證券投資分析要點

1、 請學(xué)生一定按此模板做論文：封面共有五處需要加工。如標(biāo)題只有一行，在標(biāo)題行和by之間加空一行。Thomas Hardy as a Proto-Existentialist: A Study of His Novels of Character and Environment加工1. 標(biāo)題（Times New Roman, 小二，黑體）by郝文章加工2. 學(xué)生姓名May 18, 2014加工3. 年份。請不要修改日期。Class: 2010-01加工4. 班級。請照此格式填寫 Student No.: 加工5. 導(dǎo)師姓名。漢字。三號。宋體 漢 語 標(biāo) 題（宋體, 4號, 黑體, 居中）（請不要理

2、會這個點。因為我去不掉它）空一行摘要：（小四號；黑體）（論文摘要的內(nèi)容不多于200字；小四號；宋體；不黑體；縮進(jìn)兩個漢字字符； 1.5倍行距）。摘要與關(guān)鍵詞之間空兩行。關(guān)鍵詞：（小四號；黑體）（另起一行；縮進(jìn)兩個漢字字符；3-5個；小四號；宋體; 不大寫（專用名詞除外）；不黑體；詞與詞之間用分號隔開；最后一個詞后無標(biāo)點符號）8Table of Contents1. Introduction第一級標(biāo)題大寫每個單詞首字母，冠詞，連詞，和少于四個字母的介詞除外：如with不大寫，about大寫。. 12. Current Critical Views on Hardy. 23. Naturalism

3、 Versus Existentialism. 44. Hardy as a Proto-Existentialist. 105. Conclusion. 18Works Cited引用文獻(xiàn)部分連續(xù)標(biāo)頁碼。請?zhí)嵝褜W(xué)生是works，復(fù)數(shù). 19注：如果頁碼無法右對齊，可使用格式菜單中的“制表位”功能。1. Introduction從正文起標(biāo)頁碼，頁碼居右下。（一級標(biāo)題為四號字，字體為Times New Roman，黑體并居中；空一行）In this thesis, 標(biāo)題與正文之間空一行。I intend to prove that Thomas Hardy is a proto-existent

4、ialist. If I can show that basic existentialist tenets are consistently demonstrated in Hardys novels of character and environment, his main contribution to literature as a novelist, that will reveal how far Hardy moves towards modernism and open up a new channel to interpret his novel.Hardy is foun

5、d with a different perspective of interpreting the tragic fate of Tess (Zhang and Wang 89漢語文獻(xiàn)用作者姓；如有作者姓一樣，再加名字的手字母大寫加點。如Jiang Z. 或Jiang Y.). (各章須另起一頁，章內(nèi)各部分之間空一行)4. Hardy as a Proto-Existentialist（空一行）Thomas Hardy is much influenced by The Origin of Species, though he never shares Darwins sense of gr

6、andeur in a view of evolution which signifies the survival of the fittest at the expense of the weak. Compassionate by temperament, Hardy finds justification in evolutionary theory for extending (Gilbert 22). Hardys thoughts of the human situation in the world shared many similarities with existenti

7、alism whose basic tenets and themes are constantly demonstrated in Hardys novels of character and environment.(各部分之間空一行，即小標(biāo)題上面空一行，小標(biāo)題下面不空)4.1 Absurdity and Futility （二級標(biāo)題及以下各級標(biāo)題左對齊，小四/12號字，黑體） Hardy articulates a world where man lives a futile life and is the “sport” of malevolent, or at least indif

8、ferent, forces which finally destroy their happiness, defeat their aspirations, and making a mockery of their life. To Hardy, the absurdity of the universe lies in its oppression of mans desires and its opposition to mans will. In this absurd universe, man cannot achieve anything and his fate is alw

9、ays against him, and thus man lives in an abyss of agony.(各部分之間空一行，即小標(biāo)題上面空一行，小標(biāo)題下面不空)4.2 第三級標(biāo)題居左，只大寫標(biāo)題首字母。注：1. 正文部分每段開頭空5格 (5 spaces)。2. 正文全文1. 5倍行距, 字號為小四/12，字體為Times New Roman。 3. 從正文部分開始標(biāo)頁碼, 標(biāo)在頁面右下角。4. 小標(biāo)題若出現(xiàn)在頁面最后一行，請移到下一頁。 5. 引文請參照MLA Handbook里面的格式, 其中中文作者在In-text citation 里使用拼音姓名加頁碼，中間不用逗號，如作者霍

10、小娟，其著作第29頁引用形式為：(Huo 29).6. 文內(nèi)引用格式范例：While the budget cuts might go deeper than originally reported (Kinsley 42), there is no reason to believe that “throwing more taxpayers dollars into a bottomless pit” (Doggett 62) will do much to reform “one of the least productive job training programs ever dev

11、ised by the federal government” (Will 28).7. 文內(nèi)引用超過4行時，每行前面空10格(10 spaces)，右邊不留白。例如：In their Linguistics: An Introduction to Language and Communication, Akmajian et al. introduce William Labovs New York department store experiment as follows:Labov began with the hypothesis that New York City speaker

12、s vary in their pronunciation of /r/ according to their social status. Labov interviewed salespeople at several New York City department stores that differed in price range and social prestige. Assuming that salespeople tend to “borrow prestige” from their customers, Labov predicted that the social

13、stratification of customers at different department stores would be mirrored in a similar stratification of salespeople. (Akmajian et al. 281)Works Cited (注：MLA不用References 或Bibliography; 空一行)Aldelman, Gary. Jude the Obscure: A Paradise of Despair. New York: Twayne, 1992. Print.Allende, Isabel. Zorr

14、o. Trans.譯著的兩種處理方式：一是體現(xiàn)原作者的思想。 Margaret Sayers Peden. London: Fourth Estate, 2005. Print.Calvino, Italo. “Cybernetics and Ghosts.” The Uses of Literature: Essays. Trans. Patrick Creagh. San Diego: Harcourt, 1982. 3-27. Print.Duke Ellington. 2002. Estate of Mercer K. Ellington. Web. 3 June 2002. Gilb

15、er, Sandra M., and Susan Gubar. The Madwoman in the Atttic. New Haven: Yale UP, 1999. Print.Hawkes，David, and John Minford, trans譯著處理方式二，體現(xiàn)譯者的貢獻(xiàn)。. The Story of the Stone. By Cao Xueqin. Hong Kong: Centre for Literature and Translation, Lingnan University, 2000. Print.Vickery, Laurie. “The Politics o

16、f Abuse: The Traumatized Child in Toni Morrison and Marguerite Duras.” Mosaic 29.2 (1996): 91-109. Print.郭宏，王熊，劉宗林“英語委婉語研究.” 余立新編第三屆全國社會語言學(xué)學(xué)術(shù)報告會議論文集北京：高教出版社，2008421-425. Print.霍小娟.華美文學(xué)視野中的湯亭亭.北京: 西苑出版社,2006.Print.吳一安，劉潤清.“中國英語本科素質(zhì)調(diào)查報告.”外語教學(xué)與研究. 57(1993)期數(shù)（年份）： 頁碼范圍: 32-35.Print.許力生.“跨文化的交際能力問題探討.”外語

17、與外語教學(xué). 7（2000）: 17-21.Print張伯香編.英國文學(xué)選讀.北京: 外語教學(xué)與研究出版社,1998.Print注：1. 引用文獻(xiàn)不少于10條， 其中英文參考書目不得少于6條。2. 引用文獻(xiàn)另起一頁，頁碼與正文連續(xù)。3. 引用文獻(xiàn)1.5倍行距，條目之間不空格。4. 引用文獻(xiàn)按字母順序排列，不編號。5. 如文獻(xiàn)中既有漢語也有英語，按作品的主要使用語言區(qū)分，并歸于英語文獻(xiàn)或漢語文獻(xiàn)。6. 英語書目集中排在漢語書目前，英漢書目分別按作者姓氏首字母的字母順序（alphabetical order） 排列；英文在前，中文在后。7. 參考書目中中文部分也統(tǒng)一使用英文標(biāo)點符號。8. 所有標(biāo)點后空1格（1 space）。9. 文獻(xiàn)中不使用M或J之類的標(biāo)識。特別提示：1. 請各位老師熟悉一下MLA格式中的第3頁和第13頁的文內(nèi)引用和引用文獻(xiàn)的目錄。其中有老師們幾乎所有的問題的解決方案。因為MLA沒有涉及漢語文獻(xiàn)，所以遇到漢語文獻(xiàn)請參照英文格式。例如：文中引用了兩位姓一樣的作者作品，如姜亞軍的作品第5頁和姜占好的作品第15頁，那么括弧中為（Jiang Y. 5）和（Jiang Z. 15）.2. 除print和we