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The stage is more beholding to love, than the life of man. For as to the stage, love is ever matter of comedies, and now and then of tragedies; but in life it doth much mischief; sometimes like a siren, sometimes like a fury. You may observe, that amongst all the great and worthy persons (whereof the memory remaineth, either ancient or recent) there is not one, that hath been transported to the mad degree of love: which shows that great spirits, and great business, do keep out this weak passion. You must except, nevertheless, Marcus Antonius, the half partner of the empire of Rome, and Appius Claudius, the decemvir and lawgiver; whereof the former was indeed a voluptuous man, and inordinate; but the latter was an austere and wise man: and therefore it seems (though rarely) that love can find entrance, not only into an open heart, but also into a heart well fortified, if watch be not well kept. It is a poor saying of Epicurus, Satis magnum alter alteri theatrum sumus; as if man, made for the contemplation of heaven, and all noble objects, should do nothing but kneel be- fore a little idol, and make himself a subject, though not of the mouth (as beasts are), yet of the eye; which was given him for higher purposes. It is a strange thing, to note the excess of this passion, and how it braves the nature, and value of things, by this; that the speaking in a perpetual hyperbole, is comely in nothing but in love. Neither is it merely in the phrase; for whereas it hath been well said, that the arch-flatterer, with whom all the petty flatterers have intelligence, is a mans self; certainly the lover is more. For there was never proud man thought so absurdly well of him self, as the lover doth of the person loved; and therefore it was well said, That it is impossible to love, and to be wise. Neither doth this weakness appear to others only, and not to the party loved; but to the loved most of all, except the love be reciproque. For it is a true rule, that love is ever rewarded, either with the reciproque, or with an inward and secret contempt. 舞臺(tái)上的愛情比生活中的愛情要美好得多。因?yàn)樵谖枧_(tái)上,愛情只是喜劇和悲劇的素材。而在人生中,愛情卻常常招來不幸。它有時(shí)像那位誘惑人的魔女,有時(shí)又像那位復(fù)仇的女神。你可以看到,一切真正偉大的人物(無論是古人、今人,只要是其英名永銘于人類記憶中的),“沒有一個(gè)是因愛情而發(fā)狂的人:因?yàn)閭ゴ蟮氖聵I(yè)抑制了這種軟弱的感憎。只有羅馬的安東尼和克勞底亞是例外。前者本性就好色荒淫,然而后者卻是嚴(yán)肅多謀的人。所以愛情不僅會(huì)占領(lǐng)開曠坦闊的胸懷,有時(shí)也能闖入壁壘森嚴(yán)的心靈假如守御不嚴(yán)的話。 埃皮克拉斯曾說過一句笑話:“人生不過是一座大戲臺(tái)。”似乎本應(yīng)努力追求高尚事業(yè)的人類,卻只應(yīng)像玩偶奴隸般地逢場(chǎng)作戲似的。雖然愛情的奴隸并不同于那班只顧吃喝的禽獸,但畢竟也只是眼目色相的奴隸而上帝賜人以眼睛本來是更高尚的用途的。 過度的愛情追求,必然會(huì)降低人本身的價(jià)值。例如,只有在愛情中,才永遠(yuǎn)需要那種浮夸謅媚的詞令。而在其他場(chǎng)合,同樣的詞令只能招人恥笑。古人有一句名言:“最大的奉承,人總是留給自己的”。只有對(duì)情人的奉承要算例外。因?yàn)樯踔磷铗湴恋娜耍哺试冈谇槿嗣媲白暂p自賤。所以古人說得好:“就是神在愛情中也難保持聰明。”情人的這種弱點(diǎn)不僅在外人眼中是明顯的,就是在被追求者的眼中也會(huì)很明顯除非她(他)也在追求他(她)。所以,愛情的代價(jià)就是如此,不能得到回愛,就會(huì)得到一種深藏于心的輕蔑,這是一條永真的定律。 1997年2月24日我們代表團(tuán)下榻日月潭中信大飯店,送走了最后一批客人,已是次日凌晨3點(diǎn)了。我躺在床上久久不能入睡,披衣走到窗前,往外看去,只見四周峰巒疊翠,湖面波光粼粼。望著臺(tái)灣這僅有的景色如畫的天然湖泊,我想了許多,許多 這次到臺(tái)灣訪問交流,雖然行程匆匆,但是,看了不少地方,訪了舊友,交了新知,大家走到一起,談?wù)摰囊粋€(gè)重要話題就是中華民族在21世紀(jì)的強(qiáng)盛。雖然祖國(guó)大陸、臺(tái)灣的青年生活在不同的社會(huì)環(huán)境中,有著各自不同的生活經(jīng)歷,但大家的內(nèi)心都深深銘刻著中華文化優(yōu)秀傳統(tǒng)的印記,都擁有著振興中華民族的共同理想。在世紀(jì)之交的偉大時(shí)代,我們的祖國(guó)正在走向繁榮富強(qiáng),海峽兩岸人民也將加強(qiáng)交流,共同推進(jìn)祖國(guó)統(tǒng)一大業(yè)的早日完成。世紀(jì)之交的寶貴機(jī)遇和巨大挑戰(zhàn)將青年推到了歷史前臺(tái)??缡兰o(jì)青年一代應(yīng)該用什么樣的姿態(tài)迎接充滿希望的新世紀(jì),這是我們必須回答的問題。 日月潭水波不興,仿佛與我一同在思索 On February 2, 1997, our delegation checked into the ZhongXin Hotel by the side of the Riyuetai Lake. It was already 3 oclock early the next morning by the time I saw off the last group of guests. For a long time, I could not fall asleep, even though I was comfortably lying in the bed. Putting on my clothes again, I got off the bed and walked to the window. Extending my eyes into the distance through the window, I was greeted by the view of the surrounding mountains and hills shrouded in layered greenness and the silvery flickering of waves scuttling across the surface of the Pool. Looking at the sole naturally-formed picturesque lake in Taiwan, I felt an infinite train of thoughts passing through my mind The current visit to Taiwan for exchange, brief and cursory as it is, has enabled us to see many places, to visit old friends while making new acquaintances. Whenever people gather together, an important topic of discussion has been how the Chinese nation can become prosperous and powerful in the 21st century. Although the young people on the Mainland and in Taiwan live in different social contexts (environments / milieus), with their individually different experiences of life, in the innermost recesses of their hearts are wrought an indelible mark by the fine traditions of the Chinese culture. They all cherish the same ideal to rejuvenate the Chinese nation (They share the same ideal to rejuvenate the Chinese nation). In this great epoch at the turn of the century, our motherland is developing toward greater prosperity and powerfulness. People across the Taiwan Straits are bound to strengthen their exchanges and will mutually promote the earliest possible achievement of the great cause of reunification of the motherland. The precious opportunities and the tremendous challenges at the turn of the century have pushed the young people to the foreground (forefront) of the historical arena (stage). At this transitional phase between the two millennia, in what way the young generation should embrace the forthcoming new century replete with hopes is a question to which we have to seek an answer. In the Riyuetai Lake, the waves across the lake surface have by now all vanished. Enveloped in utter tranquility, the Lake has joined me in deep thoughts Opera is expensive: that much is inevitable. But expensive things are not inevitably the province of the rich unless we abdicate societys power of choice. We can choose to make opera, and other expensive forms of culture, accessible to those who cannot individually pay for it. The question is: why should we? Nobody denies the imperatives of food, shelter, defense, health and education. But even in a prehistoric cave, mankind stretched out a hand not just to eat, drink or fight, but also to draw. The impulse towards culture, the desire to express and explore the world through imagination and representation is fundamental. In Europe, this desire has found fulfillment in the masterpieces of our music, art, literature and theatre. These masterpieces are the touchstones for all our efforts; they are the touchstones for the possibilities to which human thought and imagination may aspire; they carry the most profound messages that can be sent from one human to another. 聆聽歌劇,無疑昂貴至極。但是,昂貴的事物并非必定屬于富人的范疇,除非我們放棄社會(huì)的選擇權(quán)。我們可以選擇去使歌劇以及其他某些昂貴的文化形式也能為那些不具備個(gè)人支付能力的人所享受。但問題是,我們有必要這么做嗎?沒人會(huì)否認(rèn)食物、居所、防護(hù)、健康與教育的不可或缺性。但即便是在史前時(shí)代的洞穴中,人類伸出手來,早就不單純是為了吃、喝或搏殺,而且亦進(jìn)行繪畫創(chuàng)作。人類對(duì)于文化的沖動(dòng),通過形象思維和再現(xiàn)手段來表現(xiàn)并探索世界的欲望,乃亙古有之。在歐洲,這一欲望在我們的音樂、藝術(shù)、文學(xué)和戲劇杰作中尋找到了其實(shí)現(xiàn)形式。這些杰作構(gòu)成了我們?nèi)颗Φ脑嚱鹗?。作為試金石,它們能衡量出人類的思想和想象力所可能企及的程度。它們攜帶著最寓意深刻的主題,可在人類彼此間相互傳遞。 轉(zhuǎn)Four months before the election day, five men gathered in a small conference room at the Reagan-Bush headquarters and reviewed an oversize calendar that marked the remaining days of the 1984 presidential campaign. It was the last Saturday in June and at ten oclock in the morning the rest of the office was practically deserted. Even so, the men kept the door shut and the drapes carefully drawn. The three principals and their two deputies had come from around the country for a critical meeting. Their aim was to devise a strategy that would guarantee Ronald Reagans resounding reelection to a second term in the White House. It should have been easy. These were battle-tested veterans with long ties to Reagan and even longer ones to the Republican party, men who understood presidential politics as well as any in the country. The backdrop of the campaign was hospitable, with lots of good news to work with: America was at peace, and the nations economy, a key factor in any election, was rebounding vigorously after recession. Furthermore, the campaign itself was lavishly financed, with plenty of money for a topflight staff, travel, and television commercials. And, most important, their candidate was Ronald Reagan, a president of trem
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