的向往。Medievalreclusivepoetry,asapeculiarflowerinancientChineseliterature,hasauniqueandprofoundthemeandstyle.Thesepoemsrevolvearoundthethemeofseclusion,depictinglandscapesandcountryside,expressingpersonalemotions,andshowcasingthepoets'yearningfortranscendenceandthepursuitofspiritualfreedom.在主題方面，中古隱逸詩(shī)多涉及山水田園、漁樵耕讀等生活場(chǎng)景。詩(shī)人們通過(guò)細(xì)膩的筆觸，描繪了大自然的美麗與寧?kù)o，以及隱居生活的恬淡與安逸。這些詩(shī)作中，詩(shī)人們常常表達(dá)了對(duì)繁華世界的厭倦和對(duì)簡(jiǎn)樸生活的向往，以及對(duì)人與自然和諧相處的理想狀態(tài)的追求。Intermsofthemes,medievalreclusivepoetryofteninvolveslifescenessuchasmountains,rivers,countryside,fishing,woodcutting,farming,andreading.Poetsusedelicatebrushstrokestodepictthebeautyandtranquilityofnature,aswellasthetranquilityandcomfortofseclusion.Inthesepoems,poetsoftenexpresstheirwearinessofthebustlingworldandtheirlongingforasimplelife,aswellastheirpursuitoftheidealstateofharmoniouscoexistencebetweenhumansandnature.在風(fēng)格方面，中古隱逸詩(shī)呈現(xiàn)出一種清新自然、淡泊明志的特點(diǎn)。詩(shī)人們以簡(jiǎn)潔明快的語(yǔ)言，抒發(fā)自己內(nèi)心的情感，展現(xiàn)出一種超脫塵世的境界。同時(shí)，他們還善于運(yùn)用象征、隱喻等修辭手法，將隱逸生活的美好與理想化，使讀者能夠感受到一種超越現(xiàn)實(shí)的藝術(shù)魅力。Intermsofstyle,medievalreclusivepoetrypresentsafresh,natural,andindifferentcharacteristic.Poetsexpresstheirinneremotionsinconciseandlivelylanguage,showcasingastateoftranscendencefromthemortalworld.Atthesametime,theyarealsoadeptatusingrhetoricaldevicessuchassymbolsandmetaphorstoidealizethebeautyofreclusivelife,allowingreaderstofeelakindofartisticcharmthattranscendsreality.中古隱逸詩(shī)還體現(xiàn)了詩(shī)人們對(duì)社會(huì)現(xiàn)實(shí)的深刻反思。他們通過(guò)描繪隱居生活，表達(dá)了對(duì)社會(huì)不公、名利紛爭(zhēng)的不滿與批判。這些詩(shī)作中，詩(shī)人們不僅追求個(gè)人的心靈自由，更希望借此喚起人們對(duì)社會(huì)現(xiàn)實(shí)的關(guān)注與思考。Themedievalreclusivepoetryalsoreflectstheprofoundreflectionofpoetsonsocialreality.Theyexpresstheirdissatisfactionandcriticismtowardssocialinjusticeandfameandfortunedisputesbydepictingareclusivelife.Inthesepoems,poetsnotonlypursuepersonalspiritualfreedom,butalsohopetoarousepeople'sattentionandreflectiononsocialreality.中古隱逸詩(shī)以其獨(dú)特的主題與風(fēng)格，展現(xiàn)了詩(shī)人們對(duì)超脫塵世、追求心靈自由的向往。這些詩(shī)作不僅具有藝術(shù)價(jià)值，更是對(duì)古代社會(huì)現(xiàn)實(shí)的一種深刻反思。通過(guò)對(duì)這些詩(shī)作的研究，我們可以更深入地了解古代文人的內(nèi)心世界與精神追求。Themedievalreclusivepoetry,withitsuniquethemeandstyle,showcasesthepoets'yearningfortranscendencefromthemortalworldandthepursuitofspiritualfreedom.Thesepoemsnotonlyhaveartisticvalue,butalsoserveasaprofoundreflectionontherealityofancientsociety.Throughthestudyofthesepoems,wecangainadeeperunderstandingoftheinnerworldandspiritualpursuitsofancientliterati.四、中古隱逸詩(shī)的代表詩(shī)人與作品Representativepoetsandworksofmedievalreclusivepoetry中古隱逸詩(shī)的發(fā)展，得益于一批杰出的詩(shī)人及其作品。這些詩(shī)人在追求個(gè)人精神自由與社會(huì)超脫的通過(guò)詩(shī)歌的形式，表達(dá)了對(duì)隱逸生活的向往和熱愛(ài)。他們的詩(shī)作不僅藝術(shù)價(jià)值極高，而且成為了中古隱逸詩(shī)的重要代表。Thedevelopmentofmedievalreclusivepoetrybenefitedfromagroupofoutstandingpoetsandtheirworks.Thesepoets,inpursuitofpersonalspiritualfreedomandsocialtranscendence,expresstheirlongingandloveforreclusivelifethroughtheformofpoetry.Theirpoetrynotonlyhasextremelyhighartisticvalue,butalsohasbecomeanimportantrepresentativeofmedievalreclusivepoetry.其中，陶淵明無(wú)疑是中古隱逸詩(shī)的代表詩(shī)人之一。他的詩(shī)歌以自然、真摯、樸素為特點(diǎn)，表達(dá)了對(duì)田園生活的熱愛(ài)和對(duì)塵世紛擾的厭倦。例如，在他的《歸園田居》中，他描繪了歸隱田園后的寧?kù)o生活，展現(xiàn)了對(duì)隱逸生活的向往和滿足。他的《飲酒》《桃花源記》等作品，也都體現(xiàn)了他的隱逸思想和對(duì)理想生活的追求。Amongthem,TaoYuanmingisundoubtedlyoneoftherepresentativepoetsofmedievalreclusivepoetry.Hispoetryischaracterizedbynaturalness,sincerity,andsimplicity,expressinghisloveforrurallifeandhiswearinessofworldlytroubles.Forexample,inhis"ReturningtotheGardenandLivingintheField",hedepictedthepeacefullifeafterreturningtothecountryside,demonstratinghisyearningandsatisfactionforareclusivelife.Hisworkssuchas"Drinking"and"ThePeachBlossomSpring"alsoreflecthisreclusivethoughtsandpursuitofanideallife.除了陶淵明，謝靈運(yùn)也是中古隱逸詩(shī)的重要詩(shī)人。他的詩(shī)歌以清新、秀麗、空靈為特點(diǎn)，展現(xiàn)了他對(duì)自然山水的熱愛(ài)和對(duì)隱逸生活的向往。例如，在他的《登池上樓》中，他通過(guò)描繪自然景色，表達(dá)了對(duì)隱逸生活的向往和對(duì)塵世的超脫。InadditiontoTaoYuanming,XieLingyunisalsoanimportantpoetofmedievalreclusivepoetry.Hispoetryischaracterizedbyfreshness,beauty,andethereality,showcasinghislovefornaturallandscapesandhisyearningforareclusivelife.Forexample,inhisnovel"ClimbingUpthePool",heexpresseshislongingforareclusivelifeandhisdetachmentfromtheworldbydepictingnaturalscenery.庾信、鮑照等詩(shī)人也有許多優(yōu)秀的隱逸詩(shī)作。他們的作品不僅體現(xiàn)了自己的隱逸思想，也推動(dòng)了中古隱逸詩(shī)的發(fā)展。PoetssuchasYuXinandBaoZhaoalsohavemanyexcellentreclusivepoems.Theirworksnotonlyreflecttheirownreclusiveideas,butalsopromotethedevelopmentofmedievalreclusivepoetry.這些代表詩(shī)人及其作品，共同構(gòu)成了中古隱逸詩(shī)的重要篇章。他們的詩(shī)作不僅具有極高的藝術(shù)價(jià)值，而且反映了當(dāng)時(shí)社會(huì)的隱逸風(fēng)氣和人們的精神追求。通過(guò)對(duì)這些詩(shī)人及其作品的研究，我們可以更深入地了解中古隱逸詩(shī)的發(fā)展脈絡(luò)和精神內(nèi)涵。Theserepresentativepoetsandtheirworkstogetherconstituteanimportantchapterinmedievalreclusivepoetry.Theirpoetrynotonlyhasextremelyhighartisticvalue,butalsoreflectsthereclusiveatmosphereofsocietyatthattimeandpeople'sspiritualpursuit.Bystudyingthesepoetsandtheirworks,wecangainadeeperunderstandingofthedevelopmentandspiritualconnotationsofmedievalreclusivepoetry.五、中古隱逸詩(shī)的影響與價(jià)值Theinfluenceandvalueofmedievalreclusivepoetry中古隱逸詩(shī)在中國(guó)古代文學(xué)史上占有舉足輕重的地位，其深遠(yuǎn)影響不僅體現(xiàn)在詩(shī)歌創(chuàng)作領(lǐng)域，更延伸至士人心態(tài)、社會(huì)風(fēng)氣以及文化價(jià)值等多個(gè)層面。MedievalreclusivepoetryholdsapivotalpositioninthehistoryofancientChineseliterature,anditsprofoundinfluenceisnotonlyreflectedinthefieldofpoetrycreation,butalsoextendstomultiplelevelssuchasthementalityofscholars,socialatmosphere,andculturalvalue.中古隱逸詩(shī)對(duì)后世的詩(shī)歌創(chuàng)作產(chǎn)生了廣泛的影響。許多后代詩(shī)人在面對(duì)困境或?qū)で缶窦耐袝r(shí)，常常借鑒隱逸詩(shī)中的意象和表現(xiàn)手法，以此來(lái)表達(dá)自己的情感和理想。隱逸詩(shī)中那種超脫世俗、追求內(nèi)心寧?kù)o的境界，成為了許多詩(shī)人心靈的慰藉和創(chuàng)作的源泉。Themedievalreclusivepoetryhadawideinfluenceonthepoetrycreationoflatergenerations.Manydescendantsofpoets,whenfacingdifficultiesorseekingspiritualsolace,oftendrawinspirationfromtheimageryandexpressivetechniquesofreclusivepoetrytoexpresstheiremotionsandideals.Therealmoftranscendenceandpursuitofinnerpeaceinreclusivepoetryhasbecomeasourceofcomfortandcreativityformanypoets.中古隱逸詩(shī)所體現(xiàn)的士人心態(tài)和社會(huì)風(fēng)氣，對(duì)于理解古代社會(huì)歷史具有重要意義。隱逸詩(shī)中所展現(xiàn)的士人對(duì)于功名利祿的淡泊、對(duì)于自然山水的熱愛(ài)，以及對(duì)于個(gè)體價(jià)值的追求，都反映了當(dāng)時(shí)社會(huì)的精神風(fēng)貌和價(jià)值觀念。通過(guò)對(duì)隱逸詩(shī)的研究，我們可以更加深入地了解古代士人的內(nèi)心世界和人生追求。Thementalityandsocialatmosphereofliteratireflectedinmedievalreclusivepoetryareofgreatsignificanceforunderstandingancientsocialhistory.Theliterati'sindifferencetofameandfortune,lovefornaturallandscapes,andpursuitofindividualvaluesdepictedinthereclusivepoemsallreflectthespiritualoutlookandvaluesofthesocietyatthattime.Throughthestudyofreclusivepoetry,wecangainadeeperunderstandingoftheinnerworldandlifepursuitsofancientscholars.中古隱逸詩(shī)還具有獨(dú)特的文化價(jià)值。這些詩(shī)歌不僅是文學(xué)藝術(shù)的瑰寶，更是古代文化的重要載體。它們傳遞了古代人們對(duì)于自然、社會(huì)、人生等方面的深刻思考和理解，為我們提供了寶貴的歷史資料和文化遺產(chǎn)。Medievalreclusivepoetryalsohasuniqueculturalvalue.Thesepoemsarenotonlytreasuresofliteratureandart,butalsoimportantcarriersofancientculture.Theyconveytheprofoundthinkingandunderstandingofancientpeopleonnature,society,life,andotheraspects,providinguswithvaluablehistoricalmaterialsandculturalheritage.中古隱逸詩(shī)的影響與價(jià)值是多方面的，它們不僅豐富了古代文學(xué)寶庫(kù)，也為后世提供了寶貴的精神財(cái)富和文化資源。在今天這個(gè)快節(jié)奏、高壓力的社會(huì)中，隱逸詩(shī)中所倡導(dǎo)的那種超脫世俗、追求內(nèi)心寧?kù)o的生活態(tài)度，依然具有重要的現(xiàn)實(shí)意義和指導(dǎo)價(jià)值。Theinfluenceandvalueofmedievalreclusivepoetryaremultifaceted.Theynotonlyenrichthetreasuretroveofancientliterature,butalsoprovidevaluablespiritualwealthandculturalresourcesforfuturegenerations.Intoday'sfast-pacedandhigh-pressuresociety,theattitudeoftranscendingthesecularworldandpursuinginnerpeaceadvocatedinhermitpoetrystillhasimportantpracticalsignificanceandguidingvalue.六、結(jié)論Conclusion經(jīng)過(guò)對(duì)中古隱逸詩(shī)的深入研究，我們可以得出一些令人深思的結(jié)論。這一時(shí)期的隱逸詩(shī)不僅體現(xiàn)了詩(shī)人們對(duì)于現(xiàn)實(shí)社會(huì)的不滿和逃避，更是他們追求內(nèi)心寧?kù)o、向往自然與自由的精神寄托。Throughin-depthresearchonmedievalreclusivepoetry,wecandrawsomethought-provokingconclusions.Thereclusivepoetryofthisperiodnotonlyreflectsthepoets'dissatisfactionandavoidanceoftherealsociety,butalsotheirspiritualsustenanceofpursuinginnerpeace,yearningfornatureandfreedom.中古隱逸詩(shī)的創(chuàng)作背景復(fù)雜多樣，反映了當(dāng)時(shí)社會(huì)的種種矛盾和問(wèn)題。這些詩(shī)人們身處亂世，面臨著政治動(dòng)蕩、社會(huì)不安的困境，因此選擇隱逸生活，遠(yuǎn)離塵囂，尋找心靈的慰藉。他們的詩(shī)作中充滿了對(duì)自然風(fēng)光的贊美，對(duì)隱居生活的向往，以及對(duì)現(xiàn)實(shí)社會(huì)的不滿和批判。Thecreativebackgroundofmedievalreclusivepoetryiscomplexanddiverse,reflectingvariouscontradictionsandproblemsinsocietyatthattime.Thesepoetsarelivinginturbulenttimes,facingpoliticalturmoilandsocialunrest,sotheychoosetoliveinseclusion,stayawayfromthehustleandbustle,andseekspiritualcomfort.Theirpoetryisfullofpraisefornaturalscenery,longingforseclusion,anddissatisfactionandcriticismtowardstherealsociety.中古隱逸詩(shī)的藝術(shù)成就顯著，體現(xiàn)了詩(shī)人們高超的詩(shī)歌創(chuàng)作技巧。這些詩(shī)人們擅長(zhǎng)運(yùn)用各種修辭手法，如象征、隱喻、對(duì)仗等，將自然景物、隱居生活以及內(nèi)心情感描