月亮和六便士的英語讀后感

月亮和六便士的英語讀后感導(dǎo)語：月亮和六便士是一本經(jīng)典的國(guó)外名著，給我們講訴了對(duì)于想要追求精神自由但又無勇力去實(shí)踐的人，或安慰或被擊中，總之能收獲些什么。那怎么可以不記錄下來，并翻譯成為英語作文!歡迎閱讀，僅供參考，更多相關(guān)的知識(shí)，請(qǐng)關(guān)注CNFLA學(xué)習(xí)網(wǎng)的欄目!

優(yōu)秀精選例文：

Mid-Autumnfestivalaftertwodaysofvacationforthreedays,themoonandsixpencefinishedmaugham,themoonandsixpenceofmaugham’sjournalentry.Firstshowsthebookdoesn’thaveanythingtodowiththemoonorpatall,asIreadatnight,shouldbeatimeofthemonthcirclepersoncircle,skyandsurroundedbyempty.

Theplotofthestoryismorecomplex,aBritishstockexchange’sagent,theexistingstablecareerandposition,ahappyfamily,ismorethanthemiddle,butinfatuationwithpainting,like“wasthedevilbody,”suddenlyleavehome,toParistopursuetheidealofpainting.Heisinaforeigncountryisnotonlythebodyendurepovertyandhunger,spiritalsoenduresuffering.Aftersomebizarrestory,thehero,thelasttoleavethecivilizedworldisolatedfromtoTahiti.Hefinallyfindthesouloftheatmosphereofpeaceandissuitablefortheirownartistictemperament.Hesamenativewomenlivetogether,tocreateapictureandapictureofashocktothelaterwork.BeforehecontractedleprosyblindintheirownhomefourmuralsperformanceagreatworkofthegardenofEden.Butbeforedeath,hehasorderedtheindigenouswomenputthepaintingafterhisdeath.

Thewonderfuldegreeisfarfromtheauthorofthisstorythestoryitself.Adream,abandonallfamilywifeandchildrenwork,topursuethedream.Suchpeople,especiallytheStricklandinthestory,isselfish,irresponsible,escapedarenotfacereality,andevensomecold-bloodedandsecularvaluesabsolutelyagainstthealiensociety,gavehisallchains,hewantstogetridofsocietytofindtheirownwayoflife,evenifitistoendurehungerandtorturedbysuffering,complaintorregret.Soletapersonfeelhate,becauseifeveryonelikeStrickland,thesocietyorthoroughlymixed,orcommunismisrealized.Butsuchapersontoletapersonadmire,envy,evenheisstrong,havethecourageandperseverance.Nomatterwhattheendresultis,hecanfindhisorherowndreamorliveinthedreamworld,hehasbeenasuccess.Doyourowndream,letotherssay!Maugham,intheprocessofstorytellingfromtheperspectiveofallkindsofpeople,occasionallysomeofhiscomments,willherincisivelyandvividly.Hispenastheknife,carvingoutthephenomenonofrichandvivid.

Thestoryofthesomeofthecool,thenitseemstomeistheflavorofthefairytale.Stricklandislonely,“weeachlifeintheworldislonely.Everyonewasjailedinatower,canonlyrelyonsymbolstoconveytheirideaswithothers;andthevalueofthesesymbolsisnotcommon,sotheirmeaningisvagueanduncertain.Weareverypoortosendhiswealthinthehearttoothers,buttheydidn’tacceptthewealthability.Sowecanonlywalkalone,thoughthebodynexttoeachotherbutnottogether,doesn’tknowsomeoneelseandnotforotherstoknow,weliketoliveinaforeigncountry,forthelanguageofthecountryknowverylittle,eventhoughwehaveallkindsofwonderful,esotericthingstosay,butonlylimitedtothesessiononthemanualonthebanalwords.Ourmindisfullofallkindsofthoughts,andwecansayisjustlikea‘gardeneraunthasanumbrellainthehouse’thiskindofwords.”Histhiskindoflonelinessisillusion,illusioncannottouch.Somedetachedattitude,hislifecan’timaginearealisticsociallifeinthemorethan40years,livea“normal”life,cangiveupeverythingovernight.Hereflectedhissenseofvaluestotheevaluationoflove:“Idon’tneedtolove.Ihavenotimetomakelove.Thisistheweaknessofhumannature.Iamaman,sometimesIneedawoman.ButonceIgotthelustofthemeet,I’mgoingtodosomethingelse.Icannotovercometheirowndesires,Ihateit,itheldmyspirit.Ihopetoonedayinthefuture,Iwillnolongercontrolledbythedesire,nolongersubjecttoanyblockupthewholeheartintomywork.Becausewomeninadditiontolovewon’tdoanything,sotheyleaveloveseeveryimportant,almosttothepointofridiculous.Theyalsowanttopersuadeus,thatwealsobelievethattheperson’swholelifeislove.Infactpartofloveistrivialinlife.Ionlyknowlust.Thisisnormal,healthy.Loveisakindofdisease.Thewomanisatoolformypleasure,Iproposedtothemwhatcareerassistant,theserequirementsareveryhatelifepartner.”

Thesewordstheeccentric,suchasaheresy.“Sexualhungeronstrickland’spositionisverysmall,isnotveryimportant,orrather,lethimfeelaversion.Hissoulisanotherthing.Sometimesdesireseizehim,drovehimindulge4themselves,butforthedeprivedhimquietselfsustaininginstinctheisverytired,heevendislikehimtheindispensablepartnerintheministries,indulgence,afterhimtocontrolhis,seethelusttoventhiswoman,heevenwithashudder.Histhoughtsatthistimewillquietlyfloatingoverninedays,andforthewomanfeltdisgustandterrible,maybeitfeltlikeaflutteringanddancingintheflowersofthebutterfly,itsuccessfullysheddingbodyoutofthedirtypuparium.”Sothathecanthrowhiswife,whenhemetthesecondwomanhaslost.

Heisoutofstep,findingneverland,“Ithinksomepeoplearebornatacertainplacemaysayitisnot.Chancecasuallythrowingthemintoanenvironment,andtheyhavebeenthinkingofathemselvesdon’tknowwhereislocatedinthehometown.Borninplace;theyseemtobeapasser-bysincechildhoodisveryfamiliarwiththeshadeofgreenalley,withthefriendofthepopulousJieQugame,fortheyareanightstandforthetrip.Thepeopleinhisfamilyandfriendsmaylifetimeandwidowhood,alsointheironlyfamiliarenvironmentawayalwaysbealone.MaybeitwasinMaythisstrangenesstoforcethemtotravel,lookingforapermanentresidentoftheapartment.Maybestillconcealedintheirdeephearthowmanygenerationsagoancestorshabitsandhobbies,calledbacktothosewhowandershadleftthelandoftheirancestorsinancient.Sometimesapersonaccidentallycametoaplace,willfeelthisismysteriouslyhisshelter,ishometohehasbeenlookingfor.Soheintheseneverspeciallyscenery,nevermetthecrowdtosettledown,buteverythinghereisfamiliaritysincehewasachild.Hefinallyfoundthepeacehere.”

Thenovel,tothepursuitofspiritualfreedom,buthavenostrengthtopractice,orcomfortorhit,inshortwhatcanbeharvested.

Finally,theoriginofthetitle.Accordingtotheexplanationofthetranslator,themoon,onhigh,suchastheideal;P,isthesmallestcurrencyunit,asreality.Realityandidealconflict,istheeternalthemeinhumans.

參考翻譯：

中秋三天的假期的后兩天，看完了毛姆的《月亮和六便士》，毛姆《月亮和六便士》讀后感。首先說明這書壓根和月亮或者便士就沒有任何關(guān)系，就如我讀書的夜里，雖應(yīng)是月圓人圓的時(shí)節(jié)，天上和四周卻空空蕩蕩一樣。

故事的情節(jié)不算多復(fù)雜，一個(gè)英國(guó)證券交易所的經(jīng)紀(jì)人，本已有牢靠的職業(yè)和地位、美滿的家庭，可謂中產(chǎn)有余了，但卻迷戀上繪畫，像”被魔鬼附了體”，突然棄家出走，到巴黎去追求繪畫的理想。他在異國(guó)不僅肉體受著貧窮和饑餓煎熬，精神亦在忍受痛苦折磨。經(jīng)過一番離奇的遭遇后，主人公最后離開文明世界，遠(yuǎn)遁到與世隔絕的塔希提島上。他終于找到靈魂的寧?kù)o和適合自己藝術(shù)氣質(zhì)的氛圍。他同一個(gè)土著女子同居，創(chuàng)作出一幅又一幅使后世震驚的杰作。在他染上麻風(fēng)病雙目失明之前，曾在自己住房四壁畫了一幅表現(xiàn)伊甸園的偉大作品。但在逝世之前，他卻命令土著女子在他死后把這幅畫作付之一炬。

這個(gè)故事的精彩程度遠(yuǎn)遠(yuǎn)沒有作者講故事本身精彩。一個(gè)追求夢(mèng)想的人，拋棄家庭妻子孩子工作一切，去追求夢(mèng)想。這樣的人，特別是故事中的Strickland，是自私、不負(fù)責(zé)任、逃避現(xiàn)實(shí)不敢面對(duì)、甚至有些冷血的與世俗價(jià)值觀絕對(duì)違背的社會(huì)異類，他妄圖擺脫社會(huì)給他的一切枷鎖，尋找自己的生存方式，哪怕是忍受饑寒交迫和種種折磨苦難，都無怨無悔。這樣的人讓人覺得可恨，因?yàn)槿绻蠹叶枷騍trickland一樣，這個(gè)社會(huì)要么徹底亂套，要么就是實(shí)現(xiàn)了共產(chǎn)主義。但這樣的人又讓人佩服，甚至羨慕，他無疑是強(qiáng)大的，有勇氣與毅力。無論最終的結(jié)果是什么，他能夠找到自己的夢(mèng)或者過上夢(mèng)里的世界，他都已經(jīng)成功了。做自己的夢(mèng)，讓別人說去吧!毛姆在講故事的過程中，從各種人的角度出發(fā)，間或夾雜些自己的評(píng)論，將主人公刻畫的淋漓盡致。他的筆就如刀，雕刻出的現(xiàn)象豐滿生動(dòng)。

這個(gè)有些冷峻的的故事，再我看來卻很有童話的味道。Strickland是孤獨(dú)的，”我們每個(gè)人生在世界上都是孤獨(dú)的。每個(gè)人都被囚禁在一座鐵塔里，只能靠一些符號(hào)同別人傳達(dá)自己的思想;而這些符號(hào)并沒有共同的價(jià)值，因此它們的意義是模糊的、不確定的。我們非?？蓱z地想把自己心中的財(cái)富傳送給別人，但是他們卻沒有接受這些財(cái)富的能力。因此我們只能孤獨(dú)地行走，盡管身體互相依傍卻并不在一起，既不了解別人也不能為別人所了解，我們好像住在異國(guó)的人，對(duì)于這個(gè)國(guó)家的語言懂得非常少，雖然我們有各種美妙的、深?yuàn)W的事情要說，卻只能局限于會(huì)話上手冊(cè)上那幾句陳腐平庸的話。我們的腦子里充滿了各種思想，而我們能說的只不過是像’園丁的姑母有一把傘在屋子里’這類話?！彼倪@種孤獨(dú)很有幻覺的成分，虛幻不可觸摸。他的生活有些超然物外，無法想象一個(gè)在現(xiàn)實(shí)社會(huì)生活了四十多年，過著”正?！鄙畹娜耍軌蛞灰怪g就放棄一切。他對(duì)愛情的評(píng)價(jià)體現(xiàn)了他的價(jià)值觀：”我不需要愛情。我沒有時(shí)間搞戀愛。這是人性的弱點(diǎn)。我是個(gè)男人，有時(shí)候我需要一個(gè)女性。但是一旦我的情欲得到了滿足，我就準(zhǔn)備做別的事了。我無法克服自己的欲望，我恨它，它囚禁著我的精神。我希望將來能有一天，我會(huì)不再受欲望的支配，不再受任何阻礙地全心投到我的工作上去。因?yàn)榕顺苏勄檎f愛不