對(duì)when we two parted的賞析.

1、對(duì)when we two parted的賞析專(zhuān)業(yè)班級(jí):語(yǔ)言081姓 名:郭甜甜學(xué) 號(hào):C16082397When We Two PartedWhen we two parted In silence and tears, Half broken-hearted To serve for years, Pale grew thy cheek and cold, Colder thy kiss, Truly that hour foretold Sorrow to this! The dew of the morning Suck chill or my brow It felt like the

2、 warning Of what I feel now. Thy cows are all broken, And light is thy fame; I hear thy name spoken, And share in its shame. They name thee before me, A knell to mine ear; A shudder comes oer me Why wert thou so dear? Thy know not I knew thee who knew thee too well: Long, Long shall I rue thee Too d

3、eeply to tell. In secret we met In silence I grieve That thy heart could forget, Thy spirit deceive. If I should meet thee After long years, How should I greet thee ? With silence and tears.每每讀到英國(guó)詩(shī)人拜倫的這首抒情詩(shī)when we two parted, 都有一種郁結(jié)與心頭久久不能散去的繾綣迷離之感.似有千種風(fēng)情欲訴無(wú)辭,似悲似忘,似愛(ài)似怨.這種凄迷的微妙情感都匯聚于這首短小淡然的詩(shī)歌之中.這是拜倫在

4、20多歲寫(xiě)出的最引人注目的抒情詩(shī)之一,詩(shī)中雖沒(méi)有孤傲叛逆和桀驁不馴的英雄氣概,卻能觸摸到讀者心底最脆弱的部位,代表著無(wú)數(shù)顆純真心靈的逼真寫(xiě)照,只得反復(fù)體味,厭倦興嘆.雖是一首動(dòng)情的抒情詩(shī),詩(shī)卻由明顯的三個(gè)敘述畫(huà)面組成的:往昔的分別場(chǎng)景,今日的人群場(chǎng)面,多年后的重逢畫(huà)面.三個(gè)敘述畫(huà)面從不同層次逐漸展露出了詩(shī)中人的復(fù)雜情感體驗(yàn),而且首位對(duì)照更絕妙的烘托出了一種“相顧無(wú)言,惟有淚千行”的凄迷心痛.詩(shī)篇一開(kāi)篇展現(xiàn)給大家的就是往昔的那個(gè)離別場(chǎng)景,向讀者清晰的敘述了那個(gè)離別的時(shí)刻:在一個(gè)清冷的破曉時(shí)分,我們?cè)诔聊蜏I水中決定平靜地分手,雙方都因分離的無(wú)可奈何而感到傷痛欲絕.清寒的晨露冷徹我的額頭,你臉色慘

5、白冰涼,而你的那個(gè)淺淡的吻別更讓我感到陣陣寒意.接下來(lái)讀者能構(gòu)想出這樣一個(gè)人群場(chǎng)景:在一個(gè)喧鬧的會(huì)上或街邊人群中,人們正在對(duì)你議論紛紛,指責(zé)你的輕浮,我只能假裝以一個(gè)局外人的身份保持著沉默,因?yàn)樵谖移届o的外表下掩飾著一顆激蕩不定的心.我既為你感到羞愧,偶因?qū)δ愕囊煌樯罡械诫y以釋?xiě)?我們?cè)?jīng)是如此相知相愛(ài),現(xiàn)在卻只有不盡的悔恨,太深沉太悲痛,不堪為外人道!詩(shī)人此刻心里是矛盾的復(fù)雜情感體驗(yàn),在對(duì)“你”層層責(zé)問(wèn)之后,卻情緒一轉(zhuǎn).沉默,淚流.在最后一個(gè)詩(shī)節(jié),詩(shī)人巧妙地融合了過(guò)去、現(xiàn)在、將來(lái)三個(gè)時(shí)空畫(huà)面:你我過(guò)去秘密的幽會(huì),現(xiàn)在我只能肚子默默悲泣,你的心竟然把問(wèn)我遺忘,為什么把我欺騙?如果在多年以后我

6、們偶然相逢,我應(yīng)該怎么跟你打招呼呢?只有含淚默默無(wú)語(yǔ).詩(shī)尾多年后重逢的畫(huà)面與開(kāi)篇時(shí)離別場(chǎng)面守衛(wèi)呼應(yīng),道出了無(wú)數(shù)讀者心底那絲隱隱帶些悲痛的柔情.所謂“物是人非事事休,欲語(yǔ)淚先流”,所謂“縱然情依舊夢(mèng)難圓”的千古流傳的凄迷傷感,應(yīng)該就凝固在這樣一個(gè)瞬間吧!這首詩(shī)短短32行,共145個(gè)字,卻能做到撫今憶昔思將來(lái),給我們呈現(xiàn)出一個(gè)婉轉(zhuǎn)動(dòng)人的故事,敘述凝練、簡(jiǎn)潔、干凈,三個(gè)畫(huà)面使全詩(shī)起伏跳躍,層次豐富,情感真實(shí)立體化.三個(gè)敘述畫(huà)面使全詩(shī)向讀者流露出的是悲、怨、愛(ài)三種情感交織的復(fù)雜體驗(yàn).讀者在讀過(guò)前兩節(jié)詩(shī)歌后能體會(huì)到的只是詩(shī)中人離別是的感傷和對(duì)詩(shī)中負(fù)心人的怨恨.在讀到后兩節(jié)時(shí),才層層向讀者剝露出了那份和悲與怨同樣深沉的愛(ài).讀者才一同體驗(yàn)到了那種籠罩全詩(shī)的似悲似忘,似愛(ài)似怨的復(fù)雜感情,那種欲罷不能的刻骨銘心.舊日依依惜別,淚流默默無(wú)言;離恨肝腸斷,此別又幾年.多年惜別后,抑或在邂逅,邂逅何所語(yǔ)?淚流默無(wú)聲.詩(shī)中感情字字真誠(chéng),絕不裝腔作勢(shì).“in silence and tears”的一再,不只使全詩(shī)前后照應(yīng),而且強(qiáng)化了以往和將來(lái)不會(huì)變動(dòng)