關(guān)于肖邦的英文簡介

關(guān)于肖邦的英文簡介肖邦，19世紀波蘭作曲家、鋼琴家。是歷史上最具影響力和最受歡迎的鋼琴作曲家之一，是波蘭音樂史上最重要的人物之一，歐洲19世紀浪漫主義音樂的代表人物。下面是店鋪給大家整理的關(guān)于肖邦的英文簡介，供大家參閱!肖邦簡介FrederickFrancoisChopin(F.F.Chopin1810-1849),19thcenturyPolishcomposer,pianist.In1810,ChopinwasborninPoland;in1817begantocreate;1818debutperformance;1822to1829inWarsawNationalMusichigherlearningschoolmusicandmusictheory.From1829onwardsasacomposerandpianistinEuropeasatour.AfterthefailureoftheWarsawinsurrectionandsettledinParis,engagedinteachingandcreation.In1849,ChopindiedoftuberculosisinParis.Chopinisoneofthemostinfluentialandpopularpianocomposersinhistory,oneofthemostimportantfiguresinthehistoryofPolishmusic,therepresentativeofEuropean19thcenturyromanticmusic.HisworksarebasedonthePolishfolksonganddance,butalsobyBachinfluence,mostlypianomusic,knownasthe"romanticpianopoet."肖邦個人經(jīng)歷In1810,ChopinwasborninthePolishcapitalofWarsawsuburbshotYazoVola,thesameyearthefamilymovedtoWarsaw.In1816,ChopinfollowedthefamouspianoteacherMr.Wojciechtostudythepiano.In1817,ChopincreatedthefirstworksofBmajorandgminorPolishdance.In1818,atthecharityconcertintheRadziwifamilypalace,ChopindebutedandplayedtheworksofAdalbertGyrowetz,thearistocraticsalonofPoland.In1822,ChopinstudiedmusicfromthemusicianandcomposerJózefElsner,whopublishedtheworksoftheGermancomposerFerdinandRiesayearlater.In1826,aftergraduatingfromhighschool,ChopincontinuedtofollowthepianoperformanceandcompositionofmusicbyJosephAyersenauattheWarsawAcademyofMusic.After1829,ChopinmadeanumberofconcertsinEuropeasacomposerandpianist.In1830,duetothePolishuprising,ChopinlefthishometownofPolandmovedtoParis,France,begantoplay,teaching,compositionforaliving.In1837,Chopinrefusedto"thechiefpianistofHisMajestytheEmperor"positionandtitle.In1848,ChopinheldhislastconcertinParisandwasinvitedtovisitEnglandandScotland.OnOctober17,1849,ChopindiedoftuberculosisinthehomeofParis.肖邦創(chuàng)作風(fēng)格OverviewChopinmorepianomusicbased,genrediversity,richincontent,simplefeelings,simpleconcise,subjectmatterclosetothePolishpeople'slife,historyandpatrioticpoetry,melodicpassionate,richandcolorful,flexiblestructure.Asafamouspianoplayer,Chopin'splayingskillsareexquisite,delicatetechniques,soundgorgeous,richpassion,superb,hispianopedalusageisunique.肖邦創(chuàng)作范圍PracticesongChopincreationofthepracticesongcompletelybreakClementi,Cherni,MoXelaiLaisincethepurelytechnicalpracticeofwritingtechniques,donotdeliberatelyhighlightthegorgeoushyunskills,sothatmusictoconveyamoreprofoundfeelings.Suchas"Cmajorpracticesong"(worksonthe10thofthe12"revolution")isChopinwenttoParisin1831ontheway,learnedthattheRussianinvasionofWarsawafterthegriefofwriting.Fromthetechnicalpointofview,thisisalefthandrunningEtudes,butfromtherighthandheroicoctavemelodyandleft-handedstormypouringisnotdifficulttoseethecomposerwasextremelyexcitedheart.WaltzChopinWaltzhasalwaysbeenbeautiful,elegant,gorgeousisknown,butbecausetherhythmchangescomplex,andthereforenotsuitableforpracticaldance.Fromtheformofexpressioncanbedividedintotwocategories:oneistheactualdancetobeidealizedworks,suchas"downEmajorgorgeousbigwreath","downDmajor"puppy"waltz";anotherClassistheformofarounddancelyrics,suchas"lcminordance".PreludeChopin'sprelude,canbedifferentstylesofsongs,freecombinationforthesuite.Createdin1836to1839betweenthe"Prelude"Op.28,thetwenty-fourpreludecontainsavarietyofdifferentlengths,weave,style,withavarietyofcompositiontechniquesinwhichthetoneisdifferenttwentyTherelationshipbetweenthefourrelationsofthesizeofthearrangementofthefivecycles,themusicstylecanbesummarizedasthepracticesong,nocturne,marchcard,funeralmarch,scherzo,infinitemovement,song,fantasyandimprovisationandothertypes.ScherzoJokingsongmeansjoking,buttheworkofChopinhumordoesnothighlightthejoking,butmoremelancholyandtheresistanceoftheindividual,infact,containstheirownridiculeandsarcasm.Suchasthecreationofthe1831"bminorfirstscherzo",thefirstthemeisthestorm-likefrenzy,thesecondmovementmarkedtheslowboard,therearestrangechords.Thebeginningofthepartoftheincompatiblechordwithasuddenchangeinthemood,butthemiddleofthe"dream"hasnotbeenthissuddenpunchhit.Andthenthesecondhalfofthefirsthalfofthestrangechordshaveemerged,re-introductionoftheconstantstruggle,fighting,thirstyemotions,untiltheendhasnotyetseenthebrightfuture.MatsukadanceChopin'sMazurkadancechangesthefolkrhythm,andinaccordancewiththehighlyspecializedartstandardsforre-creation,inharmony,toneandotheraspectsofthemorecreativecreation,hismusichasamorerefinedmelody,Asenseofjump,inthechangetogivepoetic."Lcminordance"isthelargestintherepertoireofChopinMazuka,thebeginningofthemusicbyBach'smusicalstyle,withclassicalfeelings,liketheorganringing."Thebeginningseemstobefortheorgan,butattheendofthesalonstyle,noonehasbeenknockedoutlikethis."NocturneNocturneisChopin'sowninnovationofapianosologenre,ithasacalmandpeaceful,quietandquietfeatures,gentlyintheoccasionaltraceofa