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Unit3Theartofpainting:FirstimpressionsWelcometotheunit&Reading01LeadinWatchthevideoandguessWhichtypedoeseachofthepaintingsbelongto?PortraitpaintingStilllifepaintingLandscapepaintingReal-lifepaintingTypesFirstimpressions第一印象02FASTREADINGMatcheachparagraphwiththemainidea.Para.1
AgeneralintroductiontothemuseumMuséed’Orsay.Paras.2–4
Paras.5–6
DescriptionsofpaintingsofClaudeMonetandPierre-AugusteRenoir.SimilaritiesinImpressionistpaintersandtheirinfluence.TrueorFalseTheauthorwasmostimpressedbyMonetandRenoir.(Para.2Line11)Renoir'smasterpieceDanceatLeMoulindelaGaletteisverydetailed.(Para.4Line26)TheImpressioniststriedtopaintextremelyrealisticpaintings.(Para.5Line36)TheImpressionistsshowedtheeffectoflightonthingswithcolors.(Para.5Line34)VanGoghwasinfluencedbyImpressionism.(Para.6Line39)TFFTTshowsverylittlecleardetail.didn’ttrytoWhat'sthepurposeofthepassage?A.Tointroduceseveralworld-famousartists.B.TogivereadersinformationaboutImpressionism.C.TointroducetheMuséed'Orsaytoreaders.D.Tointroducetwofamouspaintings.Whatisthepassagemainlyabout?A.Anintroductiontoanartmuseum.B.Monet'sandRenoir'smasterpieces.C.Avisittoanartmuseum.D.Post-Impressionistpainters.03DETAILEDREADINGPara.1TranslatingAsahugeartfan,IknewexactlywhatIwaslookingforwardtomostaboutmytriptoParis:visitingtheMuseed’Orsay.
Housedinanoldrailwaybuilding,thisworld-famousartmuseumfeaturessomeofthebest-knownpaintingsfromtheImpessionistmovementofthe19thcentury.
作為一個狂熱的藝術(shù)迷,我非常清楚自己此次巴黎之旅最期待的是什么:參觀奧賽博物館。這家舉世聞名的藝術(shù)博物館設(shè)在一座古老的鐵路建筑里,以19世紀印象派運動時期一些最著名的畫作為特色。Para.2TranslatingAsIwanderedthroughtheimpressionistgallery,IappreciatedmasterpieceslikeTheBalletClassandTheCardPlayers.
EventhoughIhadadmiredthemhundredsoftimesonmycomputerscreen,nothingcouldhavepreparedmeforthewonderIfeltwhenIfinallylaideyesontherealthing.我漫步于印象派展館,欣賞著像《舞蹈課》和《紙牌玩家》這樣的杰作。盡管我在電腦屏幕上已經(jīng)欣賞過數(shù)百次,但當(dāng)我終于親眼見到實物時,還是覺得猝不及防,驚嘆不已。Para.2Translating
Whileitwashardtopickafavouritepaintingoutof
somanyamazingworks,theartistswhomadethedeepestimpressiononmeweretwoofthegreatestimpressionistpainters,ClaudeMonetandPierre-AugusteRenoir.雖然從這么多令人稱奇的作品中很難選出一幅最喜歡的,但兩位偉大的印象派畫家給我留下了最深的印象——克勞德·莫奈和皮埃爾·奧古斯特·雷諾阿。ThecityofHangzhouisreallyan___________(impress)place.ThefamousWestLakealwaysleavesadeep__________(impress)onvisitors.Iwasstrongly__________(impress)byitsbeautythefirsttimeIsawit.beimpressedwith/bysth.對…有深刻的印象,受…感動leave/makean/a+adj.+impressiononsb.給某人留下…的印象impressionn.印象,效果,影響impressiveadj.感人的,給人以深刻印象的,令人欽佩的impressvt.&vi.使欽佩;給…留深刻印象;使意識到impressiveimpressionimpressed_________________________ 期待,期盼(L1)_________________________ 即使(L8)_________________________ 看見/注意到某人/某物(L10)_________________________ 從……挑選出(L10-11)_________________________ 給某人留下深刻印象(L11-12)lookforwardtoevenif/thoughlay/seteyesonsb/sthpick…outof…makeadeepimpressiononsbClaudeMonet克勞德·莫奈(法)奧斯卡-克勞德·莫奈(法文:Oscar-ClaudeMonet,1840年11月14日-1926年12月5日),法國畫家,被譽為“印象派領(lǐng)導(dǎo)者”,是印象派代表人物和創(chuàng)始人之一。代表作:日出·印象、盧昂大教堂、維特尼附近的罌粟花田、睡蓮、干草堆2019年5月14日,《干草堆》紐約,1.107億美元《日出印象》《阿爾讓特依的帆船》《睡蓮》Para.3TranslatingIcouldseefromMonet'sworksthathewasgreatlyinspiredbynature.Inthelastthreedecadesofhislifehepaintedmostlyscenesfromhisgarden.OneofthesescenesisshowninthefamouspieceBlueWaterLilies,whichIstudiedforquiteawhileinthegallery.從莫奈的作品中,我可以看出他深受大自然的啟發(fā)。在他生命的最后三十年里,他畫的大多是自家花園里的風(fēng)景。其中一處風(fēng)景就展現(xiàn)在他著名的《藍睡蓮》里,我在展館里端詳了好一陣子。Para.3TranslatingIcouldn'tbelieveitwhenIheardhedidaround250paintingsofthesamewaterlilypond,allindifferentcoloursandstyles.
Itisamazingthat
everytime
Monetstudiedthissimplescene,hebroughtthepond'sbeautytothecanvasinauniqueway.當(dāng)聽說同一個睡蓮池他畫了大約250幅畫,每一幅顏色和風(fēng)格都各異時,我簡直難以置信。令人贊嘆的是,莫奈每次端詳睡蓮池這處簡單的風(fēng)景,都以獨特的方式讓它的美躍然于畫布之上。Para.3Analyzingit作形式主語的常用句型①Itis/was+adj./n.+that從句/todosth./doingsth.②Ittakes(sb.)sometimetodosth.each/everytime,theminute/moment等可以引導(dǎo)時間狀語從句。Para.3Exercising我們應(yīng)該更好地了解這些動物,這是重要的。_________________weshouldhaveabetterunderstandingoftheseanimals.
他們花了一個小時才解出那道很難的數(shù)學(xué)題。_____________________________thedifficultmathproblem.
ItisimportantthatIttookthemanhourtoworkoutListening&WritingPART1Para.4ReadingPierre-AugusteRenoir皮埃爾·奧古斯特·雷諾阿(法)皮埃爾·奧古斯特·雷諾阿(Pierre-AugusteRenoir,1841—1919)印象派重要畫家。1841年生于法國Haute-Vienne的小鎮(zhèn)里蒙(Limoges),后來隨家搬遷到巴黎。印象畫派成員之一。以油畫著稱,亦作雕塑和版畫。作品有《包廂》《游船上的午餐》《小瑪高脫像》《煎餅?zāi)シ康奈钑返?/p>
?!队瓮系奈绮汀愤_威爾小姐像MlleIreneCahend’AnversFieldsofWheat花開Para.4TranslatingRenoir,Inoticed,preferredtopaintscenesofeverydaylife.Forme,themostinterestingofhispaintingsishis1876masterpieceDanceatLeMoulindelaGalette,whichshowslifeinabusyneighbourhoodofParisonaSundayafternoon.我注意到,雷諾阿更喜歡描繪日常生活場景。在我看來,他最有趣的畫作是他1876年的杰作《煎餅?zāi)シ坏奈钑?,這幅畫展現(xiàn)了某個周日下午巴黎一處熱鬧街區(qū)的生活。Para.4TranslatingWhenIsawitupclose,Iwasstruckbythesmallareasoflightacrossthepainting,andthewaythesoftedgesofthefiguresseemedtomixtogether.There'ssomuchgoingon,butsolittlecleardetail.Thiseffectmakesthelivelymovementofthedancealmostjumpoutattheviewer.我近距離觀賞時,畫面上遍布著小面積的光斑,人物柔和的輪廓似乎融為一體,(把我迷住了)令我驚嘆不已。畫上呈現(xiàn)的內(nèi)容如此豐富,但清晰的細節(jié)又如此之少。這種效果使得生動的舞蹈動作似乎躍然于觀眾面前。_________________________ 更喜歡(L21)_________________________ 在近處,近距離(L24)_________________________ 被……打動,迷戀……(L24)prefertoupclosebestruckby_________________________ 期待,期盼(L1)_________________________ 即使(L8)_________________________ 看見/注意到某人/某物(L10)_________________________ 從……挑選出(L10-11)_________________________ 給某人留下深刻印象(L11-12)_________________________ 受到……的啟發(fā)(L14)_________________________ 更喜歡(L21)_________________________ 在近處,很近地(L24)_________________________ 被……打動,迷戀……(L24)lookforwardtoevenif/thoughlay/seteyesonsb/sthpick…outof…makeadeepimpressiononsbbeinspiredbyprefertoupclosebestruckbyPara.5Translating
Althoughthepaintingshadverydifferentsettings,itwastheirsimilaritiesthatstayedwithmelongafterIlefttheMuseed’Orsay----similaritieswhichcanbeseenthroughouttheImpressionists'paintings.盡管這兩幅畫的背景截然不同,但在我離開奧賽博物館后很長一段時間里,一直縈繞著我的卻是它們的相似之處——這種相似之處在印象派的畫作中隨處可見。強調(diào)句Para.5Translating
MonetandRenoir,alongwithotherlike-mindedartists,sought
liberationfromtherulesoftheoldstyle.莫奈和雷諾阿,以及其他志趣相投的藝術(shù)家,都力求從之前風(fēng)格的束縛中(尋求解放)掙脫出來。Para.5Analyzing強調(diào)句型的構(gòu)成Itis/was+被強調(diào)+that/who+剩余。It僅起引導(dǎo)詞作用。去掉
Itis/was+...+that/whoImetMaryyesterday.(1)強調(diào)主語◆ItwasIthat/whometMaryyesterday.(2)強調(diào)賓語◆ItwasMarythat/whoImetyesterday.強調(diào)主語時,that、who后的動詞的人稱和數(shù)的變化與前面被強調(diào)的名詞或代詞一致。Itwastheythat/who
(be)late.werePara.5Exercising
LastnightIsawafilmintheYouthPalace.
強調(diào)主語:_____________________________________________________________________
強調(diào)賓語:______________________________________________________________________
ItwasIthat/whosawafilmintheYouthPalacelastnight.
ItwasafilmthatIsawintheYouthPalacelastnight.
Para.5TranslatingEverydaysubjectmatterwasthemainfocusoftheirworks,asopposedtothehistorypaintingsthathadtraditionallydominatedEuropeanart.
Theyemployedfreebrushworkandusedcolourstoshowtheeffectoflightonthings,creatingpaintingsthatwerefarlessrealisticthantheworksthatcamebefore.日常題材是他們作品的重點,這有別于傳統(tǒng)上在歐洲藝術(shù)界占主流地位的歷史題材畫作。他們運用自由的筆法,使用色彩來表現(xiàn)光線投射在物體上的效果,創(chuàng)作的畫遠不如前人之作那么寫實。Para.5TranslatingTome,thesetechniquesaretheessenceoftheImpressionistviewofart.Impressionistartistsdidnottrytopainteverydetailinascene-justabrief"impression"theyhadatthatmoment,burningwithvividcoloursandlight,beforeitdisappeared.在我看來,這些技巧是印象派藝術(shù)觀的精髓。印象派畫家試圖描繪的并非某個場景的所有細節(jié)——而是他們當(dāng)時產(chǎn)生的瞬間“印象”,在它消失之前,迸發(fā)著鮮明的光彩。Para.6Translating
TheImpressionists'visioninspiredawholenewgenerationofPost-ImpressionistpainterssuchasVincentvanGoghandPaulGauguin,whoseworksarealsodisplayedattheMuseed’Orsay.ItisalsoworthyofnotethatPost-ImpressionistpainterswerenottheonlyonestobeinfluencedbyImpressionism----themovementhashadalastinginfluenceonmodernart,encouragingartiststolookattheworldfromanentirelynewpointofview.Itcertainlyleftalastingimpressiononme.印象派的遠見卓識(想象力)啟發(fā)了新一代的后印象派畫家,如文森特·凡·高和保羅·高更,奧賽博物館有展出他們的作品。值得注意的是,后印象派畫家并不是唯一受印象派影響的群體——這場運動還對現(xiàn)代藝術(shù)產(chǎn)生了持久的影響,鼓勵著藝術(shù)家們從一個全新的視角去看待世界。當(dāng)然,這也給我留下了難忘的印象!Para.6Exercising
句型轉(zhuǎn)換Youradviceisworthconsidering.→Youradvice_______________________.
→Youradvice_______________________.
→Youradvice__________________________.isworthyofbeingconsideredisworthytobeconsideredisworthyofconsideration_________________________ (表示對比)而不是,相對于(L32)_________________________ 值得……(L41)_________________________ 被……影響(L42)_________________________ 考慮角度,判斷方法;態(tài)度,觀點(L44)_________________________ 給某人留下不可磨滅的印象(L44)asopposedtobeworthyofsthbeinfluencedbypointofviewleavealastingimpressiononsb_________________________ 期待,期盼(L1)_________________________ 即使(L8)_________________________ 看見/注意到某人/某物(L10)_________________________ 從……挑選出(L10-11)_________________________ 給某人留下深刻印象(L11-12)_________________________ 受到……的啟發(fā)(L14)_________________________ 更喜歡(L21)_________________________ 在近處,很近地(L24)_________________________ 被……打動,迷戀……(L24)lookforwardtoevenif/thoughlay/seteyesonsb/sthpick…outof…makeadeepimpressiononsbbeinspiredbyprefertoupclosebestruckby_________________________ (表示對比)而不是,相對于(L32)_________________________ 值得……(L41)_________________________ 被……影響(L42)_________________________ 考慮角度,判斷方法;態(tài)度,觀點(L44)_________________________ 給某人留下不可磨滅的印象(L44)asopposedtobeworthyofsthbeinfluencedbypointofviewleavealastingimpressiononsbgallerydecadedisplaylaideyesonemployingvividasopposedtovision對…印象深刻導(dǎo)致VerbsNounsAdjectivesimpressdominateliberate
employinfluence
Establishingwordsfamiliesimpression,Impressionism,Impressionistimpressivedominationdominantliberationemployment,employer,employeeemployableinfluenceinfluentialliberatedListening&WritingPART204POSTREADING3JuneParis,France Asahugeartfan,Iknew1.________(exact)whatIwas
lookingforward2.
mostaboutmytriptoParis:visitingthe
Muséed'Orsay.3._______(House)inanoldrailwaybuilding,thisworld-famousartmuseumfeaturessomeofthebest-known4.
(painting)fromtheImpressionistmovementofthe19thcentury.FirstimpressionsexactlyHousedtopaintingsAsI5.________(wander)throughtheImpressionist
gallery,IappreciatedmasterpieceslikeTheBalletClass
andTheCardPlayers.Even6._______Ihadadmiredthem7.
(hundred)oftimesonmycomputerscreen,nothingcould
havepreparedme8.____thewonderIfeltwhenIfinallylaid9.______(eye)ontherealthing.Itwashard10.
pickafavouritepaintingoutofsomanyamazingworks,theartists11.______madethedeepestimpression12.
meweretwoofthegreatestImpressionist13.________(painter),ClaudeMonetandPierre-AugusteRenoir.
wanderedif/thoughforeyeswho/thatpaintershundredstoonIcouldseefromMonet'sworksthathewas14._______(great)inspiredbynature.Inthelastthree15.________(decade)ofhislife,hepaintedmostlyscenesfromhisgarden.Oneofthese16.
(scene)isshowninthefamouspieceBlueWaterLilies,17._______Istudiedforquiteawhileinthegallery.Icouldn'tbelieveitwhenIheardhedidaround250paintingsofthesamewaterlilypond,allindifferentcoloursand18.______(style).Itisamazing19.
everytimeMonetstudiedthissimplescene,hebroughtthepond'sbeautytothecanvas20.
auniqueway.greatlydecadeswhichstylesscenesthatin
Renoir,Inoticed,1.
(prefer)topaintscenesofeverydaylife.Forme,themostinterestingofhispaintings2.
(be)his1876masterpieceDanceatLeMoulindelaGaltte,3.
showslifeinabusyneighbourhoodofParis4.___aSundayafternoon.WhenIsawitupclose,Iwas5._______(strike)bythesmallareasoflightacrossthepainting,andthewaythesoftedgesofthefiguresseemedtomixtogether.There'ssomuch6._______(go)on,butsolittlecleardetail.Thiseffectmakesthelivelymovementofthedancealmostjumpoutattheviewer.onstruckgoingpreferrediswhich
Althoughthepaintingshadverydifferent7._______(setting),itwastheirsimilarities8.____stayedwithmelongafterIlefttheMuseed'Orsay----similaritieswhichcanbeseenthroughouttheImpressionists'paintings.MonetandRenoir,along9.
otherlike-mindedartists,sought10._________(liberate)fromtherulesoftheoldstyle.Everydaysub
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