2022年江蘇GRE考試考前沖刺卷

2022年江蘇GRE考試考前沖刺卷

（本卷共分為2大題50小題，作答時(shí)間為180分鐘，總分100分，60分及格。）

單位：姓名：考號(hào)：

題號(hào)單選題多項(xiàng)選擇判斷題綜合題總分

分值

得分

一、單項(xiàng)選擇題（共25題，每題2分。每題的備選項(xiàng)中，只有一個(gè)最符合題意）

1.（{BUSet

{{B}}TheScienceofAnthropoIogy{{/B}}

Throughvariousmethodsofresearch,anthropologiststrytofit

togetherthepiecesofthehumanpuzzle-todiscoverhowhumanitywas

firstachieved,whatmadeitbranchoutindifferentdirections,andwhy

separatesocietiesbehavesimilarlyinsomeways,butquitedifferently

inotherways,Anthropology,whichemergedasanindependentsciencein

thelateeighteenthcentury,hastwomaindivisions:PhysicaI

AnthropologyandCulturalAnthropology.PhysicaIAnthropologyfocuses

onhumanevoIutionandvariationandusesmethodsofphysioIogy,geneticsf

andecoIogy.CulturalanthropologyfocusesoncultureandincIudes

ArchaeoIogy,sociaIanthropology,andIinguisties.

PhysicaIanthropologistsaremostconcernedwithhumanbioIogy.

PhysicaIanthropologistsaredetectiveswhosemissionistosolvethe

mysteryofhowhumanscametobehuman.Theyaskquestionsabouttheevents

thatledatree-dwelIingpopuIationofanimalstoevoIveintotwo-1egged

beingswithpowertolearn-apowerthatweca11inte11igence.PhysicaI

anthropologistsstudythefossiIsandorganicremainsofonce-living

primates.Theyalsostudytheconnectionsbetweenhumansandother

primatesthatarestillIiving.Monkeys,apes,andhumanshavemorein

commonwithoneanotherphysica11ythantheydowithotherkindsof

animals,Inthelabanthropologistsusethemethods,ofphysioIogyand

geneticstoinvestigatethecompositionofbloodchemistryforcluesto

therelationshipofhumanstovariousprimates.Somestudytheanimals

inthewiIdtofindoutwhatbehaviorstheysharewithhumans.Others

specuIateabouthowthebehaviorofnonhumanprimatesmighthaveshaped

humanbodiIyneedsandhabits.

Awe11-knownfamiIyofphysicaIanthropologists,theLeakeys,

conductedresearchinEastAfricaindicatingthathumanevoIution

centeredthereratherthanAsia.In1931.LouisLeakeyandhiswifeMary

Leakeybeganexcavatingat01duvaiGorgeinTanzania,whereoverthenext

fortyyearstheydiscoveredstonetoolsandhominidevidencethatpushed

backthedatesforearlyhumanstoover375mi11ionyearsago.Theirson,

RichardLeakey,discoveredyetothertypesofhominidskulIsinKenya,

whichhewroteaboutinOrigins(1979)andOriginsReconsidered(1992),

LikephysicaIanthropologists,culturalanthropologistsstudyclues

abouthumanIifeinthedistantpast;however,culturalanthropologists

alsolookatthesimilaritiesanddifferencesamonghumancommunities

today.Someculturalanthropologistsworkinthefield,livingand

workingamongpeopIeinsocietiesthatdifferfromtheirown.

AnthropoIogistsdoingfieIdworkoftenproducea11ethnography,awritten

descriptionofthedailyactivitiesofmen,women,andchiIdrenthattells

thestoryofthesociety1scommunityIifeasawhoIe.Somecultural

anthropologistsdonotworkinthefieldbutratheratresearch

universitiesandMuseumsdoingthecomparativeandinterpretivepartof

thejob.Theseanthropologists,calledethnologists,siftthroughthe

ethnographieswrittenbyfieldanthropologistsandtrytodiscover

crossculmturalpatternsinmarriage,childrearing,reIigiousbeIiefs

andpractices,warfare-anysubjectthatconstitutesthehuman

experience.Theyoftenusetheirfindingstoarguefororagainst

particularhypothesesaboutpeopIeworldwide.

AculturalanthropologistwhoachievedworldwidefamewasMargaret

Mead.In1923,MeadwenttoSamoatopursueherfirstfieldwork

assignment-astudythatresultedinherwidelyreadbookComingofAges

inSamoa(1928).MeadpubIishedtenmajorworksduringherlongcareer,

movingfromstudiesofchildrearinginthePacifictotheculturaland

biologicalbasesofgender,thenatureofculturalchange,thestructure

andfunctioningofcompIexsocieties,andracerelations.Meadremained

apioneerinherwillingnesstotackIesubjectsofmajorinte11ectuaI

consequence,todeveIopnewtechnoIogiesforresearch,andtothinkof

newwaysthatanthropologycouldservesociety.

Glossary:

primates:theorderofmammaIsthatincIudesapesandhumans

hominid:thefamilyofprimatesofwhichhumansaretheonlyliving

species

Thephrasebranch,outinparagraph1isclosestinmeaningto

A.separate.

B.hurry.

C.look.

D.originate.

2.{{BllSet3{{/B]]

{{B}}OrganicArchitecture{{/B}}

OneofthemoststrikingpersonalitiesinthedeveIopmentof

early-twentiethcenturyarchitecturewasFrankLloydWright(1867-1959)

WrightattendedtheUniversityofWisconsininMadisonbeforemovingto

Chicago,whereheeventua11yjoinedthefirmheadedbyLouisSulIivan.

Wrightsetouttocreate"architectureofdemocracyM.EarlyinfIuences

werethevolumetricshapesinasetofeducationaIbIockstheGerman

educatorFriedrichFroebeldesigned,theorganicunityofaJapanese

buildingWrightsawattheCoIumbianExpositioninChicagoin1893,and

aJeffersonianbeliefinindividuaIismandpopuIism.AlwaysabeIiever

inarchitectureas"natural11and"organic”,Wrightsawitasservingfree

individualswhohavetherighttomovewithinafreespace,envisioned

asanonsymmetricaldesigninteractingspatia11ywithitsnatural

surroundings.HesoughttodeveIopanorganicunityofpIanningf

structure,materials,andsite.Wrightidentifiedtheprincipleof

continuityasfundamentaItounderstandinghisviewoforganicunity:

"ClassicarchitecturewasalIfixations.NowwhynotletwaIIs,ceilings,

floorsbecomeseenascomponentpartsofeachotherThisideaIfprofound

initsarchitecturalimpIicationsIcalledcontinuity.n

Wrightmanifestedhisvigorousoriginalityearly,andby1900hehad

arrivedatastyleandentirelystartedhisown.Inhisworkduringthe

firstdecadeofthetwentiethcentury,hiscross-axialplanandhisfabric

ofcontinuousroofplanesandscreensdefinedanewdomesticarchitecture.

WrightfullyexpressedtheseeIementsandconceptsinRobieHouse,

builtbetween1907and1909.LikeotherbuiIdingsintheChicagoarea

hedesignedataboutthesametime,thiswascalledaprairiehouse.Wright

conceivedthelong,sweepingground-huggingIines,unconfinedbyabrupt

walIIimitsrasreachingouttowardandcapturingtheexpansivenessof

theplacegreatflatlands.StartingabandoningalIsymmetry,the

architecteliminatedafacade,extendedtheroofsfarbeyondthewalls,

andalIbutconceaIedtheentrance.Wrightfilledthe“wandering"plan

oftheRobieHousewithintricatelyjoinedspaces(somelargeandopen,

otherscIosed)vgroupedfreelyaroundagreatcentralfireplace.(He

beIievedstronglyinthehearth5sage-oIddomesticsignificance.)Wright

designedencIosedpatiosroverhangingroofs,andstripwindowstoprovide

unexpectedIightsourcesandglimpsesoftheoutdoorsaspeopIemove

throughtheinteriorspace.Theseelements,togetherwiththeopenground

plan,createasenseofspace-inmotioninsideandout.Hesetmassesand

voidsinequiIibrium;thefIowofinteriorspacedeterminedtheexterior

walIplacement.Theexterior,ssharpangularplanesmeetatapparentIy

oddangIes,matchingthecomplexplayofinteriorsolids,whichfunction

notasinertcontainingsurfacesbutaseIementsequivaIentinroleto

thedesign'sspaces.

TheRobieHouseisagoodexampIeofWright'snnaturalism'\his

adjustingofabuildingtoitssite.However,inthisparticularcase,

theconfinesofthecitylotconstrainedthebuiIding-to-site

relationshipmorethandidthesitesofsomeofWright'smoreexpansive

suburbanandcountryhomes.TheKaufmannHouse,nicknameednFalIing

water"anddesignedasaweekendretreatatBearRunnearPittsburghis

astartprimeexampIeofthelatter.Perchedonarockyhillsideover

1

asma11waterfaIlvthisstructureextendstheRobieHousesbIockymasses

inalIfourdirections.Thecontrastintexturesbetweenconcrete,

paintedmetaI,andnaturalstonesinitswallsenIivenitsshapes,as

doesWright1suseoffulI-lengthstripwindowstocreateastunning

interweavingofinteriorandexteriorspace.

TheimpliedmessageofWright1snewarchitecturewasspace,notmass

—aspacedesignedtofitthepatron,sIifeandencIosedanddivided

asrequired.Wrighttookspecialpainstomeethisclient'srequirements,

oftendesigningalItheaccessoriesofahouse.Inthelate1930s,he

actedonacherisheddreamtoprovidegoodarchitecturaldesignforless

prosperouspeopIebyadaptingtheideasofhisprairiehousetoplans

forsmaIler,Iessexpensivedwe11ings.ThepubIicationofWright'spIans

broughthimameasureoffameinEurope,especiallyinHo11andandGermany.

TheissuanceinBerIinin1910ofaportfoIioofhisworkandanexhibition

ofhisdesignsthefollowingyearstimuIatedyoungerarchitectstoadopt

A.Fixation.

B.Ideal.

C.Continuity.

D.Classic.

3.

{{B}}Narrator{{/B}}

ListentoapartofaconversationinIibrary.

Whatisthestudent,shometeIephonenumber

A.94561309.

B.98351309.

C.98356712.

D.94566712.

4.

{{B}}ReadingSectionDirections{{/B}}

Inthissectionyouwi11readfivepassagesandanswerreading

comprehensionquestionsabouteachpassage.Mostquestionsareworthone

point,butthelastquestionineachsetisworthmorethanonepoint.

Thedirectionsindicatehowmanypointsyoumayreceive.

Youwi11have60minutestoreadalIofthepassagesandanswerthe

questions.SomepassagesincIudeawordorphrasethatisunderIinedin

blue.ClickonthewordorphrasetoseeadefinitionoranexpIanation.

?

WhenyouwanttomoveontothenextquestionrcIickon{{B}}Next{{/B}}

Youcanskipquestionsandgobacktothemlateraslongasthereistime

remaining.Ifyouwanttoreturntopreviousquestions,clickon

{{B}}Back{{/B}}?YoucancIickon{{B}}Review{{/B}}atanytimeandthe

reviewscreenwi11showyouwhichquestionyouhaveansweredandwhich

youhavenot.Fromthisreviewscreen,youmaygodirectIytoanyquestion

youhavealreadyseeninthereadingsection.

Whenyouarereadytocontinue,cIickonthe{{B}}Continue{{/B}}icon.

{{BUSet1{{/B}}

{{B}}New-AgeTransport{{/B}}

ItlooksasifitcamestraightfromthesetofStarWars.Ithas

four-wheeldriveandrisesaboverockysurfaces.Itlowersandraises

itsnosewhengoingupanddownhills.Andwhenitcomestoariver,it

turnsamphibious:twohydrojetspoweritalongbyblastingwaterunder

itsbody.Thereisroomfortwopassengersandadriver,whositinside

aglassbubbIeoperatingelectronic,aircraft-typecontrols.AvehicIe

sodaringonlandandwaterneedswindscreenwipers-butitdoesn9

thaveany.WatermoIecuIesaredisintegratedonthescreen,ssurface

byultrasonicsensors.

ThisunusuaIvehicleistheRacoon.ItisaninventionnotofHo11ywood

butofRenault,aratherconservativeFrenchstate-ownedcarmaker,better

knownforitsfamiIyhatchbacks.Renau11builttheRacoontoexplorenew

freedomsfordesignersandengineerscreatedbyadvancesinmaterials

andmanufacturingprocesses.Renau11isthinkingaboutstartIingly

differentcars;otherproducershaveradicalnewideasfortrains,boats

andaeroplanes.

Thefirstofthenewfreedomsisindesign.Powerfulcomputer-aided

design(CAD)systemscanrepIacewithaclickofacomputermousehours

oflaboriousworkdoneonthousandsofdrawingboards.Sonewproducts,

nomatterhowcompIicated,canbedeveIopedmuchfaster.Forthefirst

time,Boeingwi11nothavetobuiIdagiantrepIicaofitsnewairIiner,

the777,tomakesurealIthebitsfittogether.ItsCADsystemwi11take

careofthat.

ButRenau11istakingCADfurther.11cIaimstheRacoonistheworld'

sfirstvehicIetobedesignedwithinthedigitisedworldofvirtual

reality.CompIexprogramswereusedtosimuIatethevehicIeandthe

terrainthatitwasexpectedtocross.Thisa11owedateamledbyPatrick

LeQuement,Renault1sindustrial-designdirector,to"drive"itlong

beforeaprototypeexisted.

Renau11isnotaloneinthinkingthatvirtualrealitywiIItransform

automotivedesign.InDetroit,FordisaIsoinvestigatingitspotential.

,

JackTeInactthefirmsheadofdesign,wouIdIikedesignersindifferent

partsoftheworldtoworkmorecIoseIytogether,Iinkedbycomputers.

Theywoulddomorethanstylecars.Virtualrealitywi11allowengineers

topeerinsidetheworkingpartofavehicle.Designerswi11watch

bearingsmove,oiIflow,gearsmeshandhydraulicspump.Asthese

techniquescatchon,evenstrangervehiclesarelikelytocomeaIong.

TransformingthesecreationsfromvirtualrealitytoactuaIreality

wiIIalsobecomeeasier,especiallywithadvancesinmaterials.Firms

thatoncebashedeverythingoutofsteelnowfindthatnewa11oysor

compositematerials(whichcanbemadefrommixturesofpIastic,resin,

ceramicsandmetals,reinforcedwithfibressuchasglassorcarbon)are

changingtherulesofmanufacturing.Atthesametime,oldmaterialskeep

gettingbetter,astheirproducerstrytosecuretheirplaceinthe

factoryofthefuture.Thiscompetitionisincreasingthepaceof

deveIopmentofalImaterials.

OnecompanyinthisfieldisSeaIedComposites.Itwasstartedin

1982byBurtRutan,anaviatorwhohasdevisedmanyunusuaIaircraft.

IthasalsoworkedoncompositesailsfortheAmerica'sCupyachtrace

,

andonGeneralMotorsUltralitefa100-milesper-galIonexperimental

famiIycarbuiltfromcarbonfibre.

Again,theRacoonreflectsthisracebetweentheoldandthenew.It

usesconventionaIsteelandwhatRenau11describesasanewMhigh-Iimit

elasticsteeIMinitschassis.Thi

A.adventurous.

B.fearless.

C.spiritual.

D.cowardly.

5.{{BllSet2{{/B}}

{{B}}JobSatisfactionandPersonnelMobiIity{{/B}}

Europe,andindeedalIthemajorindustrializednations,iscurrently

goingthrougharecession.ThisobviouslyhasseriousimpIicationsfor

companiesandpersonnelwhofindthemseIvesvictimsofthedownturn.As

Britainapparentlyeasesoutofrecession,therearealsopotentia11y

equa11yseriousimpIicationsforthecompanieswhosurvive,associated

withtheempIoymentandrecruitmentmarketingeneral.

Duringarecession,voluntarystaffturnoverisboundtofaIIsharply.

Staffwhohavebeenwithacompanyforsomeyearswi11clearlynotwant

torisklosingtheiraccumuIatedredundancyfights.Furthermore,they

wi11beunwe11ingtogotoaneworganizationwheretheymayweIIbe

joiningona"lastin,firstout"basis.ConsequentIy,evenifthereis

IittIeornojobsatisfactionintheircurrentpost,theyaremostlikely

toremainwheretheyare,quietlysittingitoutandwaitingforthings

toimprove.InBritain,thissituationhasbeenaggravatedbytheIength

andnatureoftherecession-asmayalsoprovetobethecaseintherest

ofEuropeandbeyond.

Inthepast,companiesusedtotakeonstaffatthelowerIeveIsand

rewardloyalempIoyeeswithinternalpromotions.Thisopportunityfor

aIifetimecareerwithonecompanyisnolongeravaiIable,owingto

downsizingnofcompanies,structuralreorganizationsandredundancy

programmes,alIofwhichhaveaffectedmiddlemanagementasmuchasthe

lowerlevels.Thisreducetioninthelayersofmanagementhasledto

flatterhierarchies,which,inturn,hasreducedpromotionprospects

withinmostcompanies.Whereasambitiouspersonnelhadbecomeusedto

regularpromotion,theynowfindtheirprogressisblocked.

Thissituationiscompoundedbyyetanotherfactor.Whenstaffatany

levelaretakenon,itisusuallyfromoutsideandpromotionis

increasinglythroughcareermovesbetweencompanies.Recessionhas

createdanewbreedofbrightyounggraduates,muchmoreself-interested

andcynicaIthaninthepast.Theytendtobemorewary,scepticaIof

whatisonofferandconsequentIymuchtoughernegotiators.Thosewho

joinedcompaniesdirectIyfromeducationfeeltheeffectsmoststrongly

andnowfeeluncertainandinsecureinmid-1ife.

Inmanycases,thishasresultedinstaffdissatisfaction.Moreover,

managementitselfhascontributedtothisgenerali11-feeIingand

frustration.Thecaringimageoftherecentpasthasgoneandthefear

ofredundancyisoftenusedastheprimemotivator.

AsaresultofalIthesefactors,whentherecessioneasesandpeopIe

findmoreconfidence,therewiIIbeanexpIosionofempIoyeesseeking

newopportunitiestoescapetheircurrentjobs.ThiswiIIbeledby

younger,Iess-experiencedempIoyeesandthehard-headedyounggraduates.

"Headhunters11confirmthatolderstaffaresti11cautious,havingseen

somanygoodcompanies“gotothewalI",andarereIuctanttojeopardize

theirredundancyentitlements.Pastexperience,however,suggeststhat,

oncetriggered,theexpansioninrecruitmentwi11beveryrapid.

Theproblemwhichfacesmanyorganizationsisoneofstrategic

planning;ofnotknowingwhowi11leaveandwhowi11stay.Oftenitis

thebestpersonnelwhomoveonwhilsttheworstclingtothelittle

securitytheyhave.Whilstthisexpansionintherecruitmentmarketis

IikeIytohappensooninBritain,mostemployersaresimplynotprepared.

Withthelossofmiddlemanagement,inastaticmarketplace,personnel

managementandrecruitmentareoftenconductedbyjuniorpersonnel.

Theyhaveonlyknownrecessionandlacktheexperiencetoplanaheadand

toimpIementstrategiesforgrowth.Thisistreeofmanyotherfunctions,

Ieavingcompanyieswithouttheskills,abilityorvisiontostructure

themseIvesforlong-termgrowth.Withoutthisabilitytorecruit

competitiveIyforstrategicplanning,andgiventhespeedatwhichthese

changesarelikelytooccur,arealcrisisseemsimminent.

Accordingtoparagraph2,manystaffarenotIeavingtheirjobsbecause

they

A.willlosetheirredundancyrights.

B.wouldjoinanewcompanyona“l(fā)astin,firstoutnbasis.

C.arewaitingfortheeconomytopickup.

D.aredissatisfiedwiththeircurrentposition.

6.

{{B}}Narrator{{/B}}

Listentoapartofalectureinabusinessclass.

Whatdoestheprofessorsayaboutaweakhandshakeformen

A.Itisapolitewaysinceitavoidstheriskofmakingothershurt.

B.Ittellsthatoneofthehandshakersisnotinterestedintheother.

C.Itshowsthatoneofthehandshakersisveryaggressive.

D.Itisbetterthannohandshakeatall.

7.{IB}}Set3{{/B}}

{{B}}OrganicArchitecture{{/B}}

OneofthemoststrikingpersonalitiesinthedeveIopmentof

early-twentiethcenturyarchitecturewasFrankLloydWright(1867-1959).

WrightattendedtheUniversityofWisconsininMadisonbeforemovingto

Chicago,whereheeventua11yjoinedthefirmheadedbyLouisSulIivan.

Wrightsetouttocreate"architectureofdemocracy11.EarlyinfIuences

werethevolumetricshapesinasetofeducationaIbIockstheGerman

educatorFriedrichFroebeldesigned,theorganicunityofaJapanese

buildingWrightsawattheGoIumbianExpositioninGhicagoin1893,and

aJeffersonianbeIiefinindividualismandpopuIism.AlwaysabeIiever

inarchitectureas"natural”and"organic”,Wrightsawitasservingfree

individualswhohavetherighttomovewithinafreespace,envisioned

asanonsymmetricaldesigninteractingspatia11ywithitsnatural

surroundings.HesoughttodeveIopanorganicunityofpIanningt

structure,materials,andsite.Wrightidentifiedtheprincipleof

continuityasfundamentaItounderstandinghisviewoforganicunity:

"GIassicarchitecturewasa11fixations.NowwhynotletwallsfceiIingst

floorsbecomeseenascomponentpartsofeachotherThisideal,profound

initsarchitecturalimpIicationsIcalledcontinuity.n

Wrightmanifestedhisvigorousoriginalityearly,andby1900hehad

arrivedatastyleandentirelystartedhisown.Inhisworkduringthe

firstdecadeofthetwentiethcentury,hiscross-axialplanandhisfabric

ofcontinuousroofplanesandscreensdefinedanewdomesticarchitecture.

WrightfullyexpressedtheseeIementsandconceptsinRobieHouse,

builtbetween1907and1909.LikeotherbuiIdingsintheChicagoarea

hedesignedataboutthesametime,thiswascalledaprairiehouse.Wright

conceivedthelong,sweepingground-huggingIines,unconfinedbyabrupt

walIlimits,asreachingouttowardandcapturingtheexpansivenessof

theplacegreatflatlands.StartingabandoningalIsymmetry,the

architecteIiminatedafacade,extendedtheroofsfarbeyondthewalls,

andalIbutconceaIedtheentrance.WrightfilledthenwanderingMplan

oftheRobieHousewithintricatelyjoinedspaces(somelargeandopen,

otherscIosed)vgroupedfreelyaroundagreatcentralfireplace.(He

beIievedstronglyinthehearth1sage-oIddomesticsignificance.)Wright

designedencIosedpatiostoverhangingroofs,andstripwindowstoprovide

unexpectedIightsourcesandglimpsesoftheoutdoorsaspeopIemove

throughtheinteriorspace.Theseelements,togetherwiththeopenground

plan,createasenseofspace-inmotioninsideandout.Hesetmassesand

voidsinequiIibrium;thefIowofinteriorspacedeterminedtheexterior

walIpIacement.Theexterior1ssharpangularplanesmeetatapparently

oddangles,matchingthecomplexplayofinteriorsolids,whichfunction

notasinertcontainingsurfacesbutaseIementsequivaIentinroleto

thedesign9sspaces.

TheRobieHouseisagoodexampIeofWright's"naturalism",his

adjustingofabuildingtoitssite.However,inthisparticularcase,

theconfinesofthecitylotconstrainedthebuiIding-to-site

relationshipmorethandidthesitesofsomeofWright'smoreexpansive

suburbanandcountryhomes.TheKaufmannHouse,nicknameednFalIing

water1'anddesignedasaweekendretreatatBearRunnearPittsburghis

astartprimeexampIeofthelatter.Perchedonarockyhillsideover

asma11waterfa11,thisstructureextendstheRobieHouse,sbIockymasses

inalIfourdirections.Thecontrastintexturesbetweenconcrete,

paintedmetaI,andnaturalstonesinitswallsenlivenitsshapesfas

doesWright1suseoffulI-lengthstripwindowstocreateastunning

interweavingofinteriorandexteriorspace.

TheimpliedmessageofWright'snewarchitecturewasspace,notmass

—aspacedesignedtofitthepatron'sIifeandencIosedanddivided

asrequired.Wrighttookspecialpainstomeethisclient'srequirements,

oftendesigningalItheaccessoriesofahouse.Inthelate1930s,he

actedonacherisheddreamtoprovidegoodarchitecturaldesignforless

prosperouspeopIebyadaptingtheideasofhisprairiehousetoplans

forsmalIer,lessexpensivedwelIings.ThepubIicationofWright1splans

broughthimameasureoffameinEurope,especia11yinHoIIandandGermany.

TheissuanceinBerIinin1910ofaportfolioofhisworkandanexhibition

ofhisdesignsthefollowingyearstimuIatedyoungerarchitectstoadopt

A.style.

B.originality.

C.work.

D.plan.

8.

{{B}}ListeningComprehensionSectionDirections{{/B}}

Thissectionmeasuresyourabilitytounderstandconversationsand

lecturesinEnglish.Youwi11heareachconversationorlectureonlyone

time.Aftereachconversa