山東省菏澤一中高二英語《Unit 1 A short history 》課件（1）.ppt

人教課標(biāo)高二選修6unit1 ashorthistoryofwesternpainting reading whatdowecallthesethings paintings warmingup brainstorming kindsofpainting oilpainting charcoaldrawing 素描 brushdrawing 水墨畫 landscape cartoon washdrawing 淡水彩畫 figuredrawing 人物畫 watercolor graphicart 形象藝術(shù)畫 imitating 臨摹 lifedrawing 人體素描 sketch 素描 brainstorming canyounamesomefamouspaintingandpainters ifyoucouldhavethreeofthesepaintingsonthewallsforyourclassroom whichwouldyouchoose discussyourreason lookatthepaintings discussingroups enjoythepaintings westernpaintings canyoumatchthepaintingwiththepainters monet canyoutelltheagesofthepaintings xubeihong whoareyourfavoritepaintersfromchina qibaishi zhangdaqian itisoftenaboutnature suchasmountain water bird and flower etc ithasanairoflivinginnature harmony 和諧 andpeace chinesepainting westernpaintings aboutreligion humanabstract richincolor oil lineandshape comparisonofwesternandchinesepainting timewesternchinese 5thto15thcenturyad 15thto16thcentury late19thcenturytoearly20thcentury 20thcenturytotoday whichdoyouthinkhasagreaterchange why let sknowsomefamouswesternartists giottodibondone喬托 迪 邦多納 猶大之吻 giottodibondone 1267 1337 florentinepainterandarchitect hewasrecognizedasthefirstgeniusofartintheitalianrenaissance giottolivedandworkedatatimewhenpeople smindsandtalentswerefirstbeingfreedfromtheshacklesofmedievalrestraint hedealtlargelyinthetraditionalreligioussubjects buthegavethesesubjectsanearthly full bloodedlifeandforce leonardodavinci 1452 1519 michelangelobounaroti 1475 1564 米開朗基羅 creationofadam raffaellosanzio 1483 1520 拉斐爾 theschoolofathens masaccio 1401 1427 thefirstgreatpainteroftheitalianrenaissance whoseinnovationsintheuseofscientificperspectiveinauguratedthemodernerainpainting madonnawithchildandangels crucifixion masaccio的作品 王座上的圣母圣子和四天使 耶穌釘刑圖 凡高 向日葵 1 lifelike truetolife2 beinginthoughtbuthavingaphysicalorpracticalexistence a realisticb abstract matchthewordswiththecorrectmeanings a b 3 classical ofoldbeliefs4 accurate minute5 sinceretobelieveinagodorgods c detailedd religiouse traditional 圣母與圣嬰 天使報(bào)喜織錦畫 themiddleages comparethetwopaintings 圣母子 中世紀(jì) 蒙娜麗莎 文藝復(fù)興 godsarepainted peoplearepainted therenaissance impressionism 莫瑞橋 阿爾弗萊德 西斯萊 賽艇 局斯塔夫 卡耶博特 蓬圖瓦茲 埃爾米塔日的坡地 卡米耶 畢沙羅 modernart 戴帽的自畫像 塞尚作被稱為 現(xiàn)代藝術(shù)的起源 reading ashorthistoryofwesternpainting first reading readthepassageforthefirsttimeandanswerthetwoquestions what sthemainideaofthetext thestyleofwesternarthaschangedalotwithtimegoingby q howmanyperiodsofthepaintingsarementionedinthistext whatarethey 20thcenturytotoday fastreading themiddleages therenaissance impressionism modernart 15thto16thcentury 5thto15thcenturyad late19thtoearly20thcentury timeorder 5thad 15th 16th 19th 20th themiddleages therenaissance impressionism modernart whatweretheartistsinterestedinfrom5thto15thcenturyad creating and forgod 2 howdidmasacciopainthispaintings hedrewthingsin whichmakespicturesvery respect love perspective realistic second reading 3 whydidtheimpressionistshavetopaintquickly becausethenaturallight quickly theyhadto quickly changes paint 1 intherenaissance painters a paintedreligiousscenesinamorerealisticstyleb focusedmoreonreligionthanonhumansc begantopaintoutdoorsd returnedtoclassicalromanandgreekideasaboutart scanning 2 discoveredhowtomakepaintingslookmorerealbyusingperspective giottodibondonemasaccioclaudemonetd pablopicasso 3 accordingtothetext artisinfluencedlesslikelyby a socialchangesb thewayoflifec agricultured beliefsofpeople4 whendidpeoplefocusmoreonpeopleandlessonreligion from5thto15thcenturyad from15thto16thcentury c fromlate19thtoearly20thcentury d from20thcenturytotoday 5 mostpeoplehatetheimpressionists styleofpaintingatfirstbecausetheythought a theirpaintingswereveryabstractb theirpaintingswereveryrealisticc theybrokeawayfromthetraditionalstyleofpaintingd theirpaintingswereveryridiculous 6 whatdoesthetextmainlytellus howreligiouspaintingdeveloped howoilpaintingdeveloped howimpressionistpaintingdeveloped d howwesternartdeveloped readthetextcarefullyandfillintheblanks third reading impressionism religion unrealistic nature perspective oil light outdoors environment abstract tellwhetherthestatementstrueorfalseaccordingtothetext 1 westernarthaschangedverylittleoverthelastseventeencenturies 2 paintersinthemiddleagesdidnotuseperspective 3 impressionistspaintedlandscapes 4 youcannotrecognizeanyobjectinabstractmodernart f t t t 5 intherenaissancemostartistspaintedindoors 6 abstractartisstillartstyletoday t t ages middleagestime 5thto15thcenturyadartist giottofeature religious realistic ages therenaissancetime 15thto16thcenturyadartist masacciofeature perspective realistic ages impressionismtime late19thtoearly20thartist notmentionedfeature notdetailed ridiculous ages modernarttime 20thcenturytotodayartist notmentionedfeature controversial abstract realistic nowcanyoutellwhichperiodthefollowingpicturesbel