奧斯卡王爾德英語簡介

奧斯卡王爾德英語簡介

奧斯卡-王爾德,最偉大的作家與藝術家之一，以其劇作、詩歌、童話和小說出名。下面是為你整理的奧斯卡王爾德英語簡介，希望對你有用!

奧斯卡-王爾德人物思想

Wilde'sdevotiontothephilistinephilosophyandhypocriticalmoralityofBritishsociety,heusedthe"beauty"ofarttoconfrontthe"ugly"inthevulgarreality.HebelievesthattheUnitedStatesaboveallelse,artishigherthanlife,thebeautyofartandvaluedoesnotexistinlifeandnature,artshouldbedetachedfromlife.Hesaid:"Allthebadartisreturnedtolifeandnaturecausedby,andisthelifeandthenaturalrisetotheidealresults."Alsosaid:"Theonlythingthatisbeautifulisnothingtodowithus.""Artmoreabstract,Super-idealized,themorewerevealthecharacteristicsofthetimes."Heopposedmaterialism,butalsoagainstthenaturalismandrealismofthecreativeprinciples.Hesaid:"TheabominationofrealisminthenineteenthcenturyislikethewrathoftheKlebanclasseswhoseetheirfacesfromthemirror."Andasaway,realismisapletefailure.Oneofthetwothingsthatanartistshouldavoidisthemodernityoftheformandthemodernityofthesubject."Thusheadvocateswriting"beautifulanduntruthfulstories",theso-called"lying"works,theheroofhisaestheticworks,WhetheritisDorianGray,Salome,orHappyPrince,areunrealistic,fictional,andexotic;thebackgroundofthesepeople'sactivitiesarealsosurreal,man-madeimagination,awayfromlife.

Wildefirmlybelievesthattheindependentlifeoftheartandtheirownvalue,followthedecadentfaction,againsttheutilitariannature,advocatethatartisnotsubjecttomoralconstraints,theartistshouldbeabsolutefreedomandprideindependent.Hesaid:"Thepurposeoftheartistoshowtheartitself,""theartististhecreatoroftheworksoftheUnitedStates...theartistisnotethicalandevil,bookdoesnotmattermoralimmorality.allartisuseless"Inadditiontotheperformanceoftheirownart,donotshowanything,itandthought,likeanindependentlife,andpurelyaccordingtotheirownlineofdevelopment.Sohewasobsessedwiththepursuitofartformbeauty,andassertedthatonlythestylecanmaketheartimmortal.Sincethepurposeofartistocreatebeauty,andthepurposeofbeautyisonlytheirown,thenhowcanwecreatethis"pureart","pure"toe?He"underthesocialistsoul"toanswerthatthebeautyofartIsauniquetemperamentwithoutanyconstraintsoftheartistjusttoenjoythecreativepurposeofpure,imaginedtocreateout.HeemphasizedthebeautyoftheUnitedStates,subjectivityandenjoyment.Thisbeautyisbeyondthebeauty,sublimationoftheUnitedStates,etherealbeauty,mysteriousbeauty,butalsoKant'saestheticswiththe"attachmentbeauty"againstthe"freebeauty".Thiskindofbeautyproducedbythejoy,notsimplythefunction,thefeelingofhappiness,butthejoyoffreelife,forthebeautyoftheparadiseandimmersedinwhichthejoy.Inthethemeof"theportraitofDorianGray"andthespiritualandfleshclamorrevealedbySalome,whatweseeistheclaimofWilde'sspirituality.ThereisanaestheticismintheindulgenceofSalome'spersistentpursuitofbeautyandloveandembracingdeath.Thisphilosophyisasharpcriticismofthematerialsocietyandmediocrityatthattime.ItcanbeseenthatOscarWilde'saestheticclaimis,infact,notentirelysuper-utilitarianandartisticself-contained.

"Lifeisimitationofart,lifeisinfactamirror,andartisreal."Thatistosay,notartreflectslife,butlifeimitatesart.Naturallyonlyaftertheartist'stransformationcanexist,sothenaturalistheimitationofart.Inhisview,withHamlet's"pessimism",modernpessimisticthinking,withthepoet,thepainterwrotethefogofLondon,peoplerealizedthatLondonhas"beauty"fog.Soheadvocatedlifetoart,ratherthanarttobebiochemical.Sohefelltothetopoftheartandlife,therelationshipbetweenartandnature.Fromthepointofviewofthesurface,thisviewenhancesthepositionofart,butfromthedeepanalysis,itdeniesthevalueoftheartofcognition,andthusdeniesthemeaningofartitself.ButWilde'spointofviewisnotplete,andherecognizestheinterrelationshipofartandlifeinanotherplaceandtheexistenceof"artforlifeimitation".ThetragedyofWildeisthathisseriesofaestheticclaimslacktheinherentunityofmaterialism,andfinallyleadstoaseriesoferrorsandcontradictionsintheoryandpractice.ButthisisnottosaythatWilde'saestheticclaims,theory,practice,andhisaestheticexplorationareofnovalueandworthyofstudy.Onthecontrary,itisapositiveideatorejectthedegenerationofartandtodefendthepurityandindependenceofart.

奧斯卡-王爾德寫作特點

fairytale

AlthoughWilde'stragicfairytaleworksregardlessofthestoryishiddenbehindthesamesexortheoppositesexoftheaffair,hislanguageusedtomodifythelanguageoflovealmostaflashybeauty,butthisbeautyforthesecularloveoftheultimatedisillusionmentanddisappearanceofthematter,TobeabletoachievetheperfectonlyloveofChristandsupremeart.AsWildehimselfsays,"thepurposeofartisnotsimplyreal,butplexbeauty."Hepresentsatragicstoryofaestheticisminauniquenarrativeway,creatinganunspeakablebeauty.

paredtothetragicfateoftheGreektragedy,Shakespeareandramahumanistlonelypain,Hemingway'snever-endingtragedyheroicspirit,henarratesisthebeautyoflifeandsorrow-theordinarylifeoflove,thespiritoftheworldBeauty,andthedestructionofthetwotothegreatpainofthehumanmind,highlightingthedivinesalvationandfateofChrist.Wildedidnotrepeattheprinceandtheprincesshappytoliveahundredyearsofcliche,donotexpressgoodandgoodevilevilreportofthegoodwishes,onlyakindofindifferenttonetodescribethetragedy,withthecharactersstaggeredperspectiveandvisionLetthereaderhearthelongsighofthefish,thenightingalelastlifeifthehairspringsong,thedwarfmourncryandhisheartrupturesound.Asanimpliedauthor,hehasalwaysbeensilentonthestoryofthecharacters,sothatChrist'sdeathinthecalltobeeafarewelltragicfateofthebestendoftheceremony.Herepeatedlyinquiredaboutthecontradictionsandparadoxesthatexistedinlifeinanimperfectfairytale,andfascinatedthedifficultiesandplexitiesoftherealsociety,showinghisperfectandpurepursuitofart,loveandlifeinatortuouswayandusinghisownworksPredictedhisuniquelineoflife:walkinginthehedonismandsensibilityoftheedge,swingingbetweenthematerialandthespiritoflovebothdesireanddespair,dyinginthelonelyconvertedtotheCatholicChurch,intotheembraceofChrist,andheThetragedyofthecharactersingeneral,gethistruepeaceofmind.

Poetry

Aestheticismisnotonlytheinheritanceanddevelopmentofromanticpoetry,moreimportantly,itsinnovation.Themostfamoussloganoftheaestheticmovementis"artforart",whichisoneofthereasonswhythisliterarymovementcandevelopinthemiddleandlatestagesofVictorianVictorianfeud.In1895Wildewasjailedfortheso-called"guiltyconscience",eventhoughhisinspirationwasnotaffectedduringhissentence.Inaclassicworkentitled"FromDeep",hewrotemorethanoncethat"Iamasymbolofartandcultureinthisera,"andevenmutteredinhismouthbeforehisdeath,Beauty,onlythebeautyislikethis."

Wilde'sdedicationtoart,therebellionandinnovationofthepracticeoftraditionalpoetry,thepoem"RidingPrisonSongs"isthebestembodiment."LyonPrisonSong"byOscarWildeinprisonafterthestartofcreationin1897andpletedin1898,ishislastgreatpoem.Thewholepoemisdividedintosixparts,atotalof660lines,sixlinesapoem,whichhechangedthetraditionalnarrativelines,expressedthefeelingsofotherprisoners,especiallydescribedtheeviluniversity,moraldecayandprisonsystemofnon-humanabuseTheThispoemistomemoratethesituationofaroyalguardsoldierwhowillbehangedformurderinghiswife.Inthispoem,hetriedtousethewordsthatcouldbetterexpresshisthoughts,seeminglyfeltandimprovised,andinfactincludedtheexaminationandjudgmentofthewholesociety,whichwasinseparablefromhistwoyearsofprisonlifeRelationship.Inthewholepoem,heusedtherepetitiverhetoricalmeans,theslightsyllablechanges.Inverses443and444,"fearisstridingforwardinfrontofus;terroristreadingbehindus",whichincreasinglyaddstothehorrificatmospherethatiscreepy.Thispoeticrealisticdescriptionofthesituationsothatreadersfeelthesame,reallyachievethepurposeofaesthetics.

Fiction

Wildecreatedalotofworkinhislife.Heisrichinmaterials,coveredawiderange.Therearereviews,fairytale,thereisdrama.Buthisnovelisonlyone-"theportraitofDorianGray"(1890).Inthisnovel,Wildeinthisnovel,withrichimagination,bizarreplot,beautifulwriting,fullofphilosophicallanguage,exposingtheBritishhighsocietyofspiritualemptinessandmoralsink,intertwinedwithgoodandevil,beautyandugliness,soulThetragedyofthedestructionoftheflesh,theimageoftheauthor'sownoutlookonlife,moralityandart.Thisnovel,withauniqueartisticconceptionofthevisualizationofthe"artfirst"theory.ThepainterBesseldoesnotcreateportraitsforfameandfortune,becauseofhispursuitof"beauty"intheprocess,intheportraitintotheirown"alleffort",sothattheportraithasanunusual"beauty"andpeculiarvitality.Theauthorthroughsuchanarrangementtoexplain:onlytheimplementationof"artforartandart"tocreatetheworksofartcanbecountedaseternalloftyperfectiontotheworksofart.Itisreflectedinthe"aestheticism","artforart"andotherviews,withMarxist-Leninistviewofliteratureandartiscertainlynotbiased,butweshouldseethatthistimetheintellectualstryingtoescapethecapitalistsystemUndertheevilofthekindofnaiveidea,canbeconsideredthatthisisanegativereactiontothecapitalistsystem.

Drama

Wilde'sgreatachievementinthedramaisthelanguageofthedialoguedialogue,andeverywordisworthconsidering.Wildeisabraveplaywright,hishumorouslanguagerevealsthedecayandchaosoftheupperclasssociety.Manyfamousaphorismsevenefromsomenegativeroles,whichmakestheconversationevenmoreinteresting,butalsomakesthecharactersmorefullandtrueshape.ItistheuseofrhetoricaldevicesthatmakeWilde'splaymeaningfulandflourishing.

ForWilde,contradictoryrhetoricfullyembodieshiswittylanguagestyle.Heusesapairofsemantics,oppositewordsareusedtogethertoexpressmoreplexthoughtsandfeelingsortoexplainameaningfulphilosophy.Themagicaleffectofcontradictoryrhetoricistorevealtheplexpsychologicalcontradictionsandphilosophyoflifeintheinnerworld."Inthe"idealhusband",MabelChiltonsaid:"IreallylikeLondon!Thishasbeenfullyproved,thewholecityisabeautifulfoolandoutstandingmadman."MullersaidshelovedLondonanditwaswellproved,butherargumentwasthatLondonwasfullofbeautifulfoolsandoutstandingmadmen."Beautiful","fool","outstanding","madman"ThecontradictorystatementsrevealWild