審美鑒賞與創(chuàng)造知到章節(jié)答案智慧樹2023年南昌大學(xué)

審美鑒賞與創(chuàng)造知到章節(jié)測(cè)試答案智慧樹2023年最新南昌大學(xué)第一章測(cè)試Whichofthefollowingworksdoesnotassociatewiththecategoryofbeauty?（）

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TaoTeChingWhoistheauthoroftheartwork“WaterLilies”thatMrs.

WangshowsofftoherfriendsintheTVseries“ThirtyandYourself?()

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MonetThefirstpersontoputforwardtheconceptof“aestheticeducation”is（）

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SchillerAestheticeducationisakindofspecialeducationbasedon()theory,throughtheedificationandinfectionofbeautifulthings,tocultivatetheabilityoftheeducatedtoappreciatethebeauty,acceptthebeautyandcreatethebeauty,improvetheaestheticquality,formtheaestheticattitude,learntheaestheticsurvival,andfinallyachievethecultivationofacompletepersonalityandenhancetherealmoflife.

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aestheticTheterm“aesthetic”thatweusetodaywasfirstcoinedbyBaumgarin1750.（）

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對(duì)第二章測(cè)試InthefirstchapterofLaoTzu’sTaoTeChing,“theTaocanbetheTaoandtheUnusualTao;Thenamecanbenamed,veryfamous.Thebeginningofnamelessheavenandearth,thefamousmotherofallthings.”Whatistheaestheticideabehindit?（）

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theaestheticcategoryofbeingandnothing,voidandreality()’sviewofbeautyanduglinessemphasizesthedifferenceandrelativityofaesthetics,thecontradiction,oppositionandtransformationbetweenbeautyandugliness,andemphasizestheaesthetictasteofinactionofnature.

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LaoTzuThehighestaestheticruleoftraditionalChinesepaintingisvividcharm.()

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對(duì)Zhuangziregardednatureastheessenceofbeauty.Heopposedexcessivecarvingandaffectation,andbelievedthat“Taofollowsnature”andtheaestheticexperienceofreturningtoheavenandearthandnaturewasthedeepandrealaestheticappreciation.（）

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錯(cuò)WhichofthefollowingcategoriesisputforwardbyLaoTzu?ItalsohasgreatinfluenceontheChineseclassicalaestheticstoformitsownuniqueaestheticsystemandaestheticcategory.（）

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“Tao”,“elephant”;“void”,“reality”;“existence”,“nothing”;“qi”,“nature”第三章測(cè)試Thetypographyweusetodayevolvedfrom()

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regularscriptChinesecharacterswereinventedby(),abureaucratunderthelegendaryemperor,Huangdi.

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CangjieTheproductionanduseoftheChinesebrushcanbedatedbackseveralthousandyears.Itismadeprimarilyofhairsfromawildanimalandasmallbamboopipe.()

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對(duì)Beinghighqualitypaper,itwasusedasatributetotheemperorearlyintheTangDynasty.()

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對(duì)Yes,Cipoetryhasvariousnamesofcadencewhichwecalled“tune”suchas（）,ete.

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DreamlikeSong;TheMoonovertheWestRiver;TheRiverAllRed第四章測(cè)試Itisevidentthat（）isoneoftheimportantandeternalsubjectsofpoetry.

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love()isthemostimportantrepresentativewriterofChuCiandoneofthemostrespectedgreatpatrioticpoetsinChinesehistory.

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QuYuanIntheancientChina,lovebetweenamanandawomanwasboldandunreservedaswellaswarmandpure,unlikeinthelatefeudalsocietywherethereweresomanyrestrictionsofthefeudalethics,andthenoblesregardedstatusandpropertyassupremelyimportant.()

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對(duì)TheBookofSongswasnotonlyavaluableresourceforstudyancientZhousociety,butalsotherootofChinesepoetry.Ithasagreatimpactuponthedevelopmentofpoetryinlatertimes,intermsofbothitsideologicalandartisticachievements.()

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對(duì)Specificallyspeaking,thebookofsongsdescribesthefollowingaspects:().

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ThehistoryoftheZhouclan,thesepoemsmainlypraisethemeritsoftheancestorsoftheZhouclan,butobjectivelyandvividlyrecordsomeimportantsegmentsofthehistoryoftheZhouclan.;It’stodescribethescenesofhunting,animalhusbandryandagriculturalproductioninancienttimes.;It’stoaccusetherulersofcruelexploitationofthepeople.;It’sthedescriptionofwarandwagging.第五章測(cè)試Andthetealeavesunearthedfrom（）MausoleumwerecertifiedbyGuinnessWorldRecordsastheoldestteaeverfound.

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HanyangAfterJapan,Europewasthenexttodiscoverteaasadrink.The()werethefirsttoseekandobtaintradewithChinafortea.

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PortugueseTeaisanimportantmediumleadingtopoeticlife.Thebiggestdeficiencybroughtbymodernindustrialcivilizationisthatitkeepsusfartherandfartherawayfromnature,greenandpoetry.()

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對(duì)Teaisthemediatorbetweensecularlifeandreligiousrealm.TherelationshipbetweenTaoismandteaisincompleteharmony.Andthereisanothersaying:MeditationPracticeIsEmbodiedByDrinkingTea,AndDrinkingTeaIsAWayToPracticingMeditation”.()

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錯(cuò)Attentionisalsopaidtoenvironment,atmosphere,music,infusingtechniquesandinterpersonalrelationships.（）areblendedintoteaactivity.

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philosophy;ethicsandmorality;aesthetictaste第六章測(cè)試Figurepaintingemphasizes“()”,throughthefacialexpressionofthecharacters(especiallytheeyesofthecharacterization),bodylanguage,theperformanceoftheenvironment,toachievetheshapeofGod,theprominentcharacteroftheOne’sinnerworld.

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vividgraphic()usedfinebrushworktomakepaintingsofpeopleandwasespeciallygoodatpaintingnobleladies,infantsandpommelhorses.

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ZhangXuanThepursuitoftraditionalcultureingeneral(internal)andthelineshapeoftheInkinterest(explicit)fusion,namely:PoeticChinesepaintingand“artisticconception”,“()”performance.

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fantasticcharmChineseandtheeasternworldviewsof(),inChinesepainting,hasbeensignificant,andthroughthem,andaccesstothemillionsofChinesepeople,Orientalfriendsandfriendsaroundtheworldagree.

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nullIdeemthattoappreciatefromthefollowingaspects:（）oftheareastotaste(appreciate)Chinapaintingworks.

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literatureandart(poeticChinesepainting);Chinesehistory,culturalbackground;thepaintingskillsofthecharm;Chinapaintingcolor第七章測(cè)試Chinesesculptureartdatesbacktostonetoolsandpottery,belongsto().

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independentresearchanddevelopmentofself-innovationAncientGreecelearnedthatEgyptiansused()asthemainmaterialfortheirbuildings,changingthehabitofearlyuseofwoodanddebris.

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marbleWeknowthatsculpturereferstotheornamentalobjectsandmemorialsthatarecarvedandshapedtobeautifytheenvironmentortobeusedforcommemorativemeaning,withcertainmeanings,symbolsorpictographs.Sculptureisalsoakindofplasticarts.（）

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對(duì)Chinesesculptureartismainlyembodiedinfiguresculptureandreligioussculpture,whilewesternsculptureartismainlyembodiedinmausoleumsculptureandreligioussculpture.（）

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錯(cuò)Beforereligionintervenedinsculpture,peopleinclansocietyreproducedlifeintheformofpaintingandsculpture.Atthattime,theroleofwritingisstillverylimited,suitablefortheexpressionoflifeonlypaintingandsculpture.（）

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對(duì)第八章測(cè)試Sculptureisalsoakindof()arts.

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plasticTheancient()followedEgyptiansinusingmarbleastheirmainbuildingmaterials,changedtheirearlyuseofwoodandmud-stone.

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GreeksThesculpture,alsoknownasstatue,isthegeneralnameofthreekindsofcreativemethodsofcarving,engravingandshaping.()

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對(duì)TheChinesesculptureartdatedbacktothestoneageandpotteryage,byselfresearchandselfinnovation.()

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對(duì)WhatarethedifferencesbetweenChineseandwesternsculptures?（）

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Westernsculptureartismainlyincarnatedinfiguresculptureandreligioussculpture.;Chinesesculptureartismainlyincarnatedinmausoleumsculptureandreligioussculpture.第九章測(cè)試InthePaleolithicAge,halfamillionyearsago,Chineseprimitivepeopleused()tolivein.

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NaturalcavesFromallthedevelopmentofChinesearchitecturalculture,someimportantartisticfeatureswerepreliminaryformedintheperiodsof().

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Xia,ShangandZhouDynastyUptotheSpringandAutumnPeriodandtheWarringStatesPeriod,thecountrywasdividedintosmallerstatesofdifferentcultureswhichledtotheseparationofthearchitecturalstylesintothenorthandthesouth,formingthenorthstylebasedonQiStateandJinState,andthesouthstylebasedonChuStateandWuState.()

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對(duì)ThearchitectureoftheYuanDynastyboldlyincreasetheuseofwoodenframestructure,andthearchitecturalcharacteristicsofthistimewereextensiveanduninhibited.BecausetheMongolianslovewhite,theYuanDynastybuildingsmostlyusewhiteglazedtiles.()

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錯(cuò)InErlitousitetherearedozensoflargeandmedium-sizedrammedearthbuildingbaseinitspalacearea,wherethecentralaxisisobvious,buildingsareformedbythemainhall,verandas,walls,broadyardsandmaingates,andtheyaredesigned().

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thesecondary;incomplicatedstructure,instrictlayout,;inclearorderbetweentheprimary;onalargescale第十章測(cè)試IntheNorthWeiDynasty.Pingyaocitywasmostprosperousinancient（）industry,soitwascalled“PingtaoCity”.

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potteryPraguewasinhabitedinthe()andbuiltinthe9thcentury.InCharlesIVitbecamethecapitalofBohemiaKingdominthegreatprosperity.

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NeolithicAgeTheCharlesBridge,520meterslonginPrague,islinedwith30holystatuesbyrococoartmastersinthe17thand18thcenturies,knownasthe“Europeanopenrococosculpturegallery”,promotingthestatuecultureofPragueCitytoitspinnacle.()

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對(duì)Acastleisaspeciallanguageinwesterncultureofurbandesign,oneofthegreatfeaturesinEuropeancitiesafterthe9thcentury.Inthe11thcenturythewoodcastlewasreplacedbythestoneone,andthenitwasfastdevelopedduringtheCrusadesinthe12thcentury.AftertheRenaissancethearmedcastleturnedintothegardencastle,andcastlesweredistributedacrossEurope.()

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錯(cuò)ThesouthstreetofPingyaoistheaxis,withthecitytowerinthecenter,buildingsforancestorsontheleftandforthenationontheright,penintheeastandswordinthewest,DaoismtempleintheeastandBuddhismtempleinthewest,morethan50publicbuildingsdistributedinorder.Theroadiscomposedof()inthegrid.

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fourbigstreets;eightsmallstreets;seventy-twowindinglanes第十一章測(cè)試TangXianzu’s（）isregardedasthegreatestromantictragicomedyinthehistoryofChinesedrama.

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PeonyPavilionAsthezajuofnorthernChinaflourishedtothenextdynasty,itdividedthenewgenre—Nanxi,literallymeaning“SouthernDramaandLegend”.（）OperaisoneoftheoldestexistingformsofChineseopera,whichhasdominatedChinesedramafromthe16thcenturytothe18thcentury.In2001,itwaslistedbyUNESCOasthefirst“oralandintangibleheritageofmankind”.

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KunquoperaChinesemusic,likeChineseculture,hasformedaself-containedsystemafterthousandsofyearsofaccumulation.Thesystemconsistsoftwosubsystems.Oneisitsregionalculturalsystem,theotherisitsmusicgenresystem.（）

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對(duì)Thebells,whichroseintheEasternHanDynastyandprevailedintheSpringandAutumnPeriodandtheWarringStatesperiod,arespecialmusicalinstrumentsintheupperclasssociety.（）

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錯(cuò)IntheZhouDynasty,musicalInstrumentswereclassifiedintoeightcategoriesaccordingtotheirmaterials:gold,stone,earth,leather,silk,wood,gourd,andbamboo,whichisalsoknownastheEight-toneClassificationMethodrecordedinancientChinesemusicalliterature.()

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對(duì)第十二章測(cè)試Inessence,danceartusesinteractive()toshowitsaestheticvalue.

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humanmovementDanceisakindofartformthatcanbestshowtheartisticbeautyandformbeautyofhumanbody,amongwhich()isthemostessentialaestheticfeatureofdance.

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bodybeautyThebeautyofsculptureindanceisauniqueaestheticfeatureindanceart,anditisalsoakindofaestheticvaluethatisdifficulttocaptureintheprocessofdance.()

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對(duì)ThePeacockDance,createdbyYangLiping,adanceartistoftheDaiethnicgroup,drawsonbodylanguagetoexpressthebeautyofdanceart.()

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錯(cuò)ThisclassexplainstheaestheticcharacteristicsofChinesedanceartfrom()andthebeautyofartisticconception.

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thesculpture;themusic;thedress;thebody第十三章測(cè)試Asweknown,mostsportsneedmorethanonepersontodo,like（）

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tabletennis;badmintonThewomen’svolleyballteam,nowmissingitsbackboneplayers,age-wise,wasrisingonceagainundertheleadershipofLangPing,winningthechampionshipsbothin（）.

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theworldcup;theworldchampionship“l(fā)ifeis（）”,thebeautyoflifeisthatitallthetimeinthecampaign,andsports.

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exercisePromotingenthusiasmfor（）amongteenagershelpsthemkeepahealthylifestyle.

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sportsEnthusiasmforsportscanmakepeoplefeelita（）totakeexercise.

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happiness第十四章測(cè)試Laborcreateshumanbeings,isthebasisofhuman（）,isthedrivingforcetopromotetheprogressofhistory.

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survival;development（）oncesaidthatthemostbeautifulthingsinourworldarecreatedbyLabor,bythewisehandsofhumanbeing.

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GorkyInternationalLaborDayoriginatedfromtheworkers’strikein（）

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ChicagoEngelsorganizationheldthesecondinternationalinauguralmeetingannouncedthatmayfirstofeveryyearasinternationalLaborDaysinceJulyof（）.

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1889Acityoftransformedbythecreationof（）.

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labor第十五章測(cè)試Theequationof()givesaveryaccuratedescriptionofthecycleofthesunandthemoon,themovementoftheplanetsandeventhemovementofthenebulaean