歷年真題：GRE試題3.docx

歷年真題：GRE試題338 Questions1. Because the monkeys under study are the presence of human beings, they typically human observers and go about their business(A) ambivalent about welcome(B) habituated to disregard(C) pleased with snub(D) inhibited by seek(E) unaware of avoid2. Give he previously expressed interest and the ambitious tone of her recent speeches, the senators attempt to convince the public that she is not inter- ested in running for a second term is .(A) laudable(B) likely(C) authentic(D) futile(E) sincere3. Many of her followers remain to her, and even those who have rejected her leadership are unconvinced of the of replacing her during the current turmoil.(A) opposed urgency(B) friendly harm(C) loyal wisdom(D) cool usefulness(E) sympathetic disadvantage4. Unlike many recent interpretations of Beethovens piano sonatas, the recitalists performance was a delightfully free and introspective one; nevertheless, it was also, seemingly paradoxically, quite .(A) appealing(B) exuberant(C) idiosyncratic(D) unskilled(E) controlled5. Species with relatively metabolic rates, including hibernators, generally live longer than those whose metabolic rates are more rapid.(A) prolific(B) sedentary(C) sluggish(D) measured(E) restive6. Belying his earlier reputation for as a negotiator, Morgan had recently assumed a more stance for which many of his erstwhile critics praised him.(A) intransigence conciliatory(B) impropriety intolerant(C) inflexibility unreasonable(D) success authoritative(E) incompetence combative7. Although Irish literature continued to flourish after the sixteenth century, a tradition is in the visual arts: we think about Irish culture in terms of the word, not in terms of pictorial images.(A) rich superfluous(B) lively found(C) comparable absent(D) forgotten apparent(E) lost extant8. SILVER: TARNISH:(A) gold: burnish(B) steel: forge(C) iron: rust(D) lead: cast(E) tin: shear9. DISLIKE: LOATHING:(A) appreciation: gratification(B) hunger: appetite(C) void: dearth(D) pleasure: bliss(E) pain: ache10. CRAVEN: HEROIC:(A) unruly: energetic(B) listless: attractive(C) volatile: constant(D) deft: trifling11. FILLY: HORSE:(A) antennae: butterfly(B) pullet: chicken(C) gaggle: goose(D) duck: drake(E) wasp: bee12. PITHINESS: APHORISM:(A) craft: art(B) detail: sketch(C) illusion: story(D) exaggeration: caricature(E) sophistication: farce13. EPHEMERAL: ENDURING:(A) infirm: healing(B) insensitive: cooperating(C) inanimate: living(D) interminable: continuing(E) ineffectual: proceeding14. POSTURER: UNAFFECTED:(A) brat: insolent(B) hypocrite: perceptive(C) grouch: respected(D) bigot: tolerant(E) rogue: empathetic15. FACETIOUS: SPEECH:(A) precocious: learning(B) unbecoming: color(C) exemplary: conduct(D) craven: timidity(E) antic: behavior16. VAGARY: PREDICT:(A) quotation: misdirect(B) investigation: confirm(C) stamina: deplete(D) turbulence: upset(E) impossibility: executeThis is not to deny that the Black gospel music of the early twentieth century differed in important ways from the slave spirituals. Whereas spirituals were created and dis- seminated in folk fashion, gospel music was composed, (5) published, copyrighted, and sold by professionals. Never- theless, improvisation remained central to gospel music.One has only to listen to the recorded repertoire of gospel songs to realize that Black gospel singers rarely sang a song precisely the same way twice and never according to (10)its exact musical notation. They performed what jazz musi- cians call head arrangements proceeding from their own feelings and from the way the spirit moved them at the time. This improvisatory element was reflected in the man- ner in which gospel music was published. Black gospel (15)composers scored the music intended for White singing groups fully, indicating the various vocal parts and the accompaniment, but the music produced for Black singers included only a vocal line and piano accompaniment.17.Which of the following best describes head arrange- ment as the term is used in line 11?(A) A published version of a gospel song produced for use by Black singers(B) A gospel song based on a slave spiritual(C) A musical score shared by a gospel singer and a jazz musician(D) An informally written composition intended for use by a gospel singer(E) An improvised performance inspired by the singers emotions18.The author mentions folk fashion (line 4) most likely in order to(A) counter an assertion about the role of improvi- sation in music created by Black people(B) compare early gospel music with gospel music written later in the twentieth century(C) make a distinction between gospel music and slave spirituals(D) introduce a discussion about the dissemination of slave spirituals(E) describe a similarity between gospel music and slave spirituals19.The passage suggests which of the following about Black gospel music and slave spirituals?(A) Both became widely known in the early twentieth century.(B) Both had an important improvisatory element.(C) Bo