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文檔簡介
2022年河北大學英語考試真題卷
(本卷共分為1大題50小題,作答時間為180分鐘,總分100分,60分及格。)
單位:姓名:考號:
題號單選題多項選擇判斷題綜合題總分
分值
得分
一、單項選擇題(共50題,每題2分。每題的備選項中,只有一個最符合題意)
1.{{B}}Passage37{{/B}}
Whydon'tbirdsgetIostontheirIongfIightsfromonepIacetoanother
ScientistshavebeenpuzzIedoverthisquestionformanyyears.Nowthey'
rebeginningtofillintheblanks.
Notlongago,experimentsshowedthatbirdsrelyonthesuntoguide
themduringdayIighthours.Butwhataboutbirdsthatflybynight(37)
{{U}}Testswithartificialstarshaveprovedthatcertainnight-flying
birdsareabIetofoIIowthestarsintheirIong-distancefIights.{{/U}}
AdovehadspentitsIifetimeinacageandhadneverflownundera
naturalsky.YetitshowedaninbornabiIitytousethestarsforguidance.
Thebird'scagewaspIacedunderanartificialstar-fiIledsky.Thebird
triedtoflyinthesamedirectionasthattakenbyhisoutdoorcousins.
Anychangeinthepositionoftheartificialstarscausedachangein
thedirectionofhisflight.
Thestarsareapparentlytheirprincipalmeansofnavigation.When
thestarsarehiddenbyclouds,theyseeminglyfindtheirwaybysuch
landmarksasmountainranges,coastIinestandrivercourses.Butwhen
it'stoodarktoseethese,thedovescirclehelplessly,unabIetofind
theirway.
By"hisoutdoorcousins1'theauthormeans.
A.otherexperiments
B.theotherdovesofthesamebrood
C.dovesunderthenaturalsky
D.otherbirdsingeneral
2.{{B}}Passage36{{/B}}
Themarketisaconcept.Ifyouaregrowingtomatoesinyourbackyard
forsaleyouareproducingforthemarket.YoumightseiIsometoyour
neighborandsometothemanagerofthelocalsupermarket.Butineither
case,youareproducingforthemarket.Youreffortsarebeingdirected
bythemarket.IfpeopIestopbuyingtomatoes,youwi11stopproducing
them.
Ifyoutakecareofasickpersontoearnmoney,youareproducing
forthemarket.(36){{U}}IfyourfatherisasteeIworkeroratruckdriver
oradoctororagrocer,heisproducinggoodsorserviceforthe
market.{{/U}}
Whenyouspendyourincome,youarebuyingthingsfromthemarket.
Youmayspendmoneyinstores,supermarkets,gasstationsandrestaurants.
Stillyouarebuyingfromthemarket.Whenthelocalgrocerhiresyou
todrivethedeliverytruck,heisbuyingyourlaborinthelabormarket.
Themarketmayseemtobesomethingabstract.Butforeachpersonor
businessmanwhoismakingandsellingsomething,it'svery
{{U}}real{{/U}}?Ifnobodybuysyourtomatoes,itwon5tbelongbefore
yougetthemessage.Themarketistellingyousomething.It5stelling
youthatyouareusingenergiesandresourcesindoingsomethingthe
marketdoesn,twantyoutodo.
Inwhatwayisthemarketveryrealforeachpersonorbusinessmanwho
ismakingandsellingsomething
A.Ittellsyouwhattoproduce.
B.Ittellsyouhowtogrowtomatoes.
C.Itprovidesyouwitheverythingyouneed.
D.Ithelpsyousavemoney.
3.{{B}}Passage38{{/B}}
Animalsdomanyusefulandentertainingjobs.(38){{U}}Dogsare
particularlyvaluabIeinguidingtheblind(atraineddogcanIearnnever
tocrossabusystreetwhencarsarecoming,evenifhismastercommands
himtodoso),protectingproperty,findinglostpeople,andhunting
criminals.{{/U}}Horsesareusedinguardingherds,carryingmeninlands
wheretherearenoroads,andhelpingfarmersplowfields.Pigeonshave
longbeenusedtocarrymessage.WiIdanimalsfromthejungles,forests
andseasareverypopularperformersincireusesandmovies.PeopIe
reaIizethat,aIthoughanimalsmaynothavethesameinteIIigenceashuman
beings,theyaresmartenoughtolearncertainthings.
Thefirstthingadogistaughtistoobey.Itshouldnottaketoo
longforhimtolearncommands.Simpleorders,suchas"sit,Iiedown,
staythere,comehere"canevenbetaughtbyachiId.
Trainingadogtobeawatchdogoftenproducesunexpectedresults.
SomedogsquicklylearnthedifferencebetweenunwantedpeopIeand
friends.ThisisbecausetheirmastersweIcomefriendsandinvitethem
intotheirhouses.However,somedogswiIIalwaysattackthepostmenwho
cometodeliverletters.Oneexplanationforthisbehavioristhat,
aIthoughthepostmancomestothehousefrequently,heneverentersthe
house.Therefore,thedogthinksthepostmanissomeonewhoisnotwanted,
butkeepscomingbackanyway.
Mastersofdogswhoattackpostmencaneasilyshowthedogsthatthe
postmanisafriendandthedogdoesnotneedtotreathimasanunwanted
person.Adogisquitereadytodowhathismasterwishes.Andadogis
alwayshappywhenheispraisedforproperunderstanding.
Adogfeelsthehappiestif,afterhehasworkedwell,.
A.hegetsagoodpieceofmeat
B.hegetspraisefromhismaster
C.heisallowedtobebyhimself
D.heistakenforawalkintheevening
4.{{B}}Passage39{{/B}}
ManypeopIehavedifficultyinstudyingmathematics.Sometimestheir
difficultystemsfromthepsychologicalideathattheyare"notgoodat
math”.(39){{U}}Ithasbeendemonstratedthatmanytimesthatitisoften
thisideathatiscausingtheirproblemsratherthananylackofskill
inmathematics.{{/U}}ThebestwaytodealwiththisproblemistotelI
yourselfthatmathinvoIvesusingthesamenumbersyouhavebeenusing
alIyourIifeandthatyouknowthemasweIIasanyoneelse.Thenset
yourmindtolearninghowtheyareusedintheparticularpartof
mathematicsyouarestudying.ManyschooIsoffer"mathanxiety"courses
whicharedesignedtohelppeopIeovercometheirfearofmath.
AnotherproblemmanypeopIeencounteristhatinmathematics,unlike
someothersubjectsyoumayhavestudied,thematerialhasavery
importantsequenceororder.Ifyoudonotunderstandasectionof
mathematicstext,itisnousegoingontothenextsection.Manysections
ofmathbooksarebasedoninformationpresentedearIier,soitis
essentialthatyouunderstandasectionbeforegoingontothenext.
Sometimesstudentsinmathematicscoursesdonotreadthewritten
materialinthetextbutassumethattheinstructorwiIItelIthemwhat
theyneedtoknow.Thiscancausethemseriousproblems,sincemany
instructorsassumethatstudentshavereadthetextbeforecomingtoclass.
ThewrittensectionsofmathematicstextbookscontainmuchvaIuabIe
information.
Sometimesthedifficultyofmathstudentscomesfrom.
A.thethoughtthattheydon,tlikemath
B.thethoughtthattheyarepoorinmath
C.theideasofpsychologists
D.theideasofinstructors
5.{{B}}Passage40{[/B]]
Everyartistknowsinhisheartthatheissayingsomethingtothe
pubIic.Notonlydoeshewanttosayitwell,buthewantsittobe
somethingwhichhasnotbeensaidbefore.HehopesthatthepubIicwiII
Iistenandunderstand-hewantstoteachthem,andhewantsthemtolearn
fromhim.
WhatvisuaIartistsIikepainterswanttoteachiseasytomakeout
butdifficulttoexplain,becausepainterstranslatetheirexperiences
intoshapesandcolors,notwords.(40){{U}}Theyseemtofeelthata
certainseIectionofshapesandcolors,outofthecountIessbiIIions
possible,isexceptionaIIyinterestingforthemandworthshowingto
us.{{/U}}Withouttheirworkwewouldneverhavenoticedtheseparticular
shapesandcolors,orhavefeltthedeIightwhichtheybroughttothe
artist.
MostartiststaketheirshapesandcolorsfromtheworIdofnature
andfromhumanbodiesinmotionandstiIIness;theirchoicesindicate
thattheseaspectsoftheworldareworthIookingat,thattheycontain
beautifuIsights.Contemporaryartistsmightsaythattheymerelychoose
subjectsthatprovideaninterestingpattern,andthatthereisnothing
moreinit,yeteventheydonotchooseentirelywithoutreferenceto
thecharacteroftheirsubjects.
Ifonepainterchoosestopaintaninjuredlegandanotheralakein
moonIight,eachofthemisdireelingourattentiontoacertainaspect
oftheworld.EachpainteristeIIingussomethingrshowingussomething,
emphasizingsomething——alIofwhichmeansthat,consciouslyor
unconsciously,heistryingtoteachus.
Withouttheartists'work,thepubIicwouldnot.
A.noticeparticularshapesorcolors
B.seetheshapesandcolorsthatexpresshisexperience
C.feelhisdelightinshapesandcolors
D.alloftheabove
6.{{B}}Passage41{{/B}}
ThreemengottotheDoverRaiIwayStationafewminutesafternine
o'clockoneevening.Theyaskedaguard,"Whattimeisthenexttrain
forLondon”
Theguardsaid,"You'vejustmissedone.Atraingoeseveryhour.
Thenextoneisatteno'clock.M
"That'sailright,"theysaid."We1IIgoandhaveadrink."Sooff
theywenttoabar.Aminuteortwoafterteno'clocktheycamerunning
andaskedtheguard.MHasthetraingone”"Yes,"theguardsaid.nIt
wentatten,andItoldyou.ThenextoneisateIeveno'clock.11
"That'sailright,ntheysaidagain."We'IIgoandhaveanotherdrink.n
Sotheywentbacktothebar.
Theymissedtheeleveno'clocktraininthesameway.Thentheguard
said,“No,thenexttrainisthelastone.Ifyoumissthattrain,you
won,tgettoLondontonight.n
(41){{U}}Twelveo'clockcame,andthelasttrainwasjuststarting
outwhenthethreeofthemcameoutofthebarrunningasfastasthey
could.{{/U}}Twoofthemgotonthetrainjustasitwasleavingbutthe
thirdonedidn'trunfastenough,andthetrainwentoutleavinghim
behind.HestoodthereIookingatthetrainandIaughingrasiftomiss
atrainwasthebestjokeintheworld.Theguardwentuptohimandsaid,
MItoldyouthatthiswasthelasttrain.Whydidn'tyoucomeearIier
(I
ThemankeptlaughinguntiItearscameintohiseyes.Thenhecaught
holdoftheguardandsaid,"Didyouseethetwomengetintothetrain
andleavemehere”
"Yes,Idid.n
“Well,IwastheonlyonetoleaveforLondon.Theywerehereonly
toseemeoff!n
Thestoryhappened.
A.inLondon
B.attheLondonRailwayStation
C.inabar
D.inDover
7.{{B}}Passage42{{/B}}
SomecountrieshaveIargenumbersofearthquakes.Japanisoneofthem.
Othersdonothavemany;forexampIe,therearefewearthquakesinBritain.
Thereisoftenagreatnoiseduringanearthquake.Theearthshakes.
HousesfaIIdown.RaiIwayIinesarebroken.SometimesmanypeopIeare
killedinanearthquake.
Earthquakesoftenhappennearvolcanoes,butthisisnotaIwaystrue.
Thecentersofsomeareunderthesea.Thebottomoftheseasuddenly
moves.Thepowerfulforcesinsidetheearthbreaktherocks.Thecoast
isshakenandgreatwavesappear.Thesewavestravellongdistancesand
rushoverthelandwhentheyreachit.(42){{U}}Theyarestrongenough
tobreakdownhousesandotherbuiIdings;sometimestheybreakmore
buiIdingsthantheearthquakeitself.{{/U}}
WhatkindofbuiIdingsstandsupbestinanearthquakeAbuiIding
withconcretewallsisperhapsthebest.AsteelframewiIImakeiteven
stronger.Theframeholdsthedifferentpartstogether,andthewalls
donoteasiIyfall.Thereislesschanceoffirebecauseconcreteand
steeldonotburn.ThiskindofbuiIdingisthesafest.
Whichofthefollowingshowsthatanearthquakehappens
A.Theearthandthebuildingsshakebadly.
B.Thereisagreatnoiseinthesky.
C.Theskyiscoveredwiththickclouds.
D.Thetigersandlionsinthezoorunaboutnervously.
8.{{B}}Passage43{{/B}}
SometimesitisimpossibletosendalIthemaiIthatarrivesatthe
postoffice.PerhapsthereisaninadequateoriIlegibleaddressandthere
isnoreturnaddress.ThepostofficecannotjustthrowthemaiIaway,
soitbecomes"deadmaiIDeadmaiIisthensenttooneoftheU.S.PostaI
Service'sdeadmaiIofficesinAtIanta,NewYork,PhiladeIphia,St.Paul,
andSanFrancisco.Seventy-fivemillionpiecesofmaiIcanendupinthese
officesinoneyear.
Thestaff'ofthedeadmaiIofficeshasdifferentwaystodeaIwith
alIofthesepiecesofdeadmail.FirstofaII,theylookforcluesthat
canhelpthemdeliverthemail;theyopenpackagesinthehopethat
somethinginsidewi11showwherethepackagecamefromorisgoingto.
(43){{U}}DeadmaiIwiIIalsobeIistedonacomputersothatpeopIecan
calIinandcheektoseeifamissingitemisthere.{{/U}}
However,alIofthemaiIcannotsimplybestoredforever:thereis
justtoomuchofit.WhenalotofdeadmaiIhaspiledup,thedeadmaiI
officesholdpubIicauctions.Everythreemonths,thepubIicisinvited
totheofficesandcontainingitemsfoundindeadmaiIpackagesaresold
tothehighestbidder(出價人).
WhichofthefollowingisNOTmentionedasawaytodealwithdeadmaiI
A.Tosearchforclues.
B.Tothrowdeadmailaway.
C.Toopendeadmail.
D.Tolistdeadmailonacomputer.
9.{{B}}Passage37{{/B}}
WhydontbirdsgetIostontheirIongfIightsfromonepIacetoanother
ScientistshavebeenpuzzIedoverthisquestionformanyyears.Nowthey'
rebeginningtofillintheblanks.
Notlongago,experimentsshowedthatbirdsrelyonthesuntoguide
themduringdayIighthours.Butwhataboutbirdsthatflybynight(37)
{{U}}Testswithartificialstarshaveprovedthatcertainnight-flying
birdsareabletofollowthestarsintheirIong-distancefIights.{{/U}}
AdovehadspentitsIifetimeinacageandhadneverflownundera
naturalsky.YetitshowedaninbornabiIitytousethestarsforguidance.
Thebird'scagewaspIacedunderanartificialstar-fiIledsky.Thebird
triedtoflyinthesamedirectionasthattakenbyhisoutdoorcousins.
Anychangeinthepositionoftheartificialstarscausedachangein
thedirectionofhisflight.
Thestarsareapparentlytheirprincipalmeansofnavigation.When
thestarsarehiddenbyclouds,theyseemingIyfindtheirwaybysuch
landmarksasmountainranges,coastIinesyandrivercourses.Butwhen
it'stoodarktoseethese,thedovescirclehelplessly,unabletofind
theirway.
Theexperimentwiththedoveindicatedthat.
A.birdshavetobetaughttonavigate
B.abirdthathasbeencagedwillnotflylongdistances
C.somebirdscannotflyatnight
D.somebirdsseemtofollowthestarswhentheyflyatnight
10.{{B}}Passage43{{/B}}
SometimesitisimpossibletosendalIthemaiIthatarrivesatthe
postoffice.PerhapsthereisaninadequateoriIlegibleaddressandthere
isnoreturnaddress.ThepostofficecannotjustthrowthemaiIaway,
soitbecomes"deadmaiIDeadmaiIisthensenttooneoftheU.S.PostaI
Service5sdeadmaiIofficesinAtIanta,NewYork,PhiladeIphia,St.Paul,
andSanFrancisco.Seventy-fivemiIIionpiecesofmaiIcanendupinthese
officesinoneyear.
Thestaff'ofthedeadmaiIofficeshasdifferentwaystodealwith
alIofthesepiecesofdeadmail.FirstofaII,theylookforcluesthat
canhelpthemdeliverthemail;theyopenpackagesinthehopethat
somethinginsidewillshowwherethepackagecamefromorisgoingto.
(43){{U}}DeadmaiIwi11alsobeIistedonacomputersothatpeopIecan
calIinandcheektoseeifamissingitemisthere.{{/U}}
However,alIofthemaiIcannotsimplybestoredforever:thereis
justtoomuchofit.WhenalotofdeadmaiIhaspiledup,thedeadmaiI
officesholdpubIicauctions.Everythreemonths,thepubIicisinvited
totheofficesandcontainingitemsfoundindeadmaiIpackagesaresold
tothehighestbidder(出價人).
ThestaffinadeadmaiIofficemayopenapackageinordertofind.
A.somemoney
B.somemissingobjects
C.anaddress
D.acomputer
11.{{B}}Passage41{{/B}}
ThreemengottotheDoverRaiIwayStationafewminutesafternine
o'clockoneevening.Theyaskedaguard,“Whattimeisthenexttrain
forLondon”
Theguardsaid,"You'vejustmissedone.Atraingoeseveryhour.
Thenextoneisatteno'clock."
"That'sailright,"theysaid.nWe,IIgoandhaveadrink.MSooff
theywenttoabar.Aminuteortwoafterteno'clocktheycamerunning
andaskedtheguard.MHasthetraingone”"Yes,ntheguardsaid.HIt
wentatten,andItoldyou.Thenextoneisateleveno'clock.M
"That'sailright,ntheysaidagain."We'IIgoandhaveanotherdrink.M
Sotheywentbacktothebar.
Theymissedtheeleveno'clocktraininthesameway.Thentheguard
said,"No,thenexttrainisthelastone.Ifyoumissthattrain,you
won'tgettoLondontonight.H
(41){{U}}Twelveo'clockcame,andthelasttrainwasjuststarting
outwhenthethreeofthemcameoutofthebarrunningasfastasthey
could.{{/U}}Twoofthemgotonthetrainjustasitwasleavingbutthe
thirdonedidn,trunfastenough,andthetrainwentoutleavinghim
behind.HestoodthereIookingatthetrainandIaughingtasiftomiss
atrainwasthebestjokeintheworld.Theguardwentuptohimandsaid,
111toldyouthatthiswasthelasttrain.Whydidn'tyoucomeearIier
ThemankeptlaughinguntiItearscameintohiseyes.Thenhecaught
holdoftheguardandsaid,"Didyouseethetwomengetintothetrain
andleavemehere”
HYes,Idid.n
“Well,IwastheonlyonetoleaveforLondon.Theywerehereonly
toseemeoff!
Theguardtoldthethreementhatthere
A.weretrainsallthenight
B.wasatrainintheevening
C.wasatraineverysixtyminutes
D.werenotrainsthatevening
12.{{B}}Passage42{{/B}}
SomecountrieshaveIargenumbersofearthquakes.Japanisoneofthem.
Othersdonothavemany;forexample,therearefewearthquakesinBritain.
Thereisoftenagreatnoiseduringanearthquake.Theearthshakes.
HousesfaIIdown.RaiIwayIinesarebroken.SometimesmanypeopIeare
killedinanearthquake.
Earthquakesoftenhappennearvolcanoes,butthisisnotalwaystrue.
Thecentersofsomeareunderthesea.Thebottomoftheseasuddenly
moves.Thepowerfulforcesinsidetheearthbreaktherocks.Thecoast
isshakenandgreatwavesappear.Thesewavestravellongdistancesand
rushoverthelandwhentheyreachit.(42){{U}1Theyarestrongenough
tobreakdownhousesandotherbuiIdings;sometimestheybreakmore
buiIdingsthantheearthquakeitself.{{/U}}
WhatkindofbuiIdingsstandsupbestinanearthquakeAbuiIding
withconcretewallsisperhapsthebest.AsteelframewiIImakeiteven
stronger.Theframeholdsthedifferentpartstogether,andthewalls
donoteasilyfall.Thereislesschanceoffirebecauseconcreteand
steeldonotburn.ThiskindofbuiIdingisthesafest.
Anearthquakeisterriblebecause.
A.itoftenhappensnearavolcano
B.housesmayfalldowninanearthquake
C.alotofpeoplemaybekilledinanearthquake
D.bothBandC
13.{{B}}Passage40{{/B}}
Everyartistknowsinhisheartthatheissayingsomethingtothe
pubIic.Notonlydoeshewanttosayitwell,buthewantsittobe
somethingwhichhasnotbeensaidbefore.HehopesthatthepubIicwi11
Iistenandunderstand-hewantstoteachthem,andhewantsthemtolearn
fromhim.
WhatvisualartistsIikepainterswanttoteachiseasytomakeout
butdifficulttoexplain,becausepainterstranslatetheirexperiences
intoshapesandcolors,notwords.(40){{U}}Theyseemtofeelthata
certainseIectionofshapesandcolors,outofthecountIessbiIIions
possible,isexceptionallyinterestingforthemandworthshowingto
us.{[/[)]]WithouttheirworkwewouIdneverhavenoticedtheseparticular
shapesandcolors,orhavefeltthedeIightwhichtheybroughttothe
artist.
Mostartiststaketheirshapesandcolorsfromtheworldofnature
andfromhumanbodiesinmotionandstiIIness;theirchoicesindicate
thattheseaspectsoftheworIdareworthIookingat,thattheycontain
beautifuIsights.Contemporaryartistsmightsaythattheymerelychoose
subjectsthatprovideaninterestingpattern,andthatthereisnothing
moreinit,yeteventheydonotchooseentirelywithoutreferenceto
thecharacteroftheirsubjects.
Ifonepainterchoosestopaintaninjuredlegandanotheralakein
moonIight,eachofthemisdirectingourattentiontoacertainaspect
oftheworld.EachpainteristeIIingussomethingrshowingussomething,
emphasizingsomething-alIofwhichmeansthat,consciouslyor
unconsciously,heistryingtoteachus.
Anartist1schoiceofshapesandcolorsindicatesthathebeIievesthem
tobe,
A.calm
B.moving
C.delightful
D.worthlookingat
14.{{B}}Passage39{{/B}}
ManypeopIehavedifficultyinstudyingmathematics.Sometimestheir
difficultystemsfromthepsychologicalideathattheyare"notgoodat
math,r.(39){{U}}Ithasbeendemonstratedthatmanytimesthatitisoften
thisideathatiscausingtheirproblemsratherthananylackofskill
inmathematics.{{/U}}ThebestwaytodealwiththisproblemistotelI
yourselfthatmathinvolvesusingthesamenumbersyouhavebeenusing
alIyourIifeandthatyouknowthemasweIIasanyoneelse.Thenset
yourmindtolearninghowtheyareusedintheparticularpartof
mathematicsyouarestudying.Manyschoolsoffer11mathanxiety"courses
whicharedesignedtohelppeopIeovercometheirfearofmath.
AnotherproblemmanypeopIeencounteristhatinmathematics,unlike
someothersubjectsyoumayhavestudied,thematerialhasavery
importantsequenceororder.Ifyoudonotunderstandasectionof
mathematicstext,itisnousegoingontothenextsection.Manysections
ofmathbooksarebasedoninformationpresentedearIier,soitis
essentialthatyouunderstandasectionbeforegoingontothenext.
Sometimesstudentsinmathematicscoursesdonotreadthewritten
materialinthetextbutassumethattheinstructorwiIItelIthemwhat
theyneedtoknow.Thiscancausethemseriousproblems,sincemany
instructorsassumethatstudentshavereadthetextbeforecomingtoclass.
Thewrittensectionsofmathematicstextbookscontainmuchvaluable
information.
Thebestwaytosolvethisproblemis.
A.toseethatmathonlyinvolvesthenumbers
B.toseeyoucanlearnthenumbersnoworsethanothers
C.totellyouthatyouwillknowthemsoon
D.totellyourselfthatmathinvolvesusingthesamenumbers
15.{{B}}Passage38{{/B}}
Animalsdomanyusefulandentertainingjobs.(38){{U}}Dogsare
particularlyvaluabIeinguidingtheblind(atraineddogcanIearnnever
tocrossabusystreetwhencarsarecoming,evenifhismastercommands
himtodoso),protectingproperty,findinglostpeople,andhunting
criminals.{{/U}}Horsesareusedinguardingherds,carryingmeninlands
wheretherearenoroads,andhelpingfarmersplowfields.Pigeonshave
longbeenusedtocarrymessage.WiIdanimalsfromthejungles,forests
andseasareverypopularperformersincireusesandmovies.PeopIe
reaIizethat,aIthoughanimalsmaynothavethesameinteIIigenceashuman
beings,theyaresmartenoughtolearncertainthings.
Thefirstthingadogistaughtistoobey.Itshouldnottaketoo
longforhimtolearncommands.Simpleorders,suchas"sit,Iiedown,
staythere,comehere"canevenbetaughtbyachiId.
Trainingadogtobeawatchdogoftenproducesunexpectedresults.
SomedogsquicklylearnthedifferencebetweenunwantedpeopIeand
friends.ThisisbecausetheirmastersweIcomefriendsandinvitethem
intotheirhouses.However,somedogswiIIalwaysattackthepostmenwho
cometodeliverletters.Oneexplanationforthisbehavioristhat,
aIthoughthepostmancomestothehousefrequently,heneverentersthe
house.Therefore,thedogthinksthepostmanissomeonewhoisnotwanted,
butkeepscomingbackanyway.
Mastersofdogswhoattackpostmencaneasilyshowthedogsthatthe
postmanisafriendandthedogdoesnotneedtotreathimasanunwanted
person.Adogisquitereadytodowhathismasterwishes.Andadogis
alwayshappywhenheispraisedforproperunderstanding.
DogswhoaccompanyblindpeopIemustlearn.
A.to
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