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EnglishandAmericaliteratures
IntroductionofEnglishliterature
1.England'sinhabitantsisCelts.AnditisconqueredbyRomans,Anglo
SaxonsandNormans.TheAnglo-SaxonsbroughttheGermaniclanguageandcultureto
England,whileNormansbroughttheMediterraneancivilization,includingGreekculture,
RomelawandtheChristianreligion.
2.theoldEnglishliteratureextendsfromabout450to1066,theyearofthe
NormanconquestofEngland.
3.OldEnglishliteraturehassurviveddividedintotwogroups.
Religiousgroup:GenesisA
GenesisBbasedonbiblicalthemestheOldTestament
Exodus
TheDreamoftheRood
Thesecularone:TheWanderer
Deor
Theseafarer
Thewife'scomplaint
Beowulf:atypicalexampleofOldEnglishpoetry,isregardedasthenationalepicofthe
Anglo-Saxons.Itisanexampleoftheminglingofnaturemythsandheroiclegends.
AftertheNorman'sconquest,threelanguagesco-existedinEngland.Frenchifthe
officiallanguagethatisusedbykingandtheNormanlords.Latinistheprincipal
tongueofchurchaffairsandinuniversities.OldEnglishwasspokenonlybythe
commonEnglishpeople.
Inthesecondhalfof14thcentury,GerofferyChaucer,WilliamLangland,JohnGower,
andothers
Recite:
1.Romance:whichusesnarrativeverseorprosetosingknightlyadventuresor
otherheroicdeedsisapopularliteraryforminthemedievalperiod.Ithasdevelopedthe
characteristicmedievalmotifsofthequest,thetest,themeetingwiththeevilgiantand
theencounterwiththebeautifulbeloved.Theheroisusuallytheknight,whosetsout
onajourneytoaccomplishsomemissions.Thereisoftenmysteriesandfantasiesin
romance.Romanticloveisanimportantpartoftheplotinromance.Characterizationis
standardized,Whilethestructureislooseandepisodic,thelanguageissimpleand
straightforward.Theimportanceoftheromanceitselfcanbeseenasameansof
showingmedievalaristocraticmenandwomeninrelationtotheiridealizedviewofthe
world.
2.heroiccouplet:Heroiccoupletisarhymedcoupletofiambicpentameter.Itis
ChaucerwhouseditforthefirsttimeinEnglishinhisworkTheLegendofGood
Woman.
3.DefinetheperiodofOldEnglishliteratureandmedievalliterature:
TheperiodofOldEnglishliteraturebeginswiththeAnglo-SaxonssettlementinEngland
atabout450to1066,theyearoftheNormanConquestofEngland.TheMedievalPeriod
inEnglishliteraturestartat1066,theyearoftheNormanConquest,andendsatabout
the15thcentury,isalmostabarrenoneinliterarycreation.Whileinthelaterperiod,
startingfromthesecondhalfofthe14thcentury,Englishliteratureflourisheswiththe
appearanceofwriterslikeGeoffreyChaucer,WilliamLangland,JohnGower,and
others,
4.ThethemeofBeowulf:thepoempresentsavividpictureofhowtheprimitive
peoplewageheroicstrugglesagainstthehostileforcesofthenaturalworldundera
wiseandmightyleader.Thepoemisanexampleoftheminglingofthenaturemyths
andheroiclegends.
5.WhatdoesthecharacterthewifeofBathinTheCanterburyTalesrepresent?
Andhowdoestheauthordevelophischaracterization?
TheWifeofBathisdepictedasthenewbourgeoiswifeassertingherindependence.
Chaucerdevelopshischaracterizationtoahigherartisticlevelbypresentingcharacters
withbothtypicalqualitiesandindividualdispositions.
6.Chauceriscalled"thefatherofEnglishpoetry"andhasmadegreat
contributionstoEnglishpoetryandEnglishliterature.PleasediscussChaucer'sliterary
achievementandwhyheiscalled"thefatherofEnglishpoetry"
Chaucer'sachievement:
1.hepresentedacomprehensiverealisticpictureofhisageandcreatedawhole
galleryofvividcharactersinhisworks,especiallyinTheCanterburyTales.2.He
anticipatedanewear,theRenaissance,tocomeundertheinfluenceoftheItalian
writers.3.Hedevelopedhischaracterizationtoahigherlevelbypresentingcharacters
withbothtypicalqualitiesandindividualdispositions.4.hegreatlycontributedtothe
maturingofEnglishpoetry.Today,Chaucer'sreputationhasbeensecurelyestablished
asoneofthebestEnglishpoetsforhiswisdom,humorandhumanity.
2.whyheiscalled"thefatherofEnglishpoetry":
originally,OldEnglishpoemsaremainlyalliterativeverseswithfewvariations.Chaucer
introducedfromFrancetherhymedstanzasofvarioustypestoEnglishpoetryto
replaceit.InTheRomauntoftheRose,hefirstintroducedtotheEnglishthe
octosyllabiccouplet.InTheLegendofGoodWomen,heusedforthefirsttimein
Englishheroiccouplet.Andinhismasterpiece,TheCanterburyTales,heemployed
heroiccoupletwithtrueeaseandcharmforthefirsttimeinthehistoryofEnglish
literature.HisartmadehimoneofthegreatestpoetsinEnglish,JohnDrydencalled
him"thefatherofEnglishpoetry".
ChapterITheRenaissancePeriod
1.Renaissance:itismarksatransitionfromthemedievaltothemodernworld.
Generally,itreferstotheperiodbetweenthe14thandmid17thcenturies.Itfirststarted
fromItalyandthenspreadalloverEurope.Therenaissance,whichmeans11rebirth"or
revival",isactuallyamovementstimulatedbyaseriesofhistoricalevents,suchasthe
rediscoveryofancientRomanandGreekculture,thenewdiscoveriesingeographyand
astrology,thereligiousreformationandtheeconomicexpansion.TheRenaissance,
therefore,inessence,isahistoricalperiodinwhichtheEuropeanhumanistthinkers
andscholarsmadeattemptstogetridofthoseoldfeudalistideasinmedievalEurope,
tointroducenewideasthatexpressedtheinterestsoftherisingbourgeoisie,andto
recoverthepurityoftheearlychurchfromthecorruptionoftheRomanCatholic
Church.
2.thebackgroundoftheEngland
TheEnglandisunrest,andisavolcanicperiodofEnglishhistory.Thewar-likenobles
seizedthepowerofEnglandandturneditintoself-destruction.Thefrightfulreignof
RichardIIImarkedtheendofcivilwars,untilthereignofHenryVIII(1509-1547)thatthe
RenaissancereallybegantoshowitseffectinEngland
3.Humanism:itistheessenceoftheRenaissance.Humanismisasystemof
beliefsupheldbywritersandartistsoftheRenaissanceperiodintheirfightingagainst
medievalasceticism.Itstatesthatmanisgodly,thatmanisabletofindtruth,goodness
andbeauty,andthatmanisincontrolofthepresentliferatherthanbeingcontrolledby
God.Briefly,humanismputsmanatthecenteroftheirbeliefsandtakesmantobethe
measureofeverythingwhiletheformerasceticismputsGodatthecenteroftheir
beliefsandtakespersonalsalvationtobethemostimportantthingontheearthfor
man.
4.Religiousreformation:itisMartinLuther,aGermanProtestant,whoinitiated
theReformation.LutherbelievedthateverytrueChristianwashisownpriestandwas
entitledtointerprettheBibleforhimself.
HenryVIIIwasregardedasthefaithfulsonoftheCatholic,hiswifecutthetieswith
Rome
EdwardVIthereformofthechurch'sdoctrineandteachingwascarriedout
MarytherewasaviolentswingtoCatholicism.
Elizabeth'sreignProtestantismhasbeenfirmlyestablished.
Thereligiousreformationwasactuallyareflectionoftheclassstrugglewagedbythe
newrisingbourgeoisieagainstthefeudalclassanditsideology.
5.blankverse:istheunrhymediambicpentameterline,ItwasSurreywhofirst
broughtitinandMarlowewhoperfecteditwithhis"mightyline"
6.metaphysicalpoetry:Theterm"metaphysicalpoetry"iscommonlyusedto
nametheworkofthe17thcenturywriterswhowroteundertheinfluenceofJohnDonne.
Witharebelliousspirit,themetaphysicalpoetstriedtobreakawayfromthe
conventionalfashionoftheElizabethanlovepoetry.Thedictionissimpleandechoes
thewordsandcadencesofcommonspeech.Theimageryisdrawnfromtheactuallife.
Theformisfrequentlythatofanargumentwiththepoet'sbeloved,withGod,orwith
himself.ModernpoetslikeT.S.Eliothavebeenmostlyaffectedbythemetaphysical
influence.
7.TheRenaissanceherisMarlowe'screation,Suchaheroisalways
individualisticandfullofambition,facingbravelythechallengefrombothgodsand
men.HeembodiesMarlowe'shumanisticidealofhumandignityandcapacity.Different
fromthetragicheroinmedievalplays,whoseeksthewaytoheaventhroughsalvation
andGod'swill,heisagainstconventionalmoralityandcontrivestoobtainheavenon
earththroughhisownefforts,Withtheendlessaspirationforpower,knowledge,and
glory,theherointerpretsthetrueRenaissancespirit.BothTamburlaineandFaustusare
typicalinpossessingsuchaspirit.
8.giveagreatincentivetosomething
9.WilliamCaxton,whointroducedprintingintoEngland.IncludingThe
CanterburyTablesandMalory'sMorteDarthur
10.it'sthemainstreamofthesth
11.itcouldbedatedbacktothe......
12.interludesandmoralityplaysthrivinginthemedievalperiod
13.butthedevelopmentofthedramaintoasophisticatedartform
14.theymadeavividdepictionofthesharpconflictsbetweenfeudalismandthe
risingbourgeoisieinatransitionalperiod.
15.FrancisBacon(1561-1626),thefirstimportantEnglishessayist,isbestknownfor
hisessayswhichgreatlyinfluencedthedevelopmentofthisliteraryform.Hewasalso
thefounderofmodernscienceinEngland.Hiswritingspavedthewayfortheuseof
scientificmethod.Thus,heisundoubtedlyoneoftherepresentativesoftheEnglish
Renaissance.
16.themainwriters
A.EdmundSpenser(1552-1599)receivededucationfirstatMerchantTaylor's
SchoolandthenatPembrokeCollege,Cambridge.TheShepheardesCanlender,
Epithalamion—themostbeautifulweddinghymnsfortheirmarriage.Spenser's
masterpieceisTheFaerieQueene,tofashionagentlemanornoblepersoninvirtuous
andgentlediscipline.TheRedcrosseknightinBook/andSirGuyoninBookII
ThefivemainqualitiesofSpenser'spoetryare:a.aperfectmelody;b.araresenseof
beauty;c.asplendidimagination;d.aloftymoralpurityandseriousness;e.adedicated
idealism.Inadditiontotheabove,Spenserusesstrangeformsofspeechandobsolete
wordsinordertoincreasetherusticeffect.ItisSpenser'sidealism,hisloveofbeauty,
andhisexquisitemelodythatmakehimknowas"thepoets"poet.
B.ChristopherMarlowe:(1564-1593)asonofaCanterburyshoemaker.Firsttothe
King'sSchool,thenCambridge.Asamanofletters.PlayTamburlaine,Dr
Faustus,isgiftedofthe"UniversityWits",TheJewofMalta,EdwardII,non-dramatic
poetryincludesHeroandLeander,11thePassionateShepherdtoHisLove"andaverse
translationofQ/id'sAmores,pioneerofEnglishdrama
TamburlaineisaplayaboutananambitiousandpitilessTartarconquerorinthe
fourteenthcenturywhorosefromashepherdtoanoverpoweringking.Byfloutingthe
givenorderandtramplingondespairingprinces,Tamburlainedisplayedahigh-aspiring
mindthatwasself-createdandcarriedbyloveanddreamsbeyondthelimitsofmoral
existence.Hisvictorieswereatriumphofimmensenaturalenergyandofruthlessness
overequallycruelbutweakanddecadentcivilizations.Bydepictingagreatherowith
highambitionandsheerbrutalforceinconqueringoneenemyafteranother.Beinga
cruelconqueror,findsconsummatehappinessinsubduingotherkingdoms.Noenemy,
exceptDeath,candefeathim,hisdeathendsingloryalthoughhefinallyadmitshis
limitationsofachievements,andevenhislimitationsasahumanbeing.
Dr.FaustusisaplaybasedontheGermanlegendofamagicianaspiringforknowledge
andfinallymeetinghistragicendasaresultofsellinghissoultotheDevil.Theplay's
dominantmoralishumanratherthanreligious.Itcelebratesthehumanpassionfor
knowledge,powerandhappiness;italsorevealsman'sfrustrationinrealizingthehigh
aspirationsinahostilemoralorder.Andtheconfinementtotimeisthecruelestfactof
man'scondition.
Dr.FaustusisthegreatestofMarlowe'splays,inwhichtheoldGermanlegendiffreely
reshaped.Faustusisagreatscholarboredofhispresentstudyontheacademic
curriculumandturnstoblackmagic.ByconjurationhecallsupMephistophilis,the
Devils'sservant.Faustusmakesabondtosellhissoultothedevilinreturnfor
twenty-fouryearsoflifeinwhichhemayhavetheservicesofMephistophilistogivehim
everythinghedesires.Withthehelpofdevil,Faustusbringshismagicalartintofull
playandseesthePope,AlexandertheGreatandeventhebeautifulHelenofGreece.
MeanwhileFaustushasexperiencedmuchinternalconflict,symbolizedinthe
appearancesofbothGoodAngelandBadAngel.Inthefinalscene,thereremainsonly
theterrifyingsoliloquyinwhichtheanguishofthehero'smindispoignantlyexpressed.
ThePassionateShepherdtoHisLove:thisshortpoemisconsideredtobeoneofthe
mostbeautifullyricsinEnglishliterature.Itderivesfromthepastoraltradition,inwhich
theshepherdenjoysandidealcountrylife,cherishingapastoralandpureaffectionfor
hislove.Strongemotionisconveyedthroughthebeautyofnaturewhereloversarenot
disturbedbyworldlyconcern.
Comelivewithmeandbemylove
Andwewillallthepleasuresprove
Thatvalleys,groves,hills,andfields
Woods,orsteepymountainyields
Andwewillsitupontherocks,
Seeingtheshepherdsfeedtheirflocks.
Byshallowriverstowhosefalls
Melodiousbirdssingmadrigals.
AndIwillmaketheebedsofroses,
Andathousandfragrantposies,
Acapofflowers,andakirtle,
Embroideredallwithleavesofmyrtle;
Agownmadeofthefinestwool,
Whichfromourprettylambswepull;
Fairlinedslippersforthecold,
Withbucklesofthepurestgold;
Abeltofstrawandivybuds,
Withcoralclaspsandamberstuds,
Andifthesepleasuresmaytheemove,
Comelivewithme,andbemylove.
Theshepherdsswainsshalldanceandsing
ForthydelighteachMaymorning;
Ifthesedelightsthymindmaymove,
Thenlivewithmeandbemylove.
C.WilliamShakespeare
(1564-1616)isoneofthemostremarkableplaywrightsandpoetstheworldhasever
known.Hisworksinclude38plays,154sonnetsand2longpoems.Bornina
merchant'sfamily.InLondonhewritetheplaywrite:LordChamberlain'sMenwhichwas
laterrenamedKing'sMen.RobertGreene,oneofthe11UniversityWits",declaredhimto
be"anupstartcrow."Twopoems:VenusandAdfonisandTheRapeofLucrece
Threeperiods:
Oneperiod:
Historyplays:HenryVI,PartsI,II,andIII,RichardIII,TitusAndronicus;fourcomedies:
TheComedyofErrors,TheTwoGentlemenofVerona,TheTamingoftheshrew,and
Love'sLabour'sLost
Twoperiod
Secondperiod:fivehistories:RichardII,KingJohn,HenryIV,PartsIandII,HenryV
Sixcomedies:AMidsummerNight'sDream,TheMerchantofVenice,MuchAdoAbout
Nothing,Asyoulikeit,TwelfthNight,andTheMerryWivesofWindsor
Twotragedies:RomeoandJuliet,JuliusCaesar.
Thirdperiod:
Tragedies:Hamlet,Othello,KingLear,Macbeth,AntonyandCleopatra,Troilusand
Cressida,andCoriolanus.
Twocomedies:All'sWellThatEndsWellandMeasureforMeasure.
Lastperiod:
Romantictragicomedies:Pericles,Cymbeline,TheWinter'sTaleandTheTempest
Twoplays:HenryVIIIandTheTwoNobleKinsmen
Mainworks:
MerchantofVenice:hestatesthesophisticationderivesinpartfromtheplaybetween
high,outgoingromanceanddarkforcesofnegativityandhate.Thetraditionalthemeof
theplayistopraisethefriendshipbetweenAntonioandBassanio.toidealizePortiaas
aheroineofgreatbeauty,witandloyalty,andtoexposetheinsatiablegreedand
brutalityoftheJew.Burnowtheviewschanged,itisverydifficulttoseeShylockasa
conventionalevilfigure.Andmanypeopletodaytendtoregardtheplayasasatireof
theChristians'hypocrisyandtheirfalsestandardsoffriendshipandlove,theircunning
waysofpursuingworldlinessandtheirunreasoningprejudiceagainstJews..compare
theothersworksofhim,ittakesastepforwardinitsrealisticpresentationofhuman
natureandhumanconflict.
RomeoandJuliet:whicheulogizesthefaithfulnessofloveandthespiritofpursuing
happiness.Theplay.thoughatragedy,ispermeatedwithoptimisticspirit..
Hamlet,Othello,KingLear,andMacbeth:Theyhavesomecharacteristicsincommon.
Eachportrayscomenoblehero,whofacestheinjusticeofhumanlifeandiscaughtina
difficultsituationandwhosefateiscloselyconnectedwiththefateofthewholenation.
Eachherohashisweaknessofnature:Hamlet,themelancholicscholar-prince,faces
thedilemmabetweenactionandmind.Othello'sinnerweaknessismadeuseofbythe
outsideevilforce;andKingLearwhoisunwillingtototallygiveuphispowerhimself
sufferfromtreacheryandinfidelity;andMacbeth'slustforpowerstirsuphisambition
andleadshimtoincessantcrimes.
Hamlet:thefirstofthegreattragedies,isgenerallyregardedasShakespeare'smost
popularplayonthestage,forithasthequalitiesofa"blood-and=thunder"thrillerand
aphilosophicalexplorationoflifeanddeath.Itbasedonawidespreadlegendin
northernEurope,ShakespearetakesthebareoutlinesofRevengeTragedy,butwhathe
addsininfinitelymoreinterestingthanwhatheadopts.Andthetimelessappealofthis
mightydramaliesinitscombinationofintrigue,emotionalconflictandsearching
philosophicmelancholy11tobe,ornottobethatisthequestion".
D.FrancisBacon(1561-1626),arepresentativeoftheRenaissanceinEngland,is
awell-knownphilosopher,scientistandessayist.Helaysthefoundationformodern
sciencewithhisinsistenceonthescientificwayofthinkingandfreshobservation
ratherthanauthorityasabasisforobtainingknowledge.HisEssaysisthefirstexample
ofthatgenreinEnglishliterature,whichhasbeenrecognizedasanimportantlandmark
inthedevelopmentofEnglishprose.AndsomephraseshaveevenenteredtheEnglish
literarytradition.Attheheightofhiscareer,underKingJames,hebecameLordKeeper
andthenLordChancellorofEngland.Buthewaslateraccusedoftakingbribesin
office.
Mainworks:
Hisworkscanbedividedintothreegroups.
Firstgroup:TheAdvancementofLearning,NovumOrganum,andenlargedLatin
versionofTheAdvancementofLearning.Hisphilosophicalworksalsobelongtothe
firstgroup.
Secondgroup:mainliteraryworks.ThemostfamousisEssays.Includedtenshort
articles,theenlargededitionof1612andthirty-eightessays.Otherworksofthegroup
areApophthagmesNewandOld,TheHistoryoftheReignofHenryVII,andunfinished
TheNewAtlantis.
Thirdperiod:MaximsofLaw,TheLearnedReadingupontheStatuteofUSES.
TheAdvancementofLearning:itisagreattractoneducation.InbookI,Baconhighly
praisesknowledge,refutingtheobjectionstolearningandoutliningtheproblemswith
whichhisplanistodeal.Alsoheanswersthechargethatlearningisagainstreligion.In
ordertoillustratethisidea,hedividesknowledgeintotwokinds.Oneistheknowledge
obtainedfromtheDivineRevelation.Theotheristheknowledgefromtheworkingsof
humanmind.Heseparatestheologyfromscientificobservationsandexperiments,thus
makingagreatstepforwardinscience.Thesecondbookisasurveyoflearning,which
explainsitsimportanceinscholarship.AccordingtoBacon,man'sunderstanding
consistsofthreeparts:historytoman'smemory,poetrytoman'simaginationand
creation,andphilosophytoman'sreason.
NovumOrganum:isasuccessfultreatisewritteninLatinonmethodology.Itisthemost
impressivedisplayofBacon'sintellect.Theargumentisfortheuseofinductivemethod
ofreasoninginscientificstudy.ButBaconfirstexpoundsthefourgreatfalse
conceivingsthatbesetmen'smindandpreventthemfromseekingthetruth.Theninhis
secondbook,Baconsuggeststheinductivereasoning,i.e.proceedingfromthe
particulartothegeneral,inplaceoftheAristotelianmethod,thedeductivereasoning,
i.e.proceedingfromthegeneraltotheparticular.Byputtingforwardthistheory,Bacon,
asahumanistintellect,showsthenewempiricalattitudestowardtruthaboutnature
andbravelychallengesthemedievalscholasticists.
MontaigneistheBacon'steacher,learneconomicandflexiblewayofwriting.
Baconcaresmoreaboutaxiomsundertheguidanceofwhichmanthinksandactsthan
humannatureormorality.
Bacon'sessaysarefamousfortheirbrevity,compactnessandpowerfulness.Yetthere
isanobviousstylisticchangeintheEssays.Thesentencesinthefirsteditionare
chargedandcrowdedwithsymmetries.Theyarecomposedinaratheraffectedway.
However,thefinaleditionnotonlyenlargestherangeoftheme,butalsobringsforththe
looserandmorepersuasivestyle.Theessaysarewell-arrangedandenrichedby
Biblicalallusions,metaphorsandcadence.
OfStudiesisthemostpopularofBacon's58essays.Itanalyzeswhatstudieschiefly
servefor,thedifferentwaysadoptedbydifferentpeopletopursuestudies,andhow
studiesexertinfluenceoverhumancharacter.Forcefulandpersuasive,compactand
precise,OfStudiesrevealstousBacon'smatureattitudetowardslearning
E.JohnDonne(1572-1631),istheleadingfigureofthe11metaphysicalpoetry",it'smain
characteriswitharebelliousspirit,themetaphysicalpoetstriedtobreakawayfromthe
conventionalfashionoftheElizabethanlovepoetry.Thedictionissimpleascompared
withthatoftheElizabethanortheNeoclassicperiods.Andechoesthewordsand
cadencesofcommonspeech.Theimageryisdrawnfromtheactuallife.Theformis
frequentlythatofanargumentwiththepoet'sbeloved,withGod,orwithhimself.
Hispoemsgiveamoreinherentlytheatricalimpressionbyexhibitingaseemingly
unfocuseddiversityofexperiencesandattitudes,andafreerangeoffeelingsand
moods.Themodeisdynamicratherthanstatic,withingenuityofspeech,vividnessof
imageryandvitalityofrhythms,whichshowanotablecontrasttotheotherElizabethan
lyricpoemswhicharepure,serene,tuneful,andsmooth-running.Themoststriking
featureofDonne'spoetryispreciselyitstangofreality,inthesensethatitseemsto
reflectlifeinarealratherthanapoeticalworld.Herbert,Vaughan,Crashaw,Marvelland
Cowleyarealsoconsideredtobemetaphysicalpoets.,hemainwritingsermonsand
religiouspoems.
Mainworks:TheElegiesandSatires,TheSongsandSonnets.HolySonnets,Ahymnto
GodtheFather.
TheSongsandSonnets,inthispoemsDonneisprobablybestknown,containsmostof
hisearlylyrics.Loveisthebasictheme.Donneholdsthatthenatureofloveisthe
unionofsoulandbody.IdealismandcynicismaboutlovecoexistinDonne'slove
poetry.,sometimesexpressesthefutilityandinstabilityofloveinhispoems.His
interestliesindramatizingandillustratingthestateofbeinginlove..
Inhispoetry,Donnefrequentlyappliesconceits.Hisconceitsmaybedividedintotwo
kinds:easyonesanddifficultones.Easyconceits,foundinallElizabethanpoetrywith
imagesconcerningmythologyandnaturalobjects,arenotanovelty;thedifficultones
relylargelyonthechoiceofimagery.Donne'simagesarelinkedwithnewresources
suchaslaw,psychologyandphilosophywhichendowhispoetrywithlearningandwit.
Hispoetryinvolvesacertainkindofargument,sometimesinrigidsyllogisticform.He
seemstobespeakingtoanimaginedhearer,raisingthetopicandtryingtopersuade,
convinceorupbraidhim.
VIJohnMilton(1608-1674)takepartinthestruggleforhumanliberty,thusputtinghis
pentotheserviceoftherevolutionarycause,
Mainworks:ParadiseLost,ParadiseRegained,SamsonAgonistes.Milton'sliterary
achievementscanbedividedintothreegroups:theearlypoeticworks,themiddle
prosepamphlets,theearlyperiod,Lycidas,Areopagitica,,theParadiseLostistheonly
generallyacknowledgedepicinEnglishliteraturesinceBeowrlf;andthelastoneisthe
mostperfectexampleoftheversedramaaftertheGreekstyleinEnglish.
ParadiseLostisalongepicdividedinto12books.Thethemeisthe11FallofMan".In
heaven,SatanledarebellionagainstGod.Defeated,heandhisrebelangelswerecast
intoHell.However,Satanrefusedtoaccepthisfailure,vowingthat11alIwasnotlost".
ThepoemgoesontotellhowSatantookrevengebytemptingAdamandEve,thefirst
humanbeingscreatedbyGod,toeatfruitfromthetreeofknowledgeagainstGod's
instructions.Fortheirdisobedience,AdamandEveweredrivenoutofParadise.They
weresorryforwhattheyhaddoneandprayedtoGod.Inthelastbooktheyweregiven
thehopeforredemption.ThepoemendedwithAdamandEvewalkingawayfrom
Paradise,handinhand,andthegatesofEdenwereclosedbehindthem..
Paradiselost:isMilton'smasterpiece.ThestoryistakenfromtheOldTestament:Satan
andotherangelsrebelagainstGod,buttheyaredefeatedanddrivenfromHeaveninto
Hell.EvenamidstthefurnaceofHell,Satanisdeterminedtofightback.Heassumesthe
shapeofasnakeandcomestotheGardenofEden,aparadisewhereAdamandEve
live.God,afterknowingSatan'splot,sendstheArchangelRaphaeltowarnAdamand
EveofSatan.However,SatanstillsucceedsinseducingEvetoeatthefruitfromthe
TreeofKnowledge,whichhasbeentotallyforbiddenbyGod.Asaresult,AdamandEve
areexiledbyGodfromtheparadiseandthereafterlivealifefullofhardship.
5.QuestionsandAnswers
1.thefivemainqualitiesofSpenser'spoetryare:a.aperfectmelody;b.araresenseof
beauty;c.asplendidimagination;d.loftymoralpurityandseriousness;e.adedicated
idealism.
2.Whafsthe"ofstudies":itanalyzeswhatstudieschieflyservefor,thedifferentways
adoptedbydifferentpeopletopursuestudies,andhowstudiesexertinfluenceover
humancharacter.Forcefulandpersuasive,compactandprecise,,lofstudies"revealsto
usBacon'smatureattitudetowardslearning.
1.Marlowe'sgreatestachievementliesinthatheperfectedtheblankverseand
madeittheprinciplemediumofEnglishdrama.Hissecondachievementinhiscreation
o
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