論莫扎特_d小調(diào)幻想曲_的演奏（On Mozart's Fantasia in _d minor _ performance）

1、論莫扎特_d小調(diào)幻想曲_的演奏（On Mozarts Fantasia in _d minor _ performance）三明師專學(xué)報1 9 9 8（L）一個N分鐘G S H IZ H UU E B（）論莫扎特D小調(diào)幻想曲的演奏三明師專音樂系胡麗玲在莫扎特為數(shù)眾多的鋼琴作品中，D小調(diào)幻想曲（作品39 7號升無疑應(yīng)當占有一個獨特的位置17。它完成于82年，是莫扎特的晚期作品。纂扎犢在這個作品中，典過豐富的音樂形象鍛烈的戲劇酬哆玉在和聲語言的運用上冬常新穎、大膽和富于動力，諫擎價作品體現(xiàn)出多種丙心的矛盾和發(fā)展。全曲共分三個部分獷一“引子：和NT E，一”第一段：一一對一1一1 2小節(jié)D小調(diào)貴拍1

2、 2 5 7一小節(jié)令拍；。第二段：LLE G R E T T一O 5 8 2 2 3小節(jié)一本丈擬從演奏角度，通過創(chuàng)作形式、D大調(diào)號。素材、表現(xiàn)手法以及在演奏中應(yīng)當注意和可能出現(xiàn)的一些問題等諸方面的探討，試圖找到表現(xiàn)這首作品以至表現(xiàn)莫扎特鋼琴音樂的一些規(guī)律。引子部分行板速度。左右手在低音區(qū)通過琶音交替進行，奏出深沉的、帶有朦朧色彩的小調(diào)旋律此起彼伏，相互呼應(yīng)，給人三種飄浮的感覺。溫暖含蓄，好象進入了夢幻般的，虛無夭飄渺的意境中去。旋律很美，夾著一絲淡淡的哀傷（見例L）。在引子部分里，要注意左右手的連貧，句與句之間的相互呼應(yīng)，琶音上行時應(yīng)把力度逐漸傳遞上去，到了高點下行時，音色逐漸由亮到暗，最后到

3、低音區(qū)的一音上落下來（1小節(jié)），力度應(yīng)是P在。觸鍵方面這里應(yīng)只下半鍵，注意踏瓣的運用、要造成一種朦朧，虛幻的感尸卜子覺左右手是一呼一應(yīng)，猶如兩個人物在一問一答，一9小節(jié)琶音上行給第或是前句的回音。人一種在空間回蕩的感覺。下行時逐漸弱下來，稍慢，最后的自由延長休止，褚緒上不要斷。這段琶音走句，每兩小節(jié)中都有一個對比，都有一個高點但又不能機械式地準確，這。樣不好聽。而要像畫畫中的線條，不能每個音都是賣心的，有的音是空心的，虛一些踏瓣。要注意，不要太糊。演奏莫扎特的音樂，速度上不宜太快或太慢。：莫扎特很講”中庸之道”（不是中國的中庸之道），就是說喜歡含蓄。他的音樂不像貝多芬的音樂那么嚴峻和強烈，一好

4、像板著面孔，有時78三明師專學(xué)報又那么凄涼，莫扎特的音樂給人4種自然的感染。一R8年G 9第”段D小調(diào)轉(zhuǎn)F大調(diào)（12一19小節(jié)），引子結(jié)束時的情緒要延續(xù)到這里，然后深深地吸口氣，慢慢地從沉思下，從容地秦出主題。（見例2）12小節(jié)的第一個音“F”下鍵時要深，不要彈得太炸。左手伴奏部分發(fā)要很輕，_手不要抬太高。整個旋律是連貫的，歌唱性的。這里要注意附點三十二分音符的準確。右手旋律要出來，很流暢，圓潤不要把鍵子壓死，爬不動。十四小節(jié)是12小節(jié)的上方大二度模進。因此彈拍上韻音要比12小節(jié)出來些，有所對比。16小節(jié)右手八度下去要強些，用F力度，進來時要有準備，不要炸下去，左手三和弦晚一拍下去，在屬七和弦

5、上收住有些戲劇性色彩1 7 1 9一小節(jié)，旋律先是附點十六分音符的跳進戶然后半音下行，The rhythm should be three equal, very elegant, very natural, and then the left and right hand eight notes alternately appear, such as inter: why?Is from the answer.19 bars melody three degrees, four degrees interval upward, the timbre is not too bright, th

6、e strength is gradually weak down.Between 19 and 20, you should take a deep breath,_The 20 section emotional turn, continuous repetition in the play,Deputy choke.Here, the key to deep, is a kind of affirmative emotion: with the music, the intensity should be gradually strengthened, speed library rel

7、axed,Heres the repeating sound e, to change the music, to walk, not Zen into a stagnant pool,2 minutes down to use s f strength, thirty-twoThe notes should come in accurately, and the jam should be coherent. The sixteen note of the last shot should be on the beat, and the accent is on the first tone

8、On the A, four small notes should be clearly played, and the bottom half can be the last sixteen note in the 2 bar, the same as the latter sectionA phrase, phrase friends do not damage the overall recovery has three libraries such as tone.The melody to a cause from weak to strongFar and near effect,

9、 is a kind of exciting or uneasy,Su anxiety mood.Right and left hand use split rhythm, to show a kind of veryDesolate, very strong feeling.26, 27, the left hand to play very closely, and the right hand to form a strong contrast, there must be inherent inevitabilityOf.There is a sense of urgency betw

10、een the pronunciation and the pronunciation, the small sentence and the small sentence.26 and 27 should also pay attention to the sound and the soundThe tension between the tones constitutes a climax,The 27 section in the fourth to slow down, stop.The 28 bars are very important,It creates the artist

11、ic effect of silence and sound, and prepares the music emotion below.The tone of the theme appears in 29, 31, but the theme here is change. 32, 3, the rhythm gradually compact,The strength is strengthened, the inner mood changes more exciting, and the music is promoted upwards.Its important to pause

12、 a shot for 3 barsThe next series of levels, down tone, emotional preparation, down tone, breath can not be broken, so here to suck side gas.34 smallThe first sound of the pitch sinks down, and then goes down rapidly from the high pitch zone (a, CZ) to the bass,And then from the bass to the trebleFi

13、rst stage Hu Liling: on Mozarts performance in Fantasia in D minor 79Area, return the right hand turn up PA.Here the mood should be done in one vigorous effort at one go, can not hesitate. Never stress,Change marks without leaving traces. The return to weak bass treble, and finally stopped at cresce

14、ndo up, E.In 35, 43, there is a turning theme, which is different from the first one in the G major, and the 35 section is repeated repeatedlyCome on, relax your wrist. Sound can not be killed, but also to have a dynamic flow, like always walking, but it seems not to go like,A strong. Be sure to pla

15、y it clearly.The rhythm of the 36 and 37 bars can be relaxed, and the thirty-two note should be in the racketPlay very accurate, free, not too crowded. So, its like Mozarts style.The last 37 barsSixteen practice belong to the latter phrase.Right and left hand coordination is better, 37, 43 section s

16、egmentation rhythm appears, right and left hand rhythm oneAlignment, melody processing, the sense of sound is coming from far away, constantly advancing. Here should be understood as the impact of human and destinySuddenly, this conflict drives the dramatic development of music. Until the 4 quarter,

17、 the piano from d Z sound on the rapidly progressive downward semitoneStop on A, and then go up in the right half of the scale. Here Mozart shaped the character of the person, not the impassioned, butInner, simple and slightly worried, strongly foil the irresistible force of fate, and therefore even

18、 more tragic. In thisWe can see that Mozarts dramatic performance began to develop in the direction of Beethoven. This dramatic later in the BedouinFens music is more,More profound and more intense.The 4 section can be said to be the whole sentence.With a gust of wind, implicit. Use the pedal to pro

19、duce a aerialityThe illusion, in a faint tone, mysteriously reproduces the theme.The theme representation here should be compared with the previous one. Themes were further developed during reproduction.Touch the key, the first soundIf you want to sink, you cant move too much.The pause of 49 bars, o

20、ne shot and half, is very important.50 section melody is very beautiful.From the last sixteen points in the 50 barIts a to 53 sections with a question and answer feeling, form a subtle contrast and front rhythm.A quick series of 53 barsSeven minus thirty-two note chord arpeggios, caused by a mysteri

21、ous color.The 54 section of the mood to calm down, doubt seems to getSolve。The second paragraphThe mood becomes cheerful and melodious,Relaxed。 The theme is very soft and sweet,D major comes in bright, but not personalityContrast, but the realm is higher (see example 3). Note that phrasing. The musi

22、c flows out naturally, 58 bars,Dont hurry dotted notes, to play well. The 59 section will play a semi legato, elastic and LiV3, very simplereal.6. Its a very lively rhythm, a little wrist area,Its very light to play.61, 62, the rhythm, dont drag, toneIts a little faster to get here.Repeat, the melod

23、y is slightly more than the previous, only contrast.The appearance, not too strong, toVery vocal. The three tone of the left hand should be homogeneous, coherent, and reverse with the melody part. A section of the intensity should be sent up.The 71 and 84 sections adopt the Polyphony technique, and

24、the left and right melodies will come out.86, 9, one should jump, light, left hand performanceA series of sixteen notes should be even. We should not only pay attention to the above melody, but also hear the harmony.Its like a house buildingBuilding, not only pay attention to the roof, but also pay

25、attention to the foundation. Harmony is the foundation of music.101 bars, a series of thirty-two notesGo up fast and play very fluently. The intensity here is from M f to SF, of course, it can be glorious, to be beautiful, butNever be strong.When playing long lines, pay special attention to not play

26、ing so much stress. There are several climaxesClassical music in the climax is very stingy. Dont think about the fingers when you play the vibrato with El, but listen with your earsFeel the heart shaking.103, 110, the theme changes, calmly come in, dont beat the rhythm. The 107 section imagingBe ver

27、y simple. The sixteen note in the 108 bar should be accurate.In 113 chords should be controlled, and emotions are still thereJournal of Sanming Teachers College, 1998There seems to be a continuation of inertia, fade down.The 113 section of the chord later some down, bomb control with P efforts, with

28、 four points to match the endless extended symbolThe music below brews emotions. The 114 and 117 stanzas have changed the theme tone on the low eight tone, and the intensity will be controlled soonMelody, from weak to strong 22 F and ritardando.Here, you can use the left pedal to give you a quiet an

29、d full sound effect.118, 23, the last theme of the section, the melody changed to a soft image, but through a set of ascending scale decisivelyBring music to the climax. At the end of the four chord sentence at this time to play simply, powerful, passionate. The end of the end of the songA chord, dont make a Big Bang sound, be prepared.Bounce down. Dont rush your hands upLet the mood through the end, and then the hand slowly mention, so that the action and music emotion integration, giving people the opportunity to aftertaste.To show exactly how to play M