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從語(yǔ)域理論看《生活大爆炸》中的幽默
AStudyoftheHumorinThe
BigBangTheoryfromthePerspectiveofRegisterTheory
從語(yǔ)域理論看《生活大爆炸》中的幽默AStudyoftoutlineⅠ.IntroductionⅡ.ReviewofHumorⅢ.RegisterTheoryⅣ.StudyofHumorinTBBTⅤ.ConclusionoutlineⅠ.IntroductionⅡ.ReviewReasonSignificanceⅠ.Introduction{TheoreticallyPracticallyⅠ.Introduction{TheoreticallyPr2.1Humor2.2HumorinTBBTⅡ.ReviewofHumor{DefinitionTraditionalViews{IntroductiontoTBBTHumorinTBBTⅡ.ReviewofHumor{DefinitionTr2.1.1DefinitionofHumor“thequalityinsomethingthatmakesitfunnyoramusing;theabilitytolaughatthingsthatareamusing”.
OxfordAdvancedLearner’sEnglish-ChineseDictionary2.1.1DefinitionofHumor“
InPlatoandAristotle’sdays,threefamousconventionaltheorieswerecrucialtothestudyofhumor.Theyarethesuperioritytheory,theincongruitytheory,andthereleasetheory.2.1.2TraditionalViewsofHumor
InPlatoandAristotle’
Platodefinesitas“maliceorenvyattherootofcomicenjoymentandthatwelaughatthemisfortunesofothersforjoythatwedonotshare”
.ThesuperioritytheoryTheincongruitytheoryAristotleoncesaidthat“aneffectivedeviceleadingtolaughteristoestablishaparticularexpectationintheaudience,andthentocontradictorsubvertit”.
ThereleasetheoryItproclaimsthathumorisgeneratedbytherelieffromthetensionofpeopleandsuppressionfromothers.Platodefinesitas“mTheBigBangTheory
2.2.1IntroductiontoTheBigBangTheory
TheBigBangTheory2.2.1In
TwoFeaturesClassification2.2.2HumorinTheBigBangTheory
{content:conundrums,riddles,wisecrack,jokes,epigram,gags,anecdotes
effects:redhumor,grayhumorandblackhumor
scope:universalhumor,culture-specifichumorandlanguage-specifichumor
TwoFeatures2.2.2HumorinTh
3.1
Register“Languagevariesasitsfunctionvaries;itdiffersindifferentsituations”
(Halliday)
Ⅲ.RegisterTheory﹛FieldofDiscourse
TenorofDiscourse
ModeofDiscourse3.1RegisterⅢ.RegisterTheor3.1.1FieldofDiscourse
Fieldofdiscoursereferstowhatisgoingon:theareaofoperationofthelanguageactivity.Itisconcernedwithpurposeandsubject-matterofcommunication.Itanswersthequestionsof“why”and“aboutwhat”ofcommunication.
3.1.1FieldofDiscourse3.1.2TenorofDiscourseTenorofdiscoursereferstotheroleofrelationshipinthesituationinquestion:whotheparticipantsinthecommunicationgroupsareandinwhatrelationshiptheyaretoeachother.Itanswersthequestionof“towhom”thespeakeriscommunicating.
3.1.2TenorofDiscourse3.1.3ModeofDiscourse
Modeofdiscoursemainlyreferstothemeansofcommunication.Itisconcernedwith“how”communicationiscarriedout.
3.1.3ModeofDiscourseE.g.alectureonlinguisticsatacollegecouldbeidentifiedas:Field:scientific(linguistic)Tenor:teacher-students(formal,polite)Mode:oral(academiclecturing)3.2ThedeviationofRegister(mismatches)
E.g.alectureonlinguistics
TheViolationofField
E.g.
Sheldon:Allright,forthesakeofargument,let’ssaythat’strue.Whydoesn’tPennyjustendtherelationship?Amy:Sheisnotsurehowshefeels.Sheldon:Howcanshenotbesurehowshefeels?Youknow,whenIhaveafeeling,Iknowit.Trains?Lovethem.Swordfish?Ilovethem,too.Theyarefishwithaswordforanose.
Ⅳ.StudyoftheHumorinTBBTTheViolationofFieldⅣ.Stu
TheViolationofTenor
E.g.
Leonard:Ididabadthing.
Sheldon:Doesitaffectme?
Leonard:No.
Sheldon:Thensufferinsilence.TheViolationofTenor
TheViolationofMode
E.g.Sheldon:Whyisthatfunny?Leonard:Itisajoke.Sheldon:Idon’tthinkso.Ibelievethatajokeisabrieforalnarrativewithaclimatichumoroustwist.Forexample,Wolowitz’smotherissofatthatshedecidedtogoonadiet,orexercise,orboth.TheViolationofModeIdon’tHumorexistseverywhereinourlivesanditinfacthasagreatimpactonhumanbeings.Thisthesismainlystudieshumorfromtheperspectiveofregistertheory.Itcanbeconcludedthattheviolationofanyoneofthethr
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